The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. The ephemeral edition of 'Australian Bush Songs' visible inside the case was published in 1937 in Melbourne by Allan & Co. It contains children's songs drawing on Australian themes which were popular and well-known in the 1930s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A brown vinyl suitcase containing song books, periodicals and magazines c. 1920s - 1930s.hamilton-smith, ellwood, hamilton-smith collection, wodgona, books, reading, songs, song, singing, children, child

This photograph depicts HMAT Nestor departing Melbourne 2nd October 1916 with Australian Troops During WW1 HMAT Nestor mainly carried troops to England including the 6th reinforcements of the 57th 58th & 60th Battalions, 16th reinforcements of the 21st 22nd 23rd & 24th Battalions and 21st reinforcements of the 5th 6th 7th & 14th Battalions.During World War I HMAT Nestor was a troopship for the Australian Expeditionary Force, and in World War II evacuated British children to Australia. She completed her final round voyage to Australia in 1950. Carved timber frame containing sepia coloured photograph of ship being towed by tug boat from wharf crowded with people HMAS NESTOR Departed Melbourne 2nd October, 1916 History on paper attached to glass,hmat nestor, troopship

Massacre Bay is located on Victoria's Great Ocean Road, and is in the centre of the Bay of Martyrs. The bay consists of 20 m high, red limestone bluffs. This paper by Ken Clements considers the origin of the term martyr in connection to this location, and where the Aboriginal massacre may have taken place. Thirteen page document by Ken Clements relating to Peterborough, Victoria. Contents include coastal features, local Aborigines, Bay of Martyrs, Massacre Bay, Massacre Hill, Buckley Creek Run, Pioneer Pastoralists, British Traversers, settlers, Peterborough, Maps, tourism, history method. Photographs by Laurie Moore.aborigines, bay of martyrs, massacre bay, massacre hill, buckley creek run, pioneer pastoralists, british traversers, settlers, peterborough, maps, tourism, history method, childers cove, barque children, murnane bay, sandy bay, dog trap bay, buckley creek, viviennes lookeout, stanhope bay, buttres bay, burnies beach, armstrong creek, flaxman hill, antares rock, lovers nook, crofts bay, clements, worm bay, halladale point, the well, wold dog cove, james irvine monument, curdies inlet, squirrel creek, wallaby creek, boggy creek, whiskey creek, pioneer beach, schomberg rock, young australia, spit, crown of thorns, newfield bay, the grotto, london bridge, point hesse, high cliffs, the arch, cape martyr, little massacre bay, aboriginal massacre, ken clements

Hardcover book, 207 pages, one illustration. Front cover of book has a colour image of a battleship. Frontispiece illustration: "There was a rending crash when the destroyer struck the submarine".fictionNaval novel.t.m. jones, naval history, children's fiction, world war ii

a small book of 21.5 cm; 160pnon-fictionDrawing on a wide range of theoretical insights and primary sources, "The Unforgiving Minute" offers an original interpretation of Australian history. It examines time telling from the convict era to the 1990's. As the convict era drew to an end, the colonial governors looked to clocks as the mechanical policemen of an emerging free society. Fifty years later, as railways and telegraphs began to spread across the land, and pocket watches appeared on the waistcoats of working men, colonial society began to keep stricter hours of work and play, and to teach its children the virtue of punctuality. In the early 20th century, punch clocks and time-switches laid the basis for new patterns of work in the factory and the home. Now, in the 1990s, the "faceless clocks" in computers and automated control systems have created a "postmodern" time regime that is both more flexible, and more demanding, than its predecessors. time measurements -- social aspects -- australia -- history, clocks and watches -- social aspects -- australia -- history, australia -- social conditions, graeme davison

This work was the chief component of Australian Studies for the Students at Glenorchy Primary School (1993)Textured Purple plastic cover, with clear plastic sleeves, with purple plastic spine with white tape with title.A Small Portion of the History of Glenorchystawell

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins. He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’. Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram, and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone. Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools. The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

McKenzie Family CollectionGroup photograph of the staff of G.W. Jenkins (a tailor of Eaglehawk) who participated on aa float Empire Day (date unknown). The group photograph of (3) men, (7) women and (9) children of a presentation in support of Australia on Empire Day at Eaglehawk. The group is supporting the Australian Army, Navy and Airforce, each man dressed in support of one of these services, children dressed as an individual character, while the women each dressed in white street clothes and hats. A sepia print mounted on card; no photographer is credited with the photograph. Refer 10824.18 a photo of the store's float showing support of the empire.Jenkins Taylors EAG, Ma x Bray (McKenzie) second from right back row.history, social event

