This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. The mansion has been the site of Shelford Church of England Girls’ Grammar School - now Shelford Girls’ Grammar School - since circa 1922.From Victorian Heritage Database citation for HO115: "Helenslea" 3 Hood Crescent, Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35212 as at 21/10/2020 ''Helenslea'' was built for Sir George Stephen, MLA, barrister and mining investor by 1863. It was built with an address to Glen Eira Road with the driveway gates close by the present Helenslea Road corner. The present address is no. 3 Hood Crescent, Caulfield North. It is historically, aesthetically and socially significant. It is historically significant (Criterion A) as the home of Sir George Stephen, MLA for Collingwood, barrister and mining investor and for its capacity to demonstrate Caulfield's early attraction as a residential retreat for Melbourne's eminent citizens. It is aesthetically significant (Criterion E) as a villa residence characteristic of the mid Victorian period, predating the use of cast iron and comparing in this respect with Charles Webb's "Farleigh" (1865) at 6 Farleigh Grove, Brighton. Its substantial nature causes it to be the earliest surviving mansion house in the Municipality. The porch, external austerity and opulent entrance hall and staircase are important contributory elements whilst the survival of the exterior surfaces predominantly in an unpainted state enhances its level of integrity. It is socially significant (Criterion G) for its association with Shelford C.E.G.G.S. since 1922. Page 86 of Photograph Album with three photographs (two portrait and one landscape ) of different views of Helenslea. One is a photo of a photograph.Handwritten: "Helenslea" now C.E.G.G.S Hood Cres [top right] / third photo is of a photograph titled "Shelford" / 86 [bottom right]trevor hart, hood crescent, helenslea, c.e.g.g.s., school, 1860's, sir george stephen, unpainted, mansion, shelford, villa residence, mid victorian, glen eira road, helenslea road, ceggs, porches, stairs, caulfield north, entrances, shelford church of england girls' grammar school, shelford girl's grammar, ivy -covered walls, caulfield

Distributed to nurses who took part in campaigning for improved wages and working conditions in the 1980s, particularly those involved in the historic 1986 Victorian 50-day nurses strike. In October 1986, Victorian nurses began their longest strike after the failure of repeated talks with the health minister David White who was committed to reducing the classification and pay of almost half of Victoria’s nurses. Skeleton staff were left in the wards while picket lines, tents and caravans were set up outside hospitals in both metropolitan and regional Victoria. After 50 days of industrial action, Victorian nurses voted to return to work on 20 December 1986. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, and the strike concluded in December 1986, suggesting this badge was produced sometime between 1987 and 1989.Circular red and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I FOUGHT NURSES STRIKE 1986' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 Caulfield's Building Heritage by Dr Geulah Solomon states that Ercildoune was the home of Sir Samuel Wilson and later, Arthur Knox. Knox is likely the person who subdivided the land, creating Ercildoune Street.Page 100 of Photograph Album with two photographs (landscape) of Ercildoune and two photographs (one landscape and one portrait) of two other houses on Inkerman Street.Handwritten: "Ercildoune" (576) [top left] / Inkerman Street [top right] / 138 INKERMAN ST [under bottom left photo] / LABASSA GROVE CORNER OF INKERMAN OPPOSITE ERCILDOUNE [under bottom right photo] / 100 [bottom right]trevor hart, east st kilda, ercildoune, mansions, towers, gardens, bloomsbury, inkerman road, labassa grove, attic houses, porches, inkerman street, caulfield north, st kilda east, sir samuel wilson, arthur knox, ercildoune street, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. National Trust - 9 Lynedoch Avenue, CAULFIELD NORTH VIC 3161 - Property No B3310 https://vhd.heritagecouncil.vic.gov.au/places/65663 - this record is just one photo with no text; the photo is almost identical to the photograph of the smaller gate on this album page. Page 124 of Photograph Album with two square photographs of gates.Handwritten: Lynedoch Avenue [top right] / 124 [bottom right]trevor hart, gates, cast iron gate, caulfield north, gate, hedge, cast iron spears, stone plinths, masonry column, masonry pillar, lynedoch avenue, st kilda east

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. References cited above indicate that Cambria was demolished around 1974-1976 (2 dates given). Caulfield's Built Heritage states it was built for Cyril Godby with the National Trust (Victorian Heritage Database) saying it was built in 1888.Page 144 of Photograph Album with two photographs (one portrait, one landscape) of Presentation Convent, Neerim Road.Handwritten: Presentation Convent (ex- "Cambria") Neerim Road [top] / 144 [bottom right]trevor hart, presentation sisters, cambria, presentation convent, roseberry grove, glen huntly, neerim road, convent, victorian, polychrome bricks, mansions, gates, verandahs, balconies, towers, lookouts, cyril godby, house names

