Anderson and McHaffie were prominent early settlers of Phillip Island. These documents were from the estate of Stan Mcfee snr. Listings of auctions at Gemmell, Tuckett & Co., Collins Street, Melbourne 12 February, 1869HistoricalCopy of map showing allotments for 1869 land sale and hand written note showing allotments, area, prices for purchases of Robert Anderson and notes on McHaffie land.robert anderson, glen isla, john mchaffie, maps, land sales

Early attempts to have a water supply connected to Cowes. It includes figures on tourism, valuations of local properties, local primary produce and what water they require.HistoricalFoolscap size carbon copy of typed letter. 7pagesThe Honourable The Minister for Water Supply. Suggested motions to be put to the meeting of ratepayers, 13 May 1936water supply, shire of phillip island, agriculture, isle of wight, anderson property, valuations, charmadene, bonnie doon guest house, population, tourism, primary produce, d h robb, r a grayden, h v johnston, j thornborrow, e r scott

Cherry McFee was secretary of the Historical Society and is standing in front of the Chicory Display in the MuseumPhoto of Cherry McFee holding a Wooden Chicory Scoop in front of the Chicory Display in the museum approx year 2015chicory scoop, chicory display

Superintendant - William Henry Baye - accused of cruelty to 10 year old Rex Simpson, student at the Newhaven Seaside Gardens Home for Boys, resulting in his death.History1003-01 Copy of Pakenham-Berwick Gazette newspaper article about the death of two boys at Newhaven Seaside Garden Home. 1003-02 A flyer for the screening of the film "The Killings at Newhaven" written & directed by Joe Fairhurst 1003-03 Photo of the Plaque on Rex Ronnie Simpson and his mother Myrtle Ruby Laurel Simpson's grave at Fawkner Memorial Park 1003-04 Photo of the Grave Stone of Rex Simpson and Myrtle Simpson at Fawkner Memorial Parknewhaven seaside gardens home for boys, rex 'ronnie' simpson, william henry baye, 1930's, joe fairhurt journalist

Penguin Parade - "Fairy" Penguins Certificate to indicate "A Lifelong Friend of the Penguins"HistoricalCertificate for "Friends of the Penguins"certificate, friends of the penguins, phillip island

Photos from various sources added to an album on the Boy's homeHistorical3 black and white photographs of buildings and interior of chapel86-15 has Photo Shop Series Chapel st Paul's Newhaven Phillip Island. 86-16 has in handwriting St Paul's Church of England Boy's Home Newhaven Cowes 6/3/47.on back is written -' We were taken over this.Part in photo is chapel, everything in chapel was made by boys. building at right dormatories."newhaven boy's home phillip island, photographs

Harry Bradley was a local Identity. Born in Yorkshire, England, 8/4/1916. Joined the Australian Army 19/5/1941 living in Cowes Phillip Island Victoria.Historical491-01: Harry Bradley an Australia Army Portrait - WWII 491-02: Harry Bradley & Ted Walton, very close fishing mates 491-03: Original House of Bradleys, opposite Race Track?? Ford Vehicle. Now Beachcomber Estate 491-04: Harry Bradley working on the 1st Phillip Island Bridge 491-05: Harry Bradley's parents - Father - Edwin and Mother who was killed by a bull 491-06: Harry Bradley - Equal 1st Competition at the Lang Lang Gun Club 491-07: Elsford Guest House - Post Card 491-08: Map of Phillip Island - Post Card Also DVD supplied with 491-01 to 06 on it.As Above with Harry's details listed on 491-01harry bradley, ted walton, edwin bradley, lang lang gun club, elsford guest house, phillip island map

The Eagle Star left from Stony Point to take in Tankerton on the way to Cowes. It carried about 160 passengers of all ages, many of whom were probably planning to celebrate New Year’s Eve or start their holidays on the Island. The 48-year-old ferry had only recently been bought by a co-operative of French Island residents. Fortunately no one was drowned, and only two people were hurt.HistoricalBroadsheet front page from The Herald Saturday, December 30 1978.Headline is "Ferry sinks."Fleet" plucks 160 from bay" Large black and white photo showing half submerged ferry and three smaller motor boats pulling people from the water. other people are standing on the front of the ferry.Headline is "Ferry sinks."Fleet" plucks 160 from bay" ferries, eagle star, transport, cowes yacht club

