The Sunvale Primary School was situated on Neil Street, near Hertford Road, Sunshine, on the former Moons paddock. The school was officially opened on the 9th of October 1957 with an enrolment of 214 students. Most of the students were transferred from the overcrowded Sunshine, and Sunshine East Primary Schools. The acting head teacher and five temporary teachers came from the East Sunshine Primary School from which about 170 students also came. During the later years the school operated as part of a three campus primary school complex formed between Sunvale Primary School, Sunshine East Primary School, and Braybrook Primary School. After the modern Sunshine Harvester Primary School was built on the East Sunshine Primary School site, the students from the Braybrook and Sunvale schools were transferred there. Sunvale Primary School was closed on 9th September 2009.The magazine is a historical record of the initial 40 years of the school and of activities associated with the school. It contains the names of the Principals, from Mr. Bartels in 1957 to Mr. A. Dash in 1997, and also the names of Chairs of the School Council, from Mr. F. Sanford to Mr. T. Cuddy. It also features articles on the history of the school, the mothers club, the parents & friends members, special events & features, class & staff photographs, sport, and has a memories section. The special events & features section includes the school ball, camps, the Governor's visit in 1995, and Sunvale's famous Olympian staff member Pam Kilborn.Bright yellow covered 40 page book with green and white printing on the cover. A large emblem of the no longer existing SUNVALE PRIMARY SCHOOL is featured on the front cover, and a smaller version is on the back. The magazine is described as "A Scrap Book of Memories", and covers the years 1957 to 1997.SUNVALE Primary School S/PS HONOURS WITH HONOUR A Scrap Book of Memories 1957 - 1997sunvale, primary school, school magazine, scrap book of memories, moons paddock, 1957, 1997, bartels, dash, sanford, kilborn, cuddy

In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building

REV. ELDER GRAY WAS A LONG SERVING MINISTER OF THE CLUNES PRESBYTERIAN CHURCH.SEPIA PHOTOGRAPH OF REV. ELDER GRAY, WEARING MASONIC REGALIAOn reverse; written in green biro, "Elder Gray Presbyterian Minister Clunes"local history, photograph, churches

BLACK & WHITE PHOTOGRAPH OF A YOUNG LADY DRESSED IN LONG DARK FROCK LARGE HAT, GLOVES AND SILVER FOX CAPE. STANDING IN FRONT OF BASHY TREE. PHOTOGRAPH MOUNTED ON STRONG DARK GREEN CARDBOARD.local history, photography, photographs, unidentified photograph

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

Was purchased by the Nillumbik Shire Council after being a finalist in the 1997 Nillumbik Art awards. Small bronze sculpture of a short boy holding birds, both of different size, in each outstretched hand. He has a long thin (length-ways) head and a flat squat body.He is wearing a belt with eyelets holding up his stripy long sleeve shirt. His head and the birds are showing green patina, yet is less prominent on his body.On bottom boy's left foot, are the initials 'DB' the artist and '97'; the year created. On bottom of the right foot, '5/9' has been etched, indicating it is the fifth of nine pieces..1997, nillumbik art awards, dean, bowen, bird boy, birds, people, sculpture, bronze

Ned Ryan was a local resident and former shearer who became a permanent resident and then green keeper. He was a valued member of the club and was the father of the current green keeper, Hugh Ryan. This event was created in his memory in 2003. The Honour Board was donated by Mr D. W. Rogers (David but always known as Bill) who was a long time summer resident of the town. He replaced Rod Calvert as a trustee, when Rod passed away. 2003 M. Ryan 26 pts, 2004 D. Manderson 27 pts, 2005 R. Joyce 26 pts, 2006 K. Heffernan 28 pts. 2007 S. Baundinette 26 pts, 2008 D. Manderson 27 pts, 2009 L. Beer 25 pts, 2010 K, Moore 30 pts, 2011 M. Hammond 25 pts, 2012 R. Chirnside 25 pts, 2013 M. Campbell 28 pts, 2014 M. Campbell 28 pts, 2015 M. Bowden 25 pts, 2016 D. Calvert 26 pts. 2017 R. Hills 21 pts, 2018 R. Beggs 22 pts, 2019 M. Carlin 27 pts, 2020 W. Couch 24 pts, 2021 K. Robertson 21 pts, 2022 B. (Rebecca) Manifold 23 ptsIt is significant because Ned was such a valued member and the annual event continues in his memory.Wooden Honour board with individual engraved plaques listing the date and score of each winner, from 2003 onward.Peterborough Golf Club "Ned's Nine" In Fond Memory of H.W. (Ned) Ryan. Donated by Mr D. W. Rogersgreenkeepers, peterborough, peterborough golf club, nine hole golf, honour boards

used by tribal head to signify rank and allegience to various para and or military units ww 2, 204 cm long 9.3cm wide. 4 buckles, woven material red in colour with yellow, green, narrow stripes. 41 assorted metal badges depicting various para and military unit emblems refer to accompaning photographs

This dress belonged to Brighton resident Isabell Nora "Billie" Blair, nee McNamara (1895-1989). Born in Mirboo North, Billie lost her mother Catherine at a young age in 1898 and was raised mostly by Catherine's sister, Isabell Frances Vallender. She married magistrate Douglas Granville Blair (1893-1976) in 1926. The couple lived first in Benalla, where their daughter Katherine Blair was born, before moving to Brighton, where they lived the rest of their lives.Mid-length velvet and chiffon dress with shallow v-neck. Velvet features a geometric pattern in purple, maroon, gold and green. Skirt is slashed at front and back with dark purple chiffon. Long dark purple chiffon sleeves with velvet cuffs. katherine fennell blair, isabell nora blair, isabell nora mcnamara, 1920s

This recorded play of the book 'The Weaver from Meltham' - The story of Godfrey Hirst was made circa 1951 and aired on ABC radio. It was handed down to Ken Hirst from his father Ivan Hirst, grandson of Godfrey Hirst. At the end there is an additional recording . It is a speech and presentation to HRH Queen Elizabeth II on the occasion of the birth of Princess Anne of a baby blanket made by the employees of Godfrey Hirst woollen mills circa 1951Light green record slip containing a double sided record of the radio play of The Weaver from MelthamAWA custom long play Microgroove recording

Made by Mrs Sayer in 1980 at Deniliqiun TAFE "Garment Assembly" course which was 2 years long. A popular course which was common in those days, Mrs Sayer was always crafty but not good at the other subjects. She wore this hat with the full ensemble also containing a dress and wool coat from 1980 - 2014.Small brim women's sunhat. Sandy brown in colour. Floral ribbon tied around the hat just on top of the brim which is secured with a green pin on right side of hat. On the front there is a small gold ANZAC badge that reads "Lest We Forget". On the left hand side there is a brown brooch with feathers attached, and the back of the hat features another brooch, which is round in shape and features 6 jewels with one large jewel in the middle. The inside of the hat is lined with orange fabric.clothing, women, fashion, hat

Crepe fabric, hand made. Red and green Cumberbund around blue bodice, black skirt, side zipper. Very long for a tall lady. None

This was the uniform of junior girls from the 1960s until the new campus for secondary students began at Truganina in 1978. Shortly after the opening of the secondary campus a new dress, green in colour, was adopted for all girls. This summer uniform dress, donated by a past parent, was handmade and worn by a prep student in 1977. It is a rare example of the school dress from this period. Together with a dress pattern and a sample of the same fabric donated by another past parent, these items have historic significance and interpretive capacity. Current students enjoy learning about how different the provision of school uniforms was not so long ago, as Westbourne uniforms can now be ordered online.Small belted dress in blue checked pattern with white collar and sleeve cuffs and three white buttons down the front.

The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs. The mill first began to run into financial troubles with the ‘Credit Squeeze’ or the ‘Holt Jolt’ of the early 1960s. This saw import restrictions lifted which triggered the start of a minor recession and a rise in unemployment. Included in these troubles was the RS&S Mill which saw the number of employees gradually decrease and business declining with cheaper imports beginning to grab an expanding part of the market share. The mill was eventually purchased by Godfrey Hirst in 1973 who tried to continue operations without success and in June 1975 textile production at the site ceased. Outside of financial considerations contributing to the closure of Woollen Mills in this period was the declining need for heavier fabrics as in-home heating and insulation improved. This need had been replaced for a demand for ever softer, finer and lighter worsted fabrics for more casual clothing. Modern day textile production requires fewer steps in the processing of materials for this use. This meant large factory complexes such as early woollen mills like the RS&S mills were no longer required. Compared to modern textile production which can spin a fine yarn out of synthetic fibre or imported cotton easily, spinning fine yarn from medium quality wool at a textile factory was cumbersome and no longer financially viable to suit new consumer demands. This rug provides context to this statement. It was gifted to Shirley and Gordon Green as a wedding present in November 1963 by one of Gordon's colleagues in the wool industry. Living in areas such as Neutral Bay, the Hornsby area and later in life retiring to the Central Coast, the blanket was too heavy for use in these weather conditions and hence it stayed in its original box for nearly 60 years. Top and bottom of rug has frilled edges. Pattern is titled the 'Clan Cameron' and is repeated in a 7x7 grid. Front of rug has a red background with 4 vertical and horizontal lines. All is surrounded by a yellow boarder. Label is stitched into the bottom right corner. Reverse of rug also has a repeating 7x7 grid. Blue background with thick green horizontal stripe. Yellow and red boarder to the grid with 4 red vertical and horizontal lines making up the interior. Rug measure 1550 x 2040mm, approximately the same size as a queen size mattress.Wording, Bottom right corner. THE GEELONG R.S&S. WOOLEN MILLS/ PURE/ WOOL/ AUSTRALIA/ The John Monash Rug (cursive)/ The Clan Cameron (cursive)rs&s mills, textile manufacture, rug, clan cameron, sydney greasy wool exchange

The National Wool Museum accepted a donation from Brian Licence in 2022 of several mementoes relating to his career in the wool industry. Brian studied Wool Classing and worked for a decade in this profession before moving to Melbourne which required him to change careers. This Wool Classers’ Handbook was given to Brian in 1966 as part of his membership to the Woolclassers’ Association of Australia. Brian was a member of the Woolclassers’ Association from 1962-72. The Woolclassers' Association of Australia was a trade union representing Woolclassers. It amalgamated with the Australian Workers Union in 2009. The Association had 1200 members in 1997. The Australian Woolclassers' Handbook 1966-1967 begins with an orange cover. It has “The Australian Woolclassers’ Handbook” written at the top centre of the cover in green text. Internally, the book is typed and contains information which is of use for Woolclassers and their rights and responsibilities within the association. A selection of pages have been scanned to give an impression of the information within the booklet. The book is a 44-pages long.Printed, green text. Top of cover. “THE / AUSTRALIAN / WOOLCLASSERS’ / HANDBOOK. “ Printed, black text. Bottom right corner of cover “1966-1967” Printed, green text. Bottom left corner of cover. “WOOLCLASSERS / ASSOCIATION / AUSTRALIA” Printed, green ink. Bottom right corner of cover. Picture of Ram’s headwool classing, brian licence, woolclassers’ association of australia

This dress was hand crocheted by Miss Muriel 'Dolly' Williamson, who was noted for her skill at handicrafts and her sense of fashion. Throughout her life she hand made many of her own clothes and enjoyed wearing them to local social events. She had a large collection of hand knitted and crocheted clothes, most of which were dispersed amongst her friends when she finally went into a nursing home. The donation of this dress was facilitated by Ms Julia Fry from Community Options Barwon who is Miss Williamson's case worker. This dress is typical of the style of the 1960s, with its bright colours and long line. Miss Williamson called it her 'Carmen Miranda' dress.Dress, hand crocheted by Miss Muriel Williamson in bands of mid green, light green and white wool, c.1960s. Detail of dress hand crocheted by Miss Muriel Williamson, c.1960s.fashion handicrafts crochet, williamson, miss muriel blanche, fashion, handicrafts, crochet

Hand knitted by Valda Arrowsmith for herself in the 1970s and worn for many years. Knitted to the original pattern (see Supplementary file) with a wide turn back cuff and altered by Betty Tickell to a turn under narrow cuff in 1980s.Pale green (eau de nil) mohair jumper knitted in lattice pattern. It has long sleeves and a round neck. Wool is brushed Carissa.costume, female, handcrafts, knitting

Between 1954 =- 1965 thousands of these cameras were made. This contributed to the recovery of Germany after World War 2Agfa Clack Camera in green plastic case. It is a bulky looking moulded plastic camera using 120 roll film. The enclosure holding the film is made of steel and is held to the main body by a large rotated key at bottom. The exposure counter is on the lower back. The camera takes eight 6cm x 9cm photos on the 120- film.|a small view finder is fitted on the top of the camera. It has two speeds B (bulb( for long exposures and M for standard photos. Speed is approx 1/30 second with two aperture settings - f11 = overcast; and f12.5 = sun. Six pieces make up the set.AGFA Agfa Camera -Werk AG Clackphotography, cameras

Donated by Box Hill Historical SocietyGreen coloured tobacco tin. Printing on lid 'Celebrated'' Phoenix Long Cut'. Gold Medal cien 1888. Face of woman in circle on left hand side of lid. 'Aromatic Long Cut' on lower edges. 'Phoenix Aromatic Long Cut' on each end of tin with picture of a phoenix.containers, domestic

Bridesmaid Dress worn by Joyce Suto (nee Baker) ( a member of the Society) as a bridesmaid at the wedding of her schoolfriend Derri Thomas to Derek Whitfield at Tidenham, Glous, U.K., in April, 1947. Bridesmaid dresses were made of an early kind of nylon with 'cap sleeves' and the material was bought with meagre supply of clothing coupons during postwar clothes rationing. Bridesmaids carried daffodils, irises and pussy-willow. 'Cap sleeves' chosen by the bride were a comparatively new fashion feature and not popular with the bridesmaid. So they all bought enough material for regular sleeves to be added later. The dresses were afterwards worn to dances.Long frock with short (cap) sleeves and a green sash. Frock is made of an early nylon and has a green sash to be worn with itcostume, female ceremonial

Belong to Mary Cruickshank, Peter Simmenauer's mother-in-law.Victa motor mower UTILITY series 70. Four rubber wheels, front smaller than rear. All wheel adjustable for height. Two stroke motor with a cord pull start. Petrol tank is mounted on top of motor with transfer advising the use of BP Zoom Green petrol mix. Plastic tube connects tank with top of carburetter on motor. Long handles which can be collapsed for storage. Breather tube and air filter mounted on handle together with controls for starting and running.VICTA - cast into housing|Series 70 - transfer|UTILITY - orange and white transfer on front of motor.|BP Zoom Green - transfer on tank|CAUTION Transfer on back of tankmachinery, engines - internal combustion, domestic items, gardening

Green woven knitting bag with red piping around each end panel. Two handles, three press-studs . Lined with yellow taffetta - long shallow design. possibly used for knitting or sewing. stylised leaf design textile. includes one pair of green knitting needles with black knobs. One ball of purple Azalea Crochet Knitting Wool by Patonscostume accessories, female, handcrafts, knitting

In one place in records Pat Faggetter is credited with the donation of this item. It would appear that Pat picked it up from Mrs Coldrey so I have credited Mrs Coldrey as the donor. See also page 10 of green folder. (Ted Arrowsmith)OTICISCOPE An early slide projector. Large, black square unit with chrome parts. Bellows to assist in focus can be slid up to 26cm. On the end of the bellows is screwed a further adjustable lens (8.5cm diam by 11cm long). The body of the unit can be tilted to focus on the screen. This lens is endorsed '8 inch (26cm) high focus Aldus UNO Projector Lens'.This lens and a lamp is stored inside the projector. The projection lamp is an Osram (balloon shaped) patent registered 260 volt Gas Filled 500 watt 51. Made in England. Screw fitting .Power supply is by early English type two pin plug with a toggle switch on left side.Ensign Optiscope No. 6 - Made in Britain - Ensign Ltd - London.photography, projectors

Purchased for the 'Little Shop on the Hill' at Burke Road CamberwellGivoni is one of Australia's largest dressing gown, sleepwear and daywear producers. Givoni was started by Stan and Malca Givoni in 1947. Don Givoni, their son, took over from them and built the company into a major clothing manufacturer with factories based in Victoria. Now owned and managed by a third generation son, the company continues to pride itself in delivering top quality merchandise. The designers at Givoni create beautiful sleepwear and daywear, encompassing classic style, quality, attention to detail and great value for money.'Givoni' Green & light grey patterned dressing gown with lace on collar, long sleeves, made of polyester and cotton.'Givoni'costume, female nightwear, female

Long oblong black border tile with green pattern.ceramics, earthenware