This photograph shows a group of workmen outside the Loch Street Printing Office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. Initially based on Ford Street, the Loch Street office opened in 1893, after printing facilities were updated. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. He appears in this photo alongside twenty of his staff and is the man standing directly in front of the doorway. When it launched, the paper’s goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conversates and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period.Rectangular black and white photo printed on photographic material, unmounted. Obverse: Ovens and Murray/ Printing Office Reverse: Ovens and Murray Advertiser Staff 7721/ Beechworth/ BMM 79.15ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, r warren, loch street, 1890s, 1890s beechworth

This bonnet is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It is believed to have belonged to William's grandmother Winifred Marshall (nee Hayball, 1886-1971). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Pale pink silk bonnet (sleeping or house cap) with cream lace edging. The bonnet is embellished with oval-shaped embroidered appliqué on either side, featuring floral design in white and pale yellow, blue and green. A cream silk ribbon and a row of pale blue and green rosettes run along the top edge between the two appliquéd segments. A length of elastic is sewn through the bottom edge.wells family, winifred grace hayball, winifred grace marshall, bonnet, 1900s

Stuart Hats commenced manufacturing hats in about 1948 and closed their factory in Orbost around 1953 probably because of the high transport costs. The company's head factory was in Melbourne. The hats made in Orbost were sold all over Australia as well as in Melbourne at Myers and David Jones. Orme Andrews Ladies' Wear was the only store in Orbost to stock the locally produced Stuart Hats. The building became first a Dry Cleaners and then a private home.Stuart Hats was a significant manufacturing business in Orbost in the 1950's employing nearly 20 local people.A woven straw hat with a wide brim. It is a natural colour with braid as a hat band. Inside are two sewn on pieces for a pink tie.millinery stuart-hats clothing accessories hats

This book is one volume of a series of six volumes of Bible commentaries. It was a 30 year project for the writer, Adam Clarke. He was the great uncle of Daniel Clarke, a 19th century resident of Warrnambool. Daniel Clarke, as a social worker for the Anglican Church, established the Framlingham Aboriginal Reserve in the 1860s. For thirty years he was a prominent businessman in Warrnambool as a photographer and artist. He is well-known today for his paintings of Tower Hill and the Hopkins River mouth. This book is retained not only because of its antiquarian value but also because of its link with Daniel Clarke, important in Warrnambool’s 19th century history. This is a hard cover book with a black leather spine and black leather trimming on the cover edges. The cover is green with gold lettering and ornamentation on the spine. The pages have a mottled blue and brown pattern on the edges. The cover is a little torn and stained. adam clarke, daniel clarke, bible commentary

This is a program for the events held in the 1992 Glenelg Games. These were held annually and began in 1982. The activities in 1992 included swimming, softball, ballroom dancing, surfing, tennis, shearing, go carting and croquet. The Games are organized by the Glenelg Sports Assembly, a regional body with representatives of sporting clubs, local government and interested individuals. The Assembly aims to promote sport in the Glenelg Region and hosts and organizes a number of other activities as well as the annual Games. This program is of interest as it demonstrates the number and range of activities that were included in the Glenelg Games of 1992. This is a booklet of 12 stapled pages. It contains, photographs, a programme of events, a map of Warrnambool, a Chairman’s Message and advertisements. The printing material is in black, blue and yellow tonings. Front Cover: ‘1992 Portland Aluminium Glenelg Games, Warrnambool, 31st October-8th November, Light Up on Sport- Smoking is a Drawback, Program1992 glenelg games, glenelg sports assembly, glenelg sports region, glenelg games

This wooden tray has been purchased from the Warrnambool Fancy Goods shop of M. Giblett. She had taken over this shop early in the 20th century from Mrs Martha Wright who was well-known in the late 19th and early 20th centuries for her shop in Liebig Street (95 Liebig Street today) and for her needlework classes in the town. Many of her pupils won prizes at the local Agricultural Shows. This tray is of some interest as an object bought at the Wright/Giblett Fancy Goods Store in Warrnambool early in the 20th century. This is a rectangular-shaped wooden tray with four raised pieces of wood attached to form edges. The tray has been painted yellow. There is a label on the base of the tray indicating the shop from where it was purchased. The tray has some chipped paint, some dirt marks and some small cracks in the wood. ‘Millinery, Art Needlework, Baby Wear and Wool Specialists, Wrights (M.I.Giblett) Warrnambool’ martha wright, warrnambool, m. giblett, warrnambool, history of warrnambool, art needlework in warrnambool

