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Geoffrey Kaye Museum of Anaesthetic History
Photograph
The image, without a blackened out background was reproduced on page 21 in 'Practical Anaesthesia'. Practical Anaesthesia was the first text book on anaesthesia produced in Australia. Geoffrey Kaye was one of the contributors to this book, which included a foreword by F.H. McMechan, Secretary General, International Anesthesia Research Society. Blood pressure measuring enabled medicine to develop a greater understanding of shock and begin to develop more appropriate measures for resuscitation. Shock was not really understood until the introduction of routine blood pressure measuring in the early 20th century.This item is historically significant because it is a rare photograph of Dr Geoffrey Kaye, as well as being reproduced in Practical Anaesthesia, the first textbook on anaesthesia to be produced in Australia.Black and white photograph showing Dr Geoffrey Kaye during a demonstration of monitoring during anaesthesia in 1932. Dr Kaye is fully gowned and masked and is seated behind the head of the patient who is lying down. Dr Kaye is holding a blood pressure monitor in his right hand which is attached to the patient's arm. Handwritten in grey pencil on reverse: Fig 1 new bookgeoffrey kaye, blood pressure measuring, surgical gown, patient safety -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
... with one hand and is holding medical equipment in the other..., is holding the patient's mouth open with one hand and is holding ...Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's mouth open with one hand and is holding medical equipment in the other. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only the anaesthetist's hands, Dr Kaye, and the patient are visible.•Printed text in black ink on paper label glued under photo: Opening Mouth without a Gag. •Handwritten with blue ink on reverse and underlined: Photo. 1.geoffrey kaye, anaesthesia, dental procedure, patient, anaesthetist -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's jaw and is placing an instrument inside the patient's mouth. An anaesthetist's hands are supporting the patient's jaw and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: It takes Two to support the Mandible. •Handwritten with blue ink on reverse and underlined: Photo. 6. / (Frame 23).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe
Pale blue cardboard box with white (discoloured) and blue manufacturer's label adhered to front. Inside the box is a cardboard rest holding a glass syringe with metal point and hand grip. The plunger has a metal end, with a rubber or plastic plunge. The manufacturer's label records it as a Record type hypodermic syringe, an Everett Product, and distributed by the Amalgamated Dental Co Ltd of Melbourne and Sydney. Additional information on the label suggests it have been marketed as The Laminex. -
Royal Australasian College of Surgeons Museum and Archives
Decorative object - Japanese Hakata doll, Tomi Kono for Kyugetsu,Toyko
Hakata doll was given to RACS as a gift from the Japanese College of Surgeons. Made by Tomi Kono for Kyugetsu,Toyko. Kyugetsu is a famous doll store in the Asakusabashi district of Tokyo. This was founded in the Edo period and has been making dolls for 150 years.This elaborately costumed ceramic doll has its origins in simple clay figurines first produced in the Hakata district of the Japanese city of Fukuoka in the 17th century. They made their appearance in the West at the Exposition Universelie in Paris in 1900 by which time they had been transformed from toys into an artform. Most dolls are inspired by figures from the theatre: Noh, Kabuki and Ukiyo-e. These figures are sometimes connected with Geisha dolls although this is not necessarily a correct description. The robes and hairstyle are traditional but not confined to geisha.Hakata Doll dressed in elaborate kimono, in glass display case. Wooden plaque in cabinet with Japanese characters/script - presumably describes the doll. Doll has porcelain face, hands and feet, and a cloth body. This doll depicts a young unmarried woman dancing and holding an elaborate drum (tsuzumi).On plaque in cabinet: "Japanese College of Surgeons. Founded in 1974"hakata, diplomatic gift, japanese college of surgeons -
Eltham District Historical Society Inc
Film - Video (VHS), Jenni Mitchell, Demolition of the Shire of Eltham Offices, 1996
Poor video quality (noise and interference), edited raw footage with music and some commentary by Merv Hanna. A video documenting the demolition of the Shire of Eltham offices at 895 Main Road Eltham under the direction of the Commissioners appointed for the new Shire of Nillumbik and some of the communities activities surrounding the event. The building was demolished exactly 25 years after the southern wing housing Engineering and Planning on the upper level and the Eltham Library on the ground level was opened in celebration of the Shire of Eltham's centenary. Video has lots of distortion and noise, and sections of clips dubbed over. Immediate initial footage of Jenni Mitchell talking about asbestos claims in the Shire Offices (Sigmund Jorgensen standing behind her) advising Council did a review of the building several years previously and had been cleared of health problems. Cuts to group of people standing outside front door of offices but possibly voice dub over not related ? Then the date 27 Jul 1996 on a scene flashes on screen immediately followed by an edited clip intro of title and credits with classical music track. It then opens with Jenni Mitchell driving to the Shire Offices on Saturday 27 July 1996 at 11.00am. Footage of Main Road past Pitt Street, Alistair Knox Park then entering Shire Office driveway which is fenced off and contractor signs hanging up. Scenes at rear of building showing some internal demolition has commenced. View of the Administration wing. More clips of road driving, Alistair Knox Park, Eltham Library and visitor car park for Shire Offices. Cuts to a