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for 84 Orrong Crescent https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) "St. Reliers" at 84 Orrong Crescent is important as an unusually excessively enriched asymmetrical villa residence of the Boom period. From Victorian Heritage Database citation for HO50 84 Orrong Crescent Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35584 as at (28/10/2020) An imposing Italianate two storeyed asymmetrical villa with overpainted stuccoed surfaces to the facade, distinguished by their ornate treatment. Unusually rich ornamentation includes the acanthus leaf impost capitals, aedicules with swags and volutes, foliated panels to the frieze, ashlar treatment to the lower level and quoins above. The two storeyed cast iron verandah with timber frieze rail protects a black and white tiled floor. The hipped roof has patterned slates.Page 152 of Photograph Album with two landscape photographs of Bonhurst on Orrong Crescent.Handwritten: 84 Orrong Crescent [top right] / NOW 84 - PREVIOUSLY 120 ORRONG CRESCENT / "BONHURST" [under bottom photo] / 152 [bottom right]trevor hart, verandah, porch, slate roof, garden, decorative brackets, fanlight, protruding bay, bay window, garden lamp, asymmetrical, bonhurst, st reliers, rendered, orrong crescent, caulfield north, cast iron work, victorian style, mansions, house names, slate roofs, italianate style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. The Former Elsternwick Post Office is on the Victorian Heritage Register H0640 with a full significance statement and also HO29 with the City of Glen Eira. Much of the Glen Huntly Road heritage retail strip is heritage listed in HO72 with the City of Glen Eira.Page 67 of Photograph Album with four photographs (three portrait and one landscape) of different properties on Glen Huntly Road - a house, Post Office, ANZ Bank and shops.Hand written: Glen Huntly Road [top left] / 1027 GLEN HUNTLY RD [under top left photo] / ELSTERNWICK POST OFFICE [under top right photo] / 67 [bottom left] trevor hart, glen huntly road, elsternwick, shops, caulfield, post offices, glenhuntly road, banks, brick houses, shopping centres

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. In October 1986, Victorian nurses began their longest strike after the failure of repeated talks with the health minister David White who was committed to reducing the classification and pay of almost half of Victoria’s nurses. Skeleton staff were left in the wards while picket lines, tents and caravans were set up outside hospitals in both metropolitan and regional Victoria. After 50 days of industrial action, Victorian nurses voted to return to work on 20 December 1986. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).This badge is of historic significance as it represents nurses' struggle for industrial and professional status. This struggle was made particularly visible through the 1986 Victorian nurses' strike, which had great impact on the way Australian society viewed nurses and working women (Bessant, 1992).Circular white and red plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Nurses DO dare to Struggle' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, trade unions, badges, buttons, pins, campaigning, 1986 victorian nurses strike, labour history, royal australian nursing federation, victoria, australia

This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. As at 22/08/2021, 51 Seymour Road is included in the HO179 Beemery Park Precinct which C204glen Amendment seeks to add to the Glen Eira Planning Scheme (amongst others). This is not yet finalised. Bellecourt (so named in 1989 according to Andrew Ward's Heritage Study) was originally named Beemery.Victorian Heritage Database HO62 Bellecourt 85 Seymour Road ELSTERNWICK https://vhd.heritagecouncil.vic.gov.au/places/35585 (as of 22/08/2021) "Beemery" at 85 Seymour Road, is an imposing ltalianate villa with arcaded asymmetrical facade built in 1891 for Charles Langdon. It has aesthetic, historical and social significance. Its aesthetic value rests with the facade which is highly representative of a not uncommon villa form of the late Victorian period. Its historical value derives from its association with the Langdon family in Caulfield (compare "Rosecraddock", "Tarqua" and "Hengar"). Its social value derives from its ability to demonstrate a lifestyle in late Victorian Caulfield.Page 190 of Photograph Album with four photographs of two different properties on Seymour Road.Handwritten: Seymour Road [top right] / 51 [under top left photo] / 51 [under top right photo] / 85 [under bottom left photo] / 85 [under bottom right photo] / 190 [bottom right]trevor hart, elsternwick, seymour road, late victorian, caulfield, beemery, bellecourt, house names, langdon family, charles langdon, cast iron work, verandahs, polychromatic brickwork, italianate style, arched balconies

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates This Area is marked by the imposing brick and freestone gothic Revival church of the Holy Cross, built in 1937 to the design of O.H. Jorgensen. Church of the Holy Cross and Presbytery are contributory buildings to HO66.Page 65 of Photograph Album with one exterior photograph (landscape) of a brick church with a three storey tower.Hand written: Glenhuntly Rd [top left] / HOLY CROSS RC CHURCH / Dec 1972 [written underneath the photo] / 65 [bottom left] trevor hart, 1930's, gothic revival, brick, bell tower, spire, facade, catholic church, o h jorgensen, holy cross catholic church, caulfield, glenhuntly road, caulfield south, presbytery

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Dr Geulah Solomon's 4 volume book "Caulfield's Heritage" Vol 1 p 35 "...an elaborate double-storey spreading mansion which brought together several architectural styles to create a fairytale castle effect...". Dr Solomon indicates that the mansion was demolished circa 1937.Page 76 of Photograph Album with two portrait photographs of Crotonhurst and its grounds.Handwritten: "Crotonhust " (dem) Hawthorn Road [top right hand corner] / 76 [bottom right]trevor hart, caulfield, architectural features, architectural styles, hawthorn road, crotonhurst, north caulfield, gothic, george henry frederick webb, george webb, 1860's, judge webb, mansion, semi circular spire, square turret, cornish entrance porch, isabella webb, cruden farm, stables, castle-like towers, j mclaughlin, glen eira road, walworth avenue, stained glass windows, organs

This file contains 4 items relating to the Elsternwick Classic Cinema: 1/1 original black and white photograph of the Elsternwick Classic Cinema, 9 Gordon Street Elsternwick. Date and photographer unknown. 2/ 2 photocopied photos of the Elsternwick Classic Theatre in its various stages of operation. One photo is of it as the Dorchester Dance Hall between 1938 and 1946 and the other is of the Classic Cinema in 1994. Photographers unknown. 3/National Trust of Australia (Victoria) Classification Report on Elsternwick Theatre with attached cover letter addressed to the Manager of the Planning Section, City of Glen Eira Council, from Ian Pausacker from the National Trust dated 04/10/2000. The report includes a statement of significance, history, description, context and floor plans of the theatre. 4/1 newspaper article written by Alex Njoo from the Caulfield/Port Philip Leader, 31/01/2012, congratulating the Tamir family on their conservation of the Elsternwick Classic Cinema. Includes a colour photo of the Tamirs, photographer unknown.elsternwick classic cinema, gordon street, elsternwick, dorchester dance hall, national trust of australia, national trust register, elsternwick theatre, pausacker ian, classic cinema, entertainment, cinemas, theatres, victorian style, elsternwick public hall, skating rink company limited, selwyn street, victorian permanent building society, community centres, films, shows and exhibitions, film projectors, amalgamate picture company ltd., richardson frank g., architecture, stairs, associated theatres limited, ballantyne and hared, balconies, architectural features, entrances, depression 1929-1939, astor, dancehalls, esquire theatre, prentice george, plottel joseph, architects, cowper murphy and associates, sharon cinema, tamir eddie, readings, free classical style, plans, business people, njoo alex, tamir family

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.This locomotive was built in 1878 by Beyer Peacock & Co, Manchester, England. It arrived in Sydney on August 19, 1878 and began its working life as No 120 of C[79] class on the southern and western lines of NSW in September that year. On 24 May 1914, when the new branch line to Canberra was completed, the locomotive unofficially opened the track by pulling the first train to the construction site of the national capital. The engine was given the new number 1210 in the 1923 re-classification of NSW engines. Locomotive 1210 continued in use until 1958 when it was finally withdrawn from service. The NSW Steam Tram and Preservation Society appealed to the National Capital Development Commission (NCDC) and the NSW Railways to assist in the locomotive's preservation. As a result of the Society's appeal the locomotive was purchased by the NCDC for 800 pounds. The locomotive was relocated to the Canberra Railway Museum in 1984. It was restored with funds received from the Australian Bicentennial Authority. It was a requirement of the Bicentennial Authority Grant that the engine be operational. The locomotive was re-commissioned by the Member for Canberra, the Hon Ros Kelly, on 19 September 1988. As part of the Australian Bicentennial celebrations Locomotive 1210 attended the AusSteam '88 event in Melbourne, travelling south in the company with Locomotive 3112. It is claimed by the Australian Railway Historical Society that No 1210 is the oldest operational main line steam locomotive in the world.On front of locomotive "1210" railways wodonga, fred rochow, locomotive 1210

