Large unused diamond shaped Austox label made for use on carbogen cylinders. Beige with a black border, and green and red lettering.Information printed on label: SPECIALLY PREPARED FOR MEDICAL USES. / AUSTOX [logo] / COMPRESSED / CARBOGEN / CO2..........% OXYGEN.......... / (The percentages stated above are subject to tolerance) / KEEP COOL [in red] / CONTENTS: Imperial Gallons / WARNING - Great caution must be exercised to prevent any oil entering the cylinder, or being applied to the valve or fittings. The use of oil may lead to a dangerous explosion. [in red] / Australian Oxygen & Industrial Gases / Pty. Ltd. / MELBOURNElabel, cylinder, austox, australian oxygen and industrial gases pty ltd, carbogen, compressed carbogen

A typical handset for a heavy duty radio communications set used in the field in Vietnam.Curved black plastic phone handset with coiled lead. There is a five pin plug/screw on plug at the end of the cord. Heavy duty unit.Handset H-250/U. Sonetronics Contract DAAB07-93-D-G010 US on handset. MFG 79 566 May 94 on the lead.handset, field radio, vietnam war, communications, signals, radio

Banner, issued by the Shire of Whittlesea. Circa 1876 to 1938. White Cotton banner, black printShire/of/whittlesea/notice/is/hearby/given/that/a/reward/of/£5/will/be/paid/for/information/that/will/lead/to/the/conviction/of/any/person/or/persons/found/damaging/or/interfering/with/bridges/or/culverts/in/this/shire./By/order/of/the/council/Jas/Ryan/Shire/Secretary./shire of whittlesea, james ryan

Access Denied was a joint advocacy campaign between the City of Whittlesea and the local community in the lead up to the 2014 Victorian State Election. The campaign called on all political parties to commit to extending the railway line from South Morang to Mernda and building access ramps on the Hume Freeway at O’Herns Road in Epping North. The campaign was a success and secured almost $650 million in promises from the incoming Labor Government to build these projects. Badge, metal back with pin, white plastic printed front, black and red textConnect O'Herns Road / Access Denied / Get on Board / www.accessdenied.net.au / Build Mernda Railbadges, campaign badges, south morang railway, mernda railway

A black and white photograph of Members of Australian Army Training Team Vietnam assemble on ANZAC Day 1970 in Danang enjoy Erica De Wit, lead singer of the Official Apr-May 70 Sydney Concert Party. The concert was held on the lawn of AATTV HQ in Downtown Danangphotograph, entertainment, erica de wit, aattv, anzac day 1970, danang, gibbons collection catalogue

A black and white photograph of Diggers in swimming togs lounge around the stage area at the 1st Logistics Support Base, Back Beach, Vung Tau, to enjoy the songs of lead singer Geraldine Fitzgerald of the official Mar-Apr Queensland Easter Concert Partyphotograph, 1st logistics support base, back beach, vung tau, geraldine fitzgerald, queensland easter concert party, gibbons collection catalogue, digger

A black and white photograph of Musicians with the Official Mar-Apr 69 West Australian Concert Party warm up the audience of Diggers at 1st Australian Task Force Base, Nui Dat, Luscombe Bowl prior to the lead and three back-up singers arriving on stage to entertain the diggers.photograph, entertainment, 1st atf base, west australian concert party, nui dat, luscombe bowl, gibbons collection catalogue, digger

A black and white photograph of the lead act with the ABC Dance Band Concert Party, Lorrae Desmond, opens the show with her version of "I Wish You Love".The back of a flat bed trailer used as a stage parked in a quarry at 1 ATF, Nui Dat (note text is missing from the bttom of the photograph)photograph, abc dance band concert party, 1 atf, nui dat, entertainers, lorrae desmond, gibbons collection catalogue, digger

A black and white photograph of Erica De Wit one of the lead singers with the Official Apr-May 70 Sydney Concert Party and an Engineer Digger friend trip the light fantastic to the delight of the audience at 1 Australian Task Force Base, Nui Dat, Luscombe Bowlphotograph, entertainers, sydney concert party, erica de wit, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, digger