Sculture in bronze of Alan Marshall by Marcus Skipper, 1995 Alan Marshall, AM., O.B.E., Hon.LL,D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940's he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime"; "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". Covered under National Trust of Australia (Victoria), State significance. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p159 Outside the Eltham Library a bronze figure of a short one-legged man with a crutch invites people to the world of literature. The bronze statue, by Marcus Skipper, is of author Alan Marshall, who is famed for his autobiography I Can Jump Puddles, about growing up and overcoming the effects of polio. That plucky little boy later lived in the Nillumbik district for more than 50 years, and on his death in 1984, was buried in the Nillumbik Cemetery at Diamond Creek. Although a hugely successful author, his grave is modest with only a tiny boulder and simple bronze plaque on a grassed plot. From 1955 to 1972 Marshall lived in a tiny fibro-cement bungalow at the rear of a house at Park West Road, Eltham, owned by his older sister, Elsie McConnell. It was there that he wrote most of his autobiographical trilogy and his history of the former Eltham Shire, Pioneers and Painters. His long association with Eltham Shire began in 1918 when his family moved to Diamond Creek. Then in 1920 he began work as a junior clerk at the Eltham Shire Offices on Main Road, Kangaroo Ground near the Yarra Glen Road, while boarding at the hotel next door. Marshall later bought a block of land in Research, which had three bark huts. In one of these he wrote his first book These Are My People. He later sold the land but lived in a caravan there and in 1955 wrote I Can Jump Puddles.1 Proud of its citizen, the Eltham Shire named a park after Marshall at the corner of Main Road and Leanne Drive, Eltham. In 1985 the Shire initiated the Alan Marshall Short Story Award. It was Marshall’s early life in the country that taught him to live courageously in spite of his crippling polio, and he inspired many. This informed his writing – full of courage, championing the battler and love of the bush. Alan Marshall was born in 1902 at Noorat in Western Victoria, as the only son of Billy a drover, horse breaker, hawker and then general store owner. At the age of six, Marshall contracted infantile paralysis and was later hospitalised in Colac for 18 months. With his father’s encouragement, Marshall learnt to swim, wrestle and box, ride a bicycle (downhill), ride a horse and drive a car. Marshall won a scholarship to Stott’s Correspondence College to study accountancy. To help him continue his studies and find employment, his family bought 12 acres (4.8ha), in Ryans Road, Diamond Creek, opposite Windmill Court. There they ran cows, some poultry and an orchard. But life with a disability and during the Depression was hard for Marshall, who for 20 years, endured long periods of unemployment and loneliness and was often exploited at work.2 However, life improved in the 1930s, when he published short stories and articles in newspapers and magazines, including a column of advice to the lovelorn, which he wrote for nearly 20 years. At age 42 Marshall published his first book and in the next 30 years he published more than 20. His most successful book was I Can Jump Puddles, which sold more than three million copies internationally. It was made into a film, released in 1971, by Czechoslovakian director Karel Kachyna. Marshall was one of the first Australians to write about Aborigines who called him Gurrawilla - teller of tales - when he lived with them in Arnhem Land for eight months.3 In 1941 Marshall married Olive Dixon, with whom he had two daughters, Catherine and Jennifer. Marshall and Olive divorced in 1957. In 1972 Marshall was awarded an OBE for his work with the handicapped. He was also awarded an Honorary Doctor of Laws by Melbourne University, an Order of Australia for services to literature and the Soviet Order of Friendship of Peoples.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alan marshall, art in public places, eltham, eltham library, marcus skipper, panther place, public art, sculpture

Forgotten Histories of family and community on the central goldfields.Card cover with B/W photo of a house with wooden fence and four people, one woman and three children.Gold Tailings Forgotten Histories of Family and the Community on the Central Victorian Goldfields. Charles Fahey & Alan Maynestawell

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for children.Knitting book, 20pp. Cover depicts a young girl wearing a knitted twin set holding a paint brush. Contains patterns and some photos.Patons / KNITTING BOOK / NO. 244 / 7d. / "ANNA" / See page 9handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, fashion, style, knitwear, wool

