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Federation University Art Collection
Painting, Gloria Petyarre, 'Bush Medicine' by Gloria Petyarre
Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia -
Churchill Island Heritage Farm
Fern hook
Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Curved blade, painted black. Wooden limb handle, varnished, some white paint spots. Nail into handle in blade holder sleeve. Slight bulge in handle near blade holderchurchill island, fern hook, olinda, mount dandenong, nilma north -
Yarra Glen & District Historical Society
Sepia postcards, Yarra Glen from the Healesville railway line
Sepia postcard with a view of Yarra Glen taken from the east on the railway line adjacent to the Healesville Rd. The view extends from the railway station to Point Pleasant and includes Victoria Hall, the Grand Hotel and Mrs Roberts' house.On back of postcard at the top "POST CARD". On the left hand side "THIS SPACE MAY BE USED FOR PRINTED OR WRITTEN MATTER". On the right hand side "ONLY THE ADDRESS TO BE WRITTEN HERE". In a box in the right hand corner "A HALF-PENNY STAMP TO BE PLACED HERE". Along the left hand margin "Ajax series. Printed in England". COPY 2: Also has handwritten on back "March 5th 1929 Mount Wise, Yarra Glen. Our dear Lorna Lesley, Melbourne. Just a [few]lines to wish you a happy birthday, fancy tomorrow you will be nine years old. It only seems like nine months since you were a wee baby. When you are just as old again you will be a young lady, quite grown up. Thank Mum for her letter this morning. It is very good to take the ladies out. Lots of love to you from all of us; Love to Dad & Mum too, Your loving Aunt F..." COPY 3: Also has handwritten on the back "To Dear Aunt Charlotte, Martha. Lottie & all the boys with love & best wishes for a Happy & prosperous New Year from Cousin. (In another hand and ink) G Keets Yarra Glen.hotel, yarra glen, railway line, point pleasant, grand hotel, victoria hall, post and rail fence, mt wise, mount wise -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''THE COUNTESS MARITZA''
Bendigo Operatic Society ''The Countess Maritza'' for Five Nights Commencing Friday 25th November, 1966 at the Capital Theatre, View Street. Producer: Mr. Cid Ellwood - Musical Director: Max O'Loghlen - Assistant Producer, Ballet Mistress and Wardrobe Mistress: Miss Madge Welch - Society Pianist and Chorus Mistress: Mrs. Gwen Grose. Cast in Order of Appearance: Bert Donovanas Cheko (Butler to Countess Maritza) - Brian Axford as Berko (Peasant in Love with Manya) - Terry Carr as Josef (Peasant at Maritza's Estate) - Nigel Wright as Akos (Peasant at Maritza's Estate) - Ruth Iredale as Manya (Gypsy Fortuneteller) - Leonard Carr as Belo Torok (Alias Count Tassilo) - Reginald Boromeo as Captain Karl Stephen (Tassilo's Friend) - Ferd Lorenz as Prince Koloman Zoupan - Valerie McCracken as Countess Maritza - Rhonda Osborne as Ilka Grasuvenko (Friend of Maritza) - Patricia McCracken as Countess Lisa erody (Sister of Count Tassilo) - Fred Trewarne as Baron Moritz Dragommir Populescu (Mayor of Verasdin) - Joan Crane as Baroness Bozena Populescu (Aunt of Tassilo) - Nigel Wright as Penizek (Her Secretary) - Brian Axford as Raimund - Joan Mellis as Sari - Yvonne Hopkins as Mitzi.program, theatre, bendigo operatic society -
Orbost & District Historical Society
Document - ticket, 1896
Gordon Hall was the first public building in Buchan. European settlement first entered the area in October 1838 and Buchan station was established in January 1839. Free selection after 1868, and a township was proclaimed in 1873 taking its name from the station. The Grand ball was held on race night, Monday 28th December 1896 in the Gordon Hall at Buchan. From the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert)This item reflects the recreational / social activities of a remote rural community. A public event such as a grand ball would have been a significant event on the calendar.Small, cream-coloured rectangular card with rounded edges and blank ink. Evidence of pin holes in each four corners and folds/signs of wear. Card is foxing and has small vertical tear in lower left quadrant.+ GORDON x HALL, x BUCHAN. + / Race Night! - Race Night! / A GRAND BALL / Will be held in the Gordon Hall, Buchan, on / Monday, : 28th : December, : 1896. / ADMISSION : / +- SINGLE, THREE SHILLINGS -+grand ball, 1896, gordon hall, buchan, elsie cooke -
Brighton Historical Society
Clothing - Dress, Fancy dress, circa 1911
This dress is a 'Dolly Varden' or 'shepherdess" style costume worn by Ida Annie Wallace (1890-1976) on a sea voyage to China accompanying her parents in 1911. The BHS has a photo of Ida wearing this dress when she was a guest at a dance for young people given by the Lord Mayor of Melbourne (possibly T. J. Davey). This party may have been held on the ship or it may have been a seperate event. This style dress was a popular choice for fancy dress in the late 1890s and early 1900s. The style is named after the character Dolly Varden in Charles Dickens, 'Barnaby Rudge' 1841. Around 1872, Dolly Varden-inspired costumes and paraphernalia were very a popular craze. Family information states that the silk for this dress was purchased by Ida and Marjorie's grandfather's sister (great aunt) in England circa 1840. The dress was donated by Marjorie Wallace (1901-1999), Ida's sister. Marjorie did not accompany the family to China, but stayed home with a governess. Marjorie lived in Brighton between 1923 and circa 1950 and attended Firbank Church of England Girls Grammar School.A dress consisting of bodice (.1) and skirt (.2). The bodice is made from beige silk with sprays of red and blue flowers and originally laced down the centre front with pink ribbon. The lower part of the bodice is modelled on a late 18th century polonaise design. The bodice is boned and features waist tapes. The elbow length sleeves are finished with beige hand made Maltese lace featuring Maltese crosses. The mid calf length skirt is made from pale pink silk which has been quilted and lined to create a stiffened form. Also with the dress is a piece of scrap floral fabric (.3) that is the same as the bodice fabric.dolly varden, marjorie wallace, barnaby rudge, charles dickens, fancy dress, ida annie wallace -
Bendigo Historical Society Inc.