group of people standing in access to visitor carpark with new Eltham Library in background, one being immediate former Shire of Eltham President, John Graves. Scenes of people looking through chain link fence and security guard checking front door. John Graves being filmed that someone informed him the Shire was offering the building to the Community Health Centre for $2.3 million and that if they had been offered a price of $1.1 for what it apparently was sold for they would have snapped it up. View of truck loaded with brick rubble literally struggling to ascend the hill of Library Place to exit into Main Road. Cuts to a scene looking at Eltham War memorial Hall through the Memorial Gate, then the Shillinglaw trees and large banner sign ‘Delta Demolitions’ hanging on office façade. Views of front door, old library and bluestone wall. Scene (31 Jul 1996) filmed at night of several white crosses with “RIP Community” and “RIP Democracy”. Scene (1 August 1996) again driving along Main Road towards the Shire Offices then scenes of the offices showing substantially more demolition to exterior, groups of people standing on footpath outside watching, Delta heavy demolition machines, woman holding sign “Democracy where have you gone …”, the odd person in full protection gear and breathing apparatus hand carrying materials out to place on rubbish pile in front of people standing on footpath watching (with no protection) and then stamping on it to break it creating dust, security person in hard hat (no other protection) wandering around, many groups standing around watching, news film crew, person standing on roadside edge holding signs facing traffic stating “Pirate Planning” and “ Grant us your ears” also sign on back of parked car “Elthams High Jacks”, another sign “Community Democracy”, views of crosses in Main Road median strip “RIP Community”, groups of people on footpaths and reporters conducting interviews, footage of unknown person standing with Jenni Mitchell and Sigmund Jorgensen advising people have the right to protest, Jenni Mitchell urging people to ask questions of local MP and Council and Sigmund Jorgensen referring to the three historic Shillinglaw trees with demolition machinery operating in background, Jenni Mitchell and others installing more crosses in median strip; demolition machines operating inside and outside the building, more views of onlookers including Sigmund Jorgensen then Police approaching on footpath, workers and machinery continuing to operate, views of the old library being demolished, the former Community Services department, security personnel. Scene (2 August 1996) more heavy demolition machinery in operation smashing building up, people standing around southern wing watching, view overlooking Eltham Library of train pulling in to Eltham station. Scene (7 August 1996) more heavy demolition and people wandering around with only hard hat protection, no dust protection, comments from one operator dumping a bin of material stating “wait till there’s a Hungry Jack’s here, you’ll be laughing, fuel, videos, hamburgers. You’ll be up with the rest of the world soon, you’ll have electricity and everything here, ha ha ha ha”, more heavy machinery demolition and breaking up of materials, view of Hitachi train going by and Administration wing, view inside the front door opening of the staircase leading to upper level, person walking around operating heavy machinery with a hose spraying rubble (no protective gear other than hard hat interspersed with edit cuts of meeting of Commissioners and independent observers on panel as well as members of the community in public gallery. Nillumbik Shire CEO Barry Rochford addressing the meeting., Chief Commissioner Don Cordell directly addressing Jenni Mitchell with respect to permission to take photographs, Barry Rochford continues to address the question asked of Council about the valuation of the former Shire of Eltham Office building/site, public gallery calling out asking why was building demolished, what was the urgency. Scene (14 August 1996) views of southern wing, previous single demolition operator again mocking people filming, operators working in and around building, Shillinglaw trees and largely demolished front, heavy demolition equipment at work, piles of building rubble, hose spraying water over rubble, large trucks arriving for rubble removal and loading of truck. Scene (21 August) more of the same, building virtually down, Shillinglaw trees standing tall and alone, water spraying on rubble and wattle in bloom. Cuts to Council meeting with public onlookers. Barry Rochford walks out, Wayne Phillips addresses meeting explaining one or two people shouting, members of the community challenging Council (Commissioners) about why due process appear to have been subverted. Former Shire President Robert Marshall in public audience, cuts back to Shire office carpark entrance site and sign hung on fence in front of library “Think Again!” and people standing around observing awaiting a protest demonstration erecting a large sign on stilts stating “Shell No!”, people singing a revised version of God Save the Queen (God Save Us All), Sigmund Jorgensen in attendance, Jenni Mitchell, Sigmund Jorgenson and others address the protest crowd, followed by people mingling, music being played then people standing around the cleared site circumference all with arms linked (video very broken up with noise) then chants “Save the Gateway” and “No Shell for Eltham” and more music and singing “Put up a parking lot”. The crowd then proceeds to walk along the footpath of Main Road. Scene (15 Sep 1996) meeting at Montsalvat in Great Hall addressed by Sigmund Jorgensen discussing a recently published list of the Commissioner’s to senior Council Officers of banned Nillumbik people, others encouraging people to view proposed plans for the site and lodge objections. Specific issues regarding asbestos claims are also addressed. Harry Gilham addresses the meeting on the subject of the Eltham War Memorial and Memorial Gardens and