James Murphy standing on the platform of the Canadian Railway Station which was on the Buninyong Line.canadian, railway station, james murphy, buninyong line, building, person, public

The Ringwood line was electrified in 1922 and extended to Lilydale and Fern Tree Gully in 1925An early black and white photograph of a passenger train heading West towards the city. Australian Tesselated Tile chimney in the background.electric trains, passenger trains, railways

East Beach near Battery Hill the fence line is part of the old jettyplus photographic copyjetty, east beach, battery hill, fence

The styling of the EJ was a radical departure from the of the EK, with lower roof line,and no fins.The EJ was the last model Holden that used the original "grey" engineCream coloured EJ ute, red coloured upholstery, black vinyl cover over trayHolden badge on front bonnet, Holden across tailgateutility, sedan, 1963

A manual telephone exchange, manufactured by British Ericson, History Originally in use at Cohuna. When Cohuna was converted to automatic dialing this exchange was relocated to Harcourt, to become the third and last in a bank of three exchanges. At this time Harcourt exchange was expanded to 260 lines. It was connected to the district central exchange at Castlemaine. Operated by mains power with battery back-up. Harcourt exchange was operated by Betty McLean, Miss Mitchell, Josie Hogarth, Mr. & Mrs. Heighway, Bill & Valerie Milford, Irene Bolitho and others. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. While responding to calls the operator needed her hands free to jot down the billing particulars or to write out each telegram. Nearby stood pigeonholes with various items of stationary. Many telegrams were received each day, particularly advising fruit growers on interstate markets. Most telegrams were phoned through by the operator. This exchange was restored in 2004 - 2005 by Trevor Grant.. Many people relate to this exchange. It is a survivor of the pre-electronic era when ‘telephonist’ was a common occupation. A vital element in the communications between households and between district orchardists and their suppliers and clients.A manual telephone exchange, manufactured by British Ericson complete with operator hands-free headset/earphones and speaker mouthpiece. Wooden case with one hundred shutters and sockets. Accommodates twelve lines with extension leads with associated switches. Operated by mains power with battery back-up. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. This exchange was restored in 2004 - 2005 by Trevor Grant.

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Driver HEC Lloyd and Fireman Lorry Clayton on the steps of the locomotive. Locomotive K173 came into service with Victorian Railways on Tuesday 8 October 1941 and was scrapped on 21 October 1970. The K class was a line of steam locomotives that ran on Victorian Railways from 1922 to 1979. They were produced at the Newport Workshops. The K class were a remarkably versatile and dependable locomotive. It went on to outlast every other class of steam locomotive in regular service on the Victorian Railways. On side of locomotive "K173"railways wodonga, fred rochow, k class locomotives

The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A sepia image looking across a path bordered with rocks of a house (the Curators lodge) behind a fence. In front of the fence there is a young girl sitting on a rock with a young boy standing beside her. The house is timber with two brick chimneys, the right hand one half hidden by foliage. The house is federation style with timber battening above the front window. A timber frieze is above a verandah supported by three posts and light coloured brackets. Front: ‘Williamstown Gardens. Vic.’ ‘0457/1’ THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, federation style, crown studios, lee heap furniture warehouse

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

Provides information about a system of safe working on a single line tramway or interurban railway or tram line. Has an illustration of the signal, coloured on the front cover. Gives details of the company, automatic electric block signals for 'railways' - interurban operation. The type K2-signal is one that can register up to 15 cars into and out of a section. Gives details, line diagrams and electrical details of this signal works, installation requirements and Trolley Contactors. Centre page has an electric diagram. Received by ESCo 4/11/1926.Yields information about a system on controlling vehicles on a single line railway or tramway section.Twenty page book, printed on art paper, centre page electrical diagram and light blue covers, titled "United States Electric Signals - Type K-2 Signal", with three centre staples. Noted by stamp on page 1 "Nachod and United States Signal Co. Inc. successors to the United States Electric Signal Co. 4771 - 4777 Louisville Avenue, Louisville Ky USA"The "Electric Supply Co. of Victoria 4/11/1926" in purple ink on the front cover, page 1and 5. On page 1 in black stamp ink "Nachod and United States Signal Co. Inc. successors to the United States Electric Signal Co. 4771 - 4777 Louisville Avenue, Louisville Ky USA" and on top of page 1 "Ballarat Tramway Preservation Society Catalogue No. 2" in black ink. On page 20 at bottom :From Nachod and United States Signal Co. Incorporated Louisville".trams, tramways, signals, railways, tramways

Item about the closure of the West Melbourne cable line that evening. Date of closure 20/7/1935 - refer: http://trove.nla.gov.au/newspaper/page/567718 with a photograph - accessed 2/11/2016. Has photographs supplied by H. Home of the last horse-drawn bus on Clifton Hill to Collingwood service and a first cable tram on the Clifton Hill line. Mr. Home was the driver of the last bus and a shunter and timekeeper on the Clifton Hill line. See Reg Item 3706 for a large photo of the horse bus.Yields information about the closure of the West Melbourne cable tram line.Newspaper Clipping - from The Sun newspaper - 20/7/1935.trams, tramways, closure, west melbourne, clifton hill, horse buses, tram 352?

