This container would have been used to transport a chemical, but appears to have been repurposed as a bucket for use at the battery complex. Cylindrical iron bucket with handle, painted yellow with green labelling"ICI" above two parallel wavy lines within a circle/"alfloi"/"trade mark"/"214" stamped in a rectangle/"Imperial chemical industries"/"of Australia and New Zealand limited"/"1 Nicholson Street, Melbourne"/"Net weight when packed"/"Batch No." /"Tare"/"5 LBS" (same on both sides)

This item is a bronze German MotherCross. The MotherCross was given to German mothers of pure Aryan heritage before and during World War Two. Adolf Hitler wanted to encourage population growth and keep the German mother at home. Mothers were awarded these crosses according to the number of children they had – gold crosses for eight or more children, silver for six or seven children and bronze for four or five children. The crosses were presented to mothers on 4th August, the birthday of Hitler’s mother and also on Mother’s Day. They could only be worn on special occasions around the neck on a blue cord with two white stripes. This German MotherCross is a bronze one and has on one side ‘Der Deutschen Mutter’ and on the other side ‘16 Dezember 1938’ and Adolf Hitler’s signature. The date indicates when the award was first instituted. There were at least 8 million recipients of the medal.The recipient and donor of this medal are not known but it is a very interesting and unusual memento of World War Two.This is a metal medal in the shape of a cross with a bronze ridged background in the shape of a rectangle. The cross is enamelled in blue and white and has a round bronze disc in the centre and lettering with a blue swastika on a white background. There is lettering on the back of the cross. A metal catch is attached to the top of the cross and remnants of a blue and white cloth cord are looped over the catch. One small fragment of the cord is detached. The medal is in a box which is not the original container. ‘Der Deutschen Mutter’ ‘16 Dezember 1938’ plus Adolf Hitler’s signature world war two, german mothercross

Small rectangle box (cigar box), with wooden roll, covered in copper wire,brass bar, with wooden peg which meets copper wire on roll, 2 metal pegs on outside of box, which could attach to power leads (could be crystal set) or something to do with early morse code transmission. There is a lever that can be disconnected from an electrical force, that could produce a morse code"EARTH" & "ARIEL" hand carved on one end "PHONES" (hard to decifier) on other endballarat, radio, inventions, inventor, ariel, crystal set, electricity, electronics

Greeting Card: Rectangle in shaped with a mauve velvet border. In the centre on a cream silk background is an ornate design with Scotch thistle and clasped male and female hands in a plastic like material. A heart painted in blue of Forget Me Not flowers and green leaves with 'DINNA FORGET' in silver. Has gold metal ribbon on the front. A ribbon is attached at the top for hanging. The back is made of card with slits for support. Box 625ephemera, mementoes, cards, greeting card, forget me not.

Cream card with a border of embossed mauve flowers and long, narrow green leaves. The bottom left corner is shaded mauve, fading as it gets to the top and right. Inside is an indented rectangle with 'Memory' printed in purple and gold and weaves its spell around our hearts to-day and thus we greet each other in both kindly thought and wish, printed in mauve. A mauve line border is around the edge.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Document: hard cover journal with green cover and buff spine and corners. Contains listing of applications received for leases ( type not specified ) in Bendigo area. LH page: number of application, date of receipt, name, postal address, parish. Rh page: allotment, section, area, recommendation and disposal. On spine in red rectangle ' Land Act applications received' Written on front cover in black ink: application register.Lands Office Bendigocottage, miners

Black leather covered camera, thin rectangle with curved ends (leather missing from one curved end). Concertina lens folds out by pressing button at the side, near film winder, and manually pulling the concertina section outwards. Inside the hinged concertina section there is a lens, view finder and shutter button Camera has a brown leather case of similar size and shape, with long carry strapCamera Case: M Gunn Numurkah Victoria hand written inside Camera: Kodak on outside / No 1a Autographic Kodak Jr. Made in USA Eastman Kodal & co Rochester NY on inside camera, expanding, concertina, kodak

