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Geelong Naval and Maritime Museum
Souvenir, Japanese Midget Submarine Fragment, 1942
Produced as a souvenir from two Japanese Midget submarines sunk during attacks on Sydney Harbour in WWII. This souvenir was produced to raise funds for the RAN relief fund and King George's Fund For Sailors. It was sold as a souvenir as part of a touring exhibition around the country accompanying a composite midget submarine constructed of the two sunken vessels raised from Sydney Harbour.The souvenir submarine has tangible connections to the Japanese Midget Submarines sunk during attacks on Sydney Harbour in 1942. It is historically significant for its links to defending Australia and for its connections to tourism and fund raising relating to war time efforts.A cut square fragment of metal with possibly some Japanese characters etched on it. Attached to a paper label by a piece of cloth.A Guaranteed Souvenier/ from the Japanese Midget Submarine/ Sunk in Sydney Harbour/ Sunday, May 31st 1942/ G.C. Muirhead - Gould/ Proceeds to Rear Admiral in Charge, Sydney/ RAN Relief Fund and King George's Fund for Sailors.japanese midget submarine, world war ii, sydney harbour, ran relief fund, geelong naval and maritime museum, king george's fund for sailors -
Geelong Naval and Maritime Museum
Diary, L. A. Reynolds, J. N. Preston HMAS Vendetta, Mid 20th Century
John Nesbeit Preston was born on 5 October 1897 in Gisbourne, New Zealand. He served in the RAN from 1919 to 1942. He served on the Stuart (Vendetta) from 1941 - 1943.This diary is a significant primary source detailing the daily life of J.N. Preston's service for the RAN on the HMAS Vendetta and other vessels during World War II. It represents a detailed account of his travels and experience of war.A small diary with a navy cover. Hand written entries begin 9th January 1941. Describes J. N. Preston's daily life, routine and experiences during his service from 1941 during World War II. "Diary" stamped on front cover. Made in Australia. "L.A. Reynolds/ For Music/ Records/ Instruments/ Allan's Pianos/ Murray St, Colac. CAR 14150j. n. preston, hmas vendetta, world war ii, geelong naval and maritime museum -
Geelong Naval and Maritime Museum
Document, Proclamation - Crossing the Line, mid 20th Century
Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.This document is significant as a tangible link to a former crew aboard the RMS Remuera. The card also notes that this crew formed part of Australia's first war contingent for active service for WWII. A number of servicemen who signed this card did not return from service. It represents the vital role of these men had in defending Australia. It also represents a tradition of Crossing the Line in RAN culture and has social value.Proclamation card presented to I. C. McLean and signed by all other crew members on board the RMS Remuera. The crew left Australia to join HMAS Perth and formed part of Australia's first war contingent for active service in WWII. The document is dated 15th October 1939.Hereunder are names of men who left Australia to join HMAS Perth on West Indies Station, forming Australia's first war contingent for active service. Mason, F. ... Henry (Printer), M. M. S.... (Printer's Devil), A.G.H. Foley A.B., L. H. Hughes E.R.A, M.G. Packer E.R.A, G.J. McKenzie, W.R. Birbich, R.A.A Shaw, R.de M. Baker O.D; J.N Taylor Ord Serv; R.W. Wilkinson ....; G.E Jones O.D; G.F. Bli... Ord Sea; E.E. Bird Ord Sea; V.L. Watson A.B; A.W. Newman; A.W. Graham O.D; L.P. Woolbrough; G.G. Kummins; H.W. Durham Sto II; R. McBryde Sto II; M. Gordon A.B.; F. Milner O.D; N.D. Coleman O.D; F. Norris ERA; M.J. O'Brien; E.R. Phillps Stok II; D.J. McPherson S.A; ....Liddell; L.E. Head A.B.; V.B. McGovern ERA; N. Leitch L/Sea; K.G. Stockbridge A.B.; F.W. Robinson (Master); C.H.G. John "Speed" Sto II; C.E. Ingram A.B. 64; E.V.W. Pockley Surg Lt RANR; George Christie A.B.; I.C. McLean.rms remuera, i.c. mclean, hmas perth, geelong naval and maritime museum, wwii, crossing the line wwii -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Faustas Sadauskas, The Beacon, 2003
Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder -
Moorabbin Air Museum
Manual (item) - Collins Avionics Pilot's Guides, Rockwell International Instruction Guide
satcom, transponder, tcas, tcas ii, microprocessor, vor/ils, dme, adf, df-206, radio altimeter, hf/vhf, acars, aircom, weather radar, wxr-220, wxr-700x -
Moorabbin Air Museum
Manual (Item) - Air Publication 1665A Volume I: Albacore I Aeroplane Taurus II Engine or Taurus XII engine
A manual created by the Air Ministry during the Second World War about the Taurus II engine fitted to the Albacore I Aeroplane.albacore, air ministry, taurus ii engine, world war two -
Moorabbin Air Museum
Manual (Item) - British Model Hellcat I & II Airplanes Erection And Maintenance Handbook Navy Model F6F-3 , F6F-3N , F6F-5 & F6F-5N