how Council believe a roundabout in the vicinity is of greater importance. Views of various artworks on display (for auction) and music performance in the Barn Gallery. Meeting addressed by Sigmund Jorgensen discussing an appeal against Council granting a permit to Dallas Howgate to develop the site and that the Minister has called the matter in to be decided by the governing council. This is followed by an auction of paintings.Hi-Tech Ultra High Grade Video Cassette E-180 VHS dubbing of (poor quality) edited raw footage with some music from Star Wars and commentary by Merv Hannan Converted to MP4 file format 0:30:26, 2.6GBOn label " Merv's Demolition tape No. 2 Copy"video recording, 895 main road, alistair knox park, artworks, auction, barn gallery, barry rochford, community health centre, dallas howgate, delta demolitions, demolition, don cordell, eltham, eltham library, eltham shire office, eltham war memorial, eltham war memorial gate, eltham war memorial hall, great hall, harry gilham, jenni mitchell, john graves, library place, main road, memorial gardens, mervyn hannan, montsalvat, pitt street, protest, robert marshall, roundabout, shell oil, shillinglaw trees, sigmund jorgensen, sign, wayne phillips -
Port Melbourne Historical & Preservation Society
Photograph - Proof - Port Melbourne Strong Post in St Kilda Road, waiting for the arrival of Duke and Duchess of York, The Sears Studio, 21 Apr 1927
In 1927 the Duke and Duchess of York (later King George VI and Queen Elizabeth) visited Australia. The Port Melbourne Council established a Strong Post in St Kilda Road to welcome the royal couple. Standing third and fourth from left Mrs CRICHTON, holding an Australian flag, and Cr J P CRICHTON. The tall man in centre of photograph looking at the camera is S S ANDERSON, Town Clerk. Second from right is Cr William HOWE, Mayor. This is a proof version of the final photo also held in the PMHPS collection (293.02) where the oval inset of the royal couple has been swapped from the right hand upper corner in the proof to the upper left corner in final version. Note that the price for copies of the photo is inscribed on the mount. 5/- for this (the large size) and 2/6 for a smaller size.Sepia proof photograph in a cardboard mount of Port Melbourne Council Group in St Kilda Road awaiting the arrival of Duke and Duchess of York - 21 April, 1927. A oval photo of the royal couple is inset (pasted) in the top right corner."This size 5/- each, smaller size 2/6 each" in pencil on the top left corner of the mount. "PROOF" stamped on the right edge of the mount.local government - city of port melbourne, duke of york, duchess of york, william howe, sydney sims anderson, royal visits and occasions, mayors, town clerks, james peter crichton, elizabeth branton crichton nee portbury -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire Tongs
Fireplace tongs were used to add wood to the fireplace as well as break down the crackling wood to add more oxygen to growing flames. Of the four tools that were usually found in an upright fireplace set, tongs had the biggest design variation. Some tongs looked like medical calipers that were rounded at the bottom, while others were almost like metronomes with their rectangular shapes. https://www.lovetoknow.com/home/antiques-collectibles/vintage-antique-fireplace-tools Tongs are tools used to handle items, and generally move the item from one place to another, or turn things, like a piece of meat on a barbecue. Tongs usually have flat ends to pick up items without damaging them and to grip onto the items easily, however, some tongs have claws or toothed ends to grab more bulky and slippery items. Tongs are used mainly for handling food or hot items. Modern tongs are usually made from plastic, metal, stainless steel, or other material, depending on their purpose. Originally, tongs were probably wood sticks that eventually became metal sticks around 3000 BC to handle hot items in a fire Tongs are used to extend the hand or as a replacement handler for potentially dangerous items. Tongs usually have a sprung end so that the operator is required to squeeze the middle of the tongs to grab hold of an item, or they have a pivot which requires the user to squeeze the handles at the end to grip onto items, these being more effective at holding heavy items due to the extra force able to be applied. There are many types of tongs including barbecue tongs, salad tongs, blacksmith tongs, crucible tongs, ice cube tongs, sugar cube tongs and fire tongs. Tongs are often called ‘a pair of tongs’ and the word comes from the Old English, ‘tange’ or ‘tang’, meaning ‘that which bites’. There is evidence of Egyptians using metal rods and tong like tools to hold objects over fire, in around 1450 BC. https://tenrandomfacts.com/tongs/Fire tongs are still used with most open fires in homes.Brass fire tongs with holding clip and flat rounded handle at the end.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fireplace tools, tongs -
Melbourne Legacy
Photograph - Photo, Bowls tournament, 1989
Photograph of Legatees holding a trophy after a bowling tournament. Melbourne Legacy had many events for Legatees. Players names are unknown. President Chas Wilkes is on the right hand side. From a similar photo from 1991 "Bowling Clubs vie to win the Sir Dallas Brooks Trophy at Melbourne Legacy's annual open pairs tournament held in February". Believed to be either 1988 or 1989. It was with a group of photos from 1988 and 1989 in a folio with paper labels (see items 01042 to 01049).A record of events run for Legatees.Colour photo of Legatees with the Dallas Brooks Trophy.legatee event, bowls, comradeship, fundraising, trophy -
Melbourne Legacy
Photograph, The Queen and Legatee Donovan Joynt, 1977