Book - HOSKING AND HUNKIN COLLECTION: BIBLE, 1800s
HOSKING AND HUNKIN COLLECTION: Small Bible inside envelope. On Binder: New Testament Inside front cover: This Book Belongs to Ellen Nancarrow November 8th 1857 Redruth Coomb Inside second page: This is a present given to Emily Hoskong by her Aunt Helen a a token of Love November 1860. Bible Details: The New Testament of our Lord and Saviour Jesus Christ translated out of the original Greek and with the former translations diligently compared and revised, by his Majestiy's special Command appointed to be read in Churches. Oxford prineted at the Univerity Press for the British and Froreign Bible Society, instituted in London in the year 1804; and sold to Subscribers at the Society house Earl Street, Blackfriers, London. Diamond's 48's 1856. Cum Privilegio Note inside BibleBible given to Emily Hosking (m. Emmanuel Hunkin) from her aunt Ellen (Nancarrow) Redruth Coomb. 8 Nov 1860 prior to sailing to Victoria. Nancarrow = Valley of the Stags. On front of envelope: Her New Testament a precious possesion. Bible given to Emily Hosking (b. 12-2-1854 d. 22-5-1905) by her mother's sister Ellen Nancarrow (b 17 Mar 1827 husband Wm Hosking m. 1853 Rev. John Cornwall Wm. D. 10 July 1914) in 1860 8th Nov before leaving for Australia. Liven and mined at Eaglehawk, Vic. Then Rushworth area (farming) Emblen Hosking nee Nanacarrow RedruthCoomb Cornwall b. 6/3/1831 d. 20/5/1895 Gobarup. Rear of envelope: Yellow and black stickers (Women with flowers and Man with Scythe, and St. Piran's) written on 'Cornish Patron Saint's day - 5th March. Address Label: Ms Betty Night, 29 Gilbertson Street Essendon Vic 3040 Separate page of Notes: A note in the front of Hymn Book Emily Hosking born 12/2/1854 married 1873 her book. A reward - The Bible Christian Sabbath School, Sailors Gully June 29th 1868. Hyms - Bible Christian 2nd edition 1890. Bible Christian Book Room 26 Paxxxx Road E.C. Mrs E. Hunkin Eaglehawk B.C. Church January 21st (18) 94 Husband Emmanuel Huskin born 21/1/1852 - collection of hymns Wesley hymns Emmanuel Hunkin. 2. A collection of hymns Emmanuel Hunkin, Eaglehawk Bendigo.book -
Orbost & District Historical Society
ticket, 1888
This ticket was for a grand ball to celebrate the second anniversary of the Loyal Orbost M.U.I.O.O.F. Lodge. It was held in the Mechanics Institute hall on Friday 20th July, 1888. The cost of a single ticket was 5/-. The secretary of the lodge was John Rowe, the first teacher of the state school in Orbost. From the estate of Elsie Cooke. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref Mary Gilbert) Manchester Unity Independent Order of Oddfellows (MUIOOF) had its origins in Manchester, England. It was established in Melbourne on 7 December 1840 when Augustus Greeves, a member of the MUIOOF in England, migrated to Australia and formed the first friendly society. In 1840 Manchester Unity IOOF was founded in Victoria. Friendly Societies were founded in the Australian Colonies in the mid-19th Century by immigrants from England who had been members in Societies which dated back to the 18th Century. Like all working people these immigrants experienced sickness, accidents, unemployment, death and burial. They needed help of like fellows to tide their families over these times. So they formed a branch of one of the Friendly Societies back in the mother country. The idea was to make fixed contributions to a fund and when they were off work they would receive a payment. When they died funeral benefits would be paid and the widow and children would be cared for. It was a form of local insurance for hard times. This was a time of 'look after yourself' as the Colonial Governments did not provide pensions or benefits. This item reflects those times.A small white rectangular paper ticket with black print. It is for the Loyal Orbost Lodge M.U.I.O.O.F. Grand Ball.front - "Dancing to Commence at 8pm."public-event-orbost document-ticket m.u.i.o.o.f -
Lauriston Girls’ School (incorporating Lauriston Museum and Gallery)
Photograph, Lauriston Hockey Eleven 1905
This photograph was donated by Mrs Howard whose aunt, Dorothy Christian, attended Lauriston from 1904 to 1908. Lauriston’s very first sports photograph is in 1905, of our students standing with their hockey sticks to mark their participation in the Girls’ Schools’ Hockey Association. Hockey was without doubt the “Queen of Games” at Lauriston during the school’s early decades. The school’s founders Miss Margaret and Miss Lilian Irving were firm believers in the character-building nature of team sports and were instrumental in establishing hockey as a competitive sport for girls in Melbourne. Lauriston’s founders Lilian Irving one of the two sisters who founded Lauriston, saw hockey played in England and brought the game back to Melbourne. Lilian arranged for the first girls inter-school hockey match, between Lauriston and Ruyton in 1903. Her sister Margaret subsequently joined with Mary Morris of Melbourne Girls’ Grammar to establish the Girls’ Schools’ Hockey Association in 1905. The Association organised regular competitions between schools. Hockey dominated Lauriston’s sporting life until well into the 1950s, with regular class, house, inter-school, and staff-student matches. B & W photo 14 x 18.7 cm, mounted on brown card, with inscription in white ink “Lauriston Hockey Eleven 1905”. Underneath the photograph on the mount are names of the players in three rows according to the arrangement in the photograph. The students standing in the back row are N. Stewart’ G. Mogg, D. Elder, M. Elliott (Captain), J. Tuthill, C. McWhae and E. Stewart. The students knelling in the middle row are S. Mitchell (emergency), M. Rigby, and J. Mitchell. The two students sitting at the front are D. Christian and R. Stewart.Lauriston Hockey Eleven - 1905 N. Stewart, G. Mogg, D. Elder, M. Elliot (capt) J. Tuthill C. McWhae E. Stewart S. Mitchell (emer.) M. Rigby J. Mitchell D. Christian R. Stewart -