A black and white photograph one of the lead acts with the Official Sep-Oct 67 Melbourne Concert Party, Patty McGrath projects herself towards the Diggers at 1 ATF, Nui Dat, Luscombe Bowl. At this early stage in the development of the Task Force Base, few of the diggers had fold up chairs.photograph, patti mcgrath, 1 atf, nui dat, luscombe bowl, entertainers, gibbons collection catalogue, digger

A black and white photograph of one of the lead singers of the with the Official Apr-May 70 Sydney Concert Party, Glenise Shearman is engrossed in her rendition of a song to the assembled Diggers at 1 ATF base Nui Dat, Luscombe bowlphotograph, entertainers, glenise shearman, sydney concert party, 1 atf, nui dat, luscombe bowl

A black and white photograph of lead singer Shirley Simmons, of her own Shirley Simmons Concert Party, entertains on the lawn of the Australian Army Training Team Vietnam, on Anzac Day 25 April 1967, at their Northern Headquarters in down town Danang.photograph, aattv, shirley simmons, danang, gibbons collection catalogue, entertainers, shirley simmons concert party

Image depicting Victorian Mounted Rifles parading behind Town Crier along Main Street WangarattaBlack white and dark pink photograph of soldiers on horseback being lead by Town Crier passing horse and buggies along main street.rear of photograph - 1910 Aust Light Horse, Main (Murphy) Street, Wangaratta preceded by Town Crier followed by City Bandlight horse troop, wangaratta, ww1, victorian mounted rifles, circa 1910

Two handwritten letters - dated 27/6/1941 on blue lined writing paper from Pte D Detbridge VX31082 D Coy2/24 Batt. AIF Abroad to Mrs Karnatz advised her husband Tom was safe. He and several others were surrounded and forced to surrender and taken prisoners. Two of the boys managed to escape and brought the good news about Tom and others, being well and safe……… Airmail letter card dated 2/1/1942 from Pte Detbridge to Mrs Karnatz thanking her for the cake of chocolate and enquiring about Tom and if he had mentioned Tim Rogers, a mate who has not been heard of for some time. Thomas Allan Karnatz VX 48290 2/24 Battalion - born 16/7/1916. Enlisted Albury 22/7/1940 - Caulfield 8/8/1940 aged 24 years 17/10/1940 posted from 2/23 to 2/24 Battalion. Embarked 16/11/1940 and disembarked Middle East 17/12/1940. Reported missing in action on 6/5/1941 and officially prisoner of war on 8/7/1941. 26/4/1945 recovered POW arrived in UK prior to returning to Australia. Two handwritten letters - one in lead pencil on blue lined writing paper and the second in black ink on Airmail Letter Card with square blue stamp top right corner and triangular purple stamp lower left corner.Air Mail Letter Card addressed to Mrs T A Karnatz Tawonga Roadside Wodonga Victoria Australia Purple triangle stamp containing Passed by Censor No 3469 with a crown in the centre.ww2, 2/24 battalion, tobruk, thomas karnatz, pow

"The hated Protector" tells for the first time the real story behind the extraordinary experiences of Charles Sievwright, Assistant Aboriginal Protector from 1839-42 in what was then part of the British colony of New South Wales, but is now the Western District of the Australian state of Victoria. Sievwright, an Edinburgh-born former British army officer, lived in the bush with his young family as he tried to save the Aborigines of the District from extinction. In doing so, he would isolate himself from the rest of his fellow whites. The hated Protector tells of this process. The book should appeal to anyone interested in British colonial and Australian history, particularly in the years of first contact between British settlers and the Aborigines. More broadly, it should also appeal to anyone interested a story of one man's battle against overwhelming odds, where the price of failure was numerous deaths. It is a story of hatred, prejudice, courage, determination, and hope. In telling Sievwright's story, Lindsey Arkley draws largely on original archival material, including official reports, journals and letters, found in Melbourne, Sydney, Hobart, Edinburgh and London. Most has never before been published. The archival material is supplemented by contemporary newspaper accounts, and some oral history. Full notes are given to all sources, and the book is indexed and lavishly illustrated with drawings by Joan Bognuda, as well as about 80 paintings and samples of documents. Contents: 1. In the bush 2. "Equal and indiscriminate justice" 3. "A few doses of lead" 4. "A curse to the land" 5. "The most unpopular man" 6. Retaliation 7. A hostage debate 8. Hallucinations 9. A mass escape 10. Possessors of the soil 11. Move to Keilambete 12. Bureaucratic 13. "A hideous pandemonium" 14. Divine visitations 15. Pay backs 16. Explanations 17. A squatter on trial 18. Claptrap and deceit 19. The black cap - 20. To Mt Rouse 21. "The impending evil" 22. In the balance 23. An arrest at Mt Rouse 24. A fair moral name 25. Roger's trial 16. Intensified evidence 27. A declaration of war 28. Mr Cold Morning 29. Holding ranks 30. To rags 31. Fightback 32. Return to London 33. The inquiry 34. Judgement 35. And what remains.maps, document reproductions, b&w photographs, colour photographs, b&w illustrationscharles wightman sievwright, racial policies, british colonial history, race relations, victorian history