Part of a photo album (Cat.No. 01588) of material about the life of Legatee Donovan Joynt. This photo shows Donovan Joynt and Queen Elizabeth II reading from a pamphlet he is holding. This is a larger copy of the photograph Cat. No. 01590.1, and records the date of when it was taken as 17 March 1977. Queen Elizabeth visited Melbourne as part of her Silver Jubilee tour of Australia and attended a children's rally in Royal Park wearing this outfit. A crowd of 18,000 people greeted her. Footage of the visit can be seen in National Film and Sound Archive of Australia (NSFA-ID 44325). There is no indication of who the veteran on the right was. He is a VC winner and has medals from the second world war. A note on the reverse page mentions a photo in the album of Captain M. Moon V.C with Sir Alfred Kemsley and Colonel Joynt. It was removed by Legatee K.D. Green on 29.9.86 and does not seem to have been returned.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian.Black and white photo of Queen Elizabeth and L/ Joynt and another VC recipient in 1977.Stamped on the back of the photograph in aqua: "Copyright The Herald & Weekly Times Ltd., Melbourne Australia. Not to be reproduced or displayed without written permission." Stamped in purple: "The property of Melbourne Legacy. Please return this correspondence to Executive Officer." Hand written in blue biro: "17-3-77" royal visit, donovan joynt -
Melbourne Legacy
Album, A photographic record of events of Commemoration of Legacy Week 1985, 1985
Photos of a procession of widows and legatees to the Shrine in 1985 also of the church service in St Paul's before hand. The Legacy President Bannister is behind Legatee Geoff Swan holding the Legacy flag. The University of Melbourne choir is shown behind the Dean of St Paul's. The Melbourne Legacy Widow's Club president, Mrs Alma Sumner, spoke and also laid a wreath at the Shrine. One photo is of Pilgrimage Marshall Legatee Frank Burton. The pilgrimage was lead by a bag piper, Ian McKenzie and Standard bearer from Legacy Leadership Group (an older junior Legatee). Inside the Shrine the Shrine Trustee, Sir Alfred Kemsley stands with President Bannister and Widow President Mrs Alma Sumner and Legatees Conor MacGillycuddy and Alf Argent. Sometimes referred to as Widows' Sunday it is an annual event for Legacy widows, usually at the start of Legacy Week, which is the first week in September. The church used for the service varies. These photos were in an album of photos from 1993. The album was not archive quality, with self adhesive pages, so photos have been transferred and album discarded.A record of the Widows' Sunday events for the Legacy Week in 1985.Colour photo album x 10 leaves of self adhesive cardboard with 17 photos of a pilgrimage to the Shrine in 1985.Caption on title page; 'A photographic record of events of Commemoration. From Sunday, 1st September - First day of Legacy Week, 1985. Commencing with the Morning Service at St. Paul's Cathedral, and then onto the Pilgrimage to the Shrine.'pilgrimage, wreath laying ceremony, widows' sunday -
Melbourne Legacy
Photograph, St Pauls' Service and Pilgrimage to the Shrine 1985, 1985
Photos of a procession of widows and legatees to the Shrine in 1985 also of the church service in St Paul's before hand. The Legacy President Bannister is behind Legatee Geoff Swan holding the Legacy flag. The University of Melbourne choir is shown behind the Dean of St Paul's. The Melbourne Legacy Widow's Club president, Mrs Alma Sumner, spoke and also laid a wreath at the Shrine. One photo is of Pilgrimage Marshall Legatee Frank Burton. The pilgrimage was lead by a bag piper, Ian McKenzie and Standard bearer from Legacy Leadership Group (an older junior Legatee). Inside the Shrine the Shrine Trustee, Sir Alfred Kemsley stands with President Bannister and Widow President Mrs Alma Sumner and Legatees Conor MacGillycuddy and Alf Argent. Sometimes referred to as Widows' Sunday it is an annual event for Legacy widows, usually at the start of Legacy Week, which is the first week in September. The church used for the service varies. These photos were in an album of photos from 1993. The album was not archive quality, with self adhesive pages, so photos have been transferred and album discarded.A record of the Widows' Sunday events for Legacy Week in 1985.Colour photo x 14 of a pilgrimage to the Shrine in 1985 and white paper labels.Title page is paper with black type, 'A photographic record of events of Commemoration. From Sunday 1st September - First day of Legacy Week, 1985. / Commencing with the Morning Service at St. Paul's Cathedral, and then onto the Pilgrimage to the Shrine.'pilgrimage, wreath laying ceremony, widows, widows' sunday, colin bannister, alf argent -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race Colours, Kevin Innes
KEVIN ‘BOOFA’ INNES By Lucy McCormick Kevin was a member of the celebrated Innes clan from Inglewood, in Central Victoria. “I think the first Innes’ came to Inglewood in 1851. My daughter used to say she can’t marry anyone from Inglewood, because she’s related to them all,” says Kevin. ‘Boofa’ is enjoying some well-earned relaxation on the couch after breaking a kneecap six or seven months ago in a track work incident. Not that it seems to be bothering him too much; he’s got plenty of time to keep up with the trots on television. “I do follow them,” Kevin says. “I don’t miss many, and I do have a bet. I like to sit in the chair and drive a race as much as anyone.” With an illustrious career both as a trainer and in the sulky, it’s a safe bet that Kevin Innes is a more than handy ‘grandstand driver’. His name is associated as a trainer/driver with many handy horses, including Lea Sands, Imatoff and Stormy Morn to name a few. Kevin is typically circumspect about his bigger triumphs, however that doesn’t seem to be what interests him the most. “I’ll tell you something,” he declares, doing just that, “I like winning with the horses that were no good. Some people never get a good horse. Imagine that. Luck is a very, very important thing. You have to have luck to buy a good horse at the sales, to get it going, keep it sound, find a race for it, find and owner and get a draw. And they still make a liar of you.” Funny, interesting or quirky stories seem to be of greater interest to Kevin, such as the