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Tatura Irrigation & Wartime Camps Museum
Photographs - Copy - Family History, Crawford Family
Photos of Crawford family- early pioneers.|1.Andrew Crawford,1846-1917, b. Tullintane, Bruckless, County Donegal, Eire. Selected land Bayunga Road, Toolamba in 1871.|2.Rebecca Crawford, 1850-1933, nee Shanks, b. at Pontz Pass; County Down; Northern Ireland; wife of Andrew Crawford; mother of 12 children.|3.Crawford Family 1896: Standing: George, Sam, Agnes, Tom, Bill, Maggie. Seated: May, Rebecca (mother), Andy, Kitty, Andrew (father).|4. Wedding of Samuel & Margaret McWhinnie (nee Crawford). Sept. 23rd. 1914.|5. Samuel & Margaret McWhinnie (nee Crawford), married at old Toolamba Pioneer Church (now Toolamba Uniting Church)|6. The "Lynwood" & "Woodlands", Crawford boys 1914. Standing: Tom (W); Jack (L); Bill (W). Seated: Sam (W); Arch (L); Andy (W); George (W); George (L).|7. The "Woodlands" & "Lynwood" girls, 1913.Eliza (L); Maggie (W); Mary (L); May (W); Agnes (L); Kitty (W); Agnes (W); Fan (L).|8. Andy & Gladys Crawford (nee Harper), married at Murchison, 29th. June 1921.|9.Bridesmaid, Joan Harper at Crawford Wedding, 29th. June 1921.|10 "Woodlands", home of Andrew & Rebecca Crawford, built 1896.B. & W. Photographs copies. -
Tatura Irrigation & Wartime Camps Museum
Book, Special Places, 1993
Writing project aimed at involving children of Murray Darling Basin and their ideas on its preservationMural by students from Vinifera Primary School on front cover. Back cover depicts Australian bush scene collage from students of school.schools of area, murray darling basin, vinifera primary school. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Internment Camp 3, 1940 (approx)
WW2 Internment camp photo of Maria Soldini and children. Black and white photo of the Soldini family in Camp 3 Tatura. Mother Maria Soldini, children Augusto Soldini, Elisa (Dolores) Soldini in back row and children Ilda (Hilda) Soldini, Santina (Mirka) Soldini and Giuseppina (Josephine) Eufemia Soldini in front row. Included is sheet of paper with names, dates and places of birth of all family members including those not in photophotography, photograph, slides, film -
Tatura Irrigation & Wartime Camps Museum
Folio, Children Imprisoned, 1993
Red open fronted folder containing typed pages in a plastic sleeve.documents, biography, reports -
Tatura Irrigation & Wartime Camps Museum
Document, Recollections of Mrs. Irmhild Beinssen, 1994
Produced post war and donated to Museum. Mrs Beinssen and her 3 children joined her husband in Camp 3 to keep the family together.Open fronted white folio containing 25 roneoed printed pages in German, together with photos. Personal recollection of internment in Tatura Camp 3 during WW2.Recollections of Mrs. Irmhilde Beinssen.documents, biography, mrs irmhild beinssen, camp 3, internment families -
Tatura Irrigation & Wartime Camps Museum
Photograph, Oki family
Photograph 1: Oki family interned in Camp 4. Back row: Mrs Matsushita (from Thursday Island), Mr and Mrs Oki, Mrs Fukushima, Mrs Honda holding baby Melba Oki. Front row: R Yoshitaka Takemoto, Wendy and Ted Oki, Hirako Takemoto, Phyllis, Shirley and Joan Oki. Photograph 2: Oki family visited Museum c.1994. Mrs Oki and her family.2 photographs. 1 black and white photograph of a group of 13 people. 5 adults standing, one holding a child. 7 children standing in height order. Hut in background. 2nd photograph, colour, of 8 adults standing out the front of Tatura Museum under their WW2 sign. oki family, mrs matsushita, mrs fukushima, mrs honda, melba oki, r yoshitaka takemoto, hirako takemoto -
Tatura Irrigation & Wartime Camps Museum
Photograph, J Decker and H Stuerzenhofecker graves, 1944
The Decker and Stuerzenhofecker families were internees at the Camp 3. Buried at Tatura Cemetery and later exhumed and reburied at the German War Cemetery, Tatura.Black and white photograph 2 adults and 3 children standing behind 2 wooden crosses marking the graves of J. Decker and H. Stuerzenhofecker.J. Decker and H. Stuerzenhofecker 14-10-44decker, stuerzenhofecker, camp internees, internment camp graves, tatura cemetery -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3 Internees
