Document. Norman Penrose collection: faded light blue Education Department folder with brown spine. Contains various notes on art, colour schemes, drawings of animals, various emblems and symbols, lesson notes and some exam papers. Also some small pen & ink drawings pasted onto cardboard. 1946 exam paper.Norman Penrosecottage, miners, norman penrose collection, notes on art, drawings of animals, 1946 exam paper, lesson notes

Document. Norman Penrose collection: 10 Department of Education Technical Schools Certificates (9 First Grade and 1 Second Grade.) with notes pertaining to art written on the back. Ballarat School of Mines No 10. 2 Department of Education Technical Schools Certificates. Ballarat School of Mines No 10.person, bendigo, norman william penrose, norman penrose collection, notes on eras, department of education technical schools certificates

Document. Norman Penrose collection: (1) Light orange 'The Write Type Reporter's Note Book, written on the back - Sketching from Nature. (2) Light blue 'The Democrat Notebook with red spine. (3) and (4) Memo Book - Notes. Light blue/dark blue with dark blue spine, 1 with light blue spine. The 4 notebooks contain notes about colours, composition, etc of art.education, tertiary, bendigo school of mines, norman penrose collection, art notes

Document. Norman Penrose collection: (1) Black unruled exercise book containing geometrical drawings. (2) Light grey/blue and dark blue Reporters Note Book containing notes on Geometrical Drawing and art notes.N. W. Penroseeducation, tertiary, bendigo school of mines, norman penrose collection, geometrical drawing

Document. Norman Penrose collection: 2 blue exercise books and some loose pages of notes pertaining to art and artists/sculptors.Norman Penroseeducation, tertiary, bendigo school of mines, norman penrose collection, art notes & artists

Document. Norman Penrose collection: battered notebook and 3 pieces of paper containing notes on art.education, tertiary, bendigo school of mines, norman penrose collection, art notes

Document. Norman Penrose collection: (1) Dark green empty book cover. Revised Art Course Intermediate & Leaving & Honours. History and App. Of Art written on the front. (2) Register of Attendances during year 1901 in the Subject of - - . Lt bluish cover with brown binding containing newspaper cuttings, a picture of the 'The Two Philosopher's by Rembrandt and some drawings.education, bendigo, norm penrose collection, norman penrose collection, art notes

The Dry Diggings area is located outside Hepburn Springs in the shadow of Mount Franklin. It was an early goldmining area, but little remains of the thriving town of the 1860s. Colour photograph in digital format of the shape of Australia carved into a rock in the playground of the former Dry Diggings Primary School near Hepburn Springs and Daylesford. The carved area has been filled with white quartz stone. dry diggings, education, rock,

Edwin (Ted) Cannon was born at Ballarat on 30 July 1895, the only son of Edwin and Florence Cannon. He studied art at the Ballarat School of Mines Technical Art School. Ted displayed a talent for industrial design but it was his black and white work that 'drew' most attention. His cartoons and caricatures, heavily influenced by Phil May, were of a particularly high standard. During the Ballarat Exhibition of 1913 Ted's work was singled out for notice and he was awarded First Prize. After completing his art course Ted was employed as an assistant teacher at the Ballarat Technical Art School, before taking a position as cartoonist with the Ballarat Star newspaper at the end of 1914. With the war raging in Europe Ted discovered a darker aspect for his artwork, but, still, he could not resist depicting Turkey as a full-feathered, fez-wearing bird. In 1915 Ted was awarded the prestigious Victorian Education Department Senior Technical School Scholarship. Only months into his scholarship, Ted volunteered for the AIF. A keen member of the local 71st "City of Ballarat" Regiment Ted was already primed for a life in the army. He embarked from Port Melbourne on 23 November 1915 with reinforcements to the 6th Infantry Battalion bound for Egypt. It was during the Battle of Pozieres on the Western Front that Ted Cannon came into his own. His work with the Scout Platoon (under the command of Lieutenant Jack Rogers) sketching the enemy's gun emplacements proved invaluable to the Brigade and brought Ted to the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. See http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916 Digital images of a number of cartoons published in the Ballarat School of Mines Students' Magazine, 1916. Ted Cannon sent cartoons home to Ballarat from the World War One front.edwin cannon, ted cannon, cartoons, world war, world war 1

