Medallion in box. 1. Medallion - metal, round, gold colour with raised gold print and "THE RATS OF TOBRUK DESCENDANTS ASSOC" logo highlighted in red, yellow, white and black enamel. 2. Box - cardboard, black with black foam padding, White print on attached lid of box.Print on box lid - white - "80th ANNIVERSARY/ SIEGE OF TOBRUK/ WORLD REUNION/ 10 APRIL 2021/ BRISBANE"medals, rats of tobruk association anniversary

The brochure gives information on the Eureka Stockade which took place on 03 December 1854. The Eureka trail aimed at enhancing the Eureka experience and was developed in 1996. It was managed by the City of Ballarat with funding assistance form the State and Federal governments. Much of the work was undertaken under the New Work Opportunity Programme.Blue and white brochure highlighting relevant Eureka Stockade site. The brochure includes a map showing the route the Government forces took on their way to the Eureka Stockade as well as sites of interest to Eureka which are marked by blue bollards. The brochure was presented by the City of Ballarat and the Eureka Stockade centre.eureka, eureka stockade, diggers' trail, trooper's trail, eureka stockade centre, city of ballarat

Long thin book Emerald Green snake skin type pattern with lighter green highlights Front and Back cover same. No writing on cover. Australian Red Cross Kangaroo Flat Branch - Monthly Balance Sheets July 1944 - Year ended 30th June 1946.monthly statement, receipts and expenses

Marion “Annie” (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections. This hat was worn by Kathleen Gervasoni, long term resident and former Mayoress of Kew, who purchased it from Anne Harrison.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned, taffeta lined, maroon velvet hat, designed and made by Anne Harrison of Kew. The hat features a narrow stiffened peak of the same fabric at the front and highlighting at the rear of the peak and on the crown in pale pink grosgrain braid. The back of the hat features grosgrain pink braid. Label, inside centre crown, woven in black on white polyester: *WM 9906 /Anne linHarrison OF KEW"anne harrison of kew, kathleen gervasoni, milliners - kew (vic), women's clothing, costume accessories - hats, cloche hats

Annual Reports - Bendigo Building Society Annual Reports for 1987 and 1988. Each report includes a list of Directors and their photos, Executives and their photos, Operating highlights, Financial statements. Insert for copy (a) is a notice of extraordinary meeting for 26 Oct. 1987. Insert for copy (b) is an explanatory statement.Bendigo Building Societybendigo society, bendigo building society

Image of an eagle with head turned towards viewer. Eagle is depicted in brown and blue, with feathers detailed in white and yellow. Beak and around eyes are highlighted with pale blue and white. Background is abstract colouring in blue and pink. Mounted in cream matt in carved wooden frame, under glass.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)eagle, wildlife

For Bravery in the Field. Great War British Army Recipients of the Military Medal 1914 - 2910. A Register.Soft cardboard cover. Black / gold / white print on front, spine & back. Illustrated in colour. Military Medal group on grey / brown background photo of mud on front. 2 black / white colour highlighted photo of soldiers on back. 641 cut, plain, white pages. No illustrations.book, military medal, great war, british

Three colour photographs of Heritage Week featuring the brickwork of the former Police Residence and current home of Eltham District Historical Society at 728 Main Road, Eltham. Highlights the use of 'English Bond' on headers and stretchers alternatively and 'Colonial Bond' on one course of headers and three courses of stretchers.heritage week, eltham, courthouse, brick laying, wall, sign, activities

A Vesta case is a small, portable box / safe to carry matches and came into use around the 1830s and were produced extensively between 1890 and 1920. During this period, almost everyone carried strike anywhere matches, so they could light stoves, lanterns and other devices. Early matches were unreliable and prone to ignite from rubbing on one another or spontaneously. Accordingly, most people carried a match safe / box to house their matches. Wealthy people had match safes made of gold or silver, while common folk had ones made of tin or brass.c1860 A small tin Japanesque vesta case, with a roughened strike plate, to hold matches for lighting fires, lamps, cigarettes or pipes. The tin case has been embossed with a Japanese type bird design on the front and back and then coated with copper and brass to decorate and highlight different parts of the design.Embossed with a Japanese type bird design on the front and back . jewellery, personal effects, craftwork, vesta case, lights, candles, safety matches, moorabbin, brighton, bentleigh, cheltenham, early settlers, pioneers

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

Button distributed to and worn by Australian Nursing Federation (ANF) members working as school nurses, and possibly distributed to members of the public. The ANF Victorian Branch bargains on behalf of nurses working in primary and secondary schools, particularly those employed by the Victorian Department of Education and Training, as well as those working in Catholic and independent schools. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular red, black and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Save Our School Nurse' and ANF [Australian Nursing Federation] logo. The first characters of 'Save Our School' are italicised to highlight the acronym 'SOS'.nursing, school nurses, school nursing, victorian school nurses, nurses, badges, buttons, pins, trade unions, professional associations, australian nursing federation, victoria