... and 4 children sitting. Hut behind them. Camp 3 Internees ...Camp 3 Internees from Palestine. Back: Rudolf & Helene Hoefer. Front: Ann Sawatsky; Uli & Traude Hoefer with Frau Guntner & her Children.Black and white photograph of several internee families, two adults standing and two adults and 4 children sitting. Hut behind them.rudolf hoefer, helene hoefer, ann sawatsky, uli hoefer, traude hoefer, frau guntner, guntner children, palestine internees, camp 3 internees -
Tatura Irrigation & Wartime Camps Museum
Photograph, Decker and Kazenwadel Wedding
Camp 3 Wedding, 1945. Marriage of Gerda Decker & Albrecht Kazenwadel. Palestine Internees.Bride and Groom standing in front of a hut with children to the left and children and adults to right.gerda decker, gerda kazenwadel, albrecht kazenwadel, palestine internees, camp 3 wedding -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3 Evangelical Lutheran Religious Instruction Class
Camp 3 Evangelical Lutheran Religious Instruction Class. New Guinea Missionaries. Standing: Willi Flierl (N.G.); Theodore Stoll; Walter Mueller; Heinz Palmer; Wilhelm Stoll; Frieda Bergmann; Benno Glockemann; Eva Kotelmann; Hans-Erich Flierl; Mitzi Swoboda; Berta Krafft; Heinz Bulach; Hans Wagner (N.G.); Heinrich Bergmann. Seated: Ruth Palmer; Agnes Bergmann; Gertrud Hermann; Magdalene Rubitschung.Black and white photograph of 16 children (4 girls seated) and 2 adults with part of a hut on either side behind them. Two trees behind them as well.willi flierl, theodore stoll, walter mueller, heinz palmer, wilhelm stoll, frieda bergmann, benno glockemann, eva kotelmann, hans-erich flierl, mitzi swoboda, bert krafft, heinz bulach, hans wagner, heinrich bergmann, ruth palmer, agnes bergmann, gertrud hermann, magdalene rubitschung, camp 3 religious instruction class, new guinea missionaries, lutheran church religious instruction -
Tatura Irrigation & Wartime Camps Museum
Photograph, Peter LeSeuer
Peter LeSeuer, performs as clown at childrens' functions. -
Tatura Irrigation & Wartime Camps Museum
Printed Pages, Templers from Palestine
Camp 3, Templers from Palestine. Poem written about the daily routine of interned children. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Patrizia Grille, 2003
Patrizia Grilli was a Palestine Italian in Camp 3.Black and white photograph of a young girl cuddling a cat, standing in front of a hut with a garden in front of the hut.patrizia grilli, palestine internees, italian internees, internee children -
Tatura Irrigation & Wartime Camps Museum
Photograph, Baer family
Baer family interned from New Guinea in to Camp 3.Black and white photograph of Martha and Michael Baer and 3 children in front of a hut. baer, new guinea internees, camp 3 internees, michael baer, martha baer, gerda baer, theo baer, reinhard baer -
Tatura Irrigation & Wartime Camps Museum
Photograph
Tatura State School children, c.1920. -
Chiltern Athenaeum Trust
Painting - Oil painting on gumleaf by Alfred William Eustace, circa 1851 to 1907
... at Ashdown Park. He migrated to Australia with his wife and children... at Ashdown Park. He migrated to Australia with his wife and children ...This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace -
Chiltern Athenaeum Trust
Photograph
... with his wife and children in 1851 and camped next to the Ullina... with his wife and children in 1851 and camped next to the Ullina ...This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum Trust
Photograph
... to Australia with his wife and children in 1851 and camped beside... to Australia with his wife and children in 1851 and camped beside ...Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Koorie Heritage Trust
Booklet, Barrett, Charles et al, Blackfellows of Australia, 1936
Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.43 p. : ill. ; 28 cm.Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.aboriginals, australian - social life and customs -
Koorie Heritage Trust
Book, Broome, Richard, Aboriginal Victorians : a history since 1800, 2005