This cannon was always called the Shenandoah cannon as it was believed to be from the Confederate warship, Shenandoah. However recent research has shown this was not true. In 1981 the American Civil War Round Table of Australia claimed the cannon was not government issue.It was older than the Shenandoah warship.It is possibly a 4 lb that was sent from Sydney in 1826 when Western Port was settled and had been left behind.Historical3 small coloured photographs mounted on cardboard of Churchill Island homestead, 2 men standing beside the cannon and the cannon.Churchill Island homestead, Shenandoah cannon, S.J.McFee, F. Jansson, Shenandoah cannon. 1973churchill island, churchill island - homestead, cannon, stan mcfee, frank jansson

Stories of the first 73 occupants of the Phillip Island Cemetery describing the lives and history of the early residents of Phillip Island. Written by a Cleeland descendant, Pamela Rothfield.HistoricalLarge, soft covered book with large black and white and coloured photos and text.ISNN 978-0-646-99552-6phillip island cemetery, genealogy, forrest, jenner, richardson, cleeland, dixon, mcgregor, reid, walton, west, cox, underdown, mcillwraith, woolcock

Detailed information on people buried in cemetery from 1901-1920HistoricalLarge soft covered book with text numerous black & white and coloured illustrations ISBN 978-0-6487351-0-6phillip island cemetery, rev. alexander robb, richardson, walton, grayden, forrest, leeson, lock, mcfee, george smith, west, cleeland, eliza cochlan, findlay, jenner, mckindlay, jeury, walpole, george cox, pamela rothfield

HistoricalLaminated article from The Weekly Times, October 4, 2006 describing settlement of French Island in 1894 by Thompson and Broderick families.Includes 2 sepia photographs.The First Islandersthompson family, french island, farming, chicory farming, broderick farming

Chicory farming was popular on the Island. Chicory was sent to Melbourne to be mixed with coffee, especially during WW2Historical2 copies of black & white sketches of chicory kilns drawn by D. Levershachicory farming, chicory kilns, f. b. morgan-payler, d. leversha

The tipstaff is a symbol of office for the court officical responsible for keeping order in the court, also called the tipstaff. This tipstaff dates from 1826 and is marked with the reign of George IV. This tipstaff was unlikely to have been used in the Supreme Court of Victoria, and is probably an item donated to the court in the 20th century.This is the only item of this nature held by the court, the item because of its age would be quite rare. This rarity makes it of state significance, further research needs to be undertaken with regard to national and international (ie. UK) significance.Painted black wooden baton, with gold leaf inscription. Baton has been shaped to provide a hand grip with three wooden grooves, barrel/cylinder shape at the other end.Painted "Gold Crown/1826/ GR IV/ R. 11"tipstaff, tipstaves, courts, judiciary, wood, supreme court melbourne

This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling

Correspondence held by the library has John Denniston Wood (1829-1914), a barrister and politician, presenting the portrait to the Library Committee in 1867. Wood hopes that the painting will "hang there [in the Court] in like manner as the portraits of many of the sages of the law are held in the Courts at Guildhall". Wood also provides information about the painter, Mr Mosely "now deceased", but who was "selected by Sir WIlliam himself" to undertake the commission. Early accounts have the painting hanging in a prominent position in the 'old' Court house at La Trobe and Russell Streets; the portrait was moved down to the library in 1884, when the portraits of Barry, Stawell and Molesworth were also commissioned. Sir William a'Beckett was the first chief justice of the colony of Victoria, having previously had a busy career at the Sydney bar. The portrait is of historic signifcance because of its subject Sir William a'Beckett and its long association with the Court. A full length portrait of Sir William a'Beckett, seated and dressed in his judicial robes. With ornate gold frame with acorn motif.Plaque identifying subject : Sir William a'Beckett, Knight, resident judge of the Supreme Court of New South Wales for the district of Port Phillip from 1846 to 1852, First Chief Justice of the Supreme Court of Victoria from Jan.1852 to Feb 1857.judges, william a beckett, supreme court

The portrait was commissioned in 1884, near the end of Stawell's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Justice Molesworth. The total cost of all three paintings was 1200 pounds. Sir William Stawell arrived in Victoria in 1842; he quickly established a reputation for himself at the Bar. After the separation of the Port Phillip colony from New South Wales, Sir William served as the attorney general in the first representative government and was the leading prosecutor in the Eureka trials. Sir William was appointed as Chief Justice of the Supreme Court in 1857, serving 29 years in the post. In addition the township of Stawell was named after the recently appointed Chief Justice in 1858. The portrait is of historical significance as a portrait of Sir William Stawell.Full length portrait in oils of Sir William Stawell. Stawell is seated and dressed in his judicial robes. Signed and dated 1887 lower right hand corner of the painting. Plaque identifying subject. The Hon. Sir W.F. Stawell.K.C.M.C Chief Justice of the Supreme Court 1857-1886judges, william stawell

The portrait was commissioned after Higinbotham's death in 1893. A committee was appointed to investigate the making of a portrait and they appointed Mr L Bernard Hall, instructor and later director of the National Gallery of Victoria. George Higinbotham (1826-1892) had a distinguished career as a newspaper editor and politican before becoming a Judge of the Supreme Court in 1880 and the third Chief Justice in 1886. Higinbotham was a long serving attorney-general in the 1860s colonial administration. Higinbotham was active in the education, land and constitutional debates of his time. He played a prominent role through his chairmanship of the of the Royal Commission into Public Instruction with regard to the introduction of the free and secular primary school education.The portrait of George Higinbotham is of historic significance as the depiction of an important public figure in 19th Century Victoria. The painting is also of interest as an early example of L Bernard Hall's Australian works. Portrait in Oils of George Higinbotham. Higinbotham is seated at his desk, pen in hand. He is dressed in his judicial robes, ready for Court.Signed Lower right B Hall 95. Plaque on frame : The Hon. George Higinbotham Judge of the Supreme Court 1880-1886 Chief Justice of the Supreme Court 1866-1892supreme court, higinbotham george, hall bernard

The portrait was commissioned in 1884, near the end of Molesworth's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Chief Justice Stawell. Robert Molesworth, like his contemporaries, Stawell and Barry, went to Trinity College, Dublin, and practiced at the Irish Bar before migrating to Australia in 1852. Molesworth quickly gained a large practice at the Bar. In 1853 he was acting Chief Justice and he later served as Solicitor-General in the early Victorian colonial administrations. Molesworth was appointed to the bench in 1856. He primarily worked in the Equity area, but his main contribution to Colonial administration was as the Chief Judge of the Court of Mines, establishing the basis of mining law in Australia.The portrait of Molesworth is significant because of whom it portrays and is the only known portrait of Molesworth.Full length portrait in oils of Sir Robert Molesworth. He is seated at a desk and dressed in Judicial robes. The frame is of 20th century originSigned with monogram and dated 1885 lower left. Plaque identifies sitter as The Hon. Sir Robert Molesworth Judge of the Supreme Court. 1856-1886courts, molesworth robert, a beckett edward

This portrait bust, along with that of Redmond Barry, was purchased in May 1884, The library still holds the receipt, but there is very little other information. It was probably a part of the program of outfitting the library interiors. Justice Fellows (1822-1878) was only a judge of the Supreme Court for six years (1872-1878), he had a long career in colonial politics. James Scurry (1826-1894) worked in architectural sculpture after migrating from England.The bust of Justice Fellows is of some interest as part of the original furnishings of the library. The bust is also of interest of as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Thomas Fellows. The bust itself is painted white in a neo-classical manner. The pedestal has been painted for a marble effect. Fellows' name appears in gold lettering. The bust is larger than life size. The head is finely detailed, with the chest swathed in classical drapery.Justice Thomas Fellows in gold lettering on pedestal.