If orgniasations required to examine Ballarat residents they often requested the Ballarat School of Mines to supervise the examination. This correspondence highlights such a case - where exams from a London organisation were conducted at the Ballarat School of Mines. A selection of correspondence from Bunge Pty Ltd (Garden City flour Mills) to the Ballarat School of Mines. (.1a) White typed letter on Bunge letterhead relating to students in course milling undertaking examinations through the City and Guilds of London. The candidates were R. Chamberlin, B. Price, T. Boermans and G. Ellis. All were resident in Ballarat. (.1b) Typed letter on blue paper from A.G. Blake, head of examinations Division 1 at the City and Guilds of London Institute re examinations of students under the supervision of the Ballarat School of Mines. (.1c) Typed letter on white paper from Principal of the Ballarat School of Mines, Harry Arblaster, stating they are awaiting further direction from London. (.2a) Typed letter on Bunge letterhead requesting an apprentice sheet rating sheet from the Ballarat School of Mines on E.D. Walker. The letter has a handwritten response prepared for typing. (.2b) Typed copy letter on white paper from Ballarat Schoolof Mines Principal Harry Arblaster concerning a report on Apprentice E.D. Walker. (.2c) Typed report on attendances and (by E.G. Quilliam) andattendance progress om E. Walker in the Carpentry Department (by J.S. Lochhead) relating to Apprentice E. Walker. bunge, garden city flour mills, flour mill, guilds, city and guilds of london institute, ag blake, ballarat school of mines, e.d. walker, carpentry, he arblaster, eg quilliam, js lochhead

These photographs were taken in various junior school classes. They highlight the facilities that were available in the late 1980s. This was an important time in the school's history, as the Ryley Street junior school campus closed at the end of 1989. galen catholic college, galen college, classrooms

The 2009 Emerging Writers' Festival was programmed by David Ryding and ran from May 22nd until May 31st. Program highlights include Speed Dating, The First Word and the Weekend Town Hall Conference.A collection of digital photographs, taken at various events associated with the 2009 Emerging Writers' Festival.2009 emerging writers' festival, david ryding, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Details some versions of the history of the 'Batman Apple Tree'. Also the condition and lack of maintenance of the tree in 2002. Highlights Nillumbik Shire's ignorance of the existence of the tree; which is within one kilometre of the Nillumbik Shire Offices.It is possibly the oldest European planted tree in Victoria. It was planted as a young tree in 1841.A4 photocopies of 3 articles relating to the condition and origin of the "Batman Apple Tree", located on the eastern bank of the Plenty River, north of Greensborough.Blue pen annotations on one article.apples, john batman, robert whatmough, frederick nevin flintoff, plenty river, 1841, rome beauty, rymer apples, winter majetin, apollo parkways primary school

The Peterborough Sandcastle competition has run for at least 50 years and is a highlight of the summer holiday season. Residents and visitors children all take part and the prizes are traditionally presented by the a gentleman dressed as the Lady Mayoress, with attendants.Significant because it has been a feature of Peterborough for so long.Two pages from the Warrnambool Standard, Mon 24th Jan 2005 with story and photos regarding the Sandcastle Competition at Peterboroughsandcastle competition, peterborough, men's pool, andy wilson, richard beggs, iconic annual event

In October 2011, Dr Jessica Gallagher, Vision Australia ambassador, appeared on the Triple M Rush Hour show. Hosted by James Brayshaw and Billy Brownless, their 'Good on ya' segment highlighted work down in the community.Jess Gallagher with James Brayshaw and Billy Brownlessvision australia, jessica gallagher

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0352 for same pin except details are highlighted with darkened outlines(may be dirt)clothing, millinery, costume, women hat accessory

A2 size 2010 calendar. Calendar was the result of a competition, organised by the City of Greater Bendigo Heritage Advisory Committee, designed to highlight Bendigo's built heritage. The competition looked specifically at 'doorways and openings'. Some of the places depicted are the Capitol Theatre; Town Hall; Catholic Cathedral and various entries to buildings.bendigo, council, heritage advisory committee

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

In 1996 Legacy featured Beatrice Gay, a World War One widow on the cover toasting at the annual WW1 Widows lunch. The president was Ray Ward. The report also recaps events through the year such as the school students' Anzac commemoration service, legacy week and the public speaking contest. One article showcases Welfare and Housing with one widow, Mabel, having her house painted after receiving paint donated by the Gas and Fuel Corporation and the painting done by Legatees. Another article is about the Alma Doepel and the experience of Junior Legatee Kim Anderson. There is an article showing Daryl Somers opening Legacy week at with Hazel McKean, Lynne Scott, Elaine Ward and Junior Legatee Kim Anderson in attendance. Up to the 1980s the annual report would usually contain pages containing the Presidents report and photos of significant events of the year. Between 1987 and 1990 these were published in a separate document called 'Highlights from the Annual Report'. This could be used in promoting Legacy in different ways, without all the financial information normally held in an annual report. In following years it became called 'Report from the President' then 'Highlights from the President', before becoming 'Melbourne Legacy Highlights' which was published twice a year from 2007. It was eventually renamed, 'The Torch, Melbourne Legacy Highlights' in 2012. 'The Torch' is still published twice a year.A record of the annual reports of Legacy Melbourne, including activities and telling stories of Legacy's impact.Colour printed president’s report from 1996 x 8 pages, with black and white photos.annual summary, activities

Legacy raised funds from the sale of Christmas puddings for a few years. Cost of the puddings were $3.50. Large corporations like banks agreed to sell the puddings on Legacy's behalf. The photo was featured in a the President's highlights report.A record that corporations helped sell puddings for Legacy as part of their fundraising.Black and white photo x 2 of a bank teller selling Legacy puddings and associated order forms and promotional brochure.christmas, fundraising

The Pilatus B4 is an all metal intermediate sailplane meeting Standard Class rules that was designed in 1966 by Ingo Herbst, Manfred Küppers and Rudolf Reinke. It did not immediately go into production. In 1972 Pilatus Aircraft of Switzerland acquired a licence to build the aircraft and began production. The PCII and PCIIA versions were semi-aerobatic. The PC11AF released in 1975 was rated as fully aerobatic. By 1980, when Pilatus sold the rights to manufacture of the aircraft to Nippi Aircraft of Japan, 322 of the Pilatus B4 had been produced. Nippi Aircraft built a further 13 and also one two seat version. The Pilatus B4 proved popular in Australia with 26 appearing on the Australian register. The Museum’s example is a basic semi-aerobatic type (Serial Number 092) that was built in 1974. It is registered as VH-GID on 8 July 1974 by H.G. Sutton of Mandura, Western Australia and flown out of the Narrogin Gliding Club in Western Australia until September 1986 when it was sold to the Albury – Corowa Gliding Club, New South Wales. In 1999 it was acquired by Michael Green and moved to Townsville, Queensland. The aircraft changed ownership again in 2004 and fell out of use for nearly 4 years. By then it had recorded 4377 hours in the air from 4304 flights. It returned to service briefly in January 2008 (5 flights totalling about 5 hours). It was donated to the Museum by David Millward of the Geelong Gliding Club, Victoria, on 10 April 2017. The aircraft is representative of a popular imported 1970s intermediate single seat sailplane design of aluminium alloy construction.Single seat sailplane of metal alloy constructionWhite colour scheme with yellow fuselage underside highlighted by blue stripe – “Pilatus B4” in black lettering on starboard side of cockpit – black anti-glare paint on the fuselage nose – Registration “GID” on the underside of port wing.australian gliding, glider, sailplane, pilatus b4, sutton, narrogin, albury, corowa, green, townsville, millward, geelong

Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist

Tour booking form, ticket and small note, titled "Last Day - Cheetham Salt Ltd", for a tour of the Laverton works of Cheetham Salt on 30/10/1993, arranged by the Bellarine Railway, Puffing Billy and the TMSV. Two bus departures 8.30am and 1pm. Gives highlights of the proposed tour and booking conditions.trams, tramways, tickets, tours, pbps, light railways

Greensborough has been a popular place for picnics This article describes the first annual Labour picnic organised by the women's committee of the Victorian branch of the Australian Labour Party in 1925. A highlight of the day was a trek to the Batman Apple Tree in Bosch's orchard.This picnic was held at Mr Bosch's orchard and visited the "Batman" apple tree.1 page printed both sides. Article downoaded from Trove (National Library of Australia)batman apple tree, picnics, orchards, greensborough, australian labour party

The series of seven photographs highlight examples of vandalism within the town centre precinct. Most of the vandalism occurred on public buildings. The toilet block was demolished in the late 1990's to make way for further expansion of the retail shopping centre in Sunbury.A coloured photograph of the Sunbury Comfort Station which was erected on a section of public land in Evans Street between the post office and Sunbury Shopping Square. The brown brick building has an open porch on one side and a curved concrete path leads from the street to the building. A smaller block is in the background and a grassed ared with trees is in the foreground with rubbish thrown across the grass.vandalism, public toilet blocks, evans street, sunbury comfort station, shire of bulla, george evans collection

Presumably created in 1907 to highlight achievements in the previous 50 years of selling wool in Geelong. Booklet features images of wool sales, wool stores, wool shipping and train transport within Geelong CBD, as well as meat sales and shipping.Booklet with red paper cover set to a landscape orientation. Gold text on the front cover with a swirling design surrounding the heading and encircling a sketch of the Geelong waterfront. Small box on bottom left corner describes authors of the book. Booklet is 36 pages, all white pages, several with images and text, but many with just images or just text. Booklet is stapled together on spine on left side.national wool museum,, geelong, wool sales, transport, wool store