time he had a strong chance in a standing start race – the favourite in the race being his only worry. “I told the owner it only had a 20-metre handicap – I couldn’t beat it off that,” he remembers. “So I was leading, waiting for the favourite to run past me. Toward the finish, I heard it coming, and it ran straight past all right – minus the driver. He’d fallen out of the cart and I won the race. Just lucky.” The Innes family have always been heavily involved in one sporting pursuit or another – Kevin himself being a champion bike rider of his time. “My Uncle Roy was a good bike rider, so he dared me to have a go. It turned out I was quite good at it as well.” So good, in fact that for many years Kevin was able to make a living from bike riding, riding the ‘board track’ for many years. “We trained hard. Bike riding was very big back then, we’d train and ride three or four times a week.” Kevin’s riding career spanned four Herald Sun Tours, a Warrnambool to Melbourne and a Sydney to Melbourne race, to name a few. “It definitely gets you in – it was long hours,” he muses. “But like anything, horse racing included, you only get back what you put in. We trained hard. I never drank, and I still don’t. I’ve seen that many athletes, great ones too, brought down by alcohol.” Lucky with injury too, Kevin can only remember a sore ankle – as well as the requisite scrapes and abrasions from tumbles on the wooden boards of the velodromes. He still enjoys watching all the big bike races when he can. “You can watch them race all over the world – France, Sweden, Germany. “To be honest I sit up and watch them with my son and we get just as much of a kick looking at the countryside than anything else. It’s so different to when I was racing.” Betting on the bike racing was big in Kevin’s day as well, and some of the bookies Kevin saw betting on the bike racing, he saw at the Showgrounds betting on the trots on a Friday or Saturday night. “Racing was different back then. There would be twelve thousand people at the showgrounds – they don’t have to come anymore, it’s just as easy to watch it on the TV.” Kevin remembers in those days that drivers had to ‘weigh in’ as well – everyone who drove needed to weigh ten stone (just under 65 kilograms). It’s something he remembers fondly. “I know not everyone will.” Kevin won’t be drawn on the subject of favourite drivers, either. “Look. Driving is different now. No disrespect to current drivers, but you had to think a lot more on a three furlong track than they do now on the bigger tracks. You had to drive with brains. And I really believe that good horses make good drivers. The horses are very good these days. Today’s drivers – your Gavin Langs, Chris Alfords – they’re thinkers, and brains will beat brawn every time. The girls are just as good now too. You only have to look at Kerryn Manning.” A garrulous and popular character, Kevin has trained horses for the likes of legendary Richmond player Jack Dyer, and also spent his fair share of time hosting sportsman’s nights, holding his own with the likes of Ron Barassi. On one such night, they had flown in a light aircraft to their destination. During their show, Kevin noticed their pilot, sitting in the front row, laughing appreciatively. There was one problem. He had a beer in his hand, and was consuming it with some enthusiasm. As the night wore on, the pilot became more and more inebriated, and Kevin became more and more disturbed, knowing that this was the same pilot who was to fly them home when they finished. Unbeknownst to Kevin, however, the flight had been cancelled and the pilot hadn’t told anyone, instead deciding to take full advantage of his client’s hospitality. For now, Kevin is happy living in Inglewood with partner Barbara. Son Grant and daughter Carla aren’t far away (both work at the Bendigo Harness track, and Carla has held both a trainer and driver’s licence). His granddaughter, Barclay Sands, was born on the same day of the demise of their star performer, Lea Sands, and may give the biggest hint yet just how important the world of harness racing is to Kevin ‘Boofa’ Innes. Blue with white yolkKevin Innes embroidered on left side chestkevin innes, k innes, bendigo harness racing club, bhrc, bendigo, horses, race colours, trotting, pacing, harness racing -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat and The Age, "Fight to save Ballarat trams", "Paddle Steamer Study Planned", 1971
Set of two newspaper clippings pasted onto a single sheet of paper with two Punch holes on the left hand side. First clipping from The Age, p4, dated May 31, 1971 of the setting up of the BTPS by a group of young people the previous day. Has photo of a group taking a photo of the driver (Mr. Les Bird) holding the trolley pole rope. Notes that they hope to keep six trams going, tram to be operated on a voluntary basis similar to Puffing Billy, many of the group were Melbourne students and that the Ballarat contingent was consciously small. The first cutting also has a small piece on the top edge, cut out from the same newspaper referring to the article on page 4, titled "TRAMS". (Source newspaper advised by Alan Bradley 5/7/02 and updated). Second is from The Courier, Ballarat, 8/6/1971, about a Murray River paddle steamer company writing to the City of Ballaarat offering to undertake a feasibility study and discuss with Council the operation of pleasure craft on Lake Wendouree, Also mentions the establishment of the BTPS and its proposals and its letter to Council. See Reg, Item 2487 for print of photograph supplied by the AGE newspaper July 2002. Second copy from donation of the Tom Murray Estate added 20-11-2016. Full image of newspaper article added as image i2. See also Reg Item 7033 for other photographs and tramcar notes.In red ink on the second cutting, below the first paragraph "8-6-71"trams, tramways, paddle steamer, lake wendouree, charters, museum establishment -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 3, State Electricity Commission of Victoria (SECV), Sept. 1971?
