Official History of Australia in the war of 1914-1918 Vol VI The AIF in France 1918 - The Armistice by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1942 , faded maroon hard bound covered book with gold lettering , inside cover signed A.E./ Emmerson , 74 Sternberg St Bendigo , 530 illustrations and maps ,C.E.W. Beanbooks, military, the aif in france 1918 - the armistice / c.e.w. bean

State River and Water Supply Commission. Two page photocopy of an article titled ' Determination of Ionic Species in Water. Project 70/188 Water Research of Australia Limited. Dr. J. Bagg, Department of Industrial Science, University of Melbourne, Parkville, Victoria 3052.' Across the top is written, in pencil, W.R.F. of A. Report No 38, Number 141, Sept 74.state infrastructure, water supply, coliban system, state rivers and water supply commission. coliban system.

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. This photograph was taken by John Lundy-Clarke in 1973 to show changes to the environment sine 1905.Black and white photograph with tangled bush and small shed in foreground looking towards a cleared area. Handwritten description on reverse written by John Lundy-ClarkeView from Barbers drive to his stables close to where 1905 picture was taken. Stables in foreground. Looking towards Gap. Taken JLC November 1973.barbers road, john lundy-clarke, kalorama

Trousers - green colour cotton twill fabric, plastic buttons. Five button fly, two side pockets, two back pockets with button closer, two front of leg pockets with two button down flap. Button down belt loops, waist lining - cotton twill. Pocket lining - polyester fabric. Army work dress trousers commonly called "GREENS". Green cotton manufacturers label inside back waist band.Cotton label information - black ink print. "A.G.C.F/ VICTORIA/ 1987/^ /WAIST AND SIZE/ 74/ 64L/ 8405.66.029.6615/ ARMY NO/ NAME". Handwritten black ink pen "WO1 PURCELL".uniform, army, work dress trousers

The Prince of Wales visited Mt Helen on 28 October 1974. At that time the campus was four years old. In September 2022, after the death of Queen Elizabeth II, Prince Charles became King Charles III..1) Visit of Prince Charles to the Ballarat Institute of Technology. Five men stand outside a single storey brick building with large windows. .2) Same as for .1) but in colour. Student Union President Peter Shepherd is in the photograph. .3) Prince Charles and students from the Ballarat College of Advanced Education. .4) Prince Charles and Minister Lindsay Thompson .5) Four men gather around Ballarat College of Advanced Education Metallurgy Student, Michael Martin, as he demonstrates a projection microscope to Prince Charles. From left to right: Lindsay Thompson (State Minister for Education), E.J. Barker (Director Ballarat College of Advanced Education), Brian Sunter (Head of Metallurgy), Michael Martin (student). .6) Prince Charles with Brian Sunter, Head of Metallurgy and student Michael Martin examining a projection microscope. .7) Prince Charles, E.J. Barker and Ballarat College of Advanced EducationPrince Charles and a party of Ballarat College of Advanced Education studentsstudents .8) Prince Charles and a party of Ballarat College of Advanced Education students .9) Prince Charles and a party of Ballarat College of Advanced Education students .10) Prince Charles talks to Ballarat College of Advanced Education students .11) Prince Charles and E.J. Barker .12) Prince Charles and party inspect students working on equipment. .13) Prince Charles, students, Minister for Education Lindsay Thompson and Brian Sunter .14) Prince Charles and a party of Ballarat College of Advanced Education studentsVerso Handwritten "Return to Director's Secretary" Stamped "Ballarat College of Advanced Education" Handwritten "Visit of Prince of Wales 28 Oct 74" Stamped "N.L. Harvey & Sons photographers.ballarat college of advanced education, mt helen, jack barker, prince of wales, bcae, prince charles, michael martin, mike martin, lindsay thompson, ej barker, brian sunter, colin kline, peter shepherd, minister for education, royal visit, royalty, prince charles iii

A prescription from dental surgeons Oakley and Regan prescribed by Anthony Robertson for Mrs. C. E. Foley and dispensed by B.W. Fox. Amcal Chemistnon-fictionA prescription from Dental Surgeons Oakley and Reganoakley gavan, blackburn road blackburn no 23, foley, amcal pharmacy blackburn