Modest grave for at Nillumbik Cemetery, Diamond Creek. Alan Marshall, A.M., O.B.E., HON., LL. D. (1902-1984) Alan Marshall was born at Noorat, Victoria and became one of Australia’s most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940’s he spent sometime living in Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan’s occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged children’s societies. Alan’s books are numerous and include novel, short stories, children’s books, history and travel. Among the best known are his autobiographies “I can jump puddles” and “This is The Grass”. Others include “These are my people”, “Ourselves Writ Strange” and “Wild Red Horses”. In 1971 he wrote the centenary history of the Shire of Eltham, “Pioneers and Painters”. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p159This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alan marshall, diamond creek, nillumbik cemetery

Portriats of Alan Marshall, and some with his secretary, Pat Wiltshire, at work in his Park Road, Eltham home and garden, c.1970 at the time he was writing "Pioneers and Painters". Alan Marshall, A.M., O.B.E., HON., LL. D. (1902-1984) was born at Noorat, Victoria and became one of Australia’s most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940’s he spent sometime living in Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan’s occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged children’s societies. Alan’s books are numerous and include novel, short stories, children’s books, history and travel. Among the best known are his autobiographies “I can jump puddles” and “This is The Grass”. Others include “These are my people”, “Ourselves Writ Strange” and “Wild Red Horses”. In 1971 he wrote the centenary history of the Shire of Eltham, “Pioneers and Painters”. Black and white photographs of Alan Marshall at his home.pioneers and painters, alan marshall, pat wiltshire, park road

The story is written by Ingrid Stephen, daughter of Hans Barth who was an internee in camp 1 during WW2. She wrote the story for her children as part of their knowledge and heritage, the history of how and why she arrived in Australia and her life in this wonderful country which has been so good to her and her family. Tells what her father went through from capture to release.A white book with a sepia colour photograph, in centre, of a lady and child. Title at top and author below, in black writing. Family photograph on back in colour.ingrid barth, ingrid stephen, hans barth, john stephen, camp 1 internees

EDHS Newsletter No. 272 October 2023 Our next meeting will be a special evening, if not a little unusual. On pages 3 and 4 in this newsletter edition there are articles about Eltham Films, with particular reference to the film ‘The Prize’, made by Tim Burstall in 1958/59. As Burstall had strong connections with Eltham it would have been an easy decision for him and his associates to use the local area as the setting for his first film. Following this film Burstall went on to make many more. He became a key figure in Australian postwar cinema and was instrumental in helping to rebuild the Australian film industry, at a time when it had been effectively dead for years. At this EDHS meeting we will view this film, or should we say review this film, stopping at times to attempt to identify the main actors and where certain scenes were filmed around Eltham. Some locations may be more obvious than others. The actors are mainly children playing the characters in the film. So this will be an exercise in identifying people and places, whilst enjoying the rare opportunity to view a valued example of early Eltham film history.1:12:11 duration Digital MP3 file; 24.7MBaudio recording, eltham district historical society, meeting, society meeting, eltham, eltham films, guest speaker, the prize (film), tim burstall

BHS CollectionGran Wearne was born in Cornwall in 1855. She married Thomas Wearne in 1878 and they migrated to Australia with two daughters after a stay in the USA. She has six children, but only three survived. In 1897 she lost her husband and had to depend on the community for food and clothing. She got some milking goats which supplied milk for the family and she was also able to sell some. Her surviving son lived with her. He was a miner like his father. In later years she got the age pension. She died in October 1936. She was the last person who spoke English with a Cornish dialect.bendigo, history, long gully history group, the long gully history group - gran wearne, sarah lawry angwin, thomas wearne, william wearne

This booklet gives information on the Cavenett families from 1840 to 1970. John and Eliza Cavenett with four children set sail from England to Adelaide in 1840 but Eliza and one child died on the voyage. John Cavenett married again and settled in Adelaide. Most descendants of John Cavenett that are mentioned in the booklet also lived in South Australia but some settled later in Victoria, New South Wales and Western Australia. The book has been produced by Kingsley Ireland. This book is of some interest as an example of a family history written by a descendant of the pioneer family. As far as can be ascertained it does not have any local significance. This is soft cover booklet of 41 pages. The cover has a cream-coloured background with sepia-coloured photographs of three Cavenett family members on the front cover and a sepia-coloured reproduction of an S.T. Gill sketch on the back cover. The book contains a Foreword, a Preamble, information on members of the Cavenatt families, an Appendix and a Surname Index. There are many black and white photographs of the Cavenett family members. The booklet is stapled. Front Cover: ‘The Cavenett Family in Australia 1840-1970’ ‘Henry 1829-1876, Eliza 1834-1884. John 1838-1916’john and eliza cavenett, south australian pioneer families, warrnambool

Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery and the Civic Collection holds a number of important items within its collection. Ned Kelly is one of Australia's most iconic outlaws. Kelly was born and raised in rural Victoria, the third of eight children to Irish parents. His father, a transported convict, died in 1866, leaving Kelly, then aged 12, as the eldest male of the household. The Kelly's were a poor selector family who saw themselves as downtrodden by the squattocracy and as victims of persecution by the Victoria Police. While a teenager, Kelly was arrested for associating with bushranger Harry Power and served two prison terms for a variety of offences, the longest stretch being from 1871 to 1874. He later joined the "Greta Mob", a group of bush larrikins known for stock theft. A violent confrontation with a policeman occurred at the Kelly family's home in 1878, and Kelly was indicted for his attempted murder. Fleeing to the bush, Kelly vowed to avenge his mother, who was imprisoned for her role in the incident. After he, his brother Dan, and associates Joe Byrne and Steve Hart shot dead three policemen, the government of Victoria proclaimed them outlaws. Kelly died aged 25 at Melbourne Goal after being captured by Police in Glenrowan and sentenced to death. (Source Wikipedia).Brown glazed slip cast jug. Includes details which are iconic to the image of Ned Kelly including face and body armour pistol and gloves. Ned's left arm forms the handle.Verso; NED KELLY / Bendigo Pottery Epsom (stamp) Underside; Bendigo Pottery / Limited / Edition Series / 879 / 3000 / Australiacity of greater bendigo tourism, bendigo pottery

A4 soft bound book with photograph of timber house in country location with post and wire fence and three children walking towards the house; a girl in light-coloured dress carrying a school case is in the middle with a boy in crossover top shorts with school bag over their right shoulders on either side of her. Text is black.non-fictionSoldier settler family stories from the Hawkesdale, Macarthur and Penshurst areas.military history, soldier settlement wwii, hawkesdale, macarthur, penshurst, eugene von guerard, robert dowling, first australians

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

Illustrated book with gold coloured cover with title and authors name on front and spine. Also on front cover is image of Grace Collins (1891-92) on the right with two fellow nurses. On the back cover is the RCH trained nurses' badge (red Maltese cross on gold background inside a white circle) with the motto ' Infirmis Opitulare' (to care for the sick and infirm).non-fictionThe book is a tribute to the nursing service of the Royal Children's Hospital, Melbourne. From the time of the hospital's opening in 1870, the first nurse training school in 1889, and the transition to tertiary education, up to time of publication in 2006.royal children's hospital (melbourne), paediatric nursing-victoria-history, nursing-victoria-history

This photograph of the Wooragee Landcare Area signage was included in the album alongside the statement that, when the photo was taken in 2005, the Wooragee Landcare Group had applied for a council grant for new signs with which they could replace the broken sign in the photograph. The sign marks the Woooragee Landcare Area, opened in 1989 by Heather Mitchell, one year after the first meeting of the Wooragee Landcare Group. It also commemorates the 1898 founding of Wooragee Junior Landcare, which they launched with Wooragee Primary School. As stated by the sign, Wooragee Junior Landcare was the first group of its kind in Auatralia, with the nation-wide Junior Landcare organization being launched in 1998. This photograph is significant as a marker of Wooragee Landcare's need for grants and council funding, which is common to many organisations, and for demonstrating the history of Wooragee Landcare and Junior landcare by commemorating the founding of both the Wooragee Landcare Area and Wooragee Junior Landcare. Rectangular landscape colour photograph printed on gloss photographic paper.Obverse: Sign in photograph reads "Wooragee Land Care Area/ Launched by Heather Mitchell/ 6th June 1989/ Wooragee Junior Landcare First in Australia" Reverse: "WAN NA E0NA0N2. AIN+ 1 2906/ wooragee junior landcare, grants, signage, council, wooragee landcare area, heather mitchell, wooragee primary school, wooragee, wooragee landcare, wooragee landcare group, junior landcare, 1989, broken sign, youth, junior, children, landcare, landcare area, founding

non-fictionA history of the Rosenberg children who came from Silesia to Australiapoland, south australia, boehm, juers, menkens, johann gottlob schulz, julianne christiane peitz

Five Truscott brothers came to Bendigo from Cornwall and after seven years mining Anthony Truscott opened a grocery store in 30 Havilah Street, Long Gully. Anthony Truscott (Bap 24/2/1856, Cornwall - 21/9/1913). At the age of 18 Anthony went to America but soon returned to England. At about the age of 24 he came to Victoria c. 1880.. He worked in several mines for the next 7 years before opening his grocery shop. In 1907 he was the president of the Bendigo ANA. In 1915 he was the secretary of the Long Gully fire brigade. He died of dropsy and Brights disease. Edward Truscott ( 2/6/1844 - 9/10/1916) Edward and his wife Ellen lived in Smalley Street, California Gully and at 30 Dowding Street, Eaglehawk. He is buried at Eaglehawk. William Truscott (c. 1853 - 14/10/1911) William was a JP. He was also the first President of the California Gully Progress Association in 1910 John Truscott (1/2/1837 - 6/8/1919) John went to America as a young man where he married Christina Grigg and had several children. He arrived in Australia in 1862 with his family. His wife died shortly after the birth of her baby, and John quickly remarried to Catherine Alice Willis and had more children. He was the mining manager at the Hercules and Energetic Mine at Long Gully from 1877. he still held this position in 1882.Newspaper cutting titled Prominent family to reunite written by Susan Turpie. No date. Five Cornish brothers Anthony, Thomas, William, John and Edward Truscott made their way to Australia after mining work in Cornwall began to dry up. They settled in Long Gully and California Gully and later spread out to Strathfieldsaye and further through the region. Jean McDonald organised a family reunion which had activities at the Long Gully Uniting Church, the Long Gully Uniting Church Hall and Lake Weeroona. Article has a photo of the five brothers.bendigo, history, long gully history group, the long gully history group - five truscott brothers, anthony truscott, thomas truscott, william truscott, john truscott, edward truscott, jean mcdonald, percy truscott, tony truscott, neil truscott, city of greater bendigo, long gully uniting church, susan turpie

non-fictionThe history and family tree of Dougald McDougall's three known children : Archibald and his wife Margaret (Peggy) Livingstone, James and his wife Jane (Jean) Paul, Christina and her husband Donald Kennedy and their descendants in Australia, 1801-1984south australia, mcdougall family

THE DOLL HOUSE _ Yvonne Fitzmaurice The ten room fully furnished American farmhouse was created from an idea by former Mitcham resident, Yvonne Fitzmaurice and was constructed between 1976 and 1978 as a birthday present for her daughter, Susan. The house is a unique interpretation of early American architecture and inferior design. It is also a representation of one woman's ability to create and complete a details snapshot of a lifestyle long gone and give pleasure to family, friends and now the community. Yvonne has had an interesting and full life, born in New Zealand where was a State Registered Nurse and she specialised in hospital theatre work. Later her curiosity bought her to Australia where she worked at the Sydney hospital and with the Australia Flying Doctors service flying in and out of Wilcannia, western New South Wales. On returning to New Zealand Yvonne acted as part of a Medical cover team for the different armed services. one session in the Nary involved pursuing submarines which she described as being very exciting. In 1958 she travelled by sea through the Suez Canal to England and as a member of British Services served in the post WWII Germany for three year in the QARANC and also worked at The London Clinic with some high-profile specialists. Yvonne was introduced to her husband-to-be at a tennis party and they lived in Cambridge, UK, where their two children, Alastair and Susan, were born. On coming to Australia in 1965 as "£10 poms" (Yvonne's words) she worked in casualty at the Box Hill hospital. Initially the family lived at Blackburn South before moving to Mitcham in 1968. To help establish a new life with her family in Australia, Yvonne worked in many different positions from nursing, machine knitting for a Prahran shop, making Christmas Cards and as a commercial traveller. As a hobby she also sold a number of pastel paintings. Following the publishing of her first family history in 1994, Yvonne became a member and volunteer at the Whitehorse Historical Society where she has contributed in producing local history publication, articles for the Newsletter and has improved access to the files by creating the detailed "green files". Her interests include art, crafts and writing. Yvonne has a great philosophy, 'each day I must achieve something - no matter how small'.Hand-made child's doll's house. Built by Mrs Yvonne Fitzmaurice and finished in 1979. This house was built as a 1:12 scale and is a model of a Californian house called Peppercorn farm. House was built by Yvonne and her family and took a period of three years. A lot of the furniture is handmade and the rest is collected from various shops. "Susan Fitzmaurice" name on front of building. Date on plaque on top of front wall.na5059, na5061, na5063, na5065, na5068, na5071, na5073, na5075, na5077, na5079, na5081, na5083