Set of three black and white photographs taken at the time of the launch of the four postcard set of the trams, shortly before closure. See also Reg. item 1699, SEC News - similar photo to that of 1863.2 used on the front cover of the Oct. 1971 issue, which detailed:- "SEC News", house magazine of the State Electricity Commission of Victoria, October 1971 issue, No. 150, following closure of the SEC Ballarat tramways. Has front cover photo of Lew Walker (Ballarat Motorman) receiving a kiss from Glenda Martin and Janice Greed (left), in front of a bogie tram with the town hall in the background. - see Reg Item 1699 and btm1699i1" 1863.1 - above details, with Lew holding the post card set. Note Mr. L. Denmead standing by the tram stop pole. 1863.2 - photo similar to that at 1699i1, but with Mr. Denmead approach crews on the left hand side. 1863.3 - above, but with Lew Walker standing in cab door and the two ladies, looking up at the driver. Has Post Office tower in background. Assumed photos taken by SEC Photographer. See Reg. item 1699trams, tramways, ballarat, postcards, sec news, closure -
Ballarat Tramway Museum
Newspaper, Herald Sun, "Holding the Line", 8/03/1998 12:00:00 AM
Newspaper Clipping from the centre page of the Melbourne Herald Sun, Sunday 8 March 1998, pages 44 and 45, featuring photographs and text from the book 'Melbourne's Marvellous Trams" by Dale Budd and Randal Wilson, University of NSW Press. Reproduces nine photographs of trams, including cable trams and a ex Melbourne W2 in Denver. In bottom left hand corner is a photo of the intersection of Main and Barkly St. with two Ballarat single truck trams in bound from Mt Pleasant, taken from the Ballarat Fire Station tower in 1971. Also has seven other photo reproductions from the Book itself of various tramway signs. Image is supplied by Randal Wilson in an email of 15/10/2019 Text of email from Randal Wilson of 15/10/2019: Hi Warren We managed to track down a digital version of the photo taken by the late Bill McNiven of the trams on the Mount Pleasant line (page 76 of The Melbourne Tram Book). We contacted UNSW Press, the book's publisher, which provided the following explanation. Apparently, the team there could not find the scan of the slide submitted for the book. However, a member of the team was able to capture a jpg of page 76 of the book. From my recollection of the original photo, the attached image is very close in terms of its reproduction quality. We trust this is of use to you and BTM. Regards Randall and Dalemelbourne, mt pleasant, barkly st -
Ballarat Tramway Museum
Document - Form/s, State Electricity Commission of Victoria (SECV), "Monthly Reconciliation of Stock of Tramway Tickets", 1960's
... on left hand side for holding or filing into accounts books...), with two large holes on left hand side for holding or filing ...3048.1 - Printed form titled "Monthly Reconciliation of Stock of Tramway Tickets" of the SEC, Electricity Supply Department, Provincial Tramways, on off white paper. Gives value of tickets up to 12c, , scholar and parcel tickets. Has space for branch, as at date, with signatures of Accountant and Office Manager. Form has number TYE - (OP111), with two large holes on left hand side for holding or filing into accounts books. 3048.2 - Photocopy of the same form with fares up to 15c, parcel tickets of 10c. Has a number of marks and figures on the sheet. trams, tramways, tickets, accounting -
Ballarat Tramway Museum
Document - Form/s, State Electricity Commission of Victoria (SECV), "Daily Traffic Revenue Statement", 1966
... on left hand side for holding or filing into accounts books. Form... TRM 583-1 (OP109) , with two large holes on left hand side ...3054 - Printed form titled "Daily Traffic Revenue Statement" of the SEC, Electricity Supply Department, Provincial Tramways, on off white heavy duty paper. Gives value of tickets up to 15c, , scholar and parcel tickets, special trams, value of tickets issues, cash paid in by conductor, value of tickets collected, surplus or deficiency and hospital vouchers and Outfit number of either side of the form. Has space for branch, as at date, with signatures of Compiler. Form has number TRM 583-1 (OP109) , with two large holes on left hand side for holding or filing into accounts books. Form ruled in blue ink horizontally and red ink vertically with some horizontal lines. A similar form, printed only in black, without the holes also donated by Peter Watt. Has fare values up to 18c. Layout of form identical. This form has been imaged (i2) and passed onto to Bendigo Tramways.trams, tramways, tickets, accounting, conductors -
Ballarat Tramway Museum
Document - Form/s, State Electricity Commission of Victoria (SECV), "Outfit Record", 1960's
... ) , with two large holes on left hand side for holding or filing...) , with two large holes on left hand side for holding or filing ...3056.1 - Printed form titled "Outfit Record" of the SEC, Electricity Supply Department, Provincial Tramways, on off white heavy duty paper. Gives value of tickets up to 12c, 8c parcel tickets. Has space for branch, date of issue, clerk, total stocks issued and outfit numbers. Form has number TRM 583-2 (OP110) , with two large holes on left hand side for holding or filing into accounts books. Form ruled in grey ink with printing of numbers etc in black. 3056.2 - as for above, but with fare values up to 15c and parcel tickets of 10c. Images, .1 show over all form and .2 - .5 show top and bottom sections of each form. Used mid 1960's.trams, tramways, tickets, accounting, conductors -
Melbourne Legacy
Photograph, Annual Demonstration, 1974
Junior Legatee performers in the Annual Demonstration, which was a major event for Legacy each year, usually held at the Melbourne Town Hall. This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. These costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional. A record of a Junior Legacy Demonstration. This photograph serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of five women in matching ensembles (jumpsuits and plaid patterned hats). They are turned to the side and facing the camera with one hand on their hip and the other holding the brim of their hat.Written on back of photo: "P2 LEGACY", "1974" Stamped on back of photo: "COPYRIGHT / THE HERALD & WEEKLY TIMES LTD. / MELBOURNE AUSTRALIA / NOT TO BE REPRODUCED OR DISPLAYED WITHOUT WIRTTEN PERMISSION"junior legatee, annual demonstration, costumes, girls' classes -
Melbourne Legacy
Document, Competition Categories: various categories e.g. Grand Champion Tomato, Most Peculiar Shaped Tomato, etc
A group of card used to identify tomatoes. From photos of a legatee event it appears the cards were used as part of a competition at a comradeship evening. See the photos of 00489 which are of Legatees at an event holding these cards with many different types of tomatoes on the table. The event appears connected to SPC and examining different types of tomatoes. One man is dressed in a tomato costume. Names and date unknown. It could be a fundraising opportunity in conjunction with SPC.A record of social gathering of legatees with possible fundraising aspects.Thin white cardboard with various coloured borders. Eight different titles, hand written in black ink, printed in various script types. Eight different titles printed in black ink in various script. Best Cluster, Grand Champion Tomato, Biggest Tomato, Littlest Tomato, Best Decorated Tomato, Squarest Tomato, Supreme Champion, Non Tomato, most Perculiar Shaped Tomato.legatee event, comradeship -
Melbourne Legacy
Photograph, Legacy Appeal 2001 Stall, September 2001
Legacy widows selling handcrafts and items, such as second hand books and jigsaws, outside Legacy House for the launch of Badge Week in September 2001. For many years widows would run a craft stall for Badge Week launch. Banner slogan "Help pass on our legacy of care". See also photos (00509, 00511, 00512, 00513). Volunteers that have been identified are Dulcie Cedaro (on left in white) and Glad Fenton (wearing red). Dulcie is a former junior legatee (nee Dulcie Saker).A record of fundraising and that the widows made and contributed things to sell.Colour photo x 4 of widows holding a stall and helping during Badge Week.00514.1 printing on the back " -
Ballarat Tramway Museum
Document - Form/s, Letter/s, Ballarat Tramway Preservation Society (BTPS), Form - BTPS Co-Op appeal, Feb. 1972
A letter or memo to members of the BTPS reminding them that the BTPS Co-Operative was seeking funds, refers to a previous application form sent out. Gives details of minimum share holdings, funding arrangements and where the application should be sent to. Printed on foolscap paper using a stencil, folded into four and has two punch holes on the left side. Has been dated with a green ink date hand stamp "18 Feb. 1972" in top right hand corner."18 FEB 1972" in top right hand corner - green ink from hand date stamp.trams, tramways, btps, btps co-operative, appeals, fund raising -
Beechworth RSL Sub-Branch
First Field Dressing, Circa 1942
Item carried into active service by Corporal William Charles Clark VX34546 Item was part of the first aid kit carried by Cpl Clark VX34546 whilst on active servicePrinted on cotton package containing the First Field Dressing. Inside a printed box is printed the following: / FIRST FILED DRESSING / To Open... /Outer Cover. Break thread holding flap / Inner Waterproof Cover/ Tear apart at the uncemented corner (indicated by arrow). /CONTENTS:/ Two dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage, and / a safety pin./ DIRECTION FOR USE -Take the folded ends of the / bandage in each hand, and keeping bandage / taut, apply the gauze pad to the wound and fix the / bandage One dressing to be used for each wound. / In the case of head wounds when respirators have to / be worn, care should be taken to adjust the pad so / it does not interfere with the fit of the facepiece. / DO NOT HANDLE THE GAUZE OR WOUND / Outside the printed box is; Johnson & Johnson Pty. Ltd. Sydney. / OCTOBER 1942first field dressing, gauze, dressing -
Beechworth RSL Sub-Branch
First Field Dressing - open, Circa December 1942
Item carried by Corporal William Charles CLARK VX34546 whilst on active serviceItem carried by Cpl William Clark whilst on active serviceFirst Field Dressing open cotton pouch containing one dressingPrinted on cotton package containing the First Field Dressing. Inside a printed box is printed the following: / FIRST FILED DRESSING / To Open... /Outer Cover. Break thread holding flap / Inner Waterproof Cover/ Tear apart at the uncemented corner (indicated by arrow). /CONTENTS:/ Two dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage, and / a safety pin./ DIRECTION FOR USE -Take the folded ends of the / bandage in each hand, and keeping bandage / taut, apply the gauze pad to the wound and fix the / bandage One dressing to be used for each wound. / In the case of head wounds when respirators have to / be worn, care should be taken to adjust the pad so / it does not interfere with the fit of the facepiece. / DO NOT HANDLE THE GAUZE OR WOUND / Outside the printed box is; Johnson & Johnson Pty. Ltd. Sydney. / OCTOBER 1942guaze, bandage, cotton bandage -