Surrey Hills Historical Society Collection
Pamphlet - Ephemera, Brochure for Holmsdale Convalescent and Rest Home, 257 Union Road, Surrey Hills, 1936
Holmsdale Convalescent and Rest Home was built by John Mawson for his sisters Muriel, Beatrice and Harriet (and ? Ethel or Dorothy), all nurses. It was named after the sailing ship that their parents, Frederick W and Mary Mawson and baby Beatrice migrated on from England in 1882. John was a partner in the Box Hill building firm Garre tt and Mawson. The sketch of the nursing home used in the brochure was his work. It was opened on Saturday 14 March 1936 by Mr M J Boyland, MLA. The home was closed in the mid-1950s and converted into 4 self-contained flats, one of which was occupied by the sisters in their retirement; the others provided them with an income. Initial photocopies of this brochure, an invitation to the official opening of Holmsdale, photos of the ship Holmsdale, passengers' ticket for Fred W Mawson, Mary Mawson & Beatrice Mawson and notes compiled by John Howden about his late aunts (Bea, Hadge & Mouse) were donated to the collection by Randy Johnson, a tenant of John Howden's in late 2004. Subsequent research papers and photocopies of other family ephemera from John Howden are also filed in the Mawson vertical file.A brown bi-fold leaflet advertising the Holmsdale Convalescent and Rest Home located at 257 Union Road, Surrey Hills under the direction of the Misses Mawson (late Australian Army Nursing Service A I F). Inside is an artist's sketch of the exterior of Holmsdale.holmsdale convalescent and rest home, garrett and mawson, nursing homes, nurses, builders, john mawson, beatrice mawson, harriet mawson, muriel mawson, ethel mawson, dorothy mawson -
Clunes Museum
Work on paper - FAMILY HISTORY THOMAS AND MARGARET WILLIAMS
THOMAS WILLIAMS WAS BORN IN REDRUTH CORNWALL IN MARCH 1850, THE SON OF THOMAS MORCOM WILLIAMS (A MINER) AND GRACE FAULL. THE FAMILY IMMIGRATED TO SOUTH AUSTRALIA IN 1851, ARRIVING ON THE OREGON AT PORT ADELAIDE IN NOVEMBER 1851. THE SETTLED IN THE COPPER MINING TOWN OF KAPUNDA. AFTER HIS PARENTS DIED IN 180/61 THOMAS WAS ADOPTED BY HIS AUNT HARRIET AND UNCLE HENRY ROWE. HE ACCOMPANIED THE ROWES WHEN THEY SHIFTED TO CLUNES IN VICTORIA GOLDFIELDS SOMETIME IN THE LATE 1860'S.ON OCTOBER 9 1873 THOMAS WILLIAMS MARRIED MARGARET WILLIAMS HAWKEY AT CLUNES AT TEH HOME OF HER PARENTS. MARGARET WILLIAMS HAWKEY WAS BORN IN THE PARISH OF TYWARDREATH ST. AUSTEL CORNWALL ENGLAND ON MARCH 14TH 1851. SHE WAS THE DAUGHTER OF SIMEON HAWKEY AND ELIZABETH HAWKEY (NEE KNIGHT). MARGARET IMMIGRATED TO VICTORIA IN 1866 WITH HER MOTHER AND THREE SIBLINGS. SHE JOINED HER FATHER WH HAD IMMIGRATED THREE YEATS PREVIOUS. THE HAWKEYS HAD A STORE IN CLUNES. THOMAS WILLIAMS WAS MINE MANAGER AT PORT PHILIP GOLD MINE FOR 30 YEARS. HE MOVED TO MINE IN WA IN 1894/95. THOMAS AND MARGARET CAME BACK TO CLUNES IN MAY 1898 FOR A HOLIDAY.HE WAS THE MANAGER OF THE CHUM GOLD MINE IN MT. MAGNET WA. THOMAS DIED 21/12/1912 IN PERTHport phillip gold mine, thomas williams, chum gold mine -
National Wool Museum
Blanket, Standard issue army blanket
Maker unknown. This blanket was part of the standard army issue kit and belonged to Lois Denshams father, who served at Gallipoli during the first world war. Before donating the blanket to the Running stitch collection, it was kept by Lois' Aunty Nita. Lois remembers that it was kept in her fathers original kit bag and kept at her aunts place because of sad memories about the war which her mother found difficult. The humble army blanket had many uses during war times. Issued with two blankets, it was all a soldier had as a bed to keep warm or without a tent, all they had to provide shelter from the sun, rain or wind. (They were supplemented with a woollen army 'great coat', but soldiers still had to huddle together as keeping warm and dry was a desperate game.) The Lighthorsemen used them under their standard leather saddles for extra padding and in the hospitals they were sometimes the only bedding for the wounded. This blanket belonged to Lois Denshams' father who served in the Australian Army in the First World War, landing at Gallipoli. Since the war, army blankets have come to be regarded as the basic type of blanket -no frills. This blanket was used in the Densham family since that time for camping trips.Grey woollen army blanket with stripes near either ends.world war i, running stitch group, running stitch collection -
Wodonga & District Historical Society Inc
Album - Haeusler Collection Family Scrapbook Album Belonging to Ilma Haeusler c. 1910s - 1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This scrapbook album belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. Ilma died in childbirth in 1928, leaving her husband Louis Alfred Haeusler (b.1878), and one surviving son, John Alfred Lyell (b.1922). The scrapbook was gifted to Ilma from her Aunt and contains Tasker family photographs, and postcards and greeting cards Ilma received in the 1910s-1920s.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women's history.An olive green photographic album with a red, green and yellow floral motif on the front cover. First page inside front cover, handwritten pencilled inscription: "Ilma Margaret Ernestine Tasker/ To Ilma/with love/from Auntie Annie/wishing her a happy/Birthday". album, scrapbook, family, family album, wodonga, haeusler, haeusler collection, photographs, photograph, postcard, christmas card -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''OKLAHOMA!''