Harry London was a chemist and surgeon dentist who came to Warrnambool in 1891 and brought out the business of the late W.F.G Nettleton.he used the Pasteur filter for water in the making of his medicines. He held a large number of patents for his medicines and mixtures. In 1896 London erected a new chemist shop at the corner of Koroit & Liebig Streets. As well as operating as a chemist and dentist he also dealt in all types of photographic materials and cameras.A common item with links to an innovative business in Warrnambool.Rectangular shaped bottle with embossed writing of company details on front and graduated measurements in ½ tablespoons along the narrow edges. Pale blue in colour. Round lipped neck.H London chemist & Dentist Warrnambool on front. One and two tablespoons along sides.warrnambool, harry london, harry london chemist and dentist , harry london liebig street,

There were many different musical bands in existence throughout the 20th century in Warrnambool, from Warrnambool City Band to Pipes and Drums as well as trumpet, mouth organ, and military bands. They officiated at many social events and parades and celebrations which were held at the time. The Camperdown Chronicle lists the Dennis King Banjo and Mandolin band as performing at such events around the 1950’s. No information could be found on the owner of this instrument, Sylvia Broomfield.An object which relates to social events in the district.001056.1 Banjo mandolin. Eight stringed instrument with dark wooden frame and pig skin front screwed in with metal surround. It has a red chord shoulder strap. 001056.2 Black leatherette case with tan card lining and two metal clips and metal handle. A small box underneath the neck contains a pick and two plectrums. It contains a sheet of music called melody in F. Case has written in blue pen” Silvia Broomfield Nullawarre North. Dennis Kings Banjo mandolin Groupwarrnambool, dennis king banjo band, sylvia broomfield,

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

The period when kerosene was extensively used for indoor lighting was before electrical reticulation was installed in rural areas. In remote areas this was up to the mid 1900's. The kerosene lantern however was still in use, for camping and outdoor activities, well beyond this period and was eventually replaced by LPG and battery powered lighting. The transition phase to "modern" outdoor and domestic lighting lingered on the rural areas where the electrical reticulation suffered from reliable constant supply.In the Kiewa Valley, being a rural region, had reliable electrical domestic and farm supply only after the Kiewa Hydro Electricity Scheme had been fully operational. The supply was relative to how close the homestead was to the major electricity substation. This kerosene lamp was in use during the period when it was the only reliable source of domestic night time lighting. The strength of refractive light produced by this lantern/lamp hinged upon the size of the lamp(wick and glass bowl). The small size of this lamp suggests that it was for use in a small room(children's bedroom) or as providing a light for a safe walk to the outside ablutions (toilet) area. This small kerosene lamp has an enclosed "cup" body which would have contained the kerosene fuel. The top wick holder, made from brass, has an extended enclosed spout which raises the wick approximately 20mm from the bottom of the holder. The wick holder screws into the the top of the kerosene reservoir bowl and has a wick adjustment screw (light control) at one side. The small white glass light reflector bulb nestles securely onto the wick holder and is kept snug by snap designed extending "fingers". The section between the bottom of the refractive glass "light" bowl and the top of the kerosene bowl has perforations to allow air passage to feed directly to the wick.The light refracting bulb is open at the top to allow heat and smoke from the burning wick to escape upwards.On the wick control screw "CWB BRITISH MADE"kerosene reading lamp, domestic lighting, bedside light

Written on the back of the poster -"The artist is Betty Barberis nee Barton daughter of Roderick Barton and Myrtle Hore(?) of Gundowring born 1927. She illustrated Esther Temple's book 'The History of the Kiewa Valley'. The subject Sunda Singh was I believe a well known traveling salesman in early Kiewa Valley.. A Sundah Singh is recorded as dying 1948 in Henty. Sunda Singh (I think this must be) died 1933 in Beechworth and was later exhumed and cremated."The History of the Kiewa Valley by Esther Temple, Pages 36 and 37 re the Singh brothersA3 size poster of Sunda Singh, travelling salesman, and his horse drawn covered caravan . Sketched in black by Betty Barberis.Written on the back in pencil an explanation of the drawingsunda singh, travelling salesman, betty barberis, kiewa valley

Historically this ledger not only details the legible hand writing of this era but also the day to day commercial activity in this region. The neatness and the diligence of those who were required to pen the information was a requirement by all who were in commercial trade. Emphasis on neatness was ingrained in students at a young age. This era was well before general typewriters and computers. Generally all students of commerce required an accuracy in writing and arithmetic. Neatness and order were a selection requirement This item clearly identifies the Kiewa Valley as having a substantial financial hub to accommodate the various commercial enterprises within a rural environment Circa 1880's. Although Kiewa Valley had mining, agriculture, cattle and sheep it was also composed of a mixed society, encompassing all levels of society at that period. It identifies some family farming history in the specific year of 1897Leather reinforced corner covers and spine. Remaining book front and back covers are protected by blue weaved cloth. The covers are very thick cardboard, in layers. Missing front index pages C,E - 0,Q,T,U,V,XSpine of book marked in faded golden print "Ledger". First page in hand writing "Ledger No. 5" and underneath handwritten "Commenced Jan 1st !897" After the index pages each page (double sided) has a page number stamped in black and is 6mm highledger, early bookkeeping, local history, commerce circa 1890

Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Two black and white photographs of footbridge over Yarra River, part of the Ruffey Trail just off the Main Yarra Trail near the former seminary (now Odyssey House) Lower Plentybridges, yarra river, odyssey house, bonds road, lower plenty, seminary, blessed sacrament fathers

Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Colour photograph of footbridge over Yarra River, part of the Ruffey Trail just off the Main Yarra Trail near the former seminary (now Odyssey House) Lower Plentybridges, yarra river, lower plenty, seminary, blessed sacrament fathers, odyssey house, bonds road

Odyssey House drug rehabilitation centre in Bonds Road, Lower Plenty is a distinctive landmark, especially when viewed from across the Yarra at Templestowe. It was built in the 1950’s as a seminary for the Blessed Sacrament Fathers. Because of the poor and circuitous road access, a suspension footbridge was built across the river. As well as providing easy access for the priests residents of Templestowe could attend services at the seminary. The bridge is now part of the Yarra Trails system.Colour photographlower plenty, bonds road, odyssey house

A geographical dictionary or gazetteer of the Australian colonies : their physical and political geography : together with a brief notice of all the capitals, principal towns, and villages. William Wells travelled to Australia as a sponsored immigrant in 1838. Her became a freelance surveyor with an office in Bligh Street, Sydney. He wrote this book in order to better inform the British public on the colonies of Australia. The information contained in the book is both topographical and statistical and was a very useful refernece book at the time.This book is a rare detailed contemporary record of the Australian colonies in the mid 19th century.A hard back 453 pp book with a dark brown patterned cover which has a white label with the title, "Dictionary of Geography" over a map of Australia. It is illustrated with numerous maps and drawings.history-australia wells-william-henry geographical-dictionary-of-the-australian-colonies

Fob (or pocket) watches were developed in Europe in the 16th century and gained wide usage during the mid 18th century until World War 1 when the wristwatch was invented. These watches were designed to be carried in a small pocket and attached through the means of a 'fob' which could be a chain or made from a variety of materials such as leather. Their popularity peaked in the nineteenth century where they were an important part of middle and lower class society as well.This item is of social significance as fob / pocket watches were valued as an essential object in all levels of society in the late 19th century. For some occupations, such as the railroads, it was a necessary tool of the job. Being dated to the early 1900s gives the watch historical significance as possibly being used during the first World War.Pocket watch with possible gunmetal case and brass winder. The white dial has black Roman numerals on the face (note the use of four lines for the number 4 and no markings for the number 6). The face has a circular insert and hand to show the seconds. All hands are gold coloured with the hour hand having a leaf shape. The case has a back cover, which opens to reveal an inner cover, which protects the workings. Both covers are inscribed with the number 877396. The back cover has the words ACIER GARANTI stamped into it, which means steel guaranteed and may refer to the screws used in the workings.Stamped inside the back cover in an oval shape - ACIER GARANTI with N.F. stamped in between the words. The number 877396 is stamped inside the back cover and again inside the middle cover. There is an indecipherable marking near the number inside the back cover and another scratching on the inside of the back cover which may be letters or numbers. The workings are inscribed with the words SWISS MADE and the manufacturer's circular stamp 'MOERIS'. The markings F, S, A and R are on the workings.flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, fob watch, pocket watch, watch, 19th century, horology, time keeper, acier garanti, swiss made, moeris