Beechworth RSL Sub-Branch
Equipment - First Field Dressing, Octover 1941
Basic item if kit carried into action to provide immediate first aid to personal injury or fellow soldier who is injuriedFirst Field Dressing packed in original linen container featuring text with instructions. Printed on cotton package containing the First Field Dressing. Inside a printed box is printed the following: / FIRST FILED DRESSING / To Open... /Outer Cover. Break thread holding flap / Inner Waterproof Cover/ Tear apart at the uncemented corner (indicated by arrow). /CONTENTS:/ Two dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage, and / a safety pin./ DIRECTION FOR USE -Take the folded ends of the / bandage in each hand, and keeping bandage / taut, apply the gauze pad to the wound and fix the / bandage One dressing to be used for each wound. / In the case of head wounds when respirators have to / be worn, care should be taken to adjust the pad so / it does not interfere with the fit of the facepiece. / DO NOT HANDLE THE GAUZE OR WOUND / Outside the printed box is; Johnson & Johnson Pty. Ltd. Sydney. / OCTOBER 1942first field dressing, gauze, dressing -
Beechworth RSL Sub-Branch
Photgraph Framed
Item donated along with the collection of the Hoffman brothers memorabilia Photograph framed of Miss Anna Hoffman holding a photo of her father JacobOn self adhesive label attached to bottom left hand corner, with the words Miss Anna Hoffman and her father Jacob anna hoffman, picture framed -
Mont De Lancey
Book, Thomas Nelson and Sons, Ltd, Goodnight Stories - Happy Stories and Jolly Pictures for the little Folks, c1900's
A collection of illustrated stories, nursery rhymes and poems for very young children by assorted authors. It has large print, wear on the front cover, some stains on the back cover, foxing on the edges of the pages.A large red hardcover book with the title Goodnight Stories printed in blue lettering at the top with the publisher, Nelson at the right hand bottom corner. There is a coloured illustration of a young girl holding and feeding a white rabbit with a boy looking on. The spine has the title, a black outline drawing of a girl and the publisher at the bottom. Poems, rhymes and stories are illustrated with black lined illustrations and some coloured plates. 160p.fictionA collection of illustrated stories, nursery rhymes and poems for very young children by assorted authors. It has large print, wear on the front cover, some stains on the back cover, foxing on the edges of the pages. children's fiction., nursery rhymes -
Mont De Lancey
Decorative object, Franz Streizel, Indigenous Carved Pictures
These hand carved framed wooden pictures are part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.Two hand carved Indigenous busts in wood frames.1: A mother wearing a headband and striped gold, white blue and pink painted clothes draped over a baby. Only the face of the baby is depicted. 2: A father's upper body bust also has clothes draped over the baby he is holding. Both are framed using natural sticks which are painted brown on a white backfround.wood carvings, carvings, portraits, artworks, objects -
Parks Victoria - Mount Buffalo Chalet
Plans x 4, " Additions to Government Chalet Mt Buffalo
Original plans for the Mount Buffalo Chalet, framed architectural drawings for the Chalet, titled " Additions to Government Chalet Mt Buffalo. Dated 1909. Signed Jas G Spence & E F Leary. "Ground Plan, first floor plan, elevation, Section M5 and side elevation –beautiful coloured plan, hand price onit of £970, also called Drawing No. 1.Beautiful plan suitable for reproduction for graphic work." (Pg 45. Heritage Impact Assessment, September 2013. MGS Architects and McDougall & Vines, Conservation and Heritage Consultants) 'The Mount Buffalo Chalet opened in April 1910 as a remarkable Victorian State government venture into alpine tourism and recreation. Designed by Public works Department architect, George Austin (1860-1921)." (Pg 4 Historica, 2011). "The collection of ephemera builds on the Chalet's holding of archival material with a range of interesting, original items. Dinner menus., stationery., luggage labels, tickets, dockets and plans help to interpret the structured routine and social conventions of the Chalet that held sway for so many years." (pg 127 MBCC) These plans drawn were most likely to have been drawn upon recommendation by Government Tourist Officer, J.C.Boyce. John Newton (the Lessee) suggests the addition of 2 new wings (24 rooms) and creation of a billiards room. Treasury approved money for these extensions which were not completed until1914. Listed in Draft Inventory of Significant Collection Items. Four framed hand-drawn and coloured drawings / plans of the Chalet. Framed and mounted behind glass. 1: Dated 1911 -1912. 2: -dated 6th oct 1909 3: -Dated 25th Sept 1909. 4: -Dated 6th Oct 1909.Handwritten at the top of each drawing," Mount Buffalo / Wood Chalet"