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Sands & McDougalls directory of Victoria : 1970 gives address as 141 Kooyong Road, Caulfield North. "Caulfield's Building Heritage" p67 includes that this mansion was originally called Fairhaven, built for George Hope, a dairy farmer. He changed the name to Tudor Court in 1915 when he moved his dairy to Cranbourne.Page 116 of Photograph Album with three photographs (one portrait and two landscape) of different views of Tudor Court in its garden. Handwritten: "Tudor Court" Kooyong Road [top right] / Neg 252 Dec 1972 [under top left photo] / Neg 251 Dec 1972 [under top right photo] / Neg 253 Dec 1972 [under bottom left photo] / 116 [bottom right]trevor hart, caulfield north, kooyong road, mansion, verandah, tudor court, george hope, terracotta tiles, terracotta roof, arched windows, port cochere, square bay window, timber balustrade, columned balcony, receptions, fairhaven, arcare caulfield aged care, 1910's, spire, ridge capping, conical roof, verandahs, victorian architectural style, tudor style, queen anne style, lead lights windows, shingle roofs

This photograph is part of the Caulfield Historical Album 1972. This album was created as part of a project from approximately 1966-1972 by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. This album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia Victoria and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Photographers Jenny O’Donnell and Trevor Hart, members of Caulfield Historical Society. Some photographs are older and from unknown sources. All photographs are black and white except where stated. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) An imposing single storeyed stuccoed Boom period Italianate villa residence, distinguished by its bayed and pedimented projecting wing and central portico with surmounting pediment and urns. The cast iron verandahs, to two elevations, have tessellated floors and are partly built-in. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) "Stanmere" is locally important as the home of the Short family whose decision to sub divide its holdings was linked closely with the profiteering ventures of the directors of the Premier Building Association, leading to the construction of low cost workers housing characteristic of the land boom speculators prior to the bank crash of the early 1890's.Handwritten: Page 186 of photo album with two photographs of the Elsternwick Club.Handwritten: Sandham Street [top right] / BOWLING CLUB [under top photo] / ELSTERNWICK CLUB [under bottom photo] / 186 [bottom right]trevor hart, victorian, chimneys, porch, cast iron lacework, verandah, sandham street, victorian villa residence, villa residence, cast iron frieze, cast iron columns, protruding bay, bay window, 1880's, late victorian, decorative brackets, rendered, arched windows, ornamented parapet, short family, premier building association, elsternwick club, boom years, elsternwick, pediment, stanmere, bowling club, club, bowling, land subdivision, cast iron work, tessallated floors

This photograph is part of the Caulfield Historical Album 1972, showing an advertisement for the 21/04/1923 Glenholme Estate sale through real estate agents Knight and Harwood. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. This polychrome brick and slate-roofed mansion was built by John Hart in 1871. Later owned by James McDougall (partner in Sands and McDougall; director of the first Caulfield horse tram company). Later again, it became a psychiatric hospital; demolished c1923.Page 36 of Photograph Album with two photographs of Glenholme Estate advertisements.Handwritten: "Glenholme" Bambra Road [top] / 36 [bottom right]trevor hart, caulfield north, bambra road, glenholme, advertisements, glenholme estate, knight and harwood, real estate agents, maps, polychrome bricks, slate roofs, john hart, james mcdougall, psychiatric hospitals

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.7 square headed iron nails collected from Reno before its demolition. In envelope marked with the name Joy Stewartreno, nails, samuel cocking

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977. Wallpaper fragment from ‘Reno’. This small fragment of floral wall paper is a bolder design than the delicately drawn flowers in 1977.0005.1. The flowers in this example were impressionistically created using printing blocks that allowed for different thicknesses of paint to be applied in the hand-blocking process. wallpaper, reno, st john's parade, kew

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. This large single example is interesting as it represents a change in fashion and style from the finely drawn flowers (1971.0002.1) of an older paper, parts of which can be seen behind this sample. Typically the updating of wallpapers was accomplished by laying a new paper over the old. The ‘newer’ wallpaper is of a single colour, the tone of which may have suffered from colour distortion due to ageing. The new block-printed design, featuring repeated sprays of flowers and leaves combines a bold use of colour with an elegance of design.reno, st john's parade, kew, samuel cocking, wallpaper

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977. Wallpaper fragment from ‘Reno’. These three boldly designed samples from a single room are in shades of green and brown, highlighted by yellow and red floral sprays. While more accurately printed and coloured, the fragment lacks the freedom of design of the earlier samples.wallpaper, reno, st john's parade, kew, samuel cocking

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977. Wallpaper fragment from ‘Reno’. This small fragment is part of the larger design shown in the previous sample (1971.0002.5). It includes a detail of the trellis element from the larger scheme.wallpaper, samuel cocking, reno, st john's parade, kew

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Brass letter plate, originally from the front door of Reno in St John's Parade, Kew. Donated by Miss McDowell in 1977, in the year the house was demolished.reno, st john's parade, kew

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Original sample of nineteenth century wallpaper from one of the earliest homes in Kew (Victoria).Wallpaper fragment from ‘Reno’. These two samples of light brown Victorian-period wallpaper were overprinted with flowers and leaves that are outlined in maroon. Flowers and foliage are painted in blue of varying intensity, giving the impression of being hand painted. The style of this wallpaper would have been suited to a bedroom or drawing room.wallpaper, samuel cocking, reno, st john's parade, kew

The 1st edition of this famous work, giving an excellent account of the machinery used in late 19th century metal mining in the UK and overseas is very rare. It covers a wide range of equipment - pumps, steam engines, drills, winding engines, stamps & concentration mills, aerial ropeways, tramways and early uses of electricity etc. Brown hard cloth covered book. xvi 564 pages with additional advertisements, with over 300 illustrations and drawings, some fold out. Chapters include Water as a motive power, Wind engines and ventilating machinery, Steam boilers/engines and oil engines, hoisting machinery, draining of Mines, pumping engines, rock drilling machinery, boring machinery, concentration machinery, sizing and classifications trommels, joggers and jigging, fine concentration, milling of gold ores, milling of silver ores, amalgamation plates and machinery, dry and roasting machinery, chlorination and cyandide processes for the extraction of gold, electricity as a motive power for mining, electric lighting and blasting, aerial wire ropeways, transport by rail and road. There a a number of lovely line illustrations in the book including: Poncelot's undershot waterwheel; Fromont furnace;Victor turbine; Pelton waterwheel; Root's positive blower;Cross section and front elevation of Lancashire boiler; Robey's Compound Mill Engine; Portable Winding Plant; Iron Pit Head Gear ; Loading Arrangement in an Incline Shaft; kibble; Worthington Pump; California Pump; Scram's Air Compressor; Rock drill Bits; Special Sharpening tools; Boring tools;Rotating Picking table; Ore Feeder; roller crusher; stamp battery; round buddle; slime table; vanner; amalgamating plant; belt elevator;roasting furnace;splicing wire rope; capel; tipping waggon;mining, cornish pump, linkenbach table, water wheel, ventilation, oil engine, california, america, water, steam boilers, steam engines, oil engines, pumpimg, rock drilling, boring, jiggers, milling, silver, gold, drying and roasting, chlorination, cyaniding, lead, zinc, copper, electricity, electric lighting, wire ropes, transport, wind engine, poppet head

The collection of material was collected and compiled by Ken Clements, Academic Registrar.A grey cardboard file box with information compiled by Ken Clements, the first Academic Registrar at Ballarat Institute of Advanced Education and Ballarat College of Advanced Education (later Federation Univeristy). The information includes: 1. Ballarat School of Mines advertisement for the Academic Registrar Position 2. Details of Position 3. Ballarat Institute of Advanced Educaton information for Lectureship applicants 4. Copy of Ken Clements application for the position. 5. Principal's Recipt of application note 6. Request to and reference from R.F. Colbourne 7. Request to attend for interview from Deputy Principal 8. Principal's receipt of appointment advice from Ken Clements 9. Ballarat Courier Photo of January 1972 - Deputy Principal H. Trudinger, Principal E.J. (Jack) Barker, Academic Registrar Ken Clements. 10. Plans for storage and operation of student records with Electronic Data Processing 11. Memo to Heads of Departments for current enrolment data, with Academic Registrar duties statement attached for information 12. Subject COding Scheme first draft. 13. "The Developmen of Tertiary Education in Ballarat" a report to the Victorian Minister of Education 14. Director's Advice of change of classification for Ken Clements 15. "Professional Experience Program Report: Ken Clements 1980 16. Sample commuinuicaiton re Registry Stadd traditional end of year function 17. Sample Enrolment Manual 18. Copy of application for La Troe position 19 CAEnews, April - Produced for Registry as an information service for Ballarat College of Advanced Education Staff. Includes infromation on the northwest access to the Mount Helen Campus. Photos include roadworks on Greenhill Road, a rehearsal for the play "Little Malcom", John Langer, Jayne Wilkins, Ian Gomm, Gary Gorman 20. Part of Notes for participants in Conferring Ceremony 21. Ken Clements notes re admission to tertiary education 22. Letterhead re Ballarat College of Advanced Education 23. Memo re 1988 Admission process 24. Staff Club Activities Survey 25. 1988 Enrolment Manual 26. Sundry cards used by registry for public and internal communication, 27. Listing of Ken Clement snad B. Coldwell duties March 1988 28. Docuemnts and memos re classifications of Ballarat College of advanced Education Staff, most are to do with the Academic regsitrar position 29. Notes re Ken Clements leaving Ballarat College of Advanced Education in 1988 30. Ken Clements notes for University of Ballarat Retired Staff Association Newsletter 1997 31. Ken Clements data in Ballarat University College "Biographical Archive of Retired Staff, 1996 32. Listing of some projects undertaken by Ken Clements as a volunteer at the University of Ballarat art and Historical Collection. ken clements, john langer, ian gomm, gary gorman, leslie clements, jayne wilkins, academic registrar, retired staff association, staff club