Fob (or pocket) watches were developed in Europe in the 16th century and gained wide usage during the mid 18th century until World War 1 when the wristwatch was invented. These watches were designed to be carried in a small pocket and attached through the means of a 'fob' which could be a chain or made from a variety of materials such as leather. Their popularity peaked in the nineteenth century where they were an important part of middle and lower class society as well.This item is of social significance as fob / pocket watches were valued as an essential object in all levels of society. For some occupations, such as the railroads, it was a necessary tool of the job. Steel York Lever open face pocket / fob watch dated between 1940-1960. The dial has an inner pewter circle, outer minute divisions and a circular insert and hand to show the seconds. The numbers are finely edged with a black line and the hands are two coloured. The back of the watch is patterned with fine lines and three rectangle shapes. The words 'ANTIMAGNETIC' are on the front of the watch. Anti-magnetic watches began to be made at the beginning of the 20th century as mechanical watches were affected by magnetic fields. The 'lever' set on watches was a requirement for railroad watches. It required a two step process for the hands to be adjusted. The front dial of the watch has the words 'YORK LEVER', 'ANTIMAGNETIC' and 'MADE IN GERMANY'. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, fob watch, pocket watch, watch, horology, time keeper, york lever, anti-magnetic, made in germany

In 1999 the University of Ballarat Mission Statement was: The University of Ballarat provides education, training and scholarship of international standing to promote the growth and well being of the people and communities of Western Victoria and beyond. In fulfilling its mission the University will: * have a regional focus by think and act globally; * utilise the full potential of information and communication technologies to enhance teaching, learning and administration; * establish partnerships regionally, nationally and internationally for mutual benefit and enriched learning opportunity. White soft covered book with the university of Ballarat heraldic device on the cover: Contents include: mission, strategic focus, David Caro, David James, Mt Helen Administration Building, microwave tower, Mt Helen School of Nursing Building, Camp Street Precinct, Horsham Campus, SMB Brewery Complex, Ararat Campus, Stawell CampusJacaranda Training Restaurant, drought aid. IBM Global Services, Jodie Lowe, Institute of Food & Crop Science, Year 2000 compliance.university of ballarat, camp street, horsham, stawell, ararat, caro, coat of arms, david caro, david james, camp street precinct, horsham campus, stawell campus, ararat campus, jacaranda training restaurant, cheryll henry

The Ballarat School of Mines was the first of its type in Australia. The Albert Street frontage was the 'working end' of the campus with the mining laboratory, gauge tower and caretakers cottage. All the structures in the foreground have been demolished to make way for the Flecknoe Building and the M.B. John Building. Harry Brew, the well known Ballarat School of Mines caretaker, lived in the small weatherboard building to the right of the photograph. He was appointed to the staff at the Ballarat School of Mines in 1936.Black and white photograph showing the Ballarat School of Mines from Albert Street. Henry Richards Caselli's Gauge Tower is in the foreground. To its left is the Mining Laboratory, and to it's right is the caretakers cottage.verso 'SMB. Albert St frontage, showing (Harry Brew's) edge of his cottage. harry was a likeable character in his day, he was an old sailor boy, served, on HMAS Physice, & was an expert in , bugs and such like, crawling beasties (signature undecipherable)ballarat school of mines mining laboratory, caretaker's cottage, harry brew, henry caselli, hr caselli henry richards caselli

