Showing 429 items
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Tennis Australia
Racquet, Circa 1932
A wooden racquet featuring the decal inscription, along the throat on the obverse: BIG BILL TILDEN JUNIOR. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Butt cover features gold impressed inscriiption: HIGH [QUAL]ITY/J [C] H[IG]GINS/.../SPO[RTING G]OODS. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1975
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders and shaft, and leather grip with lozenge perforations. Model name features across base of head and throat, accompanied by an 8-pointed star device. Chemold logo features along shaft. Chemold trademark with large 'C' features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders, bamboo lamination, fibreglass shoulder support, and leather grip with floral perforations. Chemold logo features across base of head. A head and neck photo decal of Laver features on throat, followed by model name along shaft. Chemold trademark with large 'C' features on lower shaft and on black butt cap. Shaft on obverse features autograph by Laver. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Bamboo, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1978
A Chemold Rod Laver Autographl tennis racquet, with leather grip featuring patterned perforations. Chemold logo features across base of head. Model name and black and gold Chemold trademark feature on shaft. Chemold trademark with large 'C' features on black butt cap. Materials: Wood, Nylon, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1978
A Chemold Rod Laver Autograph tennis racquet, with leather grip featuring patterned perforations. Chemold logo features across base of head. Model name and black and gold Chemold trademark feature on shaft. Chemold trademark with large 'C' features on black butt cap. Materials: Wood, Nylon, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Rod Laver Sovereign tennis racquet, with ribbon whipping around shoulders, and leather grip featuring quatrefoil perforations. Chemold logo features across base of head. Model name features across throat and shaft, accompanied by a mounted fleur-de-lis device. Chemold trademark with large 'C' features on lower shaft and black butt cap. Materials: Wood, Nylon, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tape, Ribbontennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Rod Laver Sovereign tennis racquet, with ribbon whipping around shoulders, and leather grip featuring quatrefoil perforations. Chemold logo features across base of head. Model name features across throat and shaft, accompanied by a mounted fleur-de-lis device. Chemold trademark with large 'C' features on lower shaft and black butt cap. Materials: Wood, Nylon, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tape, Ribbontennis -
Tennis Australia
Racquet, Circa 1975
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders and shaft, and a plain black leather handle grip. Chemold logo features across base of head. A pink and purple toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A blue and turquoise toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Vinyl, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders, and a vinyl handle grip with X-formation perforations. Chemold logo features across base of head. A yellow and tan toned wave pattern features from shoulders to handle. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Adhesive tape, Vinyltennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Roy Emerson Contender tennis racquet, with ribbon whipping around shoulders. Chemold logo features across base of head, flanked by the Roy Emerson signature trademark. Blue silhouette image of male playing tennis features on throat. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Roy Emerson Pacer tennis racquet, with ribbon whipping around shoulders, and vinyl handle grip with X-formation perforations. Chemold logo features across base of head. Model name features on throat. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Glue, Lacquer, Metal, Adhesive tape, Vinyltennis -
Tennis Australia
Racquet, Circa 1949
A Cortland American Driver tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on reverse features Courtland logo, and on obverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Shaft on obverse features a newer trademark with similar figural motif, but with a tennis ball in background instead of a triangle. Shaft on reverse features head illustration and signature reproduction of Joe Whalen. Cortland "Radio-Frequency/Resin Bonded" and "Smoke-Tone" decals feature on crown and shaft. 'C' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metal, Painttennis -
Tennis Australia
Racquet, Circa 1949
A Cortland, Bobby Riggs Tournament tennis racquet, with plastic whipping on shoulders and shaft, and leather handle grip with quatrefoil perforations. Base of head features Courtland logo. Throat features the model name. Shaft on obverse features the 'RF' (i.e. Radio-Frequency Bonded) and 'Whip Shaft' decals. Shaft on reverse features Cortland trademark featuring tennis player in front of ball. 'C' trademark features on butt cover. Name burnt into left side of shaft: JUDY SAMPLE. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, Glue, Lacquer, Metal, Painttennis -
Tennis Australia
Racquet, Circa 1969
3 part object. Three identical Chemold 'Rod Laver Elite' model tennis racquets, each with whipping around shoulders, handle wrapped in perforated leather and plastic butt cap embossed with manufacturer's 'C' logo. Model and manufacturer's name on throat. Endorser signature decal along shaft. On crown is printed: 'BAMBOO LAMINATED'. Materials: Wood, Plastic, Ink, Vinyl, Fibre, String, Leather, Adhesive tapetennis -
Tennis Australia
Black and white digital print, Circa 1922, Circa 2001
An e.21st century digital print on canvas, of an original c.1922 black and white photographic print. Image features a group of 10 men seated, or standing. Most of the participants are holding tennis racquets. May be an image of the College team of Winchester, England. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis -
Tennis Australia
Pyrograph, Circa 1900
Pyrograph on wood panel, of woman in c.1900 costume serving ball with tennis racquet. Materials: Wood, Pigment, Metaltennis -
Tennis Australia
Page from Magazine, Circa 1892
A page from an American sports periodical, featuring lithographic full-length action portraits of six U.S. tennis players from c.1892, whilst in the middle of the page is a cartoon of a men's doubles match. Inscription across bottom: THE ELADING PLAYERS AT THE ORANGE LAWN-TENNIS TOURNAMENT. Materials: Paper, Ink, Cardboard, Paint, Glass, Woodtennis -