The University of Ballarat department of Graphic Design / Multimedia Classification, "This year is yet to be classified", Advanced Screening. Promotional catalogue of University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Each student has contributed a movie-poster style graphic, incorporating their email address. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page. 28 Students: Alex Gillet, Andrea Read, Peta Wallace, Michelle Allen, Matt Avent, Andrew Isaac, Reuben Barnett, Fiona Woolley, e sawyers, Andrew Wapling, Hamish McDougall, Tim Allan, Jacqueline Orr, Lucy Brisbane, Leigh Scholten, L Webb, Ange Nastos, Marc Oswin, Simone Carras-Kerr, Michelle Berry, Heath McGregor, Naomi Craig, Amanda Brizzi, Anthony Boulton, Jess Steinke, Belinda Garth, Sonya Zwolinski, Danielle Harris. Promotional catalogue University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page.alex gillet, andrea read, peta wallace, michelle allen, matt avent, andrew isaac, reuben barnett, fiona woolley, e sawyers, andrew wapling, hamish mcdougall, tim allan, jacqueline orr, lucy brisbane, leigh scholten, l webb, ange nastos, marc oswin, simone carras-kerr, michelle berry, heath mcgregor, naomi craig, amanda brizzi, anthony boulton, jess steinke, belinda garth, sonya zwolinski, danielle harris, university of ballarat, federation university, graphic design, multimedia, helmut stenzel, stephen roberts, elizabeth farlie, elise whetter

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward https://www.gleneira.vic.gov.au/media/4777/heritage_mment_plan_vol_3b.pdf (as of 27/01/2021) - p90 An imposing single storeyed Italianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted corner bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations.Victorian Heritage Database (as of 27/10/2020) - HO49 225 North Road Caulfield South https://vhd.heritagecouncil.vic.gov.au/places/42426 "Maniar" (?) is a substantial late Victorian Italianate villa with tower and extensive grounds built for Frederick Curwan, an inspector of the National Bank, in 1890. It is aesthetically and historically important. An imposing single storeyed ltalianate bi-chromatic brick villa with three staged tower surmounting the entry and facetted comer bay with conical roof. White tuckpointed black body bricks are relieved with reds and stucco work. Gable ends are fretted and there is a concave cast iron verandah to the principal elevations. It is aesthetically important as an imposing and substantially intact villa residence demonstrating the changing architectural fashions of the 1890's, evidenced by the use of face brickwork and fretted gables in the Queen Anne manner. It is historically important for the manner in which it demonstrates the lifestyle to which a businessman could aspire during the boom period.Page 150 of Photograph Album with four landscape photographs of Fairfield Hall on North Road.Handwritten: "Fairfield Hall" 225 North Rd cnr Younger Ave [top right] / 150 [bottom right]trevor hart, jenny o'donnell, verandah, porch, tower house, tower, mansion, three storey tower, bichromatic brickwork, fairfield hall, 1890's, george jobbins, conical roofed projecting corner bay, conical roofed bay, timber ceilings, north road, younger avenue, frederick wallis curwan, curwan, italianate, queen anne, australian homestead, arched windows, curved windows, columned parapet, return verandah, fairfield estate, fairfield street, slate roofed, red brick, polychrome bricks, victorian style, cast iron work, caulfield south, maniar, house names