AN 01-85FB-2 -
Moorabbin Air Museum
Manual (Item) - Pilot's Notes Martlet II Aeroplane Twin Wasp R-1830 S3C4-G Engine
Air Publication 2031B -
Moorabbin Air Museum
Manual (Item) - Sea Fury Aircraft Air Publication 4018 Volume II Part 2 & 3
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Moorabbin Air Museum
Manual (Item) - Firefly Main Planes Chapter 6
AP 2102D Vol II Part 3 -
Moorabbin Air Museum
Document - The Drag Characteristics and Performance of the Drover II Engineering Report No. P.139, Trans Australia Airlines
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Moorabbin Air Museum
Pamphlet (Item) - Rolls Royce Spey Engine for Grumman Gulfstream, Rolls Royce Spey Power for the Grumman Gulfstream II
Rolls Royce Ltd -
Moorabbin Air Museum
Manual (Item) - Part 3 Instructions For Repair Of Manchester I Aeroplane
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Moorabbin Air Museum
Manual (Item) - Hawker Sea Fury FB Mk. II Servicing and Descriptive Handbook, Hawker Sea Fury
Appears to be a poor-quality photocopy -
Moorabbin Air Museum
Manual (Item) - Transpak II GPS Personal Navigator With I/O , Operation And Maintenance Manual, Transpak II GPS Personal Navigator With I/O
Part Number 18090 -
Bendigo Art Gallery
Print - Work on paper, Jenny WATSON, The Bottled Memories (1-5) #2, 1988
lu.r; 38/40, u.c; #II , l.r; Jenny Watson 1988work on paper, print, printmaker, printmaking, australian artist, female artist, etching, personal, memory, abstract, bottle -
Moorabbin Air Museum
Manual (Item) - Douglas C47/C47A/C47B/C53 & R4D-1,3,5&6 & Dakota I/II/III - Structural Repair & Service Instructions
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Koorie Heritage Trust
Book, Bourke, Colin, Before the invasion, Aboriginal life to 1788, 1980
Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...112 p. : ill. ; 21 x 23 cm.Blurb: Before the Invasion gives a vivid overview of traditional Aboriginal life. It describes what Aborigines wore, their houses, weapons, tools, canoes, and shows their practical ingenuity and resourcefulness in making the most of what their environment offered. It also covers families, clans, roles of men and women, attitudes to children and the old; and the religious world-view which determined the rhythm of their life and underlay all their laws art and music. The authors bring out the broad patterns Australia-wide, but they are careful to note the differences between groups in different areas and to give specific documented examples...1. aborigines, australian -- social life and customs. schools - project referencers. i. johnson, colin, joint author. ii. white, isobel m., joint author. iii. title -
Koorie Heritage Trust
Book, Bird, Greta, The 'civilizing mission' : race and the construction of crime, 1987
Analysis of dispossession and marginalization as a socio-political construction of Aboriginal crime, particularly summary offences; Relations with police and role of ALS; alcohol and crime; role of customary law. "The object of my research was to discover whether Australian Aborigines were being arrested, convicted and imprisoned at a rate, vis a vis whites, that was statistically significant, and if so, whether there were any discernable causes for this involvement in the criminal system." A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in the University of Cambridge.[ii], 67 p. ; bib.; notes; 30 cm.Analysis of dispossession and marginalization as a socio-political construction of Aboriginal crime, particularly summary offences; Relations with police and role of ALS; alcohol and crime; role of customary law. "The object of my research was to discover whether Australian Aborigines were being arrested, convicted and imprisoned at a rate, vis a vis whites, that was statistically significant, and if so, whether there were any discernable causes for this involvement in the criminal system." A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in the University of Cambridge.aboriginal australians -- crime. | criminal justice, administration of -- australia. | race discrimination -- australia. | discrimination in criminal justice administration -- australia. | aboriginal australians -- south australia -- criminal justice system. | aboriginal australians -- western australia -- criminal justice system. | criminal justice, administration of -- south australia. | criminal justice, administration of -- western australia. -
Koorie Heritage Trust
Article - Thesis, Bird, Greta, The 'Civilising Mission': Race and the Construction of Aboriginal Crime in Australia, 1984