Tennis Australia
Page from Magazine, Circa 1892
A page from an American sports periodical, featuring lithographic bust portraits of four U.S. tennis players from c.1892, whilst below, is a photo image of the courts at Newport Casino, home the the U.S. Championships at that time. Materials: Paper, Ink, Cardboard, Foamcore, Paint, Glass, Woodtennis -
Kew Historical Society Inc
Photograph - 'Wimba', Cotham Road, J E & B L Rogers, c.1965
'Wimba' is of significance as one of the key nineteenth century houses of Kew and for remaining in a substantially intact state. Although probably built some time earlier, the first mention in the Rate Books of the property later known as 'Wimba Lodge' appears in the entry for 1870 when the property, owned by John Sharpe Denbigh, a civil servant, was given an N.A.V. of £72 2. Denbigh did however occupy a house in Cotham Road in 1863, and it is possible that was the same premises'. The house was occupied by Denbigh until at least May 1876 when the 'family residence...' \ 'as auctioned to Carlington George Edmund Marston 5, a chemist of Smith Street, Collingwood. At the time of the auction the house was described thus: The residence and grounds of the late J.S. Dendigh, situate in the most elevated part of Cotham Road Kew. The grounds comprise an area of 4a Or29p or thereabouts, and have a frontage to Cotham-road of 4 chains. The house has two large rooms in front, with 6ft hall built of brick, bay and side windows (plate glass), four rooms of wood behind with slate roofs, bathroom and closets, detached kitchen and servant's room, large shed with washing boiler, pantry and cellar under, brick and cement tank, and the Yan Yean laid onto house and grounds, cowshed, pigstye, &c, the whole securely fenced. First class orchard and flower garden. The paddocks laid with English grasses and drained... .' (Sanderson P, City of Kew Urban Conservation Study, Volume 2, 1988)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.The front entrance of Wimba in Cotham Road, Kew. The entrance is flanked by two polygonal bay windows, and a verandah with a concave corrugated iron roof returns around three facades, and accentuates the projections of the windows. The solid render parapet is very ornate and tall for the date of construction. It has panels of decoration along it and is surmounted by a number of render urns. The image was used by Dorothy Rogers in 'A History of Kew' (1973), facing page 144.Wimba ca. 1860 built by J.S. Denbigh (has been altered).wimba, kew, dorothy rogers -
Kew Historical Society Inc
Photograph, J E Barnes, William C. Ashton, Mayor [of Kew] 1901-2, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. William C. Ashton, Mayor of Kew 1901-2. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.William C. Ashton, Mayor [of Kew] 1901-2mayors of kew (vic), cr. william c. aston, australian photographers - josiah earl barnes, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins ARPS, Cr. J.H. Woolcock, Mayor [of Kew] 1922-24, 1922
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J.H. Woolcock, Mayor of Kew 1922-3, 1923-4. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "Cr. J.H. Woolcock, Mayor 1922-24" [Photographer] "C.S. Tompkins / Camberwell"mayors of kew (vic), cr. j.h. woolcock, australian photographers - c. stuart tompkins - camberwell (vic), kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins, Cr. F.K. White, Mayor [of Kew] 1932-'33, 1945-'46, 1932
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. F.K. White, Mayor of Kew 1932-33, 1945-46. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F.K. White / Mayor 1932-'33, 1945-'46 C. Stuart Tompkins / Junction / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - junction - camberwell, cr. f.k. white, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins, Cr. A.G. Gutteridge, Mayor [of Kew] 1933-'34, 1933
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A.G. Gutteridge, Mayor of Kew 1933-34. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. A.G. Gutteridge / Mayor 1933-'34 C Stuart Tompkins / Photo / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - camberwell (vic), kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. J.T. Gazzard, Mayor [of Kew] 1938-39, 1957-58, 1938
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J.T. Gazzard, Mayor of Kew 1938-39, 1957-58. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. J.T. Gazzard / Mayor 1938-39, 1957-58 C Stuart Tompkins / Junction / Camberwellmayors of kew (vic), australian photographers - stuart tompkins - junction - camberwell (vic), kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. W.J. Price, Mayor [of Kew] 1940-41, ca. 1941
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. W.J. Price, Mayor of Kew 1940-1. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.J. Price / Mayor 1940-41 C Stuart Tompkins ARPS / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins a.r.p.s. - camberwell (vic), cr. w.j. price, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins ARPS, Cr. H.E. Brehaut, Mayor [of Kew] 1942-3, 1942
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.E. Brehaut, Mayor of Kew 1942-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. H.E. Brehaut, Mayor 1942-3 C Stuart Tomlins ARPS / Camberwellmayors of kew, cr. h.e. brehaut, australian photographers - c. stuart tompkins a.r.p.s. - camberwell (vic), kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. D.S.M. Norris, Mayor [of Kew] 1943-4, ca. 1944
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of a mayor of Kew. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.mayors of kew (vic), australian photographers - c stuart tompkins, cr. d. s. m. norris, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, C Stuart Tompkins ARPS, Cr. W.D. Vaughan, Mayor [of Kew] 1937-1938 and 1947-1948, 1937
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. W. D. Vaughan, Mayor of Kew 1937-1938 and 1947-1948. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.D. Vaughan / Mayor 1937-1938 and 1947-1948 C Stuart Tompkins / ARPS / Camberwellmayors of kew (vic), cr. w. d. vaughan, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Cr. C.H. Simpson, Mayor [of Kew] 1951-2, 1951
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of Mayors and Town Clerks of the former Borough, Town and City of Kew, for the period 1863 to 1969. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series. Framed portrait of Cr. C. H. Simpson, Mayor of Kew 1951-2. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. C.H. Simpson / Mayor 1951-2 Stuart Tompkins / Camberwellmayors of kew (vic), australian photographers - stuart tompkins camberwell, kew (vic.) — municipal collection