This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and PozieresThis flag is connected to one of the two battalions that 5/6RVR derives its name.Flag in wooden frame on brown backing. The flag is a 6th Bn AIF colour patch( purple over red rectangles) with a large "B" barely visible after paint has been washed off . The flag itself is H 440mm x W 750mm A small card with "6 Battalion Royal Victoria Regiment" and RVR Badge printed on it and a hand written inscription is mounted below the flag.This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and Pozieres.6bn, aif, ww1, colour patch, wark vc club, flag

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The picking bag was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Picking bag known as 'Sacco'. The bag was used as a liner to the collecting bin in front of each of the 4 pickers on the picking machine. The bag was then hooked closed and held the leaf together for transport to the shed. Brown hessian woven length with 2 thick wires at 1 end hooked through 'bag' 100 mm from each side and hook on other end. Shaped in 1 rectangle rather than like a bag.Edges rough with wear and tear. A couple of holes where weave in 1 direction has torn.tobacco. picking bag. mongans bridge. kiewa valley. sacco. parmesan. rossaro. lorenzi brothers.

This book was produced as a gift for Australian soldiers and their families on the Western Front in 1917. In the introduction General Birdwood, Commander of the ANZACS, explained it was for ‘…those whom we left behind in Australia, and who we know are thinking of us, some idea of our surroundings on the battle fronts…’.This book is a significant contemporary record of life for the Australian soldiers on the Western Front during World War 11.Grey cardboard covered 128 pp book with black and red writing on cover. the title, "FROM THE AUSTRALIAN FRONT" is in black print at the top above a black drawn sketch of two soldiers behind a mound and holding bayonets. at the foot is XMAS. 1917 inside a red rectangle with the insignia of the Australian Army (the rising sun) at the top. It contains cartoons, illustrations and photographs created by the soldiers themselves and put together in the style of an annual. military book-from-the-western-front world-war-11

These medallions were issued after the First World war to the next-of-kin of all British and Commonwealth(Empire) service personnel who were killed as a result of the war. The plaques were made of bronze aand hence popularly known as the "Dead Man's Penny". James Pullar Cameron was killed at Lone Pine during WW1. James Pullar Cameron (Service No 605) enlisted in the 8th Light Horse at Orbost on September 11, 1914 aged 23 years 5 months. His medical was done by Dr James Kerr. He was 6 ft 1 in tall, 11 st 6 lbs, of dark complexion with dark eyes and hair and a chest measurement of 34 ½ / 38 inches. After training, he embarked the Armadale on February 12, 1915. He was shot in the chest at the Dardanelles on May 29, 1915 and taken aboard the HT Neuralia for transfer to Malta. He was admitted to the military hospital ‘Cootenara’ and after 10 days treatment, he re-embarked for Gallipoli aboard the HMT Southland on June 14, 1915. He returned to duty at Gallipoli on June 20, 1915. On August 7, 1915 he was killed in action. His body was not recovered. His name is on the memorial at Lone Pine. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.James Pullar Cameron was the son of Robert Cameron one of the earliest settlers on the Orbost flats. He was a trooper in the 8 Light Horse Regiment and died at Gallipoli on 7 August 1915.A bronze commemorative medallion in a wooden frame. The token has an image of Britannia holding trident and standing with a lion. The designer's initials E.Cr.P appear above the front paw. In her left outstretched hand she holds an oak wreath with the name James Pullar Cameron in a rectangle. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.Around the picture- He died for freedom and honour.ww1 gallipoli cameron medallion military

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Used for rectal examinations. Stainless steel. 2 parts. Shaped like a gun the handle of the hollow holder being at a rectangle. The connections are attached to a cone shape. The part that fits inside this holder is straight with a handle at one end, with a shield to stop it travelling into its holder too far.Then it continues as a rod, half way along which is another shield until the rod stops at a solid half cylinder. The handle of the 'rod' is rounded with 8 faces.medical equipment. hospital equipment. sigmoidascope. rectum. mt beauty. tawonga.

Patch work quilts were made by women to decorate a cot or bed and to use left over material. They were backed to increase the warmth of the bedding. It was a leisurely occupation sometimes done in the home or with a group. These two quilts are of a decorative nature using scrap material and do not have a theme or particular pattern to them. These two quilts were made by women in the Kiewa Valley and were hand stitched.1. Hand-made cotton patchwork of varying colours and shapes of squares and rectangles. Back by a flannel sheet of flowers on beige or blue background. Suitable for a cot. No filling and slightly damaged with a small tear. 2. Handmade cotton patchwork of a square whose sides have been extended with rectangular strips of material. The back is a coarse wool with a greenish tinge and thin colored strips along its length on the sides. Suitable for a cot. No filling.patchwork quilts, home sewing

The letters contained within this ledger provide an overview of correspondence which occurred around matters such as roadmaking and maintenanceProvides a detailed record of correspondence relating to engineering matters in the shire and surrounds and also a comprehensive list of organisations associated with this work.Dark blue watermarked cover with fawn suede binding and corners. Spine has three coloured rectangles with the following in each: Correspondence and reports, Country Roads Board and Shire of Warrnambool. There is an index at the front and the ledger contains copies of correspondence relating to roads, maintenance and infrastructure.Inserted in ledger is1) typed invoice from The Government of Victoria to Shire of Warrnambool for 1915/16, 2) Original of two pages showing list of contracts on Garvoc Laang Road. Arnall and Jackson, Engravers and Lithographers. Printers and Manufacturing stationers 478 Collins Street, Melbourne. No B 22065 23/09/14. warrnambool, warrnambool shire engineer, shire correspondence, crawley, road works, bridges, bitumen roads, 1914-1925, country roads board

The photograph shows the wreck of La Bella in Lady Bay, Warrnambool, Australia. It was probably taken on 11th November 1905, the morning after she was wrecked. “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St , Warrnambool, which operated between 1889 – 1919 . A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August, 1907, mentions that in that year Warrnambool would celebrate its 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” The subject of the painting, La Bella, has its own tragic story. Read on for further details … On November 10th, 1905, the Norwegian-built barquentine La Bella approached Warrnambool at the end of her 37 day voyage. She was carrying a cargo of timber from Lyttleton, New Zealand, in heavy seas and evening mist. (On its only other visit to Warrnambool a year earlier the master had gone to shore to find a tow. He returned to the ship to find the crew drunk and unwilling to take up their posts, even though the ship was dragging its anchors and in a dangerous position.) As Captain Mylius steered La Bella to Lady Bay Channel the ship was tossed onto its side by heavy breakers and ran aground on what is now known as La Bella Reef. The sea was so rough that it wrenched a one-and-a- half ton anchor from the vessel. Several attempts were made by parties of volunteers in lifeboats to rescue the stricken sailors, but the rough conditions made this difficult for the boats to get close enough to the ship and the parties had to return to shore. The La Bella’s crew became exhausted and sailors were being washed overboard, one by one. By sunrise only five of the twelve crew still clung to the wreck. A local fisherman, 25 year old William Ferrier, rowed his small dingy through the heavy seas and managed to rescue the captain, whilst the volunteer lifeboat crew rescued a further three sailors, returning to shore. Ferrier made a final attempt at rescue and was able to reach its stern as the conditions eased slightly, saving the last remaining, terrified sailor just before the ship broke up and sank. William Ferrier became a national hero as news of the daring rescue spread. He was awarded the Silver Medal for bravery by the Royal Humane Society and was honoured by the Prime Minister and the Governor. He was presented with several other awards for his daring rescue. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. The wreck now lies in 13m of water and is home to an abundance of marine life. Flagstaff Hill’s La Bella Collection includes a rail holder from La Bella, a photograph of William Ferrier with four of the five men rescued, a rail holder from the ship and the letter from the Prime Minister and other Members of Parliament that was sent to William Ferrier to commend him for his bravery. La Bella has been protected under the Commonwealth Historic Shipwrecks Act (1976) as a Historic Shipwreck since 23 April 1982 (VHR S401). It is archaeologically significant as the remains of an international and inter-colonial passenger and cargo ship. Flagstaff Hill’s collection of artefacts from the La Bella is of historical and archaeological significance because of its association with the La Bella, which is on the Victorian Heritage Register, and because of the relationship between the objects. The collection represents aspects of Victorian history, and the letter to William Ferrier demonstrates how important his rescue efforts were to Victoria and Australia. Black and white photograph of the wreck of the sailing ship La Bella in the bay at Warrnambool. The photograph shows the ship lying on its side in rough sea, with mast and rope rigging hanging loosely. Several large rocks are also visible. The photograph is a rectangle shape, mounted on heavy card, with slightly ragged edges. The photographer’s name, a title for the photograph and the location are hand written in white along the bottom third of the photograph. The back of the photograph is blank. Printed in white hand writing “Foyle”, “WRECK OF “LA BELLA”, “W’Bool”foyle, la bella, william ferrier, lady bay, lifeboats, lilian foyle, lillian foyle, charles foyle, james foyle, royal humane society medal, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village