Programme of the Bendigo Operatic Society. A Musical Play by Rodgers & Hammerstein ''Oklahoma'' Produced by Norman Lee. Capital theatre Bendigo Opening Friday 14th July 1961 for six Nights. Cast in Order of Appearance: Gertrude Perry as Aunt Eller - Harry Brewer as Curly - Dawn Beckwith as Laurey - Leonard Carr as Ike Skidmore - Peter Houston as Fred - Gerald Gleeson as Slim - Bryan Brewer as Will Parker - Brian Thomas as Jud Fry - Annette Wilson as Ado Annie Carnes - Alfred Annison as Ali Hakim - Wendy Griffiths as Gertie - Emily Westgarth as Ellen - Joan Crane as Viviene - Carol McKenzie as Faye - Ailleen Simmonds as Virginia - Patricia McCracken as Suzanne - Frederick Trewarne as Andrew Carnes - Reginald Boromeo as Cord Elam - Gerald Hayward as Ed - Victor White as Mike - Peter Haines as Jud (In Ballet) - Terry Carr as Curly (In Ballet) - Bronwen Townsend as Laurey (In Ballet). Musical Director: Max O'Loghlen. Society Pianist: Mrs. P.House. Ballet Mistress: Miss M.Welch. Synopsis: ''Oklahoma'' is a musical based on Lynn Rigg's play ''Green Grow the Lilacs''. The Story is set in Indian Territory just after the turn of the century and revolves around the lives of Curly, a cowboy, and Laurey. Laurey is in love with Curly, but to make him jealous pretends to be attracted to Jud fry. Everything is settled at the Annual Box Social.program, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1922
Series of Black & White Images depicting life for the Hill Family and Friends During 1922 Post War Boom. Total 5 Photos. Ladies Day Out: Alma, Kitty, Lorna Claire & Eileen, all the ladies are dressed in white, lady at front wears dark stockings others are wearing white stockings and shoes, first two are standing on the steps and the others are on the verandah, two stone pillars with garden pots on them, Window of house to the left and curtains hanging inside, 'The Ranche' March 1922. (Aunt Mabel) Sister M. Alphonsus, dressed in dark habit with rosary hanging from her waist, arms crossed, standing in archway covered with vine, to right a spire can be seen. Uncle Percy in South America with Fox Terrier, holding a gun in his left hand, garden setting with palm trees. Frank, dressed in black suit white shirt and dark tie with his hands around a Hound Dog enjoying some R&R. Ken with his tennis racquet, in his dark coloured uniform white shirt and dark tie, standing between two chairs holding a tennis racquet and ball, both chairs have a white cloth backing, left chair with object on seat and large vase on the ground, trellis to the right, weatherboard to the left and shrub.Hilda Hill Personal Collectionaustralia, history, post war life -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1855-1872
This dress was donated as having belonged to Annie Elizabeth McLean, who worked as a maid to the daughters of Samuel Renwick of Caulfield. Annie was born in Argyllshire, Scotland in 1853. This dress appears to have been originally made circa 1855 and then modified circa 1872. As Annie would only have been two years old in 1855, this indicates that the dress would most probably have been originally made for someone else and later acquired by Annie. Annie Elizabeth McLean arrived in the Colony of Victoria from Argyllshire, Scotland with her aunts and cousins in 1867, aged thirteen and a half. She had been educated in Scotland and eventually became a personal maid and then companion to the Renwick girl, daughters of Samuel Renwick of Caulfield, Victoria. The Renwicks' home, 'The Garrell' on Glen Eira Road, was one of Caulfield's earliest residences, having been built around 1854. Samuel was a business partner of William Kerr Thomson, a well-known Brighton resident and the original occupant of the North Road mansion 'Kamesburgh'. During her time with the Renwick family, Annie travelled with them to England, then to Scotland, then back to Victoria. She left the family upon the marriage of the youngest Renwick daughter, then went to the household of Sir William and Lady McCullough until she left to be married to Alfred John Ashfold in 1878.This c1872 grey and white silk pin stripe dress features a high round neckline with eleven decorative blue silk buttons and secured by a concealed line of fifteen hook and eyelet closure. The bodice (.1) has decorative blue and green braid over the shoulder and bust and across the base of the bodice. The dress features three darts shaping the dress to the body. The sleeve is cut high but relatively full and tapers to the elbow then flares again in Pagoda like style but ends at the wrist or hand. The skirt (.2) opens over the left hip and features a pocket over the right hip. The skirt at the front finishes at the ankle or just above the ground. At the back the bodice features panels shaping the dress into the body and pleated and flared from the waist. At the small of the back is a decorative bow with pinked edges and decorative braid. The skirt at the back is uncommon in shape most likely as the result of modification. It appears to have had panels removed reducing its original fullness. It has a tape inside the back of the skirt that would draw the skirt in creating a bustle like shape . It would appear that the dress had been modified in order to create a more fashionable silhouette most probably in circa 1872. There are three separate pieces of fabric. One is made up into a semi-circular over-skirt trimmed with blue braid and fringing (.3). Two pieces are unpicked skirt gores, one still has its cotton lining attached (.4 and .5).annie elizabeth mclean, samuel renwick, the garrell, caulfield -
Orbost & District Historical Society
account, 30th June 1891