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Milk bottles were bought at the local store. Metric measures were introduced in Australia in 1966. Bottles were recycled and remained the property of the manufacturer.Dairy farmers live in the Kiewa Valley and send their milk to the local dairy to be pasteurised and bottled. Historical: Bottles changed - shape, size, embossing and seal Aesthetic: Display showing bottles of different shape, size, embossingClear glass milk bottle with straight sides three quarters of the way up tapering gently to the opening. The taper sides are heavily embossed with print in capital letters. The circumference of the base is embossed with short straight lines in the direction of the edge to middle.On each side: "Pasteurised / Wash and Return / 600 ml Milk The fourth line continues underneath around the circumference: Use not permitted without written - permission owner milk bottles recovered.clear glass bottle, milk, dairy, milk bottles recovered, kiewa valley farmers

GIDGET was written by Frederick Kohner the father of the real Gidget, Kathy Kohner Zuckerman. The book is based on Kathy's experiences as a 15 year old girl at Malibu Beach, Southern California during the summer of 1957 discovering Moondoggie, the Big Kahuna and surfing. The book was made into a highly succesful feature film of the same name, released in 1959 with Sandra Dee playing the star role of Gidget.GIDGET is socially and culturally significant because it was one of the first mainstream books to explore the surfing sub-culture of Southern California. The book was made into a feature film which played a significant role in popularising the surfing sub-culture around the world.Soft cover book, aqua wash artwork featuring colour photograph of Kathy Kohnner Zuckerman (aka the real Gidget) wearing an orange one piece swimsuit holding a malibu surfboard on cover.Main title GIDGET on cover. One line testimonials at the top of the book cover. Publishers logo on spine. Barcode on back of book. Inside cover personally signed by Kathy Kohner Zuckerman.gidget, kathy kohner zuckerman, frederick kohner, moondoggie, the big kahuna, malibu beach, surfing, sandra dee,

In 2003, the then RAIA established the National 25 Year Award. The Boyd House II at 290 Walsh St won the award in 2006. Items D500 and D501 are also associated with this award.Bronze, circular, slightly convexRoyal Australian Institute of Architects 25 year award 2006. House at 290 Walsh St South Yarra grounds Romberg and Boyd. Includes a three line description of its significanceawards, honours, robin boyd, walsh st

Black & White photo of M&MTB trams 980 and 1001at the Bourke St. terminus (Spencer St.) while on AETA tour of 25/6/1955. 980 has "SPECIAL" destination, route number "A", AETA boards on front bumper. 1001 similar, but lettered "B". Both trams on southern track. See Reg. Item 1618 for negatives.On typed paper on rear "980 & 1001 lined up at Spencer ST terminus on AETA Bourke St. tour. June 25 1955." and "Geoff Grant" stamp in btm rh corner.trams, tramways, melbourne, bourke st., aeta, tours , tram 980, 1001

Used by Lance Corporal W. B. Ashweirth - Signalman in the Australian Army who was held at Changi and later transferred to Osaka in Japan as a slave labourer.Combination military water bottle and panakin with [base metal] fold-away metal handleAustralian Coat of Arms and RIP 'Sig" mascot of 6th Line Section - Signals Regiment - Died at Changi Barracks on 27th February 1942. Also a 'love heart' showing WBA / EHAchangi, changi pow camp, pow, water bottle, world war two, second world war, wwii, ww2, changi barracks

Roll used at the MMTB Glen Huntly Depot for the four-wheel trams used on the Point Ormond line. Has stenciled word "STOP" on the top and the bottom, stencilled miniature destinations on the rear to assist drivers in locating the destination. The line between Elsternwick and Point Ormond was closed on 22/10/1960.Demonstrates a destination roll for the short Point Ormond line.Destination roll - white lettering on a black background on a linen or book binding material. trams, tramways, mmtb, destination roll, point ormond