This lamb fetus has been placed in preserving fluid. This can be formaldehyde, isopropyl or ethanol. It is important that glass jars are used, as plastic will be affected by the chemicals over time in the preserving fluid. Note the glass lid and the rubber seal; also the plastic covered metal clasp that has no contact with the contents. It is not known how long the lamb has been in this jar, but it is remarkably well preserved with just a little film of scum on parts on the top of the interior of the jar.The use of such preserved specimens is widespread in teaching students of all ages, veterinary operatives and museums of the composition of certain animals, insects and birds. Any information about an animal — be it photographs, blood, feathers or fur samples — is better than no information at all. But specimens are vital to ground-truth.Large glass jar containing a lamb fetus in preserving fluid. Glass lid is secured with rubber seal and metal fastening. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, lamb, fetus, lamb fetus, animal specimen, biological specimen

The Ballarat School of Mines was the first of its type in Australia. The Albert Street frontage was the 'working end' of the campus with the mining laboratory, gauge tower and caretakers cottage. All the structures in the foreground have been demolished to make way for the Flecknoe Building and the M.B. John Building. Harry Brew, the well known Ballarat School of Mines caretaker, lived in the small weatherboard building to the right of the photograph. He was appointed to the staff at the Ballarat School of Mines in 1936.Printed copy of an architectural plan for the Ballarat School of Mines Gauge Tower as printed in the 1879 Ballarat School of Mines Annual Report.henry caselli, henry richards caselli, architectural plan, ballarat school of mines, gauge tower

The Guirguis New Art Prize (GNAP) is a biennial national acquisitive $20,000 contemporary art prize. It is for Australia's contemporary artists with works that explore new ways of artistic expression, utilising existing mediums as well as new technologies. It was initiated and supported by local Ballarat surgeon Mr Mark Guirguis. The art prize is administered by the Federation University Australia (FedUni) and displayed at the Post Office Gallery in Ballarat. The prize was managed and curated by Shelley Hinton. .1) Large purple promotional banner made of maroon synthetic fabric printed with white lettering, hemmed on the long sides and 8 cm wide pockets on the ends. .2) Feather Flag in maroon shiny synthetic fabric printed with white lettering, hemmed and with a black 6.5 cm elastic pocket around the long side.Printed with GNAP, Guirguis New Art Prize and the date 11 April - 31 May 2015guirguis new art prize, mr mark guirguis, federation university australia, post office gallery exhibition, contemporary art, contemporary art prize, mark guirguis, shelley hinton, herbert werner frederick de nully

Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa,

This hem marker stand is a measuring tool for gauging the height of a hem, such as on a dress or curtain. The adjustable arm slides along the ruler and its snug fit ensures that it stays at the right height. The end of the arm has a metal pin inserted into it to hold a piece of chalk, which would be used to mark the fabric. The hem marker would be used by professional dressmakers, seamstresses, and tailors as well as by crafts people at home. The hem marker was made in Birmingham.The hem marking stand is an example of tools used during the 1900s in the garments and furnishings trades as well as for domestic purposes. Since that time the tool has evolved into a more efficient design that makes home sewing easier.Ham marking stand with a wooden ruler, stand and a sliding adjustable arm on a brass sleeve. The arm has a metal pin on the end. Measurements are marked on both sides, inches on one side and centimetres on the other. Inscriptions are stamped into the wood. Made in Birmingham."- - - - / - - - - - / -BIRMINGHAM" On end of arm "2*4'flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, hem marker, dressmaker, dressmaking, alterations, tailor, dressmaker's tool, sewing marker, sewing gauge, seamstress, domestic use, dress fitting, curtain hemming, birmingham, freestanding, chalk hem marker, stand, home craft

The drawing book was owned by Harold Frederick Allan Trezise (1917-82) of Grade "F" at Myrtleford State ("Central") School in 1929. Allan, as he was known, was one of nine siblings born to Harold and Mary Trezise and aged 12 years when he did his pastel drawings. He was a member of a well-known local family; his father operated a local taxi and motor repairs business and indulged in gold prospecting. The pastel drawing book clearly illustrates the capabilities of a young pupil with an artistic-creative bent and reflects on the teaching methodology used in this curriculum area at the local school. A pride of workmanship is conveyed in the well-preserved leaves of the book.A grey-covered rectangular shaped booklet containing pages separated by tissue paper, all pages completed with shaded depictions of fruit, vegetables, geometric shapes, etc.Each page is dated the day the drawings were completed. pastel drawing book.

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd