Report titled "Melbourne Transportation Study - The Transportation Plan - Volume 3", presented in a black vinyl covered slip case, paper cover, bound, sewn with end papers, fold out maps, 74 pages. Each sheet within the report has rounded edges. Contained within a printed cardboard packing case. Includes many tables, graphs, charts and coloured sheets. Report prepared by The Metropolitan Transportation Committee - 1969, looking at the planning of all forms of transport for Melbourne with a timeframe of 1985. Chaired by Vernon Wilcox, Minister of Transport. Included Robert Risson - Chairman of MMTB. Set the basis for a very extensive freeway system that was only partly followed. Includes trams, trains (city loop), buses, parking, travel and population predictions, costs and implementation.Has numerous AETA stamps throughout the book. Inside front cover and on packing case "A12" in red ink.trams, tramways, melbourne, road transport, tramways, railways, public transport, transportation plan

colour photograph unmounted (2 identical photographs)This plaque marks the site of the first block of land sold in the first Crown Land Sales in St Kilda 7 Dec 1842. The buyer was Lieut. James Ross Lawrence, R N, Captain of the Schooner 'Lady of St Kilda'. He named Acland st after Sir Thomas Dyke Acland, owner of "The Lady of St Kilda". This plaque was unveiled by Commander RS Veale RAN (retd) CMG for St Kilda City Council. 24 March 1985.

PLAQUE WAS AWARDED EACH YEAR FOR THE CATEGORY OF "ASSISTANT TRAFFIC OF THE YEAR" MELBOURNE TRANSPORT UNIT FROM 1980 TO 1988.Brown wooden plaque with gold metal heading and individual metal name labels. Also in-between badge emblem of Royal Australian Corps of Transport.Headed "Assistant Traffic of The Year" then "Melbourne Transport Unit" then "RACT" then "Presented by WO2 D. C. Forrest" then 12 metal labels, 9 with names of recipients from 1980 to 1988. 1980 - CPL T. WELLING. 1981 - CPL A. McLEOD. 1982 - PTE S. GLEN. 1983 - CPL DORE. 1984 - LCPL PAWLEY. 1985 - CPL A. J. BARBER. 1986 - PTE E. SZENTPALY. 1987 - CPL I.D. McLAREN. 1988 - CPL CARTER & CPL FRAWLEY.passchendaele barracks trust collection, wooden plaque, melbourne transport unit

Formerly Box 564. REIV Presidents' Luncheon April 29, 2016. Has photos of Steve Carter (1979 - 1980), Dane Boag (1981 & 1982), Vin Ketterer (1983 & 1984), Rick Dungey (1985 & 1986), Robert Ketterer (1987, 1993 & 1994), Craign Tweed (1988 & 1989), Darryn Mawby (1990 & 1991), Luke Goggin (1992), Keith Sutherland (1995) and Jacinta McIvor1997 - ) No photo of Ron Wilkinson (1960 - 1975) and Lindal Wilson (1996). REIV Past Secretaries REIV Bendigo Division from 1960 to 1997. Also has a Roll Call of President/Chairman and Secretary from 1941 to 2016. On the back are photos of Past Presidents/Chairmen. They are: Trevor Andrew (2001), Dane Boag (1989), Matt Bowles (2005, 2012 & 2013), Steve Carter (1978, 1984 & 1987), Neil Draffin (2002), Don Dungey (1951, 1958 & 1965), Rick Dungey (1980 & 1987), Ian M Dyett (2003), Noel Dyett, 1985, 1991, 1998 & 2009), Hunter Gill (1994), Brad Hinton (2008), John Keating (1979, 1986, 1996, 2010 & 2011 (acting), Robert Ketterer (1988 & 1995), Vin Ketterer (1964, 1970 & 1974), Matt Leonard (2014), Darryn Mawby (1993), Damien O'Shannessy (2006), John Pawsey (2004), Adrian Robinson (2007), Martin Skahill (1990), Craig Tweed (1982,1992 & 2000), Craig Webster (2015, 2016), John Wilkinson (1981) and Pat Williams (1999). Under each name is when they commenced in the Real Estate Industry, Companies, Highlights and Comments.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - reiv president luncheon 29/4/2016, ron wilkinson, steve carter, dane boag, vin ketterer, rick dungey, robert ketterer, craig tweed, darryn mawby, luke goggin, keith sutherland, lindal wilson, jacinta mcivor, r j (dick) vicars-foote, s p (stanley) bishop, h a (harry) wilkinson, l l (len) dungey, g w (george) earl, m (murray) carter, h stuart, f c (fred) dyett, d s (don) dungey, c a (claude) roxborough, s r (ron) wilkinson, w (win) patten, e (eric) cowling, s (sven) johanson, j v (vin) ketterer, l g (les) pascoe, g j (gordon) sayers, s a (syl) doyle, s j (stephen) carter, r e (reg) grylls, d (don) greig, t c watts, p (perc) fawcett, j (jack) wylie, e a (ern) spence) j p (john) keating, r h (rick) dungey, j r (john) wilkinson, c (craig) tweed, n (noel) dyett, r j (robert) ketterer, m (martin) skahill, w h m (hunter) gill, p (pat) williams, t (trevor) andrew, n (neil) draffin, i (ian) dyett, j (john) pawsey, m (matt) bowles, d (damien) o'shannessy, a (adrian) robinson, b (brad) hinton, m (matt) leonard, c (craig) webster, l (luke) goggin

Folder 114 1) Bendigo Victoria's Premier Town - September 14, 1983 2) Bendigo Bank - July 1, 1995 3) Birthplace of a Nation - September 23, 1992 4) Capital Theatre Official Opening - April 21, 1991 5) Central Deborah Mine Public Opening - June 20, 1986 6) Golden Futures - August 2, 1995 7) Bendigo Dragon City - September 28, 1988 8) Golden Dragon Museum Grand Opening - March 2, 1991 9) Bendigo Life and Style - October 13, 1993 10) The Mail Bendigo - November 27, 1968 11) Hargreaves Mall 10 Years On - May 13, 1992 12) Hargreaves Mall Opening - May 1982 13) Bendigo Life and Style - October 13, 1993 14) Bendigo Marketplace Opening - October 31, 1995 15) A City Born on Timbered Slopes - September 25, 1985 16) A Glimpse of the 50s and 60s, The Doney Collection 17) Recollections Pictorial Lift out 1990 18) Pictorial Lift out 19) Pictorial Lift out Alan Doney - September 24, 1986 20) Pictorial Lift out 21) Bendigo Victoria's Premier Town - September 14, 1983 22) Bendigo Remembers - August 15, 2005 23) Souvenir of the Shamrock Hotel - April 18 24) Symon's Dairy 75 Years in Bendigo - June 24, 1995 25) Bendigo City on the Move - August 26, 1987 26) Victory 50th Anniversary End of WWII - August 15, 1985newspaper, bendigo advertiser

These two buttons are tailors' buttons for clothing made in Warrnambool. The brown one is from the firm of Frederick Williamson who had a tailoring business at 157-159 Liebig Street, Warrnambool. His father Edward had started the tailoring business with a shop in Timor Street in the second half of the 19th century. Frederick Williamson was a Warrnambool City Councillor on three occasions (1924-1930; 1934-1939; 1942 -1945) and Mayor 1942-1943. The black button came from the Liebig Street, Warrnambool clothing and haberdashery store of Cramond and Dickson who employed tailors and dressmakers to make clothing to order. John Cramond and James Dickson opened their Warrnambool store in 1855 and it was a dominant business in Warrnambool for 119 years, closing in 1974. It was common practice in the first half of the 20th century for tailors and large clothing stores to have their own buttons for their suits etc.These two buttons are of some interest as examples of buttons made specifically for two local Warrnambool businesses. .1 Round button, light-brown in colour with four holes in the centre, a curved back and imprinted letters around the edge. .2 Round black button with four holes in the centre, a curved back and imprinted letters around the edge..1 F. Williamson Warrnambool 2. Cramond & Dicksonfrederick williamson warrnambool tailor, cramond & dickson warrnambool

This ledger contains summaries of trading finances for Swintons Pty Ltd and Swintons Supermarket for the years 1969 to 1978. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool district erecting many buildings including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street selling groceries, china, glass and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. When William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, hardware and produce. Today the Swinton family still operates a furniture and bedding business in Timor Street. This ledger is of great interest as it contains summaries of the financial records of the Swintons Supermarket and Swintons Pty Ltd from 1969 to 1978. It will be very useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, it is one of the oldest family businesses in Australia. This is a hard cover book with a green cover. There is black printing on the spine and on the front cover. The pages are white with printed ruled blue lines and printed red and blue columns. The entries are handwritten in blue ink. There are two pages at the back with printed graph patterns.‘Collins Analysis Book 61 Series’swintons family, warrnambool, history of warrnambool

Catherine Shillinglaw was born November 13, 1852 at Coburg, Victoria. In 1897 she married Edward Henry Bottle (1854-1900). Catherine died April 7, 1934 at Northcote, Victoria. According to Sands & McDougall Melbourne Directory, W. Bear was active at 145 Smith Street, Fitzroy from 1877 to 1882 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1877-1882, 1880, catherine bottle (nee shillinglaw 1852-1934), unknown, w. bear photographer 145 smith st fitzroy

Photograph of Cross carved by Kevin Gilders and completed in 2010. Inscription on plaque: 'This Cross commemorates the 30th anniversary of Loyola College Watsonia. It is sculptured form the wood of the cedar tree that once stood on these grounds in the roundabout in front of the Loyola Jesuit House of Studies and Novitiate building from 1934-2009. The Cross was unveiled by College Captains Adam Leary and Julia Cosgrave; Fr Steven Rigo; President of the Association of Canonical Administrators and Mr Joseph Favrin; College Principal. It was blessed by Fr Gerry Healy SJ at the College celebration of the feast of St Ignatius held on July 30th 2010. Part of a collection of photographs of Loyola College; Grimshaw Street Watsonia; established 1980 on the site of the Loyola Seminary. The College purchased the original building in 2002. These photographs of the original building and grounds were taken by GHS member Jazz Burge in June 2012.Digital copy of colour photograph.loyola college

This is a photograph of McKillop's Bridge probably taken just after its rebuilding. The current McKillop’s Bridge was built by the Country Roads Board in two stages between 1931-36, during which its height was raised after the original bridge superstructure was washed away in record floods of January 1934, prior to its original official opening. In its reconstructed form the original concrete abutments were turned into additional piers and the welded-steel trusses were cantilevered back over them to meet the new higher road approaches. "McKillops Bridge was Heritage listed due to its social and technological significance – the steel trusses' arc-welded construction technique was a pretty big deal in the 1930s. It was once an important route for cattlemen, who used the ford across the Snowy in the years preceding the bridge's existence"This is a pictorial record of McKillop's Bridge just after its construction.A black / white photograph of a wooden bridge across a river. At the bottom right is a man with his back to the camera. He is looking at flood debris on the bank. At the bottom left are two men near a pylon.on back - McKillops Bridgebridge-mckillop's snowy-river-bridge

Joseph Ebery was a Congregational minister, born 1858, died November 3, 1947. Ministry was as Wesleyan Home Missionary ?–1897; Congregational churches – Dover (Tas) 1897-1907; Tamar St Launceston 1907-1909; Devonport 1909-1914; Gatton (Qld) 1915-?; Redcliffe (Qld) 1921-1927; Beechworth (Vic) 1927-1930; Hughesdale 1930-1934. Was a Wesleyan lay preacher at Allandale and Woodbridge (Tas). Obituary - "… For ten years carried on an energetic evangelistic ministry, riding his horse over the roughtest roads in his scattered district, which was 25 miles long, and visiting even the southern-mosst home in the island (Tasmania)" As a Wesleyan Home Missionary he was not allowed to marry. The Congregationalists had no such restrictions so he joined the Congregational Church and married his Emily. [See Munster, Biographical Index of Congregational Ministers in Victoria 1838-1977.)Photocopy of studio portrait of Rev. Joseph Ebery and Mrs. Emily Jane (nee Walker) Ebery, Joseph aged 69 and Emily aged 68. Joseph, beard and moustache, is wearing a suit with a cellophane collar, no tie. Emily is earing a coat over a patterned shirt, and a choker necklace and glasses.As for the title.ebery, joseph, congregationalist, wesleyan home missionary, 1858-1947

The Shandon was a 1387 ton iron sailing ship, of length 245.9 feet, beam 37.8 feet and draught of 21.3 feet. She was built in 1883 at Port Glasgow and had a chequered career as a trader for nearly 40 years. She was converted to a lighter until the end of WWI then re-rigged as a barque and spent the next four years trading across the Pacific Ocean. In 1922 she was in use as a coal hulk in Adelaide. During WWII she was a coal hulk in Townsville. Shandon had one moment of glory in 1934 when she was involved in Victoria's 100th anniversary celebrations. The Shandon will eventually open as a public display, after restoration. c1912 Barque rigged 1924 Laid up and used as a coal hulk again. 1946 While under tow, got ashore in a cyclone 1935 Re-rigged for Centenary Maritime Exhibition at Melbourne then reverted to coal hulk. Original deckhouse from sailing vessel Shandon. Deckhouse would have been used as crew's quarters including galley, eating and sleeping space as well as room for storage. 4 portholes and 2 doors with separate galley compartment with own split door. deck house, shandon

Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Box Hill Cemetery - CE-126-0001. A black and white photograph of a young lady sitting in a lounge chair.(miss) lil willaton, (mrs) lil stephenson, entertainer, singers, teacher, gymnastics, calesthenics, (miss) lille louisa willaton, (mrs) lille louisa stephenson, box hill cemetery), lille street, union road

Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Buried Box Hill Cemetery - CE-126-0001. A black and white photograph of a young lady dressed in a graduation gown and wearing a mortarboard on her head.(miss) lil willaton, (mrs) lil stephenson, entertainers, singers, gymnastics, calesthenics, teacher, lille street, union road, (miss) lille louisa willaton, (mrs) lille louisa stephenson, box hill cemetery

The Geelong RVIB Auxiliary was formed on February 13, 1933 by Mr Birtchnell. This collection of papers includes the minute books from 1944 until 1998. It was noted in correspondence that Geelong and surrounds had been the most outstanding financial contributor to RVIB's revenue. Collections from the Geelong community had provided high donations every year. The Geelong Auxiliary posted 301 pounds on their first return in 1934, easily topping any of the other 200 auxiliaries in the state at that time. The Annual Report from July 31, 1995 noted that with regret due to health reasons and the passing of many members The Geelong RVIB Auxiliary had no option but to go into recess. The certificate reads: Centenary Certificate of Appreciation presented to Geelong Auxiliary for outstanding service. Royal Victorian Institute for the Blind babies, children and adults. (Signed by) President (Charles Bennett) Executive Director (F.G. Turley).5 minute books -- 2 accounts books -- 1 book of newspaper clippings --various loose papers and letters -- 1 certificate of appreciation Certificate: white paper with light turquoise thick border and gold and blue thin borders. The RVIB official seal is at the base of the right hand side and a coloured image of the RVIB logo, with the words 'Centenary year 100 1866/1966' in the bottom left corner.royal victorian institute for the blind, auxiliaries

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This badge was awarded to Grace Hamilton-Smith for being the best left handed player of the Wodonga Golf Club in 1965.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and sporting life in mid-twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A metal, gold plated badge with green detailing and a depiction of two crossed golf clubs. On face of badge: "WODONGA/G.C/ASSOCIATES'.sport, sporting, golf, golf club, hamilton-smith, ellwood, wodonga, wodonga golf club

The photo shows the cenotaph on the steps of Parliament House in Spring St after a wreath laying ceremony. There was a picket fence around the area which was erected for occasions (see the newspaper clipping from Anzac Day in 1928 copied from item no 01204). It is possible that the stamp on the reverse, '4 24', means April 1924, also see similar photos at 01203. From articles in Trove: The temporary cenotaph was the original first world war memorial until the Shrine of Remembrance was dedicated in 1937. The cenotaph was a half size replica of the London Symbol of Remembrance in Whitehall. It was made from timber and plaster and was initially meant to only last for the 1926 Anzac day service and be removed. With annual upkeep it remained until at least 1934 when ex-service men proceeded from the incomplete Shrine to the cenotaph on the steps of Parliament House.An early Anzac day ceremony held at the cenotaph in Spring St, Melbourne, before the Shrine of Remembrance was built.Black and white photo of the cenotaph in Spring St, Melbourne.Stamped '4 24' in blue ink and 'Printed by Harringtons' in black ink in a circle.anzac day, wreath laying ceremony

Michael Turner born in 1934 is a British painter and illustrator specialising in motoring and aviation paintings. After leaving school he attended Art College followed by National Service with the Royal Electrical and Mechanical Engineers for 2 years. On leaving National Service he worked with a London advertising studio before turning freelance in1957. The Bristol Blenheim depicted in the painting was a British light bomber used extensively for 2 years of the Second World War. It was powered by a pair of Bristol Mercury V111 air cooled radial engines capable of developing 860 bhp. armament was a combination of Vickers, Browning and Lewis machine guns in .303 ( 7.7mm ). A 1000lb (450kg ) could be carried in the internal bomb bay in the centre section of the fuselage. The 114 Squadron was a Squadron of the British Royal Air Force formed in India during the First World War. The Squadron was disbanded in 1971.Large wooden framed painting of an RAF WW2 bomber in flight.Below the painting is the wording " A 114 Squadron Blenheim 1V on a low level bombing run over the power station at Knapsack Cologne, in August 1941 - donated by Laurie Pillar".

Sir Gilbert Joseph Cullen Dyett (1891-1964) was born in Bendigo, at the age of 14 he started working for J H Curnow Real Estate and Auction rooms. In March 1915 he was commissioned as Lieutenant in the 7th Battalion and was badly wounded at Lone Pine, Gallipoli. After the war he was prominent in many organizations including Anzac Remembrance Appeal, Ocean Road Trust, Returned Services League, Australian War Memorial, Racecourse Licences Board of Victoria, Victoria Trotting and Racing Association (which was largely controlled by John Wren) He was caricatured as Captain Dwyer by Frank Hardy in his novel Power without Glory. HE was Knighted in 1934. Died in Fitzroy in1964 and is buried in Bendigo. Ref. Australian Dictionary of Biography. https://adb.anu.edu.au/biography/dyett-sir-gilbert-joseph-cullen-6071 Knighthood Certificate awarded to Gilbert Joseph Cullen Dyett. By Warrant under the King's Sign Manual. Handwritten in black ink on cream coloured light card and mounted on brown coloured card. Red seal of King George the Fifth centred on bottom edge. The back has marks around the edge indicating that that the mounted certificate has been removed from a frame.certificate, knighthood, gilbert dyett, george the fifth

Sir Gilbert Joseph Cullen Dyett (1891-1964) was born in Bendigo, at the age of 14 he started working for J H Curnow Real Estate and Auction rooms. In March 1915 he was commissioned as Lieutenant in the 7th Battalion and was badly wounded at Lone Pine, Gallipoli. After the war he was prominent in many organizations including Anzac Remembrance Appeal, Ocean Road Trust, Returned Services League, Australian War Memorial, Racecourse Licences Board of Victoria, Victoria Trotting and Racing Association (which was largely controlled by John Wren) He was caricatured as Captain Dwyer by Frank Hardy in his novel Power without Glory. HE was Knighted in 1934. Died in Fitzroy in1964 and is buried in Bendigo. Ref. Australian Dictionary of Biography. https://adb.anu.edu.au/biography/dyett-sir-gilbert-joseph-cullen-6071 A black and white photograph of about 90 men in dinner suits sitting at dining tables. The tables are all set with empty plates, all the men are looking at the camera. There are Heraldic shields and flags on the walls. Gilbert Dyett is sitting at the podium table next to The Prince of Wales. The photo is on a cream coloured mount behind glass with a black wooden frame. Also in the frame below photo there is a grey piece with black printing - Dinner in honour of the Delegates attending the Third Biennial Conference of the British Empire Service League. His Royal Highness, THE PRINCE OF WALES in the chair. Hotel Cecil. June, 1927 Swane, 146, New Bond St. W, and at Southsea gilbert dyett, british empire service league, the prince of wales, the connaught rooms, 'fortuna

This board, starting in 1972, records the names of women members in the time when they were considered Associates. It lists the name of each President, Captain, Secretary and Champion for each year. The second board records the same information but is now known as the Women's Golf Peterborough. PRESIDENT 1972 - 1976 F. Calvert, 1977 J. Moore, 1978 – 1986 F. Calvert, 1987 – 1992 L. Cumming, 1992 – 1994 M. Scouller, 1995 – 1999 I. Younis SECRETARY 1972 – 1974 D. Irvine, 1975 – 1979 L. Cumming, 1980 – 1981 D. Irvine, 1982 – 1993 M. Hughes, 1994 – 1997 M. Macmillan, 1998 – 1999 M. Maloney CAPTAIN 1972 K. Harris, 1973 – 1976 J. Neville, 1977 – 1979 D. Irvine, 1980 – 1983 L. Cumming, 1984 – 1985 J. Moore, 1986 – 1988 D. Taylor, 1989 – 1990 D. Irvine, 1991 M. Brown, 1992 D. Irvine, 1993 – 1994 P. Townsend, 1995 – 1997 P. Roberts, 1998 – 1999 E. Willox CHAMPION 1972 J. Howard, 1973 K. Harris, 1974 M. Cashmore, 1975 M. Cashmore, 1976 M. Cashmore, 1977 J. Howard, 1978 M. Cashmore, 1979 D. Irvine, 1980 D. Irvine, 1981 M. Cashmore, 1982 J. Howard, 1983 R. Roberts, 1984 P. Punch, 1985 A. Clarke, 1986 F. Meade, 1987 F. Meade, 1988 P. Punch, 1989 F. Meade 1990 T. Fraser, 1991 V. Beer, 1992 L. Bourke, 1993 R. Whitehead, 1994 F. Green, 1995 F. Green, 1996 F. Green, 1997 E. Willox, 1998 L. Bourke, 1998 F. RundleLarge rectangular wooden honour board with gold printing of namesList of names of chronologically of the President, Secretary, Capt and Champion for each year. Donated by J. Bell Esq Second board was donated by the Estate of Mervyn J Murnane

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long black silk sleeveless bodice with a wide band of lace on the edging and at sleeves. Silk bow at rear. It has been provisionally dated to the 1880s-90s.women's clothing, bodices, fashion -- melbourne -- 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Late Victorian highly remodelled black silk bodice with pleated silk to neck. The bodice has distinctive sleeves in two sections, the lower part constructed of black lace. The bodice has an original arm pad with makers name in it.fashion -- melbourne -- 1880s, bodices, women's clothing, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long-waisted black fitted silk and lace bodice with black wooden buttons. The lace at the edge of the bodice may have been added at a later period.day dresses, women's clothing, mourning wear, fashion -- 1880s, netta fuller

Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured silk bodice with leg-of-mutton sleeves. Date: ca. 1890s.australian fashion -- 1890s, bodices, dresses, netta fuller

There were several small private hospitals in Orbost in the early 20th century. Babies were born at these private hospitals and mostly only a midwife attended as the doctor could be away on horseback treating another patient. As the new Orbost and District Hospital ( officially opened June 30th, 1930) developed and its facilities grew private hospitals closed. By the 1930's in Victoria there was an increase in the demand for beds in public hospitals by those who found private hospital costs prohibitive and wanted the higher standard of care provided in public hospital . This meant that many small private hospitals closed. Maldon Hospital in Orbost was one of several which could not compete with the new Orbost public hospital.A small white paper account with black print from Maldon Private Hospital to Mrs Lovell. It has a yellow tax stamp. orbost-health maldon-private-hospital