A Bendigo Advertiser supplement titled 'Our Art: well housed in Bendigo.' The Education Officer of the Bendigo Art Gallery, Geoff Paynter, gives an insight into some of the acquisitions purchased by, or donated to, the gallery. There is also an article imbedded within this article on 'Woman of the franchise era.' 14/5/1969.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, bendigo, bendigo art gallery, gallery, art, art work, recreation, landscapes, australian landscape, history, r.h.s. abbott prize , john rowell, 'mountain road, ' 'gums, ' sir hans heyton, alfred sisley, 'canal scene, ' dr. and mrs. j. a. neptune scott, impressionism, 'the derelict, ' sali herman, bendigo art prize, emmeline pankhurst, victorian women's franchise league, print, photograph, porcelain, porcelain study design no. 599, w. j. strauchair, 'bondi 1961, ' william dobell, william beebe, arthur boyd, 'pinchin's farm, ' 'the clearing, ' louis buvelot, george bell, 'farm buildings, ' franz kempf, 'burnt orange fern at the wind's return, ' 'old bendigo art gallery, ' kenneth jack, 'the digger and his log, ' sir arthur streeton

These Lithographs were made for the printing and Publishing of the Book entitled "The History of Winchelsea Shire" by Cr. W.L Koenig who was commissioned by the Shire of Winchelsea to collate, Document and present the Pre-Colonial and Colonial History of the Barwon District and in particular the Winchelsea Shire for posterity and public education. The Book was published including the photographs represented by these lithographs as illustrations, and remains the foundation of the historical narrative of the area, and the context of this collection. This Lithograph is one of four depicting indigenous artefacts collected and displayed by Cr. Koenig.Koenigs collection of indigenous artefacts remain as unique in the Surf Coast Shire as a relic of material culture from the district in Pre-Colonial times. These lithographs remain as significant in themselves being the master copy remaining from the publication of Koenig's work. They are aesthetically beautiful as a work of art, and historically (technologically) important in the narrative of printing.Lithograph for printing a Photograph of a collection of indigenous artefacts for publication in the book "History of the Winchelsea Shire" By Cr. W.L. Koenig.NILkoenig, lithograph, illustration, printing blocks, picture, book, indigenous, artefact, image, stone tools, bone, winchelsea, wadda wurrung, witharong, wathaurong, wito wurrung, aboriginal

Resource book developed by Aboriginal woman in consultation with local Kurnai community of Gippsland, Victoria; includes advice on story telling, involving community and parents, Koorie parents view of schooling , how Koories learn, strategies and activities for classroom, shows symbols used in art, making animal tracks, Kurnai stories include the first man and woman, the Southern Cross and the moon, the talking dog, the echidna, robin redbreast, Tidda-lick the frog, origin of fire, Kur-bo-roo the koala bear, how the sun was made; artwork in planning lessons is copyright free.b&w illustrations, games, classroom activitiesgunai, kurnai, gippsland, lake tyers, koorie studies, dreaming stories, storytelling, koorie education

Course design of Victorian Certificate of Education, on Indigenous languages of Victoria. Includes word lists.colour photographs, word lists, tablesvictorian certificate of education examinations, secondary school education, victorian education, indigenous art, worawa college

The kit is designed for the general public, teachers and students, to give an understanding of Australian Indigenous people and culture and to break down stereotypes that are common in the school system and the wider community. The information presented is about the cultural, spiritual, economic and religious aspects of pre-contact societies. The impact of invasion on traditional societies and the post-colonial history of Australian Indigenous people is explored.Maps, b&w illustrations, b&w photographs, colour photographsculture, history, john batman, batman treaty, coranderrk mission, koorie culture, lake condah mission, kinship systems, aboriginal art, dreaming stories, kulin, gunai/kurnai, mara, wotjobaluk, wudjubaluk, koori

This Netball uniform from circa 1986 was worn by a girl named Rebecca when she attended the Tottenham North Primary School. Tottenham North Primary School was opened on 29 May 1953 and was built on a South Road, Braybrook site purchased in 1929. After a fire in February 1961 the pupils were sent to the Powell and Curtin Street schools in Yarraville, and to the Maidstone and Sunshine East schools. The new building was officially opened on 22 August 1962 by A. McDonell, Director of Education, and it had sixteen classrooms, an art/craft room, and an assembly hall. Sporting achievements by the pupils included the 1963 football premiership and the 1968 cricket premiership. Over the years it has been called Tottenham Primary, Tottenham Crossing Primary, and Maidstone Primary. The different names resulted because of mergers with other local primary schools as the number of primary aged children in the Braybrook and Tottenham area changed. The school on South Road is now named Dinjerra Primary School. Dinjerra supposedly means 'out west' in the dialect of the original indigenous people of the area. Dinjerra Primary School is now the only neighbourhood government primary school in Braybrook Tottenham. The above information was sourced and compiled from: 1. 'Vision and Realisation - A Centenary History of State Education in Victoria - Volume 3', Education Department of Victoria 1973. 2. The Dinjerra Principal's website article at: http://www.dinjerra.vic.edu.au/91/Message-from-the-Principal.The netball uniform serves as a historic reminder that a school named Tottenham North Primary School once existed. The uniform also provides us with information of the colours used on these types of sports uniforms, and of the design of the School Logo.Two items of Netball Uniform. (a) Skirt - Maroon coloured wrap around sports skirt. (b) T-shirt - Yellow, Size 14 'Ryder' brand children's T-shirt, with maroon coloured triangular shaped School Logo printed on the front.TNPS. TOTTENHAM NORTH P.S. 4703 - (Printed inside triangle)sports uniform, netball skirt, netball t-shirt, tottenham north primary school, south road braybrook, tottenham primary school, maidstone primary school, tottenham crossing school, dinjerra primary school, tottenham north state school, state school 4703

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

This book was presented to Master R. Goldsworthy June 7 1888, at an exhibition at Stawell School of the Art. This Book belonged to Mary Goldsmiths Fathe r-in-Law - R.M. Goldsworthy II. Mary's husband Norman received an award for his contribution to science teaching in Australia in 1962. At The Presentation ceremony, he said that this book had parked his interest in science. Red Cover in reasonable condition, first few pages missingInscription in front: Master R Goldsworthystawell education, stawell school of arts

Cardboard box containing different coloured chalk pastels for drawingReeves Greyhound Pastels Set L12 Made in Australia non injuriouseducation, school, pastels, drawing, art

A gift from the Turkish Consulate for the 100th Anniversary of Gallipoli.A framed gravure print by Erol Yildirim, edition is numbered as 48/100, and dated as 2015. The subject matter is concerned with Turkish military campaigns. On the revers of the print is a label with the following information. 'Biography of the Artist / Colonel Erol YILDIRIM (Ret'd) Born in 1959 in Bolu / Turkey, he completed his secondary education in Izmir, and began his military education at the Army War College in 1977. His career in arts started by attending the art club of the military college. He has organised 9 private exhibitions and taken part in 52 group exhibitions. He has won the following 8 awards. - 2009, 2010, 2011, 2012, 2013, 2014 Artmajeur Silver Awards - 2014 The XV Ex lib's Biennial as 'Selected exlibris' Miata Museum Ostrow Wielkopolski - POLAND - 2014 The 3rd Guangzhou International Exlibirs and Mini Print Biennial as 'selected exlibris guangzhou china' erol yildirim, turkey, print, artworks, war, turkish soldiers

A white document titled 'State College of Victoria Bendigo Graduation Ceremony.' Bendigo City Hall, Friday 7th Dec. 1973 at 10.30 A.M. Council: Mr. J. P. Pearce, Mr. E. B. Ashman, Mrs. R. C. Graham, Mr. M. John, Mr. W. P. Lomas, Mr. W. P. Mitchell, Mr. C. R. Moyle, Mr. D. O'Brien, Mr. M. T. Pease, Mr. M. C. Prichard, Mr. K. G. Scarrott and Mr. J. P. Wilson. On the inside cover is a list of the Staff: Principal: Mr. K. G. Scarrott. Vice-Principal: Miss A. Downard and Warden for Men: Mr. F. M. Courtis. Art Staff - Mr. F. M. Courtis, Mr. B. A. Clemson, Mr. K. G. Harrison, Mr. K. W. Endersby, Mr. L. J. Langan, Mr. R. N. Bruce, Mr. D. J. Watson, Mr. R. J. Harris, Mrs. M. M. Clemson. Education - Mr. D. O'Brien, Mr. F. A. Jones, Mrs. N. F. Fawdry, Mr. A. D. Maltby, Mr. J. Brasier, Mr. A. Attrill, Mr. K. P. O'Hagan, Mrs. M. J. Smith, Mr. E. F. Bell, Miss P. R. Wess. English - Mr. T. J. McCabe, Mr. G. L. Colson, Mr. W. P. Lomas, Miss M. C. Gates, Mr. R. M. Counahan, Mrs. R. M. Griffiths, Mrs. E. L. Angus. Library and Aids - Mr. B. D. Gill, Mr. J. R. Goodrich, Mrs. E. I. Perry, Mr. R. D. Robinson, Mrs J. A. Maltby, Mrs. G. L. Barnes. Mathematics - Mr. K. C. Coles, Mr. A. J. Jones, Mrs. H. Knox, Mr. C. T. Dillon. Music - Mr. B. R. Reed, Mrs. B. P. Hyett, Miss E. A. McConnell, Mrs. M. P. Hibberd. Physical Education - Mr. R. Colliss, Miss J. de Ferranti, Mr. A. J. McIntosh, Mrs. S. M. Wheeler, Mr. D. Pinniger, Mrs. S. L. Anderson. Procedures and Practice of Teaching - Mr. B. T. Geary, Mr. C. J. Barnes, Mrs. D. E. Plim. Science - Mr. R. F. Colbourne, Mr. R. E. Martin, Mr. L. E. Leeson, Mr. N. J. West, Mr. P. L. Killeen. Social Science - Mr. L. A. Hall, Mr. J. A. White, Mr. R. B. Silverback, Mr. G. F. McIntosh, Mr. G. N. Dunn, Mrs. S. Sarto. International Teacher Fellow - Mr. D. J. Jones. Associated Medical Staff - Dr. L. M. Cleeve. Registrar - Mr. W. D. Kolle. On the following page is an outline of the program which includes an introduction by the Chairman of the Council Mr. J. P. Pearce. The signing of the Graduation Book is - student representatives are presented to Mr. J. Revell Inspector of Schools, by Miss Downward. The Principal's speech is presented by Mr. K. G. Scarrott. Miss Downward presents all the graduating students to Mr. Moyle. Congratulations are offered by Cr. A. Craig, Cr. M. O'Halloran for the Shire of Strathfieldsaye and the Principal of Golden Square State School, Mr. J. Hendry. The Occasional Address is presented by Mr. C. R. Moyle. The Master of Ceremonies is Mr. B. A. Clemson. The pianist is Barbara Hyett and the organist Michael Bottomley. On the back of the program is a list of the graduating students - Diploma of Teaching (Primary) - Rita J. Aniolkowski, Debra A. Ball, Valda J. Batey, Judith Batten, Mrs. Julie Bennett, Lidija A. Bertlands, Verence A. Bonsor, Barry R. Borneman, Michael K. Bottomley, Gregory Bowen, Ian G. Butcher, Christine V. Callaghan, Elizabeth A. Cannard, Janette J. Chaffey, Mrs. Sandra K. Chamberlain, Lorraine J. Chambers, Suzanne E. Chislett Mrs. Elaine Clark, Kathleen A. Cleave, Jennifer R. Cody, Janice E. Cole, Mimie E. Crook, Lidia Czerkaskyj, Kathryn F. Davis, Ivan J. Dedini, Bryan W. Derrick, Kaye E. Dillon, Bernadette M. Dixon, Marie L. Dowd, Dianne M. Dwyer, Helen D. Eames, Norma C. Eddy, Mrs. Rozlyn Effenberg, Barbara I. Fairmaid, Anne C. Ferry, Noela M. Flanagan, Lorraine J. Ford, Helen T. Fraser, Pauline H. Fraser, Julian F. Fuhrmann, Mrs. Susan L. Gemmell, Lynette M. Gilmore, Timothy A. Godber, Stephen J. Gough, Rosemary Joy Graves, Robyn M. Hanna, Geoffrey J. Harrison, Aileen M. Harrop, Margaret E. Harry, Kathryn Hermecz, Jennifer A. Hewetson, Mary Hickey, Mrs. Susan Higgins, Mandy S. Hilson, Anthony V. Holland, Galye A. Holyman, Julie M. Hyde, Susan B. James, Lorraine I. Joiner, Annie N. Jones, Ian D. Jones, Mrs. Margot E. Jones, Heather M. Jordan, Helen R. Keane, Joy Keating, Clare R. Keogh, Margaret T. La Fontaine, Kerry M. Larcombe, Julie T. Lewis, Michael R. May, Catherine A. Mays, Colin S. McKeown, Elaine A. McNabb, Bruce J. Meager, Noel C. Meredith, Margaret C. Metcalf, Jennifer J. Millard, Kerry M. Muldowney, Mrs. Kathleen E. Muller, Diane Nankivell, Roslyn B. Nankivell, Lennard Roy Neilsen, Mrs. Nanette B. Newstead, Anne M. O'Sullivan, Mrs. K. S. Parker, Heather J. Perrin, Kaye P. Ramsdale, Elaine J. Reddington, Cheryl Reid, John E. Reid, Mary L. Reilly, Mrs. Andra F. Robertson, Edwin D. Rogers, Mrs. Lorraine J. Rogers, James J. Rolfe, Laurice J. Ryall, Bernadette Ryan, Colleen F. Ryan, Alan J. Sands, Mrs. Judith A. Scarrott, Peter B. Scarrott, Suzanne M. Scott, Lynette J. Scown, Kathleen A. Sexton, Wendy A. Scheumack, Bryan W. Simm, Irene Simonaitis, Christine M. Smith, Heather N. Smith, Mary A. Smith, David G. Steel, Kate F. Stewart, Robyn F. Sutton, Barbara L. Turner, Robyn J. Turner, Dawn E. Veal, Ann Vickers, Johanna M. Vringer, Lisa D. Watkins, Barbara A. Watts, Sherrie M. West, Annette L. Whiting, Teresa L. Williamson, Jennifer L. Wirth, Margaret E. Wishart. Trained Infant Teachers' Certificate - Mrs. Annette Reid. Trained Primary Teachers' Certificate - Mrs. Gail Bennett, Prudence E. Chapman, Christine Colbert, Patricia L. Harris, Mrs. Gwenda Haveckin, Mrs. Jill Hobbs, Wayne Jackson. Mrs. Barbara Liston. In the centre of this program is a ticket for Miss J. C. Burnett to attend it.bendigo, education, state college of victoria bendigo, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, tertiary education, graduands, graduates, staff, graduation, bendigo teachers' college staff, bendigo teachers' college students

66 page booklet titled The Local Heroes real people, real lives, real stories… Front cover is off white at the top and patterned yellow shades at the bottom with the title in the centre, City of Greater Bendigo above. Background to the Local Heroes Project, drafted by Dr Gan Che ng PhD. MA. Inside the front cover. Photos, names of Students, Principal and Teachers of Bendigo South East College Team, Catholic College Bendigo Team, Eaglehawk Secondary College Team, Girton Grammar School Team and Weeroona College Bendigo team are in the front of the book. There is information about the project. Photo and information about Simmon Pang - Project Initiator/Photographer. Foreword by The Hon. Martin Dixon MP - Minister for Education Victoria with photo and Foreword - Cr Lisa Ruffell - Mayor of the City of Greater Bendigo. The following pages have a short synopsis and photo of Barry Ackerman - Expert in the Rubber Industry & Twice Mayor, Joanne Baker - Founder of Righteous Pups Australia, Linda Beilharz OAM - Intrepid Adventurer, Valerie Broad OAM - Founder & Artistic Director of Youth Choir, Paul Chapman - Co-Founder of The Australian Turntable Company, Susanne Clarke - Passionate about Community Engagement, Patrick (Pat) James Connolly - Bendigo Amateur Boxing Club Coach, Robert Jackson (Cookie) Cook - Founder of Horizon House, Geoff Curnow - Farmer & Community Volunteer, Merna Curnow - Farmer & Agricultural Consultant, Jenny Dawson - Accounting & Banking, Laura Dusseljee - Choir Director & Music Teacher, Ian Maxwell Dyett JP - Life Dedicated to Volunteering, Donald James Erskine - Founder of Industrial Conveying Australia, James Victor Evans - Teacher, Historian & Actor, Rod Fyffe - Champion of Arts & Culture, Richard Guy OAM - banker & Philatelist, Edwin Richard (Dick) Hazeldene OAM - Chicken Farmer to Poultry Entrepreneur, Robert (Rob) Hunt AM - Head of Bendigo Adelaide Bank and Founder of Community Banking Model, Russell Goldfield Jack AM - Founder of Golden Dragon Museum, Jack Kelly - Teacher Sharing Experience, Ian George Mansbridge - Farmer, Accountant & Banker, Ken Marchingo - Instigator of Haven; Home Safe, Elizabeth (Beth) McKerlie OAM - Dedicated to Scouting, Gordon McKern OAM - Founder of McKern Steel, Sharelle McMahon - Netballer Extraordinaire, Lola Mary Miller AM BEM - Teacher of Health & Physical Education, Julie Millowick - Accomplished Photographer, Educator & Artist, Dennis Reginald O'Hoy - Academic & Historian, Margaret O'Rourke - A Champion for Connected Communities, Karen Quinlan - Director of Bendigo Art Gallery, Jonathan William Ridnell - Broadcaster, Leon Maxwell Scott OAM - Business Entrepreneur & Rotary Volunteer, Margot Elizabeth Spalding - Co-founder of Jimmy Possum Designer Furniture, Wendy Diane Stavrianos - Painter, Sculptor & Installation Artist, Jack Taylor OAM JP - An Eaglehawk Legend, Wes Vine - School Principal & Vigneron, Lynn Warren - Aboriginal Elder, Raymond James Wild - A Plumber's Story, Diana Williams - Founder of Fernwood Fitness and John Wolseley - International Artist. The back cover also has small photos and the names of people mentioned.ian dyett collection - the local heroes, city of greater bendigo, dr gan che ng, la trobe ubiversity bendigo, bendigo south east college, catholic college bendigo, eaglehawk secondary college, girton grammar school, weeroona college bendigo, simmon pang, the hon martin dixon mp, cr lisa ruffell, bendigo art gallery, city of greater bendigo, the capital - bendigo's performing arts centre, la trobe university australia, catholic kiocese of sandhirst, haven home safe, the hotel shamrock bendigo, hazendene's, bendigo & district aboriginal co-operative, mr baillieu myer ac, bendigo advertiser, australian broadcasting corporation, bendigo chinese association inc - lion team, wannik dance academy dancers, bendigo forever young choir, bendigo youth choir