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

This bust was commissioned and made in the years before Holroyd's retirement from the bench. It is not known precisely when the bust entered the Library collection or the circumstances of its execution and commission. Justice Holroyd (1828-1916) was a judge of the Supreme Court for 25 years, after a successful career at the bar. Charles Web Gilbert (1867-1925) was a largely self taught sculptor, only tackling the medium of marble in the years before World War One. After the war he made a number of War Memorials, but his best known work is his statue of Matthew Flinders, the explorer, in Swanston Street.The portrait of Justice Holroyd is of interest as an unusual depiction and commemoration of a Judge. It is notable as a work by the distinguished Australian sculptor Charles Web Gilbert.Marble portrait bust of Justice Edward Holroyd. The bust is made of white carrara marble. The pedestal is made of rouge marble. The bust is slightly larger than life size. The head is finely detailed, Holroyd is shown wearing contemporary clothing, but the detail is less fine, than for the head and beard.The bust is signed and dated 1901

The Government Gazette of January 18, 1888 advertised the acceptance of a contract of 149 pounds for a "Table for central library, New Law Courts, Melbourne". The table was purchased four years after the Court had moved to the William Street address.The table is not of state significance in its own right, but it is a high quality piece of Australian furniture. Its significance rests on its importance on the overall decorative scheme of the library and the fact that it was designed for this specific space.Blackwood, decagonal (10 sided) table, with 10 carved scroll and griffin supports, moulding and blue leather inserts.

The Government Gazette of September 28, 1888 advertises the acceptance of a contract of 276 pounds for the purchase of a "Pillar gasalier for Library, New Law Courts". The area under the dome was obviously found to be poorly illuminated and the purchase of the pillar light was approved. A table for the library had been approved in January and these two pieces of furniture were to complement each other.The gasalier pillar is of state significance as a unique survivor of gas light illumination. It is an important part of the interior decoration of the library, contributing to its intact 19th century furnishings.The gasalier has a blackwood base, with an elaborate serpentine brass fit out for the lighting with etched glass shades. The gasalier is topped by a small figure of an emu, on the lower finials are kangaroos. While originally designed for gas the gasalier was converted to electricy in the early 20th century.

This is the report prepared by the Royal Society of Victoria regarding the ill fated expedition of the explorers Robert Burke and William Wills in 1861. This volume appears to be Chief Justice Stawell's, the president of the Royal Society, personal copy.The report is rare, held by both the University of Melbourne and the State Library, as well as a few other libraries.Red leather bound report of the Exploration Committee (Burke & Wills Expedition). Gold lettering on front.Progress reports & Final Report of the Exploration Committee of the Royal Society of Victoria 1872 on front cover in gold lettering. As well as Library stamp.

These are 22 volumes of early English and French History translated from the Latin, French and Old English. The volumes were published in the early 19th Century, Redmond Barry purchased these from Guillaume, Colonial Bookseller, Chester Square, London for the Library.The books are in excellent condition and would be rare in Australian library collections.22 Volumes of Leather Bound books with gold embossing, illustrated.Historical Chronicles of English History, many titles, translated from the Latin, and the Old English and Old French.redmond barry, chronicle

Voltaire (1694-1778) is a famous and influential French philosospher. The library purchased the 70 volumes of his complete works in the middle of the 19th Century. This purchase was made by Redmond Barry from the London booksellers Guillaume.This a rare set of volumes in Australia in excellent condition.70 Volumes of leather bound books with gold embossing. Oeuvres de Voltaire, has Guillaume, the booksellers, bookplate.

These are 2 volumes of 16th Century legal tracts, for Justices of the Peace about how to conduct court business. They were purchased for the library in the 19th Century.Very rare. Unsure if other libraries in Australia hold a copy. Made more significant by the 16th Century owners with their autographs.2 Volumes of Leather Bound Books, with gold lettering. Has the stamp of the Library on the outside cover, stating the Colony of Victoria. Has a number of signatures, including that of Christopher Pym, from 1575christopher pym

These are the notebooks of Redmond Barry, made when he first arrived in the colony, covering the period 1839 into the early 1840s. They relate to the days when he was a barrister and appearing as an advocate in a number of cases. One volume is devoted to Barry's notes about his cases, the other a book of legal precdents that he was collecting and annotating.These volumes are of state significance, Barry's role in colonial Victorian History is an important one and these volumes relate to his early years in the colony.Two volumes of small leather bound books. Redmond Barry's Book of Cases and Book of Precedents. redmond barry