Document. Greeting Cards. Cream coloured card with embossing. White rectangle in the centre withembossed border. Vines with green leaves, red berries and gold flowers twined around the words, red books and gold and dark grey lantern.To wish (printed in brown with gold highlights) you the old, old wish, (in red) A Merry Christmas, and a Bright New Year (printed in red and green.) The outer edges have rolled edges with gold highlights.person, greeting cards, malone collection, malone collection, greeting cards

On 13/8/1914 Red Cross was set up in Victoria as a branch of the British Red Cross. This coincided with the outbreak of WW1. Its initial remit was to supply comforts packages for soldiers. This expanded to the Voluntary Aid Detachments' (VAD) who cared for sick and wounded soldiers in hospitals or on transport ships. In 1929 the Red Cross Blood transfusion Service began. After WW11 it continued to expand into all domestic and overseas humanitarian operations. The Kangaroo Flat group was first mentioned in the newspapers in August 1915.Black and white rectangle photograph. Edges have been hand cut. Back has description written in blue pen and copyright stamp. Ladies Red Cross Kangaroo Flat 1961, Sitting - Mrs Browning, Mrs Mitchell Sec + Tres, Mrs E Lanyon 90 years of age, 47 years continuous service to Red Cross. Standing - Mrs V Ryan, Mrs Freestone, Mrs Barber, Mrs Dower. Written on back - names of the seven ladies in the photo. Stamp on back - Copyright Not for Reproduction Herald Sun Photography. Grey lead inscription and sticker, location to be changed Folder 20 to Box 949 1125kangaroo flat, red cross, 1960s

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

Wooden Ammunition Box with webbing & metal handles with metal spring lock clip. Canvas hinge painted brown. Webbing carry straps in 3 locations. Box assembled with wood and small nails. Inside box is a wood divider running length ways .Unpainted.side 303cc (in White), rectangle with 500 cartges,.303 ball, MF cc 9-4-52 MK7 (in Yellow) Governement Explosives W^D 6 six (in White) Opposite side; Tropic Treated Charger clips (inred/pink paint) 500 cartges/.303 Ball/MF cc 9-4-52/ MK7ammunition, 303, ball, 1952, mk7

This camera, known as the Manhattan Optical Cycle Wizard was made towards the end of the 19th century and the beginning of the 20th , when the pastime of photography was popular and people were also becoming more mobile. They were relatively cheap to buy and portable .An interesting item which shows the early mechanisms of cameras.Black rectangular hard cardboard and wooden case with a leather type covering. It has a leather strap handle attached with metal keepers. The bottom is hinged and opens to reveal the lens and other components of the camera which expand out when in use. The metal fitting on the inside are white metal. The top has an inner section which closes with two metal clips. It opens to reveal a rectangle of opaque glass held in place with two small metal clips.Cycle Wizard Manhattan optical co. N Y. Bausch & Lomb Opt Co Pat Jan 8 . 91.black cycle wizard, wizard camera, warrnambool history

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's scarf, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The rectangle of lined coarse white fabric is slightly flared at the ends, which are finished with a white twisted cotton fringe. Three cross symbols, one at each end and one in the centre, have been handworked in white ribbon with gold-coloured edging and gold embroidery in the form of rows of small crosse.. Three embroidered symbols [ribbon cross with gold-coloured borders and small gold coloured crosses along the arms]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, embroidered, applique, cross symbol, priest's scarf

