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Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Hawthorn Historical Society
Certificate, Nurses Certificate Children's Hospital, 1916
Harriet Cecilia Hordern Williams (1889 - 1968) was the grand-daughter of William Hordern (1830 - 1881) and Cecelia Monger (1830 - 1914). William Hordern was the sixth of seven children of Anthony Hordern Snr. who established the Anthony Hordern & Sons department store in Sydney which operated from 1923 to 1970. Harriet's mother Cecilia (1854 - 1934) was married to Christopher Williams. Harriet's uncle William was appointed commissioner of the Supreme Court of South Australia in 1903. Her cousin Doris Amelia Hordern (1889 - 1970), as Doris Blackburn won the Federal seat of Bourke in 1946 following the death of her husband who had previously held the seat. This branch of the Hordern family has a strong connection to Hawthorn through their home "Stramshall" in Auburn Road Hawthorn and also with the Auburn Baptist Church. Harriet Williams enlisted in the Australian Army Nurse in December 1916 and served as a Staff Nurse until her marriage in London in 1919. This certificate is significant to the history of Hawthorn and Australia through its connection with the Hordern family, the home Stramshall in Hawthorn and with the Auburn Baptist Church. It is significant to the history of the Royal Children's Hospital Melbourne as an example of early 20th century training protocol, in the persons who signed the certificate and the photographs of the hospital buildings of that time. Leather bound certificate of two pages hinged together as a book. Gold lettering embossed on the front. Gold ornamental border embossed on front and back. Inside a personalised presentation certificate on one page. Second page has photographs of the Melbourne Children's Hospital circa 1916.Certificate Reads: Childrens Hospital/ Training School For Nurses/ Melbourne October 5th 1916 This is to certify that Harriet Cecilia Hordern Williams has attended the prescribed course of Three Years Teaching at the Training School for Nurses in connection with the Childrens Hospital and has passed the examinations necessary for registration as a TRAINED NURSE. Signed by: Lalla Williams - Signature of Nurse M. J Turnbull, President Cora C. Oakden , Honorary Secretary Examiners: F. Hobill Cole M.D. A. Jeffreys Wood M.D. E. Alan Mackay M.B.B.S. Douglas Stephenson M.D.M.S. A. E. Rowden White M.D. Stuart W. Ferguson M.D. Captions on the photographs read: Convalescent Home Brighton Nurses Home Children's Hospital Princess May Pavilion Red Cross with banner beneath reading BY LABOR MUST THE PRIZE BE WON Printed on certificate: Sands & McDougall Limited Melb.childrens hospital, certificate, nurse, hordern, williams, hawthorn, harriet williams, lalla williams, rowden white, cora oakden, hobill cole, jeffreys wood, mary jane turnbull, alan mackay, douglas stephenson, stuart ferguson, brighton convalescent home, princess may pavilion -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Photo of Thomas Rooney, Curator, Ballarat Botanical Gardens, 1896-1914, Unknown
Thomas Rooney was born in Den Carvan, Ireland, spent 36 years in Australia. Tom was married with nine children, he died 6th May 1914, aged 57 years, and at that time he was the Curator of the Ballarat Botanical Gardens.As Curator of the Ballarat Botanical Gardens Thomas Rooney made the begonia and orchid houses famous throughout Australia, which was part of his valuable contribution to the development of the Gardens.Black and white reproduction of an old photograph of T.Rooney in an oval frame with a black backgroundT.Rooney is printed at the bottom of the photograph and underlined.john garner collection, garner, dr, rooney, ballarat botanical gardens, ballarat, gardens, curator, thomas rooney, charles robert rooney, john lingham, w.r guilfoyle, begonias, orchids., ballarat old cemetery, grave -
Melbourne Legacy
Document, Legacy, 2006
A document summarising the work of Legacy in 2006. It mentions how it was begun by a group of WW1 veterans. At the time there were 126,000 widows and 1,800 children and adults with a disability being helped by Legacy around Australia. There were approximately 6,700 Legatees in 49 Legacy Clubs. It refers to Legacy's efforts to improve the benefits available from the Government sources. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A summary of the work of Legacy in 2006.Print out x 2 pages about Legacy, its history and current challenges.legatees, statistics -
Wodonga & District Historical Society Inc
Leisure object - Haeusler Collection Child's Chad Valley Money Tin c. 1930s-1950s, Chad Valley, c. 1930s - 1950s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This child's money box was manufactured by British toy company Chad Valley, owned by the supermarket chain Sanisbury's. It is one of many items in the Wodonga Historical Society's Haeusler Collection that reflects domestic life and childhood in rural Australia in the early to mid twentieth century.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of childhood. A black, gold and red money tin with a coin slot on a hinged lid. On back of tin on hinge of lid ""CHAD VALLEY"/'ENGLAND/10167"toy, child, children, money, money box -
Wodonga & District Historical Society Inc
Leisure object - Haeusler Collection Building Blocks c. Mid-Century
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. Burgundy, yellow, cream and green children's building blocks. wodonga, haeusler, haeusler collection, child, children, blocks, play, leisure -
Wodonga & District Historical Society Inc
Negative - Haeusler Glass Negatives Collection - Ferdinand and Gottlieb Haeusler and their half-brother August Klinge, c1910
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family embarked on the “Pauline” from Bremen, Germany in 1846. They lived in South Australia before migrating to the Wodonga West area in Victoria in 1866. Shipping records show the family who left Germany together consisted of William and his wife Johanna Eleanore Klinge nee Schultz and their children Ferdinand, Louise and Gottlieb as well as Johanna Eleanore’s children from her first marriage - Johann Wilhelm Klinge, Johanne Caroline Klinge and Johann August Klinge. Other members of the Haeusler family migrated to South Australia at a later date, settling in South Australia, Victoria and New South Wales. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. From left, Ferdinand and Gottlieb Haeusler, with half-brother August Klinge. In the background is Gottlieb's house where Elenore and Wilhelm Haeusler lived from 1866 until their deaths.wodonga pioneers, haeusler family, glass negatives, dry plate photography, klinge family -
Wodonga & District Historical Society Inc
Negative - Haeusler Glass Negatives Collection - Ferdinand Haeusler, Maria Klinge, Gottlieb Haeusler, Anna Werner nee Klinge and August Klinge, c1910
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family embarked on the “Pauline” from Bremen, Germany in 1846. They lived in South Australia before migrating to the Wodonga West area in Victoria in 1866. Shipping records show the family who left Germany together consisted of William and his wife Johanna Eleanore Klinge nee Schultz and their children Ferdinand, Louise and Gottlieb as well as Johanna Eleanore’s children from her first marriage - Johann Wilhelm Klinge, Johanne Caroline Klinge and Johann August Klinge. Other members of the Haeusler family migrated to South Australia at a later date, settling in South Australia, Victoria and New South Wales. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A family photo of Ferdinand Haeusler, Maria Klinge, Gottlieb Haeusler, Anna Werner nee Klinge and August Klinge. House in the background would have belonged to either Ferdinand or Gottlieb Haeusler.wodonga pioneers, haeusler family, glass negatives, dry plate photography, klinge family -
Wodonga & District Historical Society Inc
Booklet - Hamilton-Smith Collection Suitcase with Booklets and other Publications c. early to mid 1900s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. The ephemeral edition of 'Australian Bush Songs' visible inside the case was published in 1937 in Melbourne by Allan & Co. It contains children's songs drawing on Australian themes which were popular and well-known in the 1930s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A brown vinyl suitcase containing song books, periodicals and magazines c. 1920s - 1930s.hamilton-smith, ellwood, hamilton-smith collection, wodgona, books, reading, songs, song, singing, children, child -
Melbourne Legacy
Photograph, Anzac commemoration for students 1938, 1939
A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The photos shows a crowd of school children facing the forecourt of the Shrine with many assembled on the steps. It appears there was a flagpole erected in the forecourt. The photos were in an envelope from The Argus and The Australian newspaper, addressed to Legatee Gillespie. Items were in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo x 3 of an Anzac Commemoration Ceremony for students at the Shrine in 1938 and an envelope from The Argus newspaper.Photos are printed as Postcards and stamped with blue copyright stamp of Herald Feature Service. The envelope has a typed address to Mr. Gillespie, 370 Little Collins St, and a hand written note "Legacy Shrine Ceremony 1938" in blue pen.anzac commemoration for students, wreath laying ceremony -
Melbourne Legacy
Photograph - Photo, Anzac commemoration for students
A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The year is unknown but barricades and flagpole are similar to the 1945 photos. 01195.1 shows school children playing bugles. 01195.2 and 01195.3 show school girls with floral wreaths sitting on the forecourt. 01195.4 and 01195.5 are aerial views of the crowd and the flagpole, with the Australian flag at half mast, as viewed from the Shrine balcony. Items were in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo x 5 of an Anzac Commemoration Ceremony for students at the Shrine.Photos are stamped with purple copyright stamp of The Argus with identifying numbers, (M2351, M2469-C, M2469-D, M2469-A) in pencil. anzac commemoration for students, wreath laying ceremony -
Melbourne Legacy
Newspaper - Document, article, Fifty years after Gallipoli comes a call to might effort: Crisis in Legacy, April 1965
This is an example of a newspaper article about Melbourne Legacy from 23 April 1965. The article was published just prior to Anzac Day. It outlines the work Legacy has been doing and how demand for its services and associated costs have risen. The photo shows boys and girls being entertained at a "Punch and Judy Party. It's just one of the services for the children of comrades who died."Brings to life the activities provided for the widows and the work of Melbourne Legacy and the way they approached the public for support in 1965.Newspaper article outlining Legacy's work and the need for support from the wider community 23 April 1965.legacy promotion, history -
Melbourne Legacy
Photograph - Portrait, Lieutenant-General Sir Stanley Savige
Photograph of a painted portrait of L/- Stan Savige. The signature appears to be 'Manders '45'. He appears to be in uniform and could be from his service in World War 2. Stanley Savige is seen as the founder of Legacy when it was founded in Melbourne in September 1923. He was born in Morwell Victoria on 26/6/1890. He served in the Australian Army between 1915 and 1946, including service in both World Wars. Stanley Savige was awarded a KBE, CB, DSO, MC,ED. Stanley George Savige was born in Victoria in 1890, and enlisted in the AIF (Private 577) in March 1915. He served with 24 Battalion at Gallipoli, and was commissioned as a 2nd lieutenant prior to the evacuation, at which he was part of the final holding party at Lone Pine. In France he saw service with 6 Brigade Headquarters as well as with his battalion, and was awarded the Military Cross for his gallantry at the second battle of Bullecourt. In 1918, he became one of a small number of Australians selected for service with 'Dunsterforce' in Persia, commanding 'Urmia Force', and was awarded the Distinguished Service Order. Between the wars, Savige continued his military career with the Militia, and by 1939 he held the rank of colonel. When the 2nd AIF was raised, he was placed in command of 17 Brigade, which he led through the campaigns in Libya, Greece and Syria, before being promoted to command 3 Division (Militia) in New Guinea. In 1944, he was appointed GOC 2 Corps, in command of forces engaged in the campaign on Bougainville, and accepted the Japanese surrender there in September 1945. Lieutenant General Savige was knighted (KBE) in 1950, and died in 1954. He is widely remembered for his efforts between the wars in founding the Legacy Clubs (which he modelled on the 'Remembrance Club' formed in Hobart by his friend and former commander Sir John Gellibrand in 1923) to care for the dependants of deceased servicemen and ex-servicemen. These clubs grew into a nation wide organisation which, by the time of Savige's death, was supporting over 80 000 widows and children.This is a photographic portrait of the founder of the first Legacy Club in Australia, Sir Stanley Savige.Black and white photo of a painting of Sir Stan Savige printed onto a postcard.Stamped with 'Photograph No. MH 91859 Supplied by Military History Section (S.D.9,) General Staff L.H.Q. For official purposes ONLY, NOT TO BE PUBLISHED' in purple ink.savige, portrait, stan savige, founding legatees -
Melbourne Legacy
Document - Document, letter, Young Women's Christian Association
Copy of a letter dated 1st September 1970 from C.A. Gordon of George G. Henderson Pty Ltd (Auctioneers) and addressed to Legatee Rossman (sic) (Legatee G K Rosman was chair of the Residences Committee in 1969 and an active Legatee from 1957-2013). The copy was directed to Hugh C.G. Rodgers (Legatee from 1964-96) according to the With Compliments slip attached. In the letter Gordon mentions a booklet (missing) about accommodation for single women which the YWCA in Great Britain maintained, and which they were hoping to provide in Australia. He also suggested that Legacy might wish to contribute to the project. Part of the history of Melbourne Legacy's involvement with residential care for children.2 photocopied quarto sheets, black on white, with printed and typed black on white. With Compliments card attached. Two holes punched for filing. residences, review -
Melbourne Legacy
Book, Dudley Coleman, Fathers Anonymous. Legacy in South Australia, Broken Hill, Northern Territory, 1970
Red hardcover book published by Legacy Club of Adelaide in 1970.non-fictionhistory, adelaide legacy, coleman -
Melbourne Legacy
Book, Mark Lyons, Legacy the First Fifty Years, 1978
Navy blue book with a blue dust jacket, published about the history of Legacy, including photographs of activities and early members. Incudes a newspaper article stuck on the rear flyleafs about singer Dame Gracie Fields.non-fictionhistory, mark lyons, 50th anniversary -
Melbourne Legacy
Document, The origin and growth of the Legacy movement in Australia (H64), 1967
Photocopy of an article written by Ian Anderson (past president of Melbourne Legacy) for the Victorian Historical Magazine, 149th issue, August 1967, which was taken from his address to the Society on Tuesday 23 May 1967. It describes the founding of Legacy and the role of founding legatees. It summarises the work Legacy was doing with finding work for returned servicemen, and then focusing more on looking after the needs of war widows and their children. The magazine is available at the State Library of Victoria, Melbourne, but has not yet been digitised to read on line. In the article Legatee Anderson condenses the information published in "The Torch", "There goes a Man" and "Legacy: the first Fifty Years".An indication of the high regard in which Legacy was held and its importance in Victorian history.White A4 paper x 7 pages, a photocopy of a document.'H64/1' (see Item 00937) in black ballpoint, 'History Legacy' in blue ballpoint, on page 1. history, founding legatees -
Melbourne Legacy
Article, Bulletin VALE Legatee Alfred Newcombe Kemsley
An article from the Melbourne Legacy Bulletin on the death of Legatee Alfred Newcombe (Kem.) Kemsley, a long serving Legatee. The Bulletin published articles on Legatees when they passed away. The article includes the words of Legacy President Bruce Wilson at the service at Brighton Town Hall and Legatee Ken Clark's address. Also the Eulogy from Wing Commander Peter Isaccson. He enlisted in March 1915 in the AIF as Private Kemsley and sailed for Egypt. By the end of his war service in 1919 he was Staff Captain, Australian Corps HQ. In the second World War he began his service as a Staff Captain DADOS 4th division. In 1942 Lt Colonel AAOC and in 1943 he was promoted to Colonel as business advisor to the Minister for the Army. He joined Legacy in December 1923."His life is the history of Legacy. He served as an advisor to countless Legacy widows and children, and took a dominant leadership role in all Legacy activities." The article was part of an album of past presidents and prominent legatees from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of the life and service of Legatee Kem Kemsley. The information was collected to record the lives of prominent legatees in a folder.Typed copy of 4 pages from the Legacy Bulletin on the death of Legatee William Donovan Joynt.Bulletin No. VAW 1209. 5.3.1987. Pages 3 to 6.vale, donovan joynt, eulogy, past presidents -
Melbourne Legacy
Document - Speech, Sydney Legacy Bulletin Address 'The Beginnings of Legacy' given by Legatee Kemsley
An article from the Sydney Legacy Bulletin on an address by Legatee Alfred (Kem.) Kemsley, a long serving Legatee on the 'Beginnings of Legacy'. A detailed first hand account of the early history of Legacy. Legatee Kemsley mentions a village in France in June 1918 which was the HQ of Australian Corps, with General Birdwood, General White and General Monash, and that Monash had a role in setting up Legacy. He mentions a picnic at a beach with widows and children in March 1925 as the start of work with them. Legatee Kemsley was president of Melbourne Legacy in 1932. The article was part of an album of past presidents and prominent legatees from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of the beginnings of Legacy from Legatee Kem Kemsley. The information was collected to record the lives of prominent legatees in a folder.Typed copy of 2 pages from the Sydney Legacy Bulletin about an address made by Legatee Kemsley on 12 May 1983 and published 7 July 1983.history, speech, kem kemsley, past presidents -
The Mrs Aeneas Gunn Memorial Library
Book, Kegan Paul Trench Trubner and Co, In Australian tropics, 1907
Early history of N.T. and explorations; Detailed account of intercepting Macassan proas around coast of Arnhem Land whilst author was Sub-Collector of Customs for 14 years; Names of proas and masters, Malay camps & smoke houses along coast & nearby islands; Natives employed by Malays in trepang fishing and collecting tortoiseshell, relationships between Malays and Aborigines; influences (physical & cultural); Habit of exchanging children between tribes (Roper R. & Normanton) for the purpose of learning each others language & customs; Description of native camps at Fort Dundas (1895) shelters, finding of bark water bags, types of canoes used; Platform burial at Daly R.; Sacred burial site on Maria Island; Geographical features, vegetation, climate etc., general ecology, depredations & murders by natives; Cannibalism practiced by Fitzmaurice River tribes.Ill, maps, p.373.non-fictionEarly history of N.T. and explorations; Detailed account of intercepting Macassan proas around coast of Arnhem Land whilst author was Sub-Collector of Customs for 14 years; Names of proas and masters, Malay camps & smoke houses along coast & nearby islands; Natives employed by Malays in trepang fishing and collecting tortoiseshell, relationships between Malays and Aborigines; influences (physical & cultural); Habit of exchanging children between tribes (Roper R. & Normanton) for the purpose of learning each others language & customs; Description of native camps at Fort Dundas (1895) shelters, finding of bark water bags, types of canoes used; Platform burial at Daly R.; Sacred burial site on Maria Island; Geographical features, vegetation, climate etc., general ecology, depredations & murders by natives; Cannibalism practiced by Fitzmaurice River tribes. northern australia - description and travel, ethnography -
Wooragee Landcare Group
Photograph, 2004
This photograph of the Wooragee Landcare Area signage was included in the album alongside the statement that, when the photo was taken in 2005, the Wooragee Landcare Group had applied for a council grant for new sifgns with which they could replace the broken sign in the photograph. The sign marks the Woooragee Landcare Area, opened in 1989 by Heather Mitchell, one year after the first meeting of the Wooragee Landcare Group. It also commemorates the 1898 founding of Wooragee Junior Landcare, which they launched with Wooragee Primary School. As stated by the sign, Wooragee Junior Landcare was the first group of its kind in Auatralia, with the nation-wide Junior Landcare organization being launched in 1998. This photograph is significant as a marker of Wooragee Landcare's need for grants and council funding, which is common to many organisations, and for demonstrating the history of Wooragee Landcare and Junior landcare by commemorating the founding of both the Wooragee Landcare Area and Wooragee Junior Landcare. Rectangular landscape colour photograph printed on gloss photographic paper.Obverse: Sign in photograph reads "Wooragee Land Care Area/ Launched by Heather Mitchell/ 6th June 1989/ Wooragee Junior Landcare First in Australia" Reverse: "WAN NA E0NA0N2. AIN+ 1 2906/ -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Jones, T. M, Sons of the Sea by T.M. Jones, 1941
... Sussex St Linton 3360 Australian children's/young person's ...Naval novel.Hardcover book, 207 pages, one illustration. Front cover of book has a colour image of a battleship. Frontispiece illustration: "There was a rending crash when the destroyer struck the submarine".fictionNaval novel.t.m. jones, naval history, children's fiction, world war ii -
Surrey Hills Historical Society Collection
Book - The Unforgiving Minute: How Australia Learned to Tell the Time
Drawing on a wide range of theoretical insights and primary sources, "The Unforgiving Minute" offers an original interpretation of Australian history. It examines time telling from the convict era to the 1990's. As the convict era drew to an end, the colonial governors looked to clocks as the mechanical policemen of an emerging free society. Fifty years later, as railways and telegraphs began to spread across the land, and pocket watches appeared on the waistcoats of working men, colonial society began to keep stricter hours of work and play, and to teach its children the virtue of punctuality. In the early 20th century, punch clocks and time-switches laid the basis for new patterns of work in the factory and the home. Now, in the 1990s, the "faceless clocks" in computers and automated control systems have created a "postmodern" time regime that is both more flexible, and more demanding, than its predecessors.a small book of 21.5 cm; 160pnon-fictionDrawing on a wide range of theoretical insights and primary sources, "The Unforgiving Minute" offers an original interpretation of Australian history. It examines time telling from the convict era to the 1990's. As the convict era drew to an end, the colonial governors looked to clocks as the mechanical policemen of an emerging free society. Fifty years later, as railways and telegraphs began to spread across the land, and pocket watches appeared on the waistcoats of working men, colonial society began to keep stricter hours of work and play, and to teach its children the virtue of punctuality. In the early 20th century, punch clocks and time-switches laid the basis for new patterns of work in the factory and the home. Now, in the 1990s, the "faceless clocks" in computers and automated control systems have created a "postmodern" time regime that is both more flexible, and more demanding, than its predecessors. time measurements -- social aspects -- australia -- history, clocks and watches -- social aspects -- australia -- history, australia -- social conditions, graeme davison