... Aboriginal people; Lake Tyers; Framlingham; camps; removal ...History of interaction between Aboriginal people in Victoria and Europeans from first settlement until present day, based on consultation with Aboriginal people as well as range of historical research; settlement and its effects on Aboriginals and their way of life and culture; race relations; conflict; treatment of Aboriginal people by police, law and settlers; adapting to European life in post-frontier times; reserves; government policy including protectionism and assimilation and legislation controlling Aboriginal people; Lake Tyers; Framlingham; camps; removal of children; Aboriginal activism; Aboriginal autonomy; Aboriginality; argues Aboriginal people have established own place in Victoria, living as Aboriginal people within an altered world and that they are reclaiming their culture. // The fascinating and sometimes horrifying story of Aboriginals in Victoria since white settlement. With painful stories of personal loss as well as many successes, outlines how they survived near decimation to become a vibrant community today.xi-xxv; 467 P.; index; endnotes; reading list; PoRTS.; map; facsimiles; 23 cm.History of interaction between Aboriginal people in Victoria and Europeans from first settlement until present day, based on consultation with Aboriginal people as well as range of historical research; settlement and its effects on Aboriginals and their way of life and culture; race relations; conflict; treatment of Aboriginal people by police, law and settlers; adapting to European life in post-frontier times; reserves; government policy including protectionism and assimilation and legislation controlling Aboriginal people; Lake Tyers; Framlingham; camps; removal of children; Aboriginal activism; Aboriginal autonomy; Aboriginality; argues Aboriginal people have established own place in Victoria, living as Aboriginal people within an altered world and that they are reclaiming their culture. // The fascinating and sometimes horrifying story of Aboriginals in Victoria since white settlement. With painful stories of personal loss as well as many successes, outlines how they survived near decimation to become a vibrant community today.aboriginal australians -- victoria -- history. | colonisation. | government policy - assimilation. | government policy - state and territory - victoria. | settlement and contacts - government settlements, reserves. | habitation - camps - fringe and town. | social identity - aboriginality. | politics and government - political action - activism. | government policy - initial period and protectionism. | race relations. | child welfare - child / parent separation - stolen generations. -
Whitehorse Historical Society Inc.
Article, Hamper Help, 1990
... -privileged children to attend camp at the Victorian Lions Club Licola... the year. Another project enables under-privileged children ...Christmas hampers have been packed and distributed by Nunawading Lions Club for 30 years.Christmas hampers have been packed and distributed by Nunawading Lions Club for 30 years. Members raise money for this project during the year. Another project enables under-privileged children to attend camp at the Victorian Lions Club Licola Holiday Camp in Gippsland. Neville Gibson was a co-founder of the campChristmas hampers have been packed and distributed by Nunawading Lions Club for 30 years.clubs and associations, nunawading lions club, gibson, neville, dowsley, james wilson, pettman, nita, freeman, rosie, john, savoia, pino -
Whitehorse Historical Society Inc.
Wedding Gown, 1871
The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial -
Whitehorse Historical Society Inc.
Article, In camps for 15 years, 2005
Liberian refugee Lorseh Do arrived in Australia with three of her seven children, and the family is assimilating well.Liberian refugee Lorseh Do arrived in Australia with three of her seven children, and the family is assimilating well. They attend the Blackburn English language School (photo)Liberian refugee Lorseh Do arrived in Australia with three of her seven children, and the family is assimilating well.do, lorseh, migrants, blackburn english language school -
Whitehorse Historical Society Inc.
Painting - Print - Framed
Displayed in original toy cabinet of museum for unknown length of time. Copy of an original lithographBiography of Outhwaite, Ida Sherbourne 188 - 1960 in Supplementary FileBlack and white etched print of children and pixies playing around open fire. Print is set in brown wooden frame. Copy of an original lithograph. The etching is by Ida Rentoul Outhwaite identified by her signature in the top right hand corner covered by the mounting.|On the back of this copy of the etching (the page appears to be cut from a book) is an etching of a koala and a camp fire on which he has brewed billy tea. A sweet four verse poem describing the picture accompanies the etching.|The initials I.S.R.O. are at base of the etchingillustrations, reproductions -
Whitehorse Historical Society Inc.
Document - Various including photos, newspaper items, Hethersett Private Repatriation Hospital, Burwood, 1866 - 1943
Between 1915 - 1917 Dr Ramsay Mailer and members of his family ran the 30 bed Hethersett Voluntary Military Hospital in Burwood for5 returned shell shocked and fatigued soldiers at his own expense. This property became part of the Presbyterian Ladies College in1939.A4 Print outs from blogspot, Trove (SLV), and newspaper obituariesnon-fictionBetween 1915 - 1917 Dr Ramsay Mailer and members of his family ran the 30 bed Hethersett Voluntary Military Hospital in Burwood for5 returned shell shocked and fatigued soldiers at his own expense. This property became part of the Presbyterian Ladies College in1939. mailer ramsay dr, world war 1914-1918, housing reform 1920s, camp mailer, hospitals, repatriation care -
Unions Ballarat
Deadline Sudden Death Final, Dower, Alan, 1979
History of crime in Australia over fifty years, including the baccarat wars, kidnappings and the disappearance of the Beaumont children.Relevant to Australian law enforcement and crime - approximately 1929-1979.Book; paper. Front cover: black background; black and white photographs, newspaper headlines, fingerprints and a letter addressed to "Dear Mum and Dad ..."; yellow and white text.Front cover: author's name and title.criminals, crime, history, baccarat wars, law, btlc, ballarat trades and labour council, ballarat trades hall -
Unions Ballarat
Women and children first : an outline of a population policy for Australia, Wallace, Victor Hugo, 1946
Written in 1946, the author presents ways to encourage population increase in Australia. Relevant to social choices and customs in the 1940s.Paper; book. Front cover: red and white with a map of Australia.Front cover: author and title.btlc, ballarat trades hall, ballarat trades and labour council, birth control, population, social policy, social customs, contraception -
Unions Ballarat
Childhood injury prevention and recovery, Kids Foundation, n.d
Kids Foundation was established in 1993. Amongst other activities, the organisation is an advocate for injury prevention and recovery.Social and public safety relevance.Compact Diskbtlc, ballarat trades and labour council, ballarat trades hall, public safety, safety - children, injury - children, injury prevention, injury recovery, kids foundation -
Unions Ballarat
A little bit of magic: Thoughts for women (Don Woodward Collection), Hawke, Hazel, 1994
Short reflections and quotations about life. Hazel Hawke was the former wife of Bob Hawke (former trade union official and 23rd Prime Minister of Australia). In 2001 Hazel Hawke was appointed an Officer of the Order of Australia. The citation read: "For service to the community, particularly through the promotion of the reconciliation process, support for continued improvement in the quality of children's television, as a contributor to the preservation of heritage items, and involvement with environmental and wildlife preservation groups".Infotainment.Book; 152 pages. Dustjacket: yellow background; colour photograph of Hazel Hawke; purple, blue and black lettering; author's name and title. Cover: blue background; white lettering; author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, hawke, hazel, hawke, bob, quotations - anecdotes -
Bialik College
Photograph (Item) - Grade Four Camp, nd, Regional Victoria
... Primary school aged children attend a school camp... Primary school aged children attend a school camp in regional ...Primary school aged children attend a school camp in regional Victoria. Some images are of a riverboat and others at Sovereign Hill heritage park. Other images were taken in a forest environment as students cook on bbq. For inquiries or access contact [email protected] side of some of the photographs have 'grade 4 camp' or 'g4' inscribed in blue pen. 1990s, 2000s, camp, school, jewish school, bialik college, photographs.