Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli

This is part of a contemporary traditional costume worn by males in parades and theatre productions these days, however worn by soldiers in battle during war times in Greece in the 18th - 19th centuryThis is a jacket for boys that is worn as part of the six piece traditional costume. It is navy blue in color and has gold and silver embroidery along the edges. It has silver buttons and a silky orange liningcostume, jacket, tsiolia, τσολιάς, στολή

Stathi Raftopoulos was a promoter and enthusiast of Greek and English cinema and entertained many guests screening films at his home cinema. He was also an avid collector of film memorabilia. A coloured photograph of a man standing behind a film projector in his home cinema. Posters are on the wall in the background.Written on the back: 520/28Afilm projectors

Bugles have been used for hundreds of years for communicating instructions, particularly in battles, and announcements such as calls to assemble and various other routines of the day, particularly for infantry and military units. This pure silver bugle was presented to the Warrnambool Rifle Volunteers by Lady Helpman, on behalf of the Ladies of the District of Warrnambool, on June 18th, 1861. Lady Helpman's husband, Captain Benjamin Franklin Helpman, was Warrnambool Harbour master. The gift of this silver bugle was presented to the commanding officer of the Warrnambool Volunteer Rifle Corps, Captain Bushe, who then passed it on to the Warrnambool Volunteer Band. On 11th August 2016, during a ceremony at Flagstaff Hill, the Australian Army handed over custodianship of two very significant historical items the 1885 W. Clarke Trophy and the 1861 Warrnambool Ladies Silver Bugle to Warrnambool City Council, for display at Flagstaff Hill Maritime museum, both heritage listed items are strongly connected to the city of Warrnambool and form an integral part in the history of the Warrnambool Garrison.The Silver Bugle is locally significant to the community of Warrnambool for its connection to the Warrnambool Volunteer Rifle Corps., which formed part of the original Warrnambool Garrison to protect the Warrnambool Harbour. The site of the 1888 Warrnambool Garrison and Fortifications is Victorian State Heritage-listed is significant for its intact and operational nature and is one of the best-preserved pieces of Victoria's early colonial heritage. Silver alloy Bugle, with brass mouthpiece, a long tube of metal, narrow at the mouth end and gradually flaring to a wider at the bell shape at the other end. The tube is shaped into 3 bends. The front of the bell has an elaborate design of a ribbon banner attached above an oval floral wreath enclosing an inscription. The outer rim of the bell has an impressed ancient Greek geometric border.On ribbon banner “Armed for the Right”. Within the wreath “TO THE / WARRNAMBOOL / VOLUNTEER RIFLE COMPANY / this tribute of due appreciation / is presented by / THE LADIES / of the District / Warrnambool 18th June / 1861”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, silver bugle 1861, bugle musical instrument, lieutenant benjamin helpman, doctor breton, captain bushe, bugler corrigan, drill instructor bernard, warrnambool volunteer rifle corps 1861, statistics of warrnambool volunteer rifle corps 1861, warrnambool volunteer rifle company, warrnambool rifle volunteers, warrnambool volunteer band, armed for the right, wall’s family hotel warrnambool, warrnambool garrison, volunteer corps

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's dancing costume apron, red velvet with embroidery along outside. Red lining. Part "C" of a 4 piece costume.girl, dancing, costume, apron, βλαχοπούλα, ποδιά, greek, plutarch, στολή

The full costume used traditionally by girls in the 16th to 19th century AD. In Australia used by Thessaloniki Association “The White Tower” in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Yellow girl's dancing costume scarf, triangular in shape, silk with gold and silver embroidery around top. Part "D" of a four piece costume.girl, dancing, costume, scarf, βλαχοπούλα, κασκόλ, greek

The photograph was taken at the wedding of Poppy Lekatsas and Floros Demetriades at the 'Evangelismos' Greek Orthodox Church in East Melbourne on 19th April 1936. The photograph is an excellent image of the interior of the church at that time. Along with baptisms, the wedding ceremony (which also incorporates the betrothal) is a very important occasion within the Orthodox community. The service is rich with symbolism. The Evangelismos Greek Church is the oldest Greek church in Melbourne, established in the early 1900s. A copy of an original photograph of a wedding ceremony which took place at 'Evangelismos' church. The photograph is surrounded with a wide black border and part of the RH corner has been cut off in the reproduction. lekatsas, poppy, evangelismos church, demetriadis floros

Some Ithacans after arriving in Australia settled in and around Mildura and opened businesses there. The people in this image were Greeks who had settled in that area in the early decades of the twentieth century.A black and white photograph of a group of people standing in a suburban street with three weatherboard cottages in the background. Some of the people are seated in two horse- drawn carriages. There is a white frame around the photograph.Written in white on the image: 18/4/1920

The Australian passport was issued to Kalypso Sofianos when she made her first and only return trip back to Greece in 1973. She arrived in Australia from Ithaca in 1936. It took many years for the Ithacans who had settled in Australia between the two world wars to be able to return to the country of their birth for a number of reasons. Many of them arrived in Australia prior to or during the Great Depression and struggled to establish themselves financially. Overseas travel was slow and expensive. World War 2 also prevented travel and Greece was an occupied country during those grim years. It wasn't until the late 1950s that some of them were able to make their journey back to their beloved Ithaca. Many never returned. A scannned copy of the first page of and Australian Passport which contains important personal details of the passport holder including a photograph.

The five women photographed with were travelling to Greece by ship and are picture with the captain. On the left are Athena Sikiotis, her mother Chrisoula Sikiotis (nee Kallinikos) and cousin Penelope Kallinikos (Billiter). The 1960s saw more and more first and second generation Ithacans travelling to Greece to visit the island to reunite or meet family. Up until the 1970s travel to and from Europe was mainly by ship and took around one month. During the 1970s air travel gradually became the norm. A black and white photograph of five women standing in a line with a man who is wearing naval uniform.

The photograph is taken following the baptism of Marietta Paizis, the daughter of Gerasimos and Penelope Paizes, took place in an Anglican Church in Mildura with the Orthodox priest conducting the service. This was common practice amongst the Greek community in Mildura during the first half of the twentieth century as there was no Orthodox Church in the town. The priest travelled from Melbourne to conduct special family services for the Greek community in Mildura and other regional towns in Victoria. It is possible that there was more than one baptism during the service to take advantage of the priest attendance in Mildura. Marietta was the daughter of Maintaining traditional customs and ceremonies has always been important amongst the Greek immigrants who settled in Australia. Although the majority of Ithacans and other Greeks settled and established businesses in Melbourne during the first half of the twentieth century, some settled in regional towns throughout Victoria. Ithacan settlement in Mildura dates back to the early 1900s. A black and white photograph of a group of people standing outside a church. Three adults holding their babies are standing in the front of the group. Everyone in the group is smartly dressed suggesting that the photograph was taken to celebrate a special occasion.

Interior wooden Staircase and Balustrade, patterned in squares floor covering, mat at foot of staircase. Greek Frieze on wall. Patterned and plain Runner up staircase. Distinctive shading on railings of balustradeWooden Staircase and Balustrade in hall of Glen Isla Homestead.local history, photography, photographs, slides, film, buildings, historic, interior staircase of glen isla homestead, black & white photograph, mrs emma anderson jacobs

History of Women's Costumes - covers ancient Greek/Roman/Britain/Saxons/Normans, spans from 12th to twentieth centuries. Costumes for various types of occasions, including headwear, handbags and shoes.Hard cover book "History of Women's Costume" by Marion Sichel. Green background on cover with four drawings of models in historic costumes.Costume Reference History of Women's Costume Marion Sichelhistoric costumes

The Merbein shops were originally owned by Spiros Raftopoulos (Levendi) who migrated from Kolieri, Ithaca, Greece. The family conducted a business in Merbein during the 1930s before relocating to Melbourne.Some Greeks who migrated to Australia during the first half of the twentieth century settled in larger country towns throughout regional Victoria.A coloured photograph of the exterior view of a group of single storey shops with a verandah across the front of the buildings. The words 'Beauty Salon' and 'The Family Shoe Store' are written across the top of the verandah awnings. A white sedan is angle-parked outside one of the shops.

The Greek Community from the eastern suburbs of Melbourne established a scout group in Box Hill. The group functioned until the late 1980s. The photograph was taken when the Governor came to inspect the group. Sotiri Sikiotis, former Treasurer and Honorary Life Member of the Ithacan Philanthropic Society was actively involved in Melbourne's Greek scout movement and was on the committee of the first Melbourne 1st Greek Scout Group.A coloured photograph of a guard-of-honour comprising of a scout group being inspected by a visiting dignitary .

This is a photograph of Anastasi and Thalia Papadopoulos (Pappas) on their wedding day in Melbourne 1927. They were the parents of Irini Pappas who was a well known actor in both Greek and Australian theatre and television productions.A sepia studio photograph of a bride and groom taken on their wedding day.

Speros Defteros represented Greece at the 1956 Melbourne Olympic Games and was stayed at the Olympic Village in Heidelberg where he was doing a training run. He competed as a wrestler in the freestyle wrestling team.A black and white photograph of a man in a track suit running in a sports field. There are some buildings in then background.

The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume. In Australia used by Thessaloniki Association "The White Tower".Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Lady's dancing costume belt. Woollen with silver sequins and beading. Fringe on either end. Slightly damaged, silver buttons missing. Part "D" of a four piece costume.lady's costume, belt, greek, βλαχοπούλα, ζώνη, στολή

View across the picturesque Ithacan village of Kioni taken by Thalia Paizis (Papadopoulos) when she returned to Greece in 1921. Thalia later returned to Australia where she married Anastasios Papadopoulos.Many Ithacans from the village of Kioni migrated to Australia and settled in Melbourne. These days Kioni is one of the most popular destinations for visitors to Ithaca and for yachts cruising the Ionian islands in the some months.A black and white photograph of a view of a village on a hillside by the sea.

The Olympic Athletic Club was a sporting and social club established in the 1940s for young Greeks. Young Ithacans participated in the various sporting teams and social and fundraising activities organised by the club. People in the photo are unknown.A black and white newspaper photograph on paper backing of an Olympic soccer team. 14 are in the team, eight are standing at the and six are seated in the front back with the soccer ball at the feet of the player seated third from the left.

The wedding of Dennis (Menelaos) Varigos and Rita Paizis at the Greek Church Evangelismos, in Victoria Parade East Melbourne. Dennis was a very active member of the Ithacan Philanthropic Society and was president between 1960 - 65.A black and white photograph with a white border of a wedding party standing outside a church.The bride and groom are photographed with their attendants which comprised of two bridesmaids, two flower girls and two groomsmen. Other guests are standing in the background.

A rectangular cream Ivory style relief carved panel of ten Ancient Greek figures playing and listening to musical instruments played outdoors. They are wearing robes; some are standing and some are sitting on or near rocks and a plant. The artwork has a mottled wooden frame and gold painted cardboard mount. It is covered by celluloid or plastic to protect the carving. The backing is wooden with small screws holding it all together.The whole sculpture is carved in fine detail.relief engraving, objects of vertu, carved picture, ancient greece, carvings

The 17th Brigade (Australia) was an Infantry Brigade first formed in 1917 during WW1, but did not see action. The Brigade was reformed during WW2 and served in Libya, Greece and New Guinea. The Brigade was disbanded in 1946.This supplement is an original as printed and issued with The Argus News Paper on 22 February 1940.Oblong, buff colour news paper, souvenir supplement of The Argus,16 pages, 22 February 1940. The supplement is dedvoted to the 17th Australian Infantry Brigade 2nd A.I.F.The front cov er of the supplement has a photograph of Brigadier S.G. Savige, DSO, MC, ED, Commander. The following pages are photographs of Companies within the Brigade.ww1, ww2, 17th brigade, aif,

The man in the photograph is Andrew Black, who with his brother John, arrived in Australia from the Greek island of Ithaca during the late 1920s and establishing shoe repair business in a shop in Swanston Street, Carlton.As well as establishing food retail businesses in and around Melbourne, there were also some Ithacan who were very good shoe makers, who also ran their businesses in and around the city. A non-digital black and white scanned photograph of a head and shoulders image of a smartly dressed man who is wearing Stetson Hat.alexandra black, shoe repairs, swanston street, carlton, ithacan businesses

The photo of the bridesmaids and flower girls is taken outside the Evangelismos Greek Orthodox Church. The bridesmaids are l-r: unknown, Leah Sikiotis; the flower girls are l-r Antonia Andrews, unknown, Athena Sikiotis. A black and white photograph of two bridesmaids and three flower girls standing on a pavement. A man is standing near them on the RHS and a crowd of people are in the background looking on. weddings

The bride and groom in the photograph are Costas Raftopoulos and Joyia Carange (Karantgis) who were married at the Evangelismos Greek Orthodox Church in East Melbourne on the 12th October 1924. They had both migrated from Ithaca.A black and white studio photograph of a wedding party. There are four men standing at the back with the bride. Seated in the front are two ladies, the bridegroom, a flower girl and a young child. There is a decorative screen used as a backdrop.