Eltham Gateway, Unit complex at 72-74 Bridge Street, Eltham at corner of Main Road. Before reconstruction of Main Road, this intersection had deep cutting embankments on all four corners. Roadworks and private development have levelled the land on the low side of the road. The Eltham War Memorial was originally located on the north western corner.Tomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, bridge street

Painted by Robert Hoffman, a refugee who came to Australia prior to World War II. He was known to Mavis McCarty, the Lauriston art teacher. He went to the USA after the war and died soon after. Size 1100mm x 840mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Miss Elizabeth Kirkhope Headmistress 1931-1956Miss Elizabeth Kirkhope Headmistress 1931-1956

The portrait was painted by Robert Hannaford in 2000, Archibald prize finalist. Painted by South Australian artist Robert Hannaford AM. He started off as a cartoonist for the Adelaide Advertiser, studied in the School of Mines in Ballarat and has lived and worked in India, Europe and Africa. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Mrs Ruth Tideman Headmistress Mrs Ruth Tideman Headmistress 1983-2000

Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Station Street numbers 35 (corner Station and Turville Sts); 46; 47; 74; 143; 164; 172; 174; 176. (The addresses were changed at some stage, e.g no 174 was106)built environment - domestic, station street

hanimount light brown 35mm slides - December 1963 taken by Les Fordham. W2 645 (City via La Trobe St, Route 42) northbound in Spencer St and a SW6 (Spencer St, Route 74) nearing Bourke St, with the Carlyon's Hotel and Savoy Plaza Hotel, the State Savings Bank of Victoria on the corner of Spencer and Collins St in the background.trams, tramways, spencer st, route 74, route 42, w2 class, sw6 class, tram 645

The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933

Painted by June Mendoza AO. An Old Lauistonian (1939), June painted this portrait in 1972. An globally acclaimed portrait artist, her works include Queen Elizabeth and other members of the royal family, Prime Ministers and a range of politicians, sports people, military officers and celebrities. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Gladys Davies Headmistress Miss Gladys Davies Headmistress 1956-1972

Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. An invaluable resource for secondary school teachers to broaden the scope of student knowledge about women artist's and thereby offer alternative role models for art students. This slide kit and booklet is a comprehensive, practical resource which provides a rare snapshot of women's art practices in the early 1990s. It is an excellent resource for research and teaching purposesKit containing 74 page booklet and 36 slides, activities, artist's comments and other source materials. Published in 1991 by the Women's Art Register. Artists include Elizabeth Gower, Sally Smart, Wendy Stavrianos, Pam Hallandal, tori de Mestre, Lyn Moore, Deborah Halpern, Tracey Moffat & Jill Orr. Cover image by Jill Orr, 'Walking on Planet Earth'elizabeth gower, sally smart, wendy stavrianos, pam hallandal, tori de mestre, lyn moore, deborah halpern, tracey moffat & jill orr.

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Elaborate trophy, awarded to Kew Heights Bowling Club in 2009. The left plaque records information about the event held in Corowa. The right plaque records the names of the team members who defeated Kangaroo Flat 74/73. The central plaques record that the 'jack' in the centre of the trophy was the actual one used in the winning shot in Ray Jansen's rink . The trophy was awarded in memory of Peter Stewart. kew heights sports club - barkers road - kew (vic), kew heights bowling club, kew heights men's bowling club

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. This photograph shows the 'trick horse' belonging to Robert Logan. Robert Logan settled on Lot 28 in 1896 and worked it until his death in 1936.Black and white photograph on a horse sitting in grass. Handwritten inscription on reverse by John Lundy-Clarke.1920 Logan’s trick horse on LOT 28 SECTION 1robert logan, logan, horse, kalorama, john lundy-clarke

Stanley J. Reed was an Orbost Shire Councillor from 1950-1993. He represented North Riding.A black and white photograph of Councillor Stan J. Reed in a black wooden frame.Cr Stan J. Reed Orbost Shire Councillor-Represented North Riding 1950-1993 Shire President: Four terms 1954-55 , 1955-56 1972-73 & 1973-74 municipal orbost-shire-council reed-stan government

Tilly Aston moved to 42 Raleigh Street in 1913, after her mother had died and her brother married. She died there of cancer on 1 November 1947 and was buried in St Kilda cemetery; her estate was valued for probate at £1149. Her headstone is inscribed: headstone ‘Tilly Aston, Blind Poetess and Philanthropist, Died 1st Nov 1947, Aged 74, Resurgam.’2 x col. photographs of grave and headstonetilly aston, association for the blind