The first Presbyterian Church service was conducted at the Orbost Station Homestead in 1885, during a visit by Sir William Clarke, who was accompanied by two ministers. The organist was resident Grace Jennings Carmichael. Services were later held in Mr J. W. Borland’s shop and the Mechanics Hall. In 1887 the land on which the church now stands was purchased from Mr James Hossack snr, for £50 ($100). The trustees were Mr John, Peter and Hugh Cameron, Mr John A Watt and Mr James Hossack Jnr. Timber from Richardson’s Tabbara Mill was used by builder Mr R. P Cameron and at a cost of £ 311.3.7 ($622) the church was opened January 9th 1898. This item is from the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert This item is associated with the Presbyterian Church in Orbost. It is an example of early book-keeping and is also associated with Elsie Cooke.Two white paper accounts. They are typed in black and are statements of receipts and expenditure for the Presbyterian Church in Orbost. On one sheet is an alhabetical list of subscribers for the year ending June 30, 1891. On the other is a general account of receipts and expenditure.presbyterian-church-orbost account-book-keeping -
Orbost & District Historical Society
program, Snowy River Mail, 1891
This concert was held in the Mechanics' Institute on Friday, October 16th, 1891 commencing at 8pm. A dance was held after the concert. The secretary at that time was J. McNair. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall From the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert)The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.An orange, paper program with black print. The program and details are inside a black frame. It is for a concert in aid of the Orbost Brass Band.At the top handwritten in black pen is" Donated by Mrs Elsie Cooke".orbost-brass-band-programme cooke-elsie -
Federation University Historical Collection
Article - Article - Women, Gippsland TAFE Morwell: Women of Note; Eileen Harrison, Artist and Aboriginal Elder, (1948 - )
Eileen Harrison was born in 1948 at the Lake Tyers Aboriginal Mission, Gippsland, Victoria. She lived here until she was 13. The family moved to Ararat. Eileen left school returned to Lake Tyers when she fled form her parents’ house in Ararat, and stayed with Uncle Charlie and Aunt Phyl. Eileen found that Lake Tyers had changed for the worse since her childhood, and she only stayed three months because she found this unsettling. It wasn’t until 1993 that Eileen reconnected with the education system. To provide support for her daughter Jacey, Eileen took Higher School Certificate subjects at the Macmillan TAFE College in Warragul. In retrospect, completing the TAFE course was a pivotal moment in Eileen’s life: the “beginning of something”. Eileen later studied fine arts at the Koorie Unit of the Central Gippsland TAFE in Morwell. She received her Diploma in Cultural Studies and Art in 2003, and was the Central Gippsland TAFE student of the year. Aunty Eileen Harrison is a true living treasure of Gippsland. A regular exhibitor at Gippsland Art Gallery, Aunty Eileen has inspired thousands of people through her moving coming-of-age novel 'Black Swan: A Koorie Woman’s Life' (co-written with Carolyn Landon in 2011). Aunty Eileen stresses the importance of listening deeply from the heart. Her powerful connection to her mother and grandmother, as well as the animals and land is at the heart of these works. women of note, eileen harrison, aunty, aboriginal elder, artist, lake tyers mission gippsland, ararat, higher school certificate, macmillan tafe warrigul, koorie unit, gipps, and central tafe, morwell, diploma, cultural studies and art, gippsland art gallery, novel "black swan" -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Lara RSL Sub Branch
Metal badge, RSSA&AILA Women's Auxiliary Badge
The RSS&AILA was the name of the RSL in 1956, called Returned Sailors and Soldiers and Airmen Imperial League of Australia. The Australian Imperial Service of Women’s Auxiliary of the RSL was formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the Australian Imperial Forces in the First World War (1914-1918). The auxiliaries grew from this beginning to raise money for the welfare of men and women who served and their widows and families. In Victoria, the RSL Women’s Council of Victoria is headquarters for Auxiliaries throughout Victoria. The aim of Women’s Council is to support the Auxiliaries, in assisting the Returned & Services League to give a helping hand to Service Members, their families and the wider community. RSL Sub-Branches and their Women’s Auxiliaries work together towards the same goals. As of August 2015 there are 64 Women’s Auxiliaries with approximately 1250 members. The Lara Ladies Auxiliary was disbanded in September 1952, due to not enough members to continue the auxiliary (the ladies from the beginning becoming too old – First World War). Those left promised to continue to support the RSL in all its future activities, which the ladies continue to do today as members and Associate members. Here is the last entry, dated 8th September, 1952: “Since our last meeting our President Mrs Marshall has passed away. It was decided that as there is not enough members to continue the Auxiliary the Lara Sub Branch was requested to have the Auxiliary disbanded. Assistance was promised the League by the ladies present in all its futher activities.” There were four present at this meeting. Signed by P. Walker, Hon Secretary and Treasurer.This badge is of historic significance as it represented a badge held by a member of the Ladies Auxiliary of the RSL in 1956.A metal circular badge with outer blue rim with words R.S.S.&.A.I.L.A. Women's Auxiliary. Inner gold circle has blue Australian flag. At top of badge is 56.On the reverse side of the badge is the stamped number 6965 -
