This bottle containing antiseptic and germicide was used by the State Electricity Commission workers on the Kiewa Hydro Electric Scheme for applying first aid as they worked in remote country. Historical: Shows the development of medicine used in first aid. Provenance: Used by the S.E.C. workers in remote areas of the Kiewa Hydro Electric Scheme.Small brown glass bottle sealed with a broken cork and has a yellow label with red writing on the front. On the back is embossed 'Poison' with each side embossed with small crosses in 3 rows - to indicate / emphasise it's poison. The bottle has 3 sides of a rectangle with the fourth side including 3 more sides. Two sides on an angle and attached to the back. Embossing on the base.Front - label: Includes - State Electricity Commission / of Victoria / 'Proflavine Lotion / 1 - 1000 / A Powerul Antiseptic / and Germicide / Poison' / - an effective First Aid Dressing / apply freely on gauze, cover with / absorbent cotton and bandage.' Back: 'Poison' with 3 rows of 'x' on either side. Base: 'Common Seal 4 / M452 / M' medical, state electricity commission of victoria, first aid, proflavine lotion, poison

The artefact is a damaged brass cow bell recovered from the 1878 shipwreck of the LOCH ARD near Port Campbell. It was raised by Flagstaff Hill divers in 1973 and is in storage at the Maritime Village. The LOCH ARD was constructed on the Clyde in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman and one young female passenger. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” From this array of objects on the ocean floor emerged the humble brass cow bell. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron).This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. It was included in the cargo of the Loch Ard. Its significance is increased by being one of a collection of artefacts recovered by the Flagstaff Hill Divers from the wreck of the Loch Ard in the early 1970s. Items that come from several wrecks along Victoria's coast have also been recovered for Flagstaff Hill Maritime Village’s museum collection under a Government permit, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.Cow bell; a small brass bell, blunt-wedge shaped. The sides expand outwards from the smaller rectangular roof of the bell to a larger open rectangle or bell mouth. The handle, now missing, was fixed in two places at the top. A neat half-circle piece has been cut from the base on a long edge. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, eva carmichael, mutton bird island, loch ard gorge, brass cow bell, colonial cow bells, 1878 shipwreck, shipwreck artefact, flagstaff hill divers, cow bell

Scales such as the subject item were used to measure commercial quantities, possibly grains and farm produce for quite large amounts of product. Bags of grain etc would have been hooked up and weighed. Salter has been a name long associated with weights and measures. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands.  Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011.Scale, Salter's improved spring balance, warranted. Brass and iron. Weighs 0 to 60LBS. Long rectangular brass instrument with ring attached to top and hook attached below. Centre of rectangle has long vertical slot with short, horizontal bar that slides down the slot when an object is suspended from the hook, showing its weight on the numbered scale beside the slot.Marked ""SALTER'S IMPROVED SPRING BALANCE"" and "WARRANTED". Weighs 0 to 60LBS. flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale

Scales such as the subject item were used to measure commercial quantities, possibly grains and farm produce for quite large amounts of product, also in a domestic situation. Bags of grain or other dry goods would have been hooked up and weighed. Salter has been a name long associated with weights and measures. The firm began life in the late 1760s in the village of Bilston, England when Richard Salter, a spring maker, began making the first spring scales in Britain. He called these scales "pocket steelyards", though they work on a different principle from steelyard balances. By 1825 his nephew George had taken over the company, which became known as George Salter & Co. George later established a manufacturing site in the town of West Bromwich, about 4 miles (7 km) from Bilston. West Bromwich Albion football club was formed from workers at this works site. From here the company produced a wide variety of scales including the UK's first bathroom scales. Other items were added to the range, including irons, mincers, potato chippers, coin-operated machines and the first typewriters made in the UK. The business thrived throughout the 1900s, and by 1950 it employed over 2000 people, still in the same area and owned by the same family.Salter is a British housewares brand developing products that span a wide range of core product categories, including scales, electrical, cookware. It is a market leader in kitchen and bathroom scales and one of the UK’s oldest consumer brands.  Established in 1760, Salter has been developing precision products for over 260 years. It was acquired by Manchester-based consumer goods giant Ultimate Products in 2021 after they had previously licensed the brand for cookware and kitchen electrical since 2011.Scale, Salter's improved spring balance, warranted. Brass and iron. Weighs 0 to 25LBS. Long rectangular brass instrument with ring attached to top and hook attached below. Centre of rectangle has long vertical slot with short, horizontal bar that slides down the slot when an object is suspended from the hook, showing its weight on the numbered scale beside the slot.Marked ""SALTER'S IMPROVED SPRING BALANCE" "Number 2". Weighs 0 to 25LBS. flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, salter balance scale, weight measuring scale, weighing dry goods, domestic object, kitchen scale, measure, weigh, measure ingredients, food preparation

The cadastral Parish of Coimadai, a subdivision of the County of Bourke, lies directly north of the township of Bacchus Marsh. The date of this map is uncertain. T.F. McGauran the person who made a photo-lithographic copy of the map was in charge of photo-lithography at the Victorian Department of Lands and Survey in the late 19th century until about 1910.A single page paper map showing the map for the Parish of Coimadai in the County of Bourke. A cadastral map showing parish boundaries and land ownership. A rectangle shaped area is missing from the centre of the map due to a tear or deliberate excision. The map is pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. Photo-lithographed at the Department of Lands and Survey, Melbourne by T.F. McGauran 26.8.[??] NOTE. Photo litho from L.P showing temporary surveys and occupation of land prepared for departmental use onlybacchus marsh region parish plans, coimadai parish maps, coimadai parish plan

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.A circular cream coloured clock face with black roman numerals and hands, surrounded by gold trim and mounted on a dark brown wooden base. The back has a hollow section for batteries and a brass loop to hang on a wall. Mounted on the clock face is an eight centimetre by two centimetre black rectangle with "Presented to NDSN with appreciation School 98 June 1984" in cooper plate writing.ndns, wall clock, ndsn school 98

Used by Warrant Officer Class One Greg Westhead while he served in Bosnia. Refer to Cat No. 1496.7, 910.2, 7465.Cartoon image of a hand holding a detonator and a blast on the front cover. Drawing is mainly black and white, but a small amount of brown is present. All text on front is white except for title. Back cover is blank. About 35 pages long, detailing how to work with explosives. Inside many cartoon images providing visual aids to the instructions. Rectangle shaped book of medium size.Front cover in black: "BREACH OBSTACLES WITH EXPLOSIVES" . Front cover on detonator: "BLASTING MACHINE" . Front cover, bottom right: "GTA 5-11-16 FEBRUARY 1981 TO BE USED WITH ARTEP TASK # 7-3". book, guide, cartoons, explosives, greg westhead

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42

This commemorative plaque refers to the religiously themed window situated in the western (weather) wall of the St. Nicholas Mission to Seamen’s Church building in the Flagstaff Hill Maritime Village. It was crafted circa 1928. ABOUT THE WINDOW The window, to which this plaque belongs was once known as the Dr Connell Memorial Window, which was a feature of an external wall adjacent to the Women’s Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. A paragraph in the book ‘A History of the Warrnambool Base Hospital’ by Forth and Yule describes the role of the Honorary Doctors - “At the start of the period the senior-part time medical officer was replaced by the junior resident medical officer and control of beds and the right to operate were given to the honorary medical officers...and these men dominated the Warrnambool medical world in the years before the Second World War.” Dr. Connell leased ‘Ambleside’, 192 Koroit Street, in the early 20th century, following Dr Teed who had previously run his medical practice there. In 1914 Dr Connell purchased the property and continued his private practice there until his death in 1928. He also took a prominent part in hospital work, both as physician and surgeon, and often acted as spokesmen for the Honorary Doctors. According to colleague Dr. Horace Holmes’ subsequent notes, it was after the close of the First World War, and the following years of the world-wide pneumonic influenza epidemic, that Dr. Connell himself contracted pneumonia and died. His family and friends then recognised his work by gifting the memorial window in his honour to the Hospital. By the mid-1970s the old wards at the hospital had been replaced and there was no obvious place for the window. Discussions between the previous and past Hospital managers, the Anglican Diocese, and Flagstaff Hill Planning Board, led to its installation in its present position in St Nicholas Seamen’s Church. It was installed without the bottom section of stained glass, which was inscribed as a memorial to Dr. Connell. St NICHOLAS SEAMEN’S CHURCH, Anglican Church Flagstaff Hill’s Mission to Seamen was opened in 1981. Its conception was partly motivated by the offer of Stained Glass Memorial Windows from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960’s and early 1970’s. The Manager/Secretary at the time was keen to see the historical windows installed in an appropriate location. The chapel was designed by a local architectural draftsman in conjunction with members of the Planning Board of Flagstaff Hill, and built by Mr Leon Habel. The vision of the designers included the hope that the church be used for formal worship such as weddings and funeral, and for multi-denominational special services such as War commemorations. The design is based on the ‘Mission to Seamen’ buildings in both Portland and Port Melbourne. These types of buildings were often erected to house social and worshipful activities for seamen. The materials used in the building include sandstone recycled from nineteenth-century buildings demolished in Warrnambool and American slate tiles retrieved from the 1908 wreck of the FALLS OF HALLADALE. Most of the chapel furnishings came from the Williamstown Missions to Seamen, which was consecrated in 1946 but later decommissioned. These artefacts range from the altar cloth to the hymn board and include a visually stunning round stained glass widow called ‘Christ Guiding the Helmsman’. However the provenance of this particular artefact, large western window, is local.This plaque is significant because of its association with stained glass memorial window is of local, historical and social significance, linking local history and heritage with one of Warrnambool's doctors, Dr. Egbert John Connell (d. 1928), who gave 30 years of dedicated, medical service to the local citizens.Plaque, opaque, pale green glass rectangle mounted on white timber board and held in place with six decorative silver coloured clasps. Five rows of printed, capitalised text are fixed on the top surface. The plaque is companion to the commemorative, stained glass window installed in the St. Nicholas Mission to Seamen's Church at Flagstaff Hill. (The window was previously known locally as the Dr. Connell Memorial Window.)"A TRIBUTE TO / EGBERT JOHN CONNELL, M.B.B.S. / WHO FOR 30 YEARS RENDERED DEVOTED AND / VALUABLE SERVICE TO THIS INSTITUTION / OBIIT APRIL 4th 1928, A.D."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chapel window, stained glass window, warrnambool and district base hospital, st nicholas mission to seamen’s church, williamstown mission to seamen, dr egbert connell, ambleside warrnambool, leon habel builder, falls of halladale slate, memorial window, commemorative window, dr connell, commemorative plaque, plaque, edgar mcconnell

Document. Malone Collection. Small white card with narrow raised edge. Towards the left is a silver rectangle with a white and green inner and a bunch of small blue flowers. On the bottom left is a small spray of small blue flowers. On the right is small blue flowers and silver dots twining to the bottom of the card. Inside the top of the flowers (printed in silver) is: Sent in all Sincerity to Greet You.person, greeting cards, malone collection, malone collection, greeting cards

"Stuka" game sent by German Red Cross to children interned in Camp 3Children's board game. Board numbered 1 - 88. 1 blue, 1 yellow, 1 purple, 1 black, 1 green, 1 red counter. Each counter has an aeroplane imprinted in silver. Box to hold packaged game red in colour with rectangle picture depicting 8 planes over a bombing site "Stuka das Packende Kampffliegerspiel" with cardboard insert.children, board game, german red cross, drescher, camp 3, tatura, ww2 war camp 3, toys, games, stuka

Leather covered camera, thin rectangle with curved ends (leather missing from expanding section). Concertina lens folds out by pressing button at the side, near film winder. Inside the hinged concertina section there is a lens, view finder and shutter button Camera has a leather case with long carry strap of similar size and shape. Original instruction manual inside carry caseCamera Case: E J Berry Bunyip Gippsland hand written inside Camera: Kodak on outside / No 1 pocket Kodak Series 2 Made in USA Eastman Kodal & co Rochester NY on inside

Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of COG Bendigo 2011 - 2012. These name badges would have been worn during official events, such as council meetings. Three name badges worn by Alec Sandner while serving on the Shire of Strathfieldsaye Council. All three badges are metallic with the circular Shire coat of arms above a rectangle name plate. The coat of arms are represented in full colour, name and titles are printed in black. 0146.1 Mr. Alec Sandner 0146.2 Cr. Alec Sandner 0146.3 Cr. Alec Sandner / Shire Presidentsandner collection, mayor alec sandner, helen sandner, shire of strathfieldsaye, president of strathfieldsaye shire, city of greater bendigo mayor

The drawing shows all the activity and building roles involved in building a bridge in 1877. The crossing of the Murray River was very important to citizens living in both Echua, but especially those living in Moama and in further NSW regions as it provided them with access to Victorian market regions. The bridge was built privately for Deniliquin farmers, but eventually opened up to the general public.This is significant because it represents the roles of different tradesmen in the construction industry in the late 19th Century. It also shows construction stages . Bridge pylons are being inserted into the fiver banks. It is also a very well produced drawing, the artist is anonymous, but very skilled.A photograph of a drawing of the construction of the bridge crossing the Murray River in 1877. The picture shows surveyors, construction workers, crane operators, hoists and a crane and much activity.Written on the back in pen are the numbers 6530. In pencil are the numbers 61/8"? and 10"?. Stamped on the back is a small rectangle with the words 'COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editot of "The Age" 250 Spencer Street Melbourne, and 39/41 York St., Sydney.' written inside it.bridge works, murray river crossing, moama, echuca, orm cook collection, 'the age' newspaper., deniliquin farmers, engineering, bridge building, pylons, 1877

This container would have been used to transport a chemical, but appears to have been repurposed as a bucket for use at the battery complex. Cylindrical iron bucket with handle, painted yellow with green labelling"ICI" above two parallel wavy lines within a circle/"alfloi"/"trade mark"/"214" stamped in a rectangle/"Imperial chemical industries"/"of Australia and New Zealand limited"/"1 Nicholson Street, Melbourne"/"Net weight when packed"/"Batch No." /"Tare"/"5 LBS" (same on both sides)

This item is a bronze German MotherCross. The MotherCross was given to German mothers of pure Aryan heritage before and during World War Two. Adolf Hitler wanted to encourage population growth and keep the German mother at home. Mothers were awarded these crosses according to the number of children they had – gold crosses for eight or more children, silver for six or seven children and bronze for four or five children. The crosses were presented to mothers on 4th August, the birthday of Hitler’s mother and also on Mother’s Day. They could only be worn on special occasions around the neck on a blue cord with two white stripes. This German MotherCross is a bronze one and has on one side ‘Der Deutschen Mutter’ and on the other side ‘16 Dezember 1938’ and Adolf Hitler’s signature. The date indicates when the award was first instituted. There were at least 8 million recipients of the medal.The recipient and donor of this medal are not known but it is a very interesting and unusual memento of World War Two.This is a metal medal in the shape of a cross with a bronze ridged background in the shape of a rectangle. The cross is enamelled in blue and white and has a round bronze disc in the centre and lettering with a blue swastika on a white background. There is lettering on the back of the cross. A metal catch is attached to the top of the cross and remnants of a blue and white cloth cord are looped over the catch. One small fragment of the cord is detached. The medal is in a box which is not the original container. ‘Der Deutschen Mutter’ ‘16 Dezember 1938’ plus Adolf Hitler’s signature world war two, german mothercross

Small rectangle box (cigar box), with wooden roll, covered in copper wire,brass bar, with wooden peg which meets copper wire on roll, 2 metal pegs on outside of box, which could attach to power leads (could be crystal set) or something to do with early morse code transmission. There is a lever that can be disconnected from an electrical force, that could produce a morse code"EARTH" & "ARIEL" hand carved on one end "PHONES" (hard to decifier) on other endballarat, radio, inventions, inventor, ariel, crystal set, electricity, electronics

Greeting Card: Rectangle in shaped with a mauve velvet border. In the centre on a cream silk background is an ornate design with Scotch thistle and clasped male and female hands in a plastic like material. A heart painted in blue of Forget Me Not flowers and green leaves with 'DINNA FORGET' in silver. Has gold metal ribbon on the front. A ribbon is attached at the top for hanging. The back is made of card with slits for support. Box 625ephemera, mementoes, cards, greeting card, forget me not.

Cream card with a border of embossed mauve flowers and long, narrow green leaves. The bottom left corner is shaded mauve, fading as it gets to the top and right. Inside is an indented rectangle with 'Memory' printed in purple and gold and weaves its spell around our hearts to-day and thus we greet each other in both kindly thought and wish, printed in mauve. A mauve line border is around the edge.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Document: hard cover journal with green cover and buff spine and corners. Contains listing of applications received for leases ( type not specified ) in Bendigo area. LH page: number of application, date of receipt, name, postal address, parish. Rh page: allotment, section, area, recommendation and disposal. On spine in red rectangle ' Land Act applications received' Written on front cover in black ink: application register.Lands Office Bendigocottage, miners

Black leather covered camera, thin rectangle with curved ends (leather missing from one curved end). Concertina lens folds out by pressing button at the side, near film winder, and manually pulling the concertina section outwards. Inside the hinged concertina section there is a lens, view finder and shutter button Camera has a brown leather case of similar size and shape, with long carry strapCamera Case: M Gunn Numurkah Victoria hand written inside Camera: Kodak on outside / No 1a Autographic Kodak Jr. Made in USA Eastman Kodal & co Rochester NY on inside camera, expanding, concertina, kodak

This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and PozieresThis flag is connected to one of the two battalions that 5/6RVR derives its name.Flag in wooden frame on brown backing. The flag is a 6th Bn AIF colour patch( purple over red rectangles) with a large "B" barely visible after paint has been washed off . The flag itself is H 440mm x W 750mm A small card with "6 Battalion Royal Victoria Regiment" and RVR Badge printed on it and a hand written inscription is mounted below the flag.This flag was carried by B Coy and flown over the company HQ at all locations occupied by BCoy, including Gallipoli, Ypres and Pozieres.6bn, aif, ww1, colour patch, wark vc club, flag

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The picking bag was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Picking bag known as 'Sacco'. The bag was used as a liner to the collecting bin in front of each of the 4 pickers on the picking machine. The bag was then hooked closed and held the leaf together for transport to the shed. Brown hessian woven length with 2 thick wires at 1 end hooked through 'bag' 100 mm from each side and hook on other end. Shaped in 1 rectangle rather than like a bag.Edges rough with wear and tear. A couple of holes where weave in 1 direction has torn.tobacco. picking bag. mongans bridge. kiewa valley. sacco. parmesan. rossaro. lorenzi brothers.

This book was produced as a gift for Australian soldiers and their families on the Western Front in 1917. In the introduction General Birdwood, Commander of the ANZACS, explained it was for ‘…those whom we left behind in Australia, and who we know are thinking of us, some idea of our surroundings on the battle fronts…’.This book is a significant contemporary record of life for the Australian soldiers on the Western Front during World War 11.Grey cardboard covered 128 pp book with black and red writing on cover. the title, "FROM THE AUSTRALIAN FRONT" is in black print at the top above a black drawn sketch of two soldiers behind a mound and holding bayonets. at the foot is XMAS. 1917 inside a red rectangle with the insignia of the Australian Army (the rising sun) at the top. It contains cartoons, illustrations and photographs created by the soldiers themselves and put together in the style of an annual. military book-from-the-western-front world-war-11

Illustrated book with light blue cover. Title and author's surname, along with an illustration of a "Florence Nightingale' lantern (as used in the Crimean War) are printed in dark blue on front cover. An identical illustration of a lantern is also printed in dark blue ink on the back cover. Title and author's name are printed in white ink on dark blue rectangles on spine, the edition and publisher's name are printed in dark blue ink on the spine alsonon-fictionA history of the care of the sick from the times of primitive man, through the centuries upto the 1960'snursing-history

At the turn of the 20th century cigarette smoking was widely adopted, and elegant smoking accessories became a necessity and items such as this desk dispenser became a popular trend for fashionable men and women. Evidence of trends in the early 1900s.Rectangle metal cigarette dispenser mounted offset on a dark green painted timber base. The tin slides up on an inlay wall rail allowing the tin to slide up and down but not come of the wall. Tin lid is removable to allow the container to be filled The inside internal walls of the tin are angled so that when the tin is lifted it pushes a cigarette into the inset holder to dispense a cigarette. Bottom of the base is lined with green felt.On the top of the lid: 'Cigarettes' in script font.cigarettes, smoking, tabacco, trends

These medallions were issued after the First World war to the next-of-kin of all British and Commonwealth(Empire) service personnel who were killed as a result of the war. The plaques were made of bronze aand hence popularly known as the "Dead Man's Penny". James Pullar Cameron was killed at Lone Pine during WW1. James Pullar Cameron (Service No 605) enlisted in the 8th Light Horse at Orbost on September 11, 1914 aged 23 years 5 months. His medical was done by Dr James Kerr. He was 6 ft 1 in tall, 11 st 6 lbs, of dark complexion with dark eyes and hair and a chest measurement of 34 ½ / 38 inches. After training, he embarked the Armadale on February 12, 1915. He was shot in the chest at the Dardanelles on May 29, 1915 and taken aboard the HT Neuralia for transfer to Malta. He was admitted to the military hospital ‘Cootenara’ and after 10 days treatment, he re-embarked for Gallipoli aboard the HMT Southland on June 14, 1915. He returned to duty at Gallipoli on June 20, 1915. On August 7, 1915 he was killed in action. His body was not recovered. His name is on the memorial at Lone Pine. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.James Pullar Cameron was the son of Robert Cameron one of the earliest settlers on the Orbost flats. He was a trooper in the 8 Light Horse Regiment and died at Gallipoli on 7 August 1915.A bronze commemorative medallion in a wooden frame. The token has an image of Britannia holding trident and standing with a lion. The designer's initials E.Cr.P appear above the front paw. In her left outstretched hand she holds an oak wreath with the name James Pullar Cameron in a rectangle. His memorial plaque has a wide H and a number behind the back paw of the lion, indicating that this plaque was made at the Acton Factory, one of the later ones cast there.Around the picture- He died for freedom and honour.ww1 gallipoli cameron medallion military