The portrait was painted by Evert Ploeg in 2010. Evert Ploeg is one of Australia's most highly regarded portrait painters, who has won a range of painting prizes, such as the 1999 and 2007 Archibald Prize and was awarded the highly coveted ‘Signature Status’ of The Portrait Society of America.. Archibald Prize winner 1999 & 2007. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Ms Meg Hansen Principal Ms Meg Hansen Principal 2000-2010

Colour postcard of Wellington Parade, East Melbourne with Melbourne skyline in background and Fitzroy Gardens in background. Would appear works for the underground are in progress. Has W2 509, outbound on route 29 to 'Kew Depot' and a tram (wide body car) in bound on route 74. Has on rear caption, "National View" by Murfett Pty Ltd. Australia, place for address and stamp. Taken early 70's.trams, tramways, melbourne, wellington parade, postcards, tram 484, tram 229, tram 364

Colour photograph from a 1979 John Sands published calendar, titled "Australia in Colour" of tram 1041 running a Toorak, route 8 service with the Shrink of Remembrance in the background. Photo taken summer 1973/74, possibly a publicity photo as the tram has yet to be repainted with the brown band along the bottom of the body, but the trolley retriever has been repositioned so the rope was out of the direct view of the driver.trams, tramways, colour schemes, livery, 1041, shrine of remembrance, st kilda rd, tram 1041

Khaki, jungle type-1 waterproof flotation bladder, black blow up rip tube in top left hand corner.“C Swatton” on back “Type-1 Bladder Flotation Jungle Purchase Order 26043. Mar 9 1943 Specification PQD No 243. Stock No 74-1-308 Philadelphia QM Depot. Inspector”military equipment - army, passchendaele barracks trust

3 copies black and white photograph. Group of students standing in front of the Plant Science Laboratory.Names handwritten on front. On reverse of one copy, "Dip I '72, Dip III 74 add Shoebridge," also, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1912.B."student group diploma l 1972, student group, diploma i, plant science laboratory

This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

Kalorama Gap viewed from the South West in 1908. Ellis Jeeves' 'Mountjoy' is in the centre with the stables to the left. The raspberry patch belongs to Harry Walker and the building centre right to Edward Joseph Price. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing an extensive raspberry crop in the foreground with a house and outbuilding in the centre and another dwelling centre right. Handwritten description on reverse by John Lundy-Clarke. 1908 view of Kalorama Gap taken from corner of Village Settlement LOTS 2 and 3 on Ridge (then Main Road) which crosses centre of picture with Walker’s driveway dropping left. Walker’s raspberry patch in foreground. “Mountjoy” in centre of picture with coaching stables on left. Price’s house and shop on right showing large cross room used by the Village Settlers for dancing. Mrs Hand’s “Beulah Tearooms” later Mt Dandenong North Post Office is above Price’s roof.kalorama gap, kalorama, harry walker, walker, edward joseph price, raspberry, mountjoy

Taken in 1908, this photograph, though rather blurry, gives an indication of the location of the early settler properties in the valley in relation to one another. European trees have been planted at 'Kalorama' , the first home of Ellis Jeeves. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph looking across hillside with large trees and rooftops visible. Handwritten description on reverse by John Lundy-Clarke.1908 View over roof of “Kalorama” towards the Falls. Paynter’s house on LOT 29 in low centre (now “Yosemite”). Pimms house on LOT 19 above Paynters and beyond scrub. Logan’s house faint above left of “Kalorama”. Dunbar’s LOT 20 beyond Pimm’s orchard. Gum trees on right were on Price’s LOT 19 now Tosari Rd area. It was one of these that figured in the episode of the runaway log in 1930. It leaped in one bound over Barbers Road at bottom of scrub in centre of picture then over Logan’s house.kalorama, ellis jeeves, jeeves

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. Harmony Vale was the name of the homestead built by early pioneer Jabez Richardson. The whole of the valley took on this name. The building lasted until 1933. The Silvan Dam was completed in 1932 and was full when this photograph was taken.Black and white photograph looking down over a forested area with a dam in the background. Copied from a Rose Series postcard c1933. Handwritten inscription on reverse by John Lundy-ClarkeRose Series photo of 1933 showing “Harmony Vale” still standing. Copied 1973 JLCharmony vale, silvan dam, jabez richardson