Eltham District Historical Society Inc
Negative - Photograph, Burgoyne family outside J.N. Burgoyne's Store, Main Road, Eltham, Vic, 1940
The store built in 1925 was located on Main Road just south of Bridge Street (present day No. 820 Main Road). An extension was added to the right in 1939. The store was built in late 1925 at the same time as Mr C. Nicholls’s new store was constructed. Both were considered modern shops, and an improvement on most, business establishments of the time. Mr. Nicholls’s store included alongside it a modern, weatherboard villa residence. Mr. Burgoyne’s store incorporated the post and telegraph office, which was operated by John Neville Burgoyne’s half-aunt, Miss Anne Hunniford until her death in 1928 at which time J.N. Burgoyne became postmaster. The unsealed footpath in front is reasonably extensive as not visible is a concrete kerb and channel which was laid from the Post Office to John Street during Nov-Dec 1926. Footpath construction in front of Burgoyne’s store commenced August 1942. The extension to the right of the store was erected in 1939 for a new telephone exchange adjacent to the store and post office. A continuous telephone service operated by Mr Burgoyne and his family commenced operation 18 November 1939. Approximately 70 extensions were routed through the new exchange, 40 of which were transferred from the Greensborough Exchange. Entry to the exchange was via a separate door on Main Road or via the shop. The public telephone was initially mounted on the wall but later moved to the street. Cross Ref: 0701 of the store c.1934This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, burgoyne's shop, eltham, main road, post office, shops -
City of Greater Bendigo - Civic Collection
Souvenir - Pamphlet commemorating the 1946 visit of the Duke and Duchess of Gloucester to Bendigo, City of Greater Bendigo, c 1946
Paper pamphlet printed by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Prince Henry, Duke of Gloucester, KG, KT, KP, GCB, GCMG, GCVO, PC (Henry William Frederick Albert; 31 March 1900 – 10 June 1974) was the third son and fourth child of King George V and Queen Mary. He served as Governor-General of Australia from 1945 to 1947, the only member of the British royal family to hold the post. Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GBE (born Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. She was the mother of Prince William of Gloucester and Prince Richard, Duke of Gloucester. The daughter of the 7th Duke of Buccleuch, Scotland's largest landowner, she became by marriage a princess of the United Kingdom, and a sister-in-law to Edward VIII and George VI. She was thus an aunt by marriage to Elizabeth II. Princess Alice was extremely well travelled, both before and after her marriage. At the time of her death at 102, she was the oldest living member of the British royal family. David W. Streader (1887 - 1978) was Mayor of Bendigo from 1946 - 47. He was a JP and belonged to the Loyal Sandhurst Lodge. Paper pamphlet printed in blue, purple and red ink by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Souvenir / City of Bendigo / To the Children who participated in the TABLEAU / welcoming THEIR ROYAL HIGHNESSES, / THE DUKE and THE DUCHESS of CLOUCESTER / BENDIGO, Thursday, 14th November, 1946 / [ decorative line break] / After following with rapt attention the various phases / of the TABLEAU of WELCOME in THEIR honour, HIS ROYAL / HIGHNESS, THE DUKE OF GLOUCESTER, on behalf of the / DUCHESS and HIMSELF, said :- / [italics] "I am deeply moved by this magnificent spectacle. / Will you kindly convey my grateful thanks to all / concerned in the presentation of this beautiful / tableau ?" / in conveying this message to you, may I , as Mayor of / the City, add my personal congratulations and thanks to/ those of THEIR ROYAL HIGHNESSES for such a delightful / effort. / [signed] David. W. Streader / Mayor duke and duchess of gloucester, governor-general, city of greater bendigo royal visits, city of greater bendigo tourism, mayor d.w. streader, mayoress streader -
Ringwood and District Historical Society
Postcard - Photograph/Postcard, Wattle at Deep Creek, Warrandyte Road, Ringwood. Handwritten Date 23/12/1915
Postcard with Handwritten letter on reverse22/12/15, Wonga Park, Ringwood My Dear Niece and Nephews I have just received your lovely preasant we all think it is just lovely and we all wish you all a very Happy New Year and a Merry Xmas. You will see I have put the cart before the horse but the three children is here and makeing a terrible noise. Bella has got a house in Mullum Rd near the station we have been all this time getting her settled and we are all going to her Place Xmas day and to Tunstall Boxing Day as we do not feel up to having them all here this year. My son Eddy got married a fortnight ago but he lives in Ringwood. will be pleased to see you soon, loving Aunt and ?? -
Ballarat Clarendon College
Albert Telfer White (1918) collection
Significant items relating to Albert Telfer White who entered Ballarat College April 1912 and left December 1918. Albert was born 29 June 1897 at his home 'Ashford Vale" farm, Cuthbert's Road, Cardigan. Albert, a second generation Australian, was the fourth son and sixth of eleven children born to dairy farmer John White and his wife Elizabeth, nee Douglas. Albert attended Bunker's Hill State School prior to enrolling at Ballarat College. After College he obtained employment with the engineering firm Ronaldson and Tippett in Ballarat. Following his eighteenth birthday Albert enlisted in the AIF in Ballarat with the rank of Private, No 2012. He embarked for the Middle East with 23rd Battalion on 26 August 1915 and was 'taken on strength at the Gallipoli Peninsular 25 October 1915". On 10 January 1916 Albert was posted to Alexandria, Egypt and during this time he was able to meet with his aunt Rose Douglas, an Australian Army Nursing Sister. This was a great comfort to his family. Albert was sent to France 19 March 1916 and transferred to the 22nd Battalion. He was mentioned in dispatches for 'good and gallant conduct' 5 August (1917?). Albert was hospitalised 30 March 1918, rejoined 22nd Battalion 3 June 1918, wounded in action 3 October 1918 but died of wounds at Rouen 10 October 1918. news of his death was received by his family n Australia just prior to the armistice. Albert Telfer White's sacrifice is commemorated at Ballarat College, Avenue of Honour Ballarat (Tree 1214), Ballarat Shire Honour Avenue Learmonth (Tree 163) and the Australian War Memorial Canberra. (These notes provided by family November 2016)Collections of items including: Bayonet, Carl Eickhorn, Solingen, (29.A.159 engraved on handle) Trench shovel The ANZAC book 1916 (flyleaf inscribed: No 2012 / Pte A T White / H Quarters / 22nd Battalion / 6th Inf Brigade / France) Gallipoli medal with documentation First World War Mothers’ and Widows’ Badge Next of Kin Memorial Plaque (Death Penny) and accompanying letter from King George V Imperial War Graves Commission documentation and photograph Australia Graves Services In Memory card and photograph Documentation relating to Australian War Memorial Roll of Honour, Learmonth Memorial Wall, Ballarat and Learmonth Avenues of Honours Documentation from the Australian Army Records office Documentation relating to Military Medal, 1914/15 Star, British War Medal and Victory Medal (whereabouts unknown, November 2016) Portraiture of Albert Telfer White as a child, as a young adult (civilian dress), in full kit (A I E F formal), and at camp 1915 Portraiture of sisters Cis, Addie, Bessie, Evelyn (with personal inscriptions) Four postcards (one with letter from Albert ‘at sea’ to his mother - undated) Death notice (unreferenced newspaper clipping) Biographical and family relationship details Photocopy of The White Family 1906 showing (standing) Adeline, Leslie, Harold (father), Muriel (mother), William; (seated) Albert, John (Grandfather), Elizabeth, Allan, Elizabeth (Grandmother), Evelyn (baby) and Benjamin The ANZAC book 1916 (flyleaf inscribed: No 2012 / Pte A T White / H Quarters / 22nd Battalion / 6th Inf Brigade / France) Gallipoli medal: engraved on reverse: A T WHITE Embossed lettering on death penny: ALBERT TELFER WHITE Handwritten on reverse of portraits: Lovingly yours / Cis / 21/11/17; your / loving sister / Addie; your loving / sister / Evelyn; Yours lovingly / Bessie Handwritten on back of postcard of ship H M A T 'Anchisis' 14.3.16: Dear Mother, I am sending you a card / of the boat we are on. Our deck is right / on the back. I have marked it with an X. / We are not allowed to put the date on or / where we are. I am sitting on the deck now / holding the card in my hand so it is hard / to write. We are together yet haven't been / separated Bill, Matt and myself. Haven't / had anything to do. I will write a couple / of letters now. Albert Handwritten on back of postcard photograph of Albert at camp: 30th September 1915 / Dear Mother / There is a studio at the / camp so Matt and I got our Photos / taken yesterday morning, & got them/ this morning. I am sending / Ciss one of Matt.albert-telfer-white, ballarat college, world-war-one, avenue-of-honour -
Flagstaff Hill Maritime Museum and Village
Letter
This letter is a photographed copy of a typed transcript of an original. It is dated 28 March 1962 and was written by Ian F. Sloane Esq. of Savernake Station, NSW. Sloane’s great uncle, Hugh Gibson, was the owner of Glenample Station, Vic., where Eva Carmichael stayed to recuperate from her ordeal as the only female survivor of the LOCH ARD shipwreck in 1878. The letter is in reply to an earlier inquiry for information about the LOCH ARD tragedy from Alasdair Loch, 10 Beaconsfield Parade, Lindfield NSW. Most of the letter consists of tantalising asides: about trips to Glenample in 1916 and 1917 and the digging up of an old piano at Loch Ard Gorge; the possession of his uncle’s personal account of the shipwreck and its aftermath; the existence of a painting of Eva when she was staying at the Glenample homestead in 1878; and the disputed ownership of “a very old black iron box” containing letters from relatives of the shipwreck victims (who Hugh Gibson had written to advising of their unhappy fate). Unfortunately the letter, written in haste prior to Sloane’s departure overseas, contains no substantive information. However it concludes with an interesting footnote concerning Eva’s emotional recovery at Glenample. Sloane’s postscript states: “Miss Carmichael was very well after the wreck, full of fun and laughter, until she suddenly cracked, and had a nervous breakdown…Mrs Gibson…got a young girl, the same age as Eva, as her companion[…She] proved trumps and saved Eva’s mind. They became lifelong friends. Both wrote to my aunt till they died. Miss Carmichael stayed about 6 months at Glenample I think.” The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Number S417A photographic copy of a typed letter-transcript. The original letter was written to Alasdair Loch, Lindfield NSW, and is from Ian F. Sloane Esq. of Savernake Station NSW. It is dated 28 March 1962 and is two pages long.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, letter, alasdair loch, ian f sloane, sloane, loch ard, hugh gibson, eva carmichael, glenample station, tom pearce, glenample homestead -
Bendigo Historical Society Inc.