Nu-color-vue postcard of W2 515 (Route 12 City Brunswick St), east bound in tree lined Collins St. Has the Town Hall in the background and the Manchester Unity building, c1970. On the rear is the title "Melbourne Vic – Collins St – Melbourne’s charming tree-line thoroughfare"Yields information about Collins St early 1970sPostcard - Postcard - Colllins St - W2 515 - Nu-color--Vue ML 150, NCV 937 - serrated edges.trams, tramways, w2 class, tram 515, collins st, route 12

See also Cat No's 3504P & 3505.23..1) Page 2. taken from The Sun Children's Supplement, 6.11.1959 with article on Sir John Monash. .2) Clipping from The Herald, 2.7.1931 with a further clipping stuck onto the reverse of the sheet, origin unknown. Map of front line on French / Belgian border from 1918 - The Hindenberg line & queries whether the Americans won the war. .3) Loose paper with biro portrait of man also in photos 3505.26Pdocuments - newspapers, illustrations - pen ink, military history

Colour photograph of Ballarat No. 18 at the Junction between the View Point tram line and Sturt St. at Ripon St. North. Tram has destination of City and "Pay as you enter sign" by the front door. Tram has two roof advertisements, SEC "Electric Cooking" and Whites Florist Sturt St. shop advertisement. In the background is the Ripon St. tram line. Photo dated 6/11/1962. On Kodacolor paper."66Ed" in blue ink, date stamp 6 Nov 1962" in red ink.view point, sturt st, ripon st, tram 18

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 18 Simpson St., Mitcham This property is listed as having sold for $347,000 in 2002 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 18 Simpson St., Mitcham depicting a black and white line drawing of a single story weatherboard house, on the left hand is a driveway leading to a separate garage. While in front of the house is a front lawn with garden beds and a large gumtree. There is a path leading from the left edge of the artwork to the front door. There are two holepunch holes on just under the upper edge 18 Simpson St., Mitcham Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Two page typed document detailing information of the North Johnson's Mine on the Garden Gully line of reef. The mine was located in California Gully, the shaft is approximately 66 yards north of Thomas Street. The shaft was 3,480 ft deep and sunk with the line of reef. This company, together with its northern neighbour the Rose of Denmark, first became a prominent gold producer in 1867. For its size, one of the richest mines in Bendigo.bendigo, mining, north johnsons mine

Colour print on Ilford Paper for W2 249 painted for the Federal Capital Commission Tramways, Federation Line demonstration. The tram provided by the Sydney Tramway Museum who built a short demonstration line. See https://www.sydneytramwaymuseum.com.au/members.old/Trolley_Wire/287%20-%20Trolley%20Wire%20-%20Nov%202001.pdf, - Trolley Wire Nov. 2001 for an article. See Reg Item 5602 for further details and photographs of the proposal.in ink on rear "W class tram "Floriade" Canberra ACT Sept. 01"trams, tramways, w2 class, canberra, sydney tramway museum, tram 249

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 15 Arcady Gve., Vermont This property is listed as having sold for $178,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house from a angled birdseye view, on a left to right diagonal. On the left, a horizontal driveway leads to a connected carport, with the main of the house of the left. Wrapping around a central decked courtyard. There is a backyard in the background in the upper right corner. There are two hole punch holes just below centre of the upper edge15 Arcady Gve., Vermont Margaret Picken -93 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont

The bags multiple small pockets are reflective of a movement post 1920s wherein evening bags were designed to hold cosmetics and at times, as in the case of this purse, small mirrors. It is a notably older design, produced by Gabee Products in 1949, their first year of production, by Heinz Arnheim, a Jewish miller who had migrated from Germany to Australia ten years prior. The bag is designed according to 1930s Art Deco sentiments, with industrial metal closures, shell shaped designs and geometric patterns etched into the frame. A contrast to the larger leather bags of the 1940s and the 'current' square and box bags which Dior popularised in 1947.Small black suede shell shaped coin purse with marcasite tuck lock. Mount lined with 3 rows of diamantes, 9 each side. Small black suede handle attached with metal square buckle to each end. Internal of the mount marcasite etched with a chevron pattern. Lined with thick black fabric with two pockets, one pocket containing rectangular mirror. Small fabric label on left side."Gabee Products Melbourne"bags, evening bags, purses, 1950s, 50s, 1940s, 40s

Greensborough Plaza at far left. Railway line running horizontally across centre of picture. Three colour photographs and one digital panorama created from two of the three images. Colour photographs originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.manatunga circuit, greensborough plaza, diamond valley united soccer club, greensborough