Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles were recycled remaining the property of the manufacturer who paid for their return.History of the company - Pick Ax, AdelaideHistorical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown glass bottle used for Beer. Long straight sides before sharp taper to neck which has a slight bulb shape. Glass joined longitudinally on 2 opposite sides. Cork is stuck inside the bottle. Along the bottom of the sides there are 3 rows of heavily embossed print (capital letters), beginning with a circle. Embossed on base: 634. At bottom: circle (can't read). 3 lines: This is the Property of / ....Bottle Co-Operative / Company Limited South Walk.bottle, brown glass, beer, adelaide brewery, pick ax brewery

Black and white copy of an Allan Doney photo some houses, poppet legs, vacant land and bush. Foreground is uneven ground. Printed titled stuck on the bottom of the photo is: Before the Long Gully Estate was built. Handwritten along the left side is the name of the mine which is illegible, Allan Doney photograph - Courtesy of James Lerk.Allan Doneybendigo, history, long gully history group, the long gully history group - before the long gully estate was built, allan doney, james lerk

Orange label with black printing for Hop Beer brewed by C. J. Glover, Chapel Street, Bendigo. Has a decorative border with flowers and leaves. Stuck to the front of it is a white label with black printing for Ammoniated Tincture of Quinine. Label gives the dose and what it can be used for. T. R. Jones, The Hargreaves St. Pharmacy, Bendigo.business, printers, cambridge press, cambridge press collection, t r jones, c j glover

Green case with lock at the front and plastic green handle on top with a manufacturer's label stuck on top. Inside the case is divided into three separate section, one containing a clear plastic mask with latex cushioning, the second containing a grey resuscitation bulb and the third containing a smaller clear plastic mask with latex cushioning, still in original packaging.Green manufacturer's label on top of case: THE CIG AIR-VIVA RESUSCITATOR Inside case: Original label 'Operating Instructions'ambu, resuscitator, cig air-viva

Colour photograph of a Coutt's Mask lying on a wooden table. The mask is circular, made of metal and has a curved opening with a raised lip that is resting on the table. There is a small metal loop on the mask and a thin metal hinge with screws is curved from one side to the other. A reddish brown residue like rubber is stuck around the rim of the mask.anaesthetic equipment, mask, coutt's mask

A Santor 'S Pro' model metal tennis racquet with double shaft, and metal bridge. Handle wrapped with synthetic grip tape. Black plastic butt cap and nylon strings. Manufacturer name and model name in decal stuck onto bridge. Materials: Metal, Nylon, Paint, Adhesive tape, Plastic, Cloth tape, Adhesive labeltennis

Richard Alexander Hanson initially enlisted in the CMF No V85605, transfers to the AIF No VX111070 on 18.6.1940 age 29 years. posted to New Guinea as CO of a heavy Artillery installation team. Later posted as CO of a Japanese POW Camp New Guinea. Discharged on 7.6.1946 with the rank of Capt in Port Phillip Coastal Battery..1) Photo B & W showing a group of 20 soldiers including one native al in different stances in a jungle clearing. .2) Photo B & W of a truck/trailer with some sort of lifting device over. .3) Photo B & W of a New Guinea Native girl in a white dress..1) Paper stuck on rear basically says, "Capt R.A. Hanson is in front and to the right of the Digger in black shorts and hat back row". .3) On rear, "KOWI (?) May 1941 Port Moresby, Alec".photographs, artillery, new guinea

9048.1 Black leather top hat 9048.2 Black/grey leather hat box/case with red felt lining9048.1 C.J.Lane Hatters, 256 Collins St Melbourne 90482 Label on outside of box, largely unreadable, except for 'Australia'. 2 luggage labels stuck to top of box read LUGGAGE, Spencer Street.

These stamps were issued during WW2 and designed to be stuck into a war savings stamp booklet. When these were filled, you could redeem them for a £1 or £5 War Bond. This specimen is not watermarked indicating it was a re-issue of the earlier version with a watermark. Issued between August 1941 and March 1944. Designed and produced by the Government Stamp Printer. Although the stamp has been called the "Spitfire" for over 70 years, the image of the plane depicted is either a Boulton-Paul Defiant (with a turret mounted behind the cockpit) or a Hurricane rather than a Spitfire. A 6d stamp Australian War Savings stamp in Imperial Blue and white. Loosely held in a philatelic mount. stamps, war savings stamps, planes, second world war, fundraising

This backpack was manufactured in the 1960s. It was typical of backpacks used to carry in packages, small boxes and supplies by early residents of Falls Creek before any oversnow transport was available. The pack may have belonged to Julian Newton Brown as it was found outside the old Falls Creek Flats, commonly referred to as Alcatraz, where he lived for some time. The Flats were built in 1961 and quickly earned the name Alcatraz as they were only 2½ squares each so were compared to prison cells in Alcatraz. The name stuck and was later officially adopted.This item is significant because it demonstrates how ski equipment has changed over time.A backpack made from canvas with a wooden frame and canvas strapsski equipment 1960s, falls creek flats, alcatraz falls creek, julian newton brown

A large fabric flag of the Legacy logo. It would be used on many occasions to identify and promote Legacy. It has been stuck to a vertical surface using blutac as it is stained and there are remains of blutac on the fabric. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The flag was used in many events up to at least the late 1990s to promote Legacy. A similar flag is attached to a flagpole in the President's office. Maker was Evans Flags.A record of the former colour scheme used by Legacy.Commercially made Legacy Flag. Legacy symbol appliqued onto yellow background with blu tac stains. Flag rings attached.legacy promotion, logos

History of the War Memorial Following the end of the First World War, communities across Victoria and Australia typically erected memorials which were predominantly statues, cenotaphs, avenues of honour and plaques. The Shire of Eltham established the Avenue of Honour at the gateway to the shire as well as an obelisk at the corner of Main Road and Bridge street and the Shire of Eltham War Memorial Tower at Kangaroo Ground. After the Second World War communities once again desired to preserve the memories of those who served and paid the ultimate sacrifice. Resources were scarce so there was a transition away from the traditional style memorials that sprang up post 1918 to one of building facilities that would provide ongoing benefit to the community. Even before the end of the Second World War, the citizens of Eltham began to consider an appropriate form of memorial for those from the area who fought and died in the First and Second World Wars. In 1943 the Eltham Women’s Auxiliary raised funds for the construction of buildings to be established on land to be purchased for the proposed War Memorial. On March 27th, 1945, the Eltham District Progress Association called a meeting of local people who in turn set up and registered the Eltham War Memorial Trust Inc. As a focus for the purpose of the memorial, the newspaper notice read:- ‘Those who have had a member of their family in the fighting services will want to see that the form of a memorial we are concerned with is the one which will be a constant reminder to us of those who fought for us and the little ones for whom they fought and died.’ At that meeting it was decided the Memorial should take the form of a baby health centre along with a creche and children’s library. In late 1945, the newly formed Eltham War Memorial Trust purchased the land at 903-907 Main Road Eltham from Miss Shillinglaw, which once formed part of the Shillinglaw farm on Lot 90 of Holloway’s 1851 “Little Eltham” subdivision. The Governor of Victoria, General Sir Dallas Brooks, laid the foundation stone on November 24th, 1950, in memory of those who fell in the Second World War. The Eltham Infant Welfare Centre was opened November 15th, 1952, the Pre-school on December 1st, 1956, and the Children’s Library in 1961. In late 1966 the children’s library service was integrated into the Heideberg Regional Library Service and the building was officially renamed the Eltham War Memorial Hall. Following the opening of the Eltham Infant Welfare Centre, work began in 1953 planning for the entrance to the grounds, which is signaled by a wrought iron arch entitled “Eltham War Memorial” . In 1954 the Eltham War Memorial Trust decided that a legacy provided by the late Councillor Ernest James Andrew (d. 29 March 1950) in memory of his wife, Mrs. Ellen Andrew (d. 13 July 1946) and who are both buried at Eltham Cemetery, should be used to fund the construction of the entrance. A metal plate inscribed to this effect was attached to the gates. Work on the Memorial Gardens was undertaken throughout the following decade, with a Memorial Forecourt included in the final 1956 plans for the Pre-School Centre. A quote was accepted by the Trust in 1963 for the implementation of a memorial garden, which included grading of a sixty-five foot strip at the rear of the Trust buildings and construction of concrete paths. The stone retaining walls at the front of the site were installed in 1968 when Main Road was widened and it is believed that the Memorial Gates were relocated at that time also. Eltham Senior Citizens Centre In 1964, Eltham Shire Council purchased a section of land from the Trust at the northern end of the site, as a provision for Country Fire Authority buildings. At the same time the Elderly Citizens Club proposed a Senior Citizens Centre on the south western section of the Trust’s property. This was approved by the Trust with the provision that the building was constructed in ‘accord’ with those already existing. In 1965 Council took on board the plans for the Senior Citizens Centre and applied for a government grant. These could only be awarded if Council owned the site. In 1962 the Trust had resolved to hand over the assets to Council once the Memorial Gardens were completed. This was in line with Health Department requirements that grants for the ongoing operation and maintenance of the three facilities would only be made once the the facilities were completed and handed over to Council. In 1965 the Department of Health further demanded substantial alterations to the Pre-School playground as a result of the pending impact of the planned Senior Citizens Centre and Main Road duplication. As a consequence, handover of the Trust’s assets to Council was initiated with a formal ceremony held in the Children’s Library on August 28th, 1965. The Trust continued on as a committee of management for another twelve months. Plans and specifications for the Senior Citizens Centre were prepared by March 1966. Council obtained a grant from the Government which covered one third of the cost and the building was completed by April 1967. Whilst the Senior Citizens Centre is contained within the original Eltham War Memorial building precinct, it was not part of the original Memorial and was not funded by the Eltham War Memorial Trust.At rear of book are the minutes of the 13th, 14th, 15th and 16th Annual Meetings (1959-1962). Also stuck on rear inside cover a list of financial members for 1960. Ritewell No. 246 Faint Only book 32.5 x 20.5 x 1 cm; beige cardboard endcovers with blue cloth spine binding; 128 pages (52 blank)eltham children's library, eltham infant welfare centre, eltham pre-school, eltham war memorial hall, eltham war memorial trust, meeting minutes, minute book, women's auxiliary

This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream

James Oddie was one of the earliest settlers of Ballarat. Known as the 'father' of Ballarat important events in his life were often highlighted.A black and white photo stuck onto mount board showing 23 people standing on the Verandah of James Oddie's house in Macarthur Street Ballarat. The photo was taken the occasion of James Oddie's 85th birthday. James Oddie stands in front of the doorway. The bearded man 2 people to the right of James Oddie is Alfred Mica Smith of the Ballarat School of MinesOn mount 'James Oddie's 85th Birthday Party, Ballarat, 31st March, 1909.' 'Richards & Co Ballarat'ballarat, alfred mica smith, james oddie, macarthur street ballarat, piper, scottish piper, kilt

Postcard - black and white photograph of 'Electric Trams and City Hotel, Bendigo, Vic. A type of glitter is stuck on the card. Addressed to Miss V. Evans, 'Flowing Vale', Lima East, Benalla. Written in 'this space may be written upon' S.S.2885 Wishing you 'Many Happy Returns' on your 21st. Hope the wedding cake will soon follow.postcard, photograph, bendigo, olive pell collection. postcard of bendigo.

Black covered book with an advertisement for stationary pasted on the front and a handwritten label stuck over the top. N.C.W. Bendigo First Minute Book 1948-1956 written on the label. Lists of Receipts and Expenditure written in the back of the book. First Meeting 29 July 1948 and the last Meeting in the book was 27 September 1956. Audit entry 13/10/56.organisation, women, national council of women, national council of women of victoria bendigo branch collection, ncw bendigo first minute book 1948-1956

Round, flat cardboard box with lid containing silkworm gut ligatures for medical use. Made from white cardboard with red edging. The lid has a paper label adhered to surface printed in red, blue, yellow and gold. A small label is stuck on tip of the larger label. The underside of the box is plain white but had handwritten words in pencil.On bottom, handwritten in pencil "Always Boil" Label on lid "One hundred ligatures Silkworm gut" ligatures, silkworm gut, johnson & johnson

Black and white photo of the G.P.O.Military Band. There are twenty seven band members with brass instruments and two with drums. Photo is pasted to a piece of paper and another piece is stuck under the photo with the name. Typed on the paper is: G.P.O.Military Band Melbourne c. 1900. Photograph by courtesy Mrs. Kellam, Bendigo. Name is also painted on he side of the bass drum.photo, group, g.p.o.military band melbourne, peter ellis collection, g.p.o. military band melbourne, mrs kellam

Document: land and survey circulars - brown paper covered journal tied with string along spine. On front cover top LH corner '04A' Stuck to front cover is blue foolscap handwritten letter from Office of Lands and Survey (Occupation Branch) Melbourne 15th. March 1876. Journal contains copies of letters signed by District Surveyor, Sandhurst.Office of Lands and Surveyorganization, bendigo, sandhurst, land sales, land surveys

Wooden mantel clock mounted on a piece of timber which appears to have been screwed down onto another piece of furniture.. The timber is red coloured. The clock has brass handles on both sides, one of which is missing. The clock is very rectangular in shape.Eight hour, half hour turn E.N Welch Mfg. Co. 37/6 Fosterville. are the only discernable words written on the remains of a red label stuck on the back of the clock. WELCH is written on the clock face.

White label with dark blue printing and double line border. Label is for J. J. Cocking, Pharmaceutical & Homoeopathic Chemist, Bendigo. Direction for use are also printed. Stuck to the back is a circular Bendigo Show 1917 Oct 9, 10, 11. Has a dark blue jagged border and three horses heads behind the printing. Two flowers under Bendigo.business, printers, cambridge press, cambridge press collection, j j cocking, bendigo show

Postcard, WW1, B&W image of the grave of German airman, Baron von Richthofen, shot down in the Somme area. He was buried at Bertangles by members of the Australian Flying Corps. The grave is mounded with earth with flowers on top. At the head of the grave is one propeller stuck in the ground. Richthofen's body was moved a couple of times before his final resting place in Germany.postcard, postcard, ww1, baron von richthofen, grave, somme, bertangles

A booklet put together for an exhibition of Emil Wittenberg's work. A short biography and picture of Emil is inside.A single piece of white paper with print on both sides and folded to form booklet. Front cover has a black and white sketch of man in corner of a barbed wire fence. "An exhibition of work from the Dunera Voyage and internment in Hay and Tatura." "A biographical note". on front in black ink. Back page has a piece of paper stuck on it advertising the exhibition times and dates.emil wittenberg, tatura museum exhibition