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders studio portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.Photo has John Blacker's name, and an "Advance & Restoration Ministries" label stuck on it.blacker, john e., advance & restoration ministries

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries

John E. Blacker was a Methodist and then Uniting Church miinister - placements at Dandenong (Lilydale), Kilmore & Broadford, Kerang-Barham, Sunshine, and Moonee Ponds. In the early 1980s he led a charismatic renewal program at Sunshine and Moonee Ponds, and was involved with a controversy over re-baptisms. At a later point, he resigned from the Uniting Church ministry to lead the "Advance & Restoration Ministries" program that he and his son, Paul, managed.Head and shoulders studio portrait of John Blacker when still a Uniting Church minister, but working as "Advance & Restoration Ministries" which was then located in the 3rd floor of the Synod offices at 130 Little Collins Street Melbourne.John Blackerblacker, john e., advance & restoration ministries

BLACK AND WHITE PHOTOGRAPH OF HOSPITAL WOOD CHOP - TEA BREAK.On reverse handwritten in lead pencil; Hospital Woodchop/George Rickardlocal history, photographs, hospital, hospital woodchop

THE CLUNES HOSPITAL WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944..1 SEPIA REPRODUCTION PHOTOGRAPH OF GROUP OF ADULTS AND CHILDREN TAKEN AT THE OPENING OF THE TOURELLO WARDS AT THE REDEVELOPED CLUNES HOSPITAL 1936 .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PAPER .3 Original black and white photograph mounted on buff coloured matt board .3 OPENING OF THE TOURELLO WARD AT THE REDEVELOPED CLUNES HOSPITAL, CRESWICK ROAD, 1936 "Thornton" Studios Ballarat imprinted in mount board BACK ROW. BILL KINNERSLEY, DICK LENEGHAN, BILL MOORE, JIM COOK, ARTHUR PICKFORD, BILL GRENFELL, ERIC CLARKSON SECOND BACK ROW; MRS LESTER, GLADYS KINNERSLEY, IVY KNIGHT, GWEN PICKFORD, ALMA PICKFORD, PAM HENDER, JANE CAMPBELL, MRS RITCHIE, MARGARET WILSON, MARY RITCHIE, MARGARET LESTER (ADDED TO LIST HANDWRITTEN IN BLACK PEN) THIRD BACK ROW; EDNA RITCHIE, MISS DOUGAL, MRS SEARLE, NELL WEBB, ALAN SEARLE (SCHOOL TEACHER), MRS TROUP, HARRY PICKFORD, MRS COUTTS, EVELYN ROBERTS, MARGARET LESTER (CROSSED OUT) FOURTH BACK ROW; MAVIS KINNERSLEY, MRS W KINNERSLEY, MRS CLARKSON, MRS ANDERSON, IAN SEARLE, ARTHUR LEAD, DOCTOR BAKER, MRS PICKFORD, MISS ROSS, LENA HUTCHINS, MRS LENEGHAN, MRS GRANFELL, MURIEL KINNERSLEY. CHILDREN; BETTY CLARKSON, GRACIE ANDERSON, PEGGY LENEGHAN, REG KINNERSLEY, RICHARD LENEGHAN, BETTY LENEGHAN, LIONEL KINNSERSLEY, ALEX ANDERSON, BERT ANDERSON, MAX COUTTS, DON ANDERSON, LEO LENEGHAN, DAN LENEGHAN, JACK LENEGHAN, BILL ANDERSON, HAZEL KINNERSLEY, GEORGIA COUTS, AUDREY ANDERSON, BETH PICKFORD, JOAN LENEGHAN, AND BABY EAMON LENEGHAN.photography, photographs, hospital, hospital 1936

Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze

The memorial was erected in c 1936 by the public to the pioneers of Deep Lead District. The memorial was to commemorate the early pioneers of Deep Lead. The bronze tablet depicts two miners at work, one operating the cradle while the other using the shovel. Behind the two men and partly framing the design, is the windlass set in a fork of a tree. On each side of the main tablature are two figures of goats, one a "Billy goat" the other a "nanny goat". The bronze sculpture is set on a pedestal of Grampian freestone, which is placed on the two steps of granite. The whole memorial is surrounded by an ornate stone fence. The bronze sculpture work was executed by Mr. S. J. Hammond of Melbourne while the stone work was carved and erected by Mr. G. Robson, of Stawell. The shire engineer Mr. C.W.C. Venables assisted with advice when necessary.Black and white photograph depicting the stone Deep Lead Pioneer memorial with native gums in the background. stawell

Deep Lead Church (Methodist) A set of six photos taken between 1927 and 1930. The site where this weather board church was situated is directly opposite the brick Deep Lead school on the Western Highway. The sugar gums still remain. At previous times other denominations used the building. 113 Methodist Weatherboard church, Deep Lead with people in the doorway. Out the front is a car parked in front of a picket fence. Printed on back of photo "These photographs were taken between 1927 & 1930. At this time Methodist Church services were conducted there; Sunday school was also held there until about 1936. The church building was sold to the Anderson Family of Dadswell's Bridge and rebuilt into a private home". 113.01 Group of children. Back row Amy Rogers (Cray), Laura Rogers (Raeburn), Annie Rogers (Richards). Middle row Thelma Cray, Sylvia Cray (North), Alf Cray, Jack or George Cray, Charlie Bennett. Front row Pat Bennett (Peacock), Kit Wilson (Richards), Laurie Bennett, Lesley Bennett, Ken Bennett, Neil Bennett. 113.02 Deep Lead Service March 1930. Included in the photo are the following, Kit Wilson (Richards), Ruth Allen, Madge Hutley, Nell Lemin. 113.03 Congregation outside church with picket fence on the left. 113.04 Rev. F.C. Bremer Methodist Minister pictured with car. 113.05 last Methodist Service Deep Lead March 1930. Set of six black & white photographs. 113- Wooden church with people in the doorway & car in front of the picket fence. 113.01 group of children trees in the background. 113.02 group of 4 women standing at side of church. 113.03 group of people standing out the front of the church. 113.04 Minister in dust coat standing by car. 113.05 group of people stand in front of church.

Hard Green cover With Black design and colored picture in the center.On Cover: "Lives of Great Men All Remind Us we Can Make Our Lives Sublime" "And Departing, Leave Behind Us. Footprints on the Sands of Time." Longfellow Several Inscriptions including Deep Lead Sunday School Prize Miss A Beaupeurt stawell education, religion

This Journal written by Georgina Mc Crae Melbourne 1841 - 1865. The Painting on the cover is a self Portrait. A very Interesting account of Victoria's early History.A white coverd paperback - Top in white print in black background Imprint Classics. Georgina's Journal in Pink Print. In Central cover In an oval inset a Colored Portrait of Georgina Mc Crae. Below Portrait Melbourne 1841 - 1865. Edited By Hugh Mc Crae.Inscription on Fly Leaf: Hand written. To The Stawell Historical Society - To Honor the memory of John McClure. REfer Pages 87 - 154. 178. 192. 198.234. Note John Mc Clure is Intered Deep Lead Cemetery 1859.stawell education

History Of Deep Lead School701: Black Card with Blue Binding tape on spine. Faded Silver writing. hand written 701-1 Purple Card Cover with Blue binding tape on spine. Black writing. Hand WriitenDeep Lead School No 721 Underlined Vol.1. Deep Lead School No 721. Vol 2stawell education