Book - CAPITOL THEATRE PROGRAM '' YOU'RE IN LOVE''MARCH 24-25-26-27 1958
Bendigo Operatic Society ''You're in Love'' Capitol Theatre - Mon., Tues., Wed., Thurs., March 24th,25th,26th,27th, 1958. Programme, 1/- Bendigo Operatic Society President: Mr. John Cannon - Vice-President: Mr C. Bubb - Secretary: Mr. E.B.Thomas - Treasurer: Mr. Bruce Ralph - Hon. Auditor: Mr. Frank Iredale - Committee: Messrs L. Spencely, J. Smyth, W. Kelly, Mesdames J. Cannon, N. McCarthy, J. McGrergor, J. Smyth and Miss M. Welch. Our Producer: Norman Lee - Our Musical Director: Max O'Loghlen Gertrude Perry Plays Georgiana - Bert Donovan Plays Hobby Douglas - Alfred Annison Plays Mr. Wix - Celia Douglas Plays Mrs.Payton - Barbara McGregor Plays Dorothy - Brian Brewer Plays Lacey Hart. Synopsis of ''You're in Love'' The action of this story takes place prior to and during a pleasure cruise of the Hawaiian Islands and centres around Hobby Douglas and Georgianawho both wish to marry, but are unable to do so without the consent of georgiana aunt, Mrs. Payton. Mr. wix a missionary worker and Hobby's Guardian is also against marriage. Dorothy and Lacey are a young married couple on the honeymoon cruise. What happens to this assortment of people will have to be seen. Cast in order of appearance: Judge Brewster: Max Beckwith - Lacey Hart: Brian Brewer - Dorothy: Barbara McGregor - Mrs.Payton: Celai Douglas - Georgiana: Gertrude Perry - Hobby Douglas: Bert Donovan - Mr. Wix: Alfred Annison - The Captain: Mervyn Penno - The Steward: Joseph Quigg - Specialty Dancers; Ann Stone, Rosalie Spencely. Costunmes and Scenery by J.C. Williamsons Ltd. Music by Rudolf Friml. Book and Lyrics by Otto Hauerbach and Edward Clarck.program, theatre, bendigo operatic society -
Ballarat Clarendon College
Medal, 1914-15 Star
The 1914–15 Star was authorised in 1918 and was awarded for service in specified theatres of war between 5 August 1914 and 31 December 1915. A recipient of the 1914 Star could not also be awarded the 1914–15 Star. Albert was born 29 June 1897 at his home 'Ashford Vale" farm, Cuthbert's Road, Cardigan. Albert, a second generation Australian, was the fourth son and sixth of eleven children born to dairy farmer John White and his wife Elizabeth, nee Douglas. Albert attended Bunker's Hill State School prior to enrolling at Ballarat College. After College he obtained employment with the engineering firm Ronaldson and Tippett in Ballarat. Following his eighteenth birthday Albert enlisted in the AIF in Ballarat with the rank of Private, No 2012. He embarked for the Middle East with 23rd Battalion on 26 August 1915 and was 'taken on strength at the Gallipoli Peninsular 25 October 1915". On 10 January 1916 Albert was posted to Alexandria, Egypt and during this time he was able to meet with his aunt Rose Douglas, an Australian Army Nursing Sister. This was a great comfort to his family. Albert was sent to France 19 March 1916 and transferred to the 22nd Battalion. He was mentioned in dispatches for 'good and gallant conduct' 5 August (1917?). Albert was hospitalised 30 March 1918, rejoined 22nd Battalion 3 June 1918, wounded in action 3 October 1918 but died of wounds at Rouen 10 October 1918. news of his death was received by his family in Australia just prior to the armistice. Albert Telfer White's sacrifice is commemorated at Ballarat College, Avenue of Honour Ballarat (Tree 1214), Ballarat Shire Honour Avenue Learmonth (Tree 163) and the Australian War Memorial Canberra. (These notes provided by family November 2016)Part of a greater A T White CollectionThe 1914-15 Star is a four pointed star of bright bronze, ensigned with a crown. The obverse has crossed gladius, overlaid with an oak wreath that is ensigned with the cypher of King George V. A scroll bearing the legend 1914-15 is centrally placed across the crossed blades. The 1914-15 Star ribbon has the red white and blue colours of the Empire, in shaded and watered stripes.Engraved on a scroll in the centre of the medal front: '1914-15' The oak wreath is ensigned with the cypher of King George V. The back of the medal is engraved: 2012 / Pte A T White / 23/BN. A.I.F. albert-telfer-white, medal, world war one, 1914-15 star -
Port Fairy Historical Society Museum and Archives
Photograph, Bennett, Richard
Richard Bennett was the first born child of Richard Bennett and Ann Isabella Kirk in February 1828 in London England. His father was a silk weaver. His family came to Sydney in 1833 but then returned to England in 1837. Richard came out himself in 1843 when he undertook a training course on the care of sheep. He first visited Belfast in January 1846 and described it as being" The centre of a large squatting district". In 1853 he married Elizabeth Nicholson Watson at St Johns Church of England Belfast Victoria. They had 11 children, 6 registered in Victoria and the other 5 born in New South Wales. Richard's aunt (or sister some sources say) Isabella married into "Belfast Royalty" by marrying Lloyd Rutledge in 1852 and they built 'Cooinda' in 1855 and lived there. However, Lloyd apparently fell down the steps drunk one night in 1858 and broke his neck. Richard's brother Ryder Bennett was Rutledge's accountant. (William or Lloyd?) Richard's sister Matilda married James Mylne knight. Richard Bennett worked on a number of properties in the district as well as heading to New South Wales in 1858 -1870 then he returned to the Port Fairy Area. He established the River Shaw Wool Scouring establishment at Yambuk in 1876 but by 1879 he had moved his business to the banks of the Merri River Dennington. He retired in 1887 and lived the rest of his life in Warrnambool. He died on 11th September 1904. Richard Bennett wrote many letters to the local newspapers regarding the early history of the district in 1984 these letters were published under the title "Richard Bennett's Early Days of Port Fairy" A book named "Richard Bennett's Early Days of Port Fairy" was edited by Jan Crichett using his letters Early settler noted for his letters regarding the Early Days of Port FairyBlack and white portrait of gentleman with a squared collarpionner, bennett, richard, dennington., early days of port fairy, river shaw wool scouring