This type of butter mould was used by rural families in the Kiewa Valley to fashion/shape home/farm made butter either for domestic use or to sell locally.Kiewa Valley was a dairying district with many farms in remote locations especially before the State Electricity Commission of Victoria built the Kiewa Hydro Electric Scheme from the 1940's. This pair of butter pats have been crafted from wood. One has one side with grooves running from the handle to the tip of the rectangle. the other side is smooth. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled. The second pat is longer and wider without grooves along the handle. This one also has 3 arrows on the handle pointing down towards the handle end and isn't bevelled. 3 arrows.kiewa valley. butter pat. farm produce. domestic produce. dairy. farms

A cavalcade of events with the Australian Services from 1788-1846 A collection of short stories and experiences of service.Personal recounts by service men and women.As You Were 1946 A cavalcade of events with the Australian Services from 1788-1946 Inside front and back pages are green and black illustrations with the words ' Ye who come after them forget not their sacrifice, claim as your heritage a portion of their spirit and in peace or in war take up their sword of service, so shall the living and the dead be for all time be bound in one fellowship. Green hardcover with yellow text 'as you were!' Below is a rectangle with 3 servicemen and 1946.To the memory of fallen comrades. ' They gave their lives. For that public gift they received a praise which never aged and a tomb most glorious - not so much the tomb in which they lie, but that in which their fame survives, to be remembered forever when occasion comes for word or deed'royal australian navy, royal australian air force, royal australian army.

Illustration. Taken and cut from a book. Black and White rectangle image on off white paper. Portland from Barton's Beach, looking north west. Panoramic view in background of Portland's town with original buildings. All Saints Catholic Church with spire recognisable. Pier in the Middle right with various structures and a docked ship with sails. Bottom left 3 people launching two canoes at the beach. Wattle Creek or Salt Creek with bridge structure on the middle left. Front: 'VIEW OF PORTLAND' - printed, bottom frame. Signature 2cm in from the left corner of the frame 'CALVERT. SS'portland, bartons beach, portland bay

Conservation work of sills - see notes in object file.Two windows, composed of three panels each, arranged vertically. The top and bottom panels of each window are composed of six square glass sections depicting line drawings and figurative depictions in a range of different styles. The centre panels have eight square sections, with similar styles and motifs. A double border of shades of blue in small rectangles surrounds the central sections, which are in shades of yellow, with central rectangular glass in green. Clear glass panels are set on either side of windows.

Greeting Card: Rectangle shaped Forget Me Not Christmas Greeting Card with green velvet cover. A Cream coloured moulded plastic like material fan shaped over a cream padded fan shaped silk material. 'Forget Me Not' is inscribed and has a cream ribbon woven through the fan. Painted flower across the front. Small metal lace work is in the left hand corner. The back is card with Christmas 1898' hand written. Back is torn. Box 625.ephemera, mementoes, christmas, christmas greeting card

Document. Malone Collection. Small pale green card with gold border with a fine black line top, bottom and right side. A brown circle with gold inner and outer borders and gold bells and ribbon at the top. It has a scene with a house, flowers, tree and a red sky inside it. Underneath is a gold rectangle with 'Happiness (printed in red) be yours from day to day printed on it. On the right is a pink rose with stems and green leaves. On the left is a line drawing of stems and leaves.Raphael Tuck & Sons, Limitedperson, greeting cards, malone collection, malone collection, greeting cards

Object: Enclosed in envelope: Death brooch of Elizabeth Lansell. Rectangular brooch, black enamel engraved with gold scroll work. Brooch has lock of hair enclosed in clear rectangle in centre of brooch. Engraved on back : E. Lansell, died Feb. 26th. Aged 88 yrs. Written on front of envelope in pen: Born Elizabeth Rammell 1769 Married William L. Elizabeth Lansell's death brooch she was our great, great, great, great, grandmother.E. Lansell, died Feb 26th. Aged 88 yrs.personal effects, fortuna, family history, bendigo, fortuna, lansell, elizabeth lansell