... in Australia [ii], 67 p. ; bib.; notes; 30 cm. Aboriginal Australians ...Analysis of dispossession and marginalization as a socio-political construction of Aboriginal crime, particularly summary offences; Relations with police and role of ALS; alcohol and crime; role of customary law. "The object of my research was to discover whether Australian Aborigines were being arrested, convicted and imprisoned at a rate, vis a vis whites, that was statistically significant, and if so, whether there were any discernable causes for this involvement in the criminal system." A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in the University of Cambridge.[ii], 67 p. ; bib.; notes; 30 cm.Analysis of dispossession and marginalization as a socio-political construction of Aboriginal crime, particularly summary offences; Relations with police and role of ALS; alcohol and crime; role of customary law. "The object of my research was to discover whether Australian Aborigines were being arrested, convicted and imprisoned at a rate, vis a vis whites, that was statistically significant, and if so, whether there were any discernable causes for this involvement in the criminal system." A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in the University of Cambridge.aboriginal australians -- crime. | criminal justice, administration of -- australia. | race discrimination -- australia. | discrimination in criminal justice administration -- australia. | aboriginal australians -- south australia -- criminal justice system. | aboriginal australians -- western australia -- criminal justice system. | criminal justice, administration of -- south australia. | criminal justice, administration of -- western australia. -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 03. 1-2 1979, 1979
A series of articles on Aboriginal History by well-known historians.166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang | -
Koorie Heritage Trust
Booklet, Baxter, Bruce [et al.]. (Aboriginal History Program), Matakupat : the Aboriginal history of the Swan Hill area, 1990
Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.20 p. : ill., map ; 21 cm.Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.1. aborigines, australian -- victoria -- swan hill -- history -- juvenile literature. 2. aborigines, australian -- victoria -- swan hill -- social life and customs -- juvenile literature. i. baxter, bruce. ii. title., other: wemba wemba tribe -- wathi wathi tribe -- aboriginal educators. -
Koorie Heritage Trust
Pamphlet, ATSIC Publications, Aboriginal Australia : Aboriginal people of... [series], 1990
The booklets are on Victoria, Tasmania, Northern Territory and South Australia.4 booklets.The booklets are on Victoria, Tasmania, Northern Territory and South Australia.atsi: 1. indigenous peoples -- aboriginal peoples. i. council for aboriginal reconciliation. ii. aboriginal and torres strait islander commission. -
Koorie Heritage Trust
Booklet, Robson, Merryl K, Keeping the culture alive: an exhibition of Aboriginal fibrecraft featuring Connie Hart, an elder of the Gunditjmara people with significant items on loan from the Museum of Victoria, 1986
Exhibition held at Aboriginal Keeping Place, Hamilton and Westerm District Museum, June 18th, 1986-Feb 28th, 1987.Bibliography: p. 67.67 p. : ill., 1 folded geneal. table, ports. ; 24 cm.Exhibition held at Aboriginal Keeping Place, Hamilton and Westerm District Museum, June 18th, 1986-Feb 28th, 1987.Bibliography: p. 67.1. hart family. 2. aborigines, australian -- industries -- exhibitions. 3. aborigines, australian -- basket making -- exhibitions. i. museum of victoria. ii. hamilton (vic.). council. iii. hamilton and western district museum. aboriginal keeping place. iv. title. -
Koorie Heritage Trust
Document - Printed Sheets, Beaglehole, J. C, The Endeavour Journal of Joseph Banks 1768-1771 Volume II
Figs.; maps; footnotes; 21 cm.australia-east coast (nsw) fauna and flora., australia-exploration. -
Koorie Heritage Trust
Document - Report, Aboriginal and Torres Strait Islander Commission. Royal Commission Government Response Monitoring Unit, Five years on : implementation of the Commonwealth Government responses to the recommendations of the Royal Commission into Aboriginal Deaths in Custody Vol. 2, Policy and Programs : Addressing Disadvantage, 1997
Volume Two examines the role of the various Commonwealth Government Departments in addressing disadvantage in Aboriginal communities.ii-iv; 296 P.; tables; 25 cm.Volume Two examines the role of the various Commonwealth Government Departments in addressing disadvantage in Aboriginal communities.prisoners, aboriginal australian -- mortality. | prisons and race relations -- australia. | aboriginal australians -- criminal justice system. | police -- complaints against -- australia. -
Jewish Museum of Australia
ring, Martha Ash, Marriage ring, by Martha Ash, 1981
Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica -
Jewish Museum of Australia
ceramic platter, Fiona Hiscock, Platter for honey cake, by Fiona Hiscock, 2007
To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year -
Jewish Museum of Australia
Menorah, by Mark Edgoose
This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II) -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure