Black and white postcard showing interior the chairs in front of the stage in the Huntingfield Hall of the Port Melbourne MissionInscription handwritten in blue ink. stage, piano, chairs, events, concerts, lhlg, george v memorial institute, port melbourne, seamen's mission, huntingfield hall, curtains, woodfloor, harry a. norris, art deco

Cowes Jetty built in 1870 to enable ships to berth with supplies and to carry produce to the Melbourne Market. Under tree at left of pier, George Cox's shack where he livedCowes Jetty/Pier. In background first Isle of Wight HotelThe Rose Series P657. Cowes, from the Pier, Phillip Is., Victorialocal history, postcards, jetties, cowes, phillip island, sepia photograph, ian reiher, george cox hut

For several years Sam Angelico and his partner, Rosanna used the Norla Dome for their show, Illusionaire. In 2019, due to the renovations works, the show ended at the Mission.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Colour flyer (postcard format) for a magic showcultural events, magic show, illusionaire, sam angelico, norla dome, flinders street

Representing the Santa Maria, one of Christopher Columbus' caravel, the beaten copper weather vane made by metalworker J. Starkie Gardner and located on the roof of the Two Temple Place (known for many years as Astor House), was damaged in 1944, restored and re-erected in 1950.After the theft of its weathervane in March 2022, the Mission is aiming at replacing it. Sepai tone postcard reproduction of a photograph of a man erected the windvane in 1950windvane, weathervane, christopher columbus, santa maria, caravel, two temple place, london, astor house, william waldorf, bulldog trust, 1950, j. starkie gardner

Representing the Santa Maria, one of Christopher Columbus' caravel, the beaten copper weather vane made by metalworker J. Starkie Gardner and located on the roof of the Two Temple Place (known for many years as Astor House), was damaged in 1944, restored and re-erected in 1950. After the theft of its weathervane in March 2022, the Mission is aiming at replacing it. Sepai tone postcard reproduction of a photograph of a man erected the windvane in 1950windvane, weathervane, christopher columbus, santa maria, caravel, two temple place, london, astor house, william waldorf, bulldog trust, 1950, j. starkie gardner

On the 6th of March 2021, the Melbourne-based band Shantily Clad launched their album in the Mission to Seafarers. There was a wave of popularity of the sea shanty during the Covid pandemic especially on the social media application TikTok.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Postcard size flyer advertising for an the launch of the band Shantily Cladcultural events, concerts, band, sea shanty, shantily clad, norla dome, songs

Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, art prize, exhibitions, concerts, open house, seafaring life, shipping, sailors, seamen, sponsors, marketing, festival, flying angel, staff, chaplains, heritage, collection, archives, maritime art prize, sue dight, 2021, community, docklands, covid 19, vaccination, covid vaccine, xmas, christmas, pandemic, simon burton, welfare, postcards, glass slides, nigel porteous, catherine aviss (nee frampton), herbert aviss, heritage tours, vera moore foundation, board members

stage, piano, chairs, concerts, seamen's mission, woodfloor, billiard, flinders street, seamen, sailors, newspapers, bentwood chairs, vienna chairs

stage, piano, chairs, concerts, seamen's mission, woodfloor, billiard, flinders street, seamen, sailors, newspapers, bentwood chairs, vienna chairs

This postcard is part of a series by Rose Stereograph and likely to be sold in the Mission to be used by seafarers.Black and white postcard depicting the inside of the chapel in the 1937 Port Melbourne Mission with pews, reed organ and altar.Written in blue ink by David Conolly: "Faded, which spoils it. Also it's bigger than in this picture."chairs, george v memorial institute, port melbourne, seamen's mission, reed organ, harry norris, st andrews chapel, altar, furnishing, marketing

chairs, george v memorial institute, port melbourne, seamen's mission, harry norris, lounge, magazines, canteen, caretaker

Postcard of two full size billiard tables george v memorial institute, port melbourne, seamen's mission, harry norris, billiard room

The postcard addressed to Norman Fleming, was written on the 19th of April 1926This rare postcard is the earliest image showing the newly built gymnasium.Sepia tone postcard written at the back with green one penny stamp depicting King George VWritten in black ink: Address: Mister N. Fleming / 24. Norlington Rd / Leytonstone E 11 / Essex / England SS P. Auckland / Melbourne / 19.4.1926 / Dear Norman / gymnasium, norla dome, flinders street, seamen's mission, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), king george v

2 postcards advertising for the exhibition of photographs curated by Uma Kothari. One displays the Mission around 1925 and the second the Mission in 2018.pr uma kothari, now and then, exhibitions, 2019, university of melbourne, university of manchester, nicholas walton-healey

The canteen is part of the Mission to Seafarers building that has catered to visiting seafarers since 1917. The canteen is operated by the Flying Angel Club, which offered services to seafarers including food, drink and souvenirs from the canteen and events held in the main hall which invloved the use of the canteen. The Ladies Harbor Lights Guild also used the canteen facilities for functions and fundraisers held at the Mission to Seafarers. One of the flyer in Chinese helps dating the photograph between 1963-66 when Padre Wong was chaplain at the Mission.Historical record of the Mission to Seafarers canteen post-1963. This is an example of the contemporaneous use of the canteen as primarily a supply shop and in a comparative fashion reveals some of the overall changes at the Mission.A white-bordered, black and white photograph of the Mission to Seafarers Canteen. From the left hand side of the photograph the image portrays an external doorway with six glass windows, emitting light from behind. This leads to the dipslay cabinet and bench of the canteen which is reflecting light from the windowed door. Central to the image is a pillar which is three-quarters wood paling starting from the floor, of which a map is displayed on one edge and a notice board on the remaining visible edge of the pillar. A bench is visible to the right side of the pillar and the far right side of the photograph, posters are hung on the wall. Purple stamp on central back of photograph. "Melbourne Harbor/Trust Photograph/Negative No......." photograph, canteen, tab, koalas, blackboard, archway, pennant, licensed-to-sell-postage-stamps, mission to seamen, mission to seafarers, melbourne, flying angel club, map, bar, milkshake machine, display case, fluorescent light, notice board, wains coting, postcards, milkshake, beverage, plastichrome, matches, razors, gillette, straw, melbourne harbour trust, melbourne harbor trust, donation tin, lighthouse

The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925. Page 1 S/S City of Norwich Port Said My Dear Old Lillie, Well, I never got so much of a shock in my life, when your postcard turned up 2 days before my birthday, wishing me many happy returns, for which I thank you sincerely, and am sorry to say I had forgotten yours, or being very quiet about your various qualities, you would not tell me. Well to get on with the news, the next day I had a telegram to report at the Line head office, on the 15th Aug. early, imagine how I swore, as a little do was to [be] held at night, they immediately shored me on this ship S/S City of Norwich to go to Port Said, then join the City of Corinth bound for Boston & New-York so I may come out to “little Aussie” again from there with a little luck, any way we ought to be in New-York about the 19th Sept to stay a month, I will write you more in detail from there, if you feel inclined and have forgiven me for being so long about answering your last letter, could you write to S/S City of Corinth, C/o Norton Lilly & Co, New-York. U.S.A. I would jump like L”l Page 2 how is the cow milking going on, but still that joke is as unfair as the small joke about my age now, both afflictions being cured by now I hope. Well really I am no letter writer and can find very little to interest you on paper Lillie, and my photo, I hate being taken as much as you, but will do my best, if you can wait a little please, hoping you are getting one that awfully exciting week with the mission as you call it. You must be A.1 actresses to amuse such a motley crew. Hoping you are all well at home, give Mr & Mrs Duncan my kind regards, sending my best love to you dear. Hoping you will recognize me if I can come along. with tons of love, Howard. P.S. I hope to be a little more sophisticated when I come next time [-] you may be able to tell me. Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Howard in three parts: Part 1.1 (0007.1) Envelope Part 1.2 (0007.2) First page of letter Part 1.3 (0007.3) Second page of letter The pages, as is the envelope, are a creamy yellow colour with black cursive writing on one side of the page. Page 1 of the letter begins with the salutation "My Dear Old Lillie...". Page 2 of the letter concludes with "...you may be able to tell me".The envelope is torn across the top for access to its contents. It has two stamps on the top right hand corner both with the text "Port Said 23AU25.4.5P".lillie duncan, howard, port said, lhlg, ss city of norwich

The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs

The scene on the postcard depicts the Spanish courtyard (or Cloisters) as a space within the Mission to Seafarers Melbourne. The view to the courtyard is from the Celia Little Room. The Spanish mission design was inspired by a need to make the 1917 Mission complex at Flinders st extension distinctive and easily found. (ref Church and Sailor journal) This scene shows the way in which the courtyard leads into the Chapel and that it is a large space for varied uses.Sepia toned scene on front of postcard depicting "The Cloisters" or Spanish Courtyard at Mission to Seafarers Melbourne. There is ivy growing up the pillar to the right of the scene, tall plants in the garden bed in the corner of the courtyard and pots with plants placed between the archways to the rear of the photograph.Label on front of postcard: "No. 9 THE CLOISTERS, MISSIONS TO SEAMEN, MELBOURNE, VIC." Reverse of postcard: "POST CARD/A Real Photograph Produced in Australia" There is also a divided line down the centre of the reverse for writing a message.plants, cloisters, ivy, pillars, archways, seamen's mission, mission to seamen, mission to seafarers, st peter chapel, spanish courtyard, melbourne, flinders street, valentine's postcards, real photo series

This organ was gifted by the Bethel Community in 1890 to the then Victorian Seamen's Mission, originally founded by the Bethel Union in 1857. The gift was intended to assist with worship. Despite all appearance, this organ is not a pipe organ but a reed organ that works in a similar manner to an accordion. In May 1890, the sum of seventy pounds was put towards the purchase of the organ. The sum being raised via subscriptions. The organ was inaugurated in September 1890. Jabez Carnegie (1832-1892), importer of piano and organs in Melbourne, had made a trip to Europe and Canada in 1887 and had secured the agency of Bell organs. W. Bell & Co were a Canadian organ and piano manufacturer, considered the premier organ manufacturer of the time. W Bell & Co changed its name to Bell Organ and Piano Co in 1888 meaning this organ had to be manufactured prior to the name change. The organ was first used in the mission main room from 1890 to 1915 when the St Nicholas chapel was built at the back (see item 0548. It was transfered to the new Port Melbourne mission in 1937 (link on postcard from State Library Victoria). In 1972, it was transferred to the Holy Trinity Church in Bay Street after the closure of the Mission In the late 1980s during a National Trust campaign to save the building, the organ was sold by the Anglican Men's Society to the Trust's organ committee, who carried out some restoration work and returned it to the former Missions to Seamen chapel. In 1991 the Office of Major Projects had control of the whole 'Bayside' development site. With the Mission to Seamen Building emptied and proposed for demolition, the Office of Major Projects removed the organ and placed it in storage in various locations - finally, in the Museum of Victoria store in Abbotsford. In 1995-6, enquiries by Jim Hillis resulted in the return of the organ to the control of the Port Melbourne HIstorical & Preservation Society. As the Society had no suitable location for the organ, several churches and schools in Port Melbourne were approached to take the organ with no results. The nearby suburbs were suggested next. Finally the Melbourne Maritime Museum (Polly Woodside) was approached and agreed to place it in their Museum on a long term loan. In 1997 it was on display in no 5 shed South Wharf (23/3/1997). In 2006, the Polly Woodside South Wharf site was to be re-developed, and they could no longer retain the organ. Accordingly, on 4 May 2006, the organ was transferred to the Mission To Seafarers building in Flinders Street Extension as an indefinite loan (refer OL 022) The PMHPS deaccessioned it to finally transfered it in 2018 to MTSV.(See also acquisition details re 21st C finalisation of acquisition) This organ is a tangible reminder of the longevity of the Mission to Seafarers, a link with the original Bethel Union which was instrumental in 1856 calling a public meeting and inviting subscriptions by various non-conformist churches to found a mission to Seamen. Rev Kerr-Johnson delivered the first service in 1857 aboard the Emily. The Mission to Seafarers has been in operation ever since and continues to operate to the same purpose today.Large reed organ that looks like a pipe organ with fifteen elaborately painted pipes bearing a floral motif. The body of the organ is elaborately decorated in carved wood. It has 17 knobs above the keyboard both which can be concealed when the keyboard cover is lowered. There are two foot pedals at the bottom of the organ with "Mouse Proof Pedals" cast into the framing iron. list of stop names: Viola 4Ft Diapason 8Ft Dolce 4Ft Violetta 2Ft Sub Bass 16 Ft Octave Coupler Vox Humana Forte Picciolo 2Ft Hautboy 8Ft Aeoline 8Ft Cremona 16Ft E---bone 16Ft Echo 8Ft Celeste 8Ft Melodia 8Ft Flute 4FtMaker's mark in gold lettering above keyboard: W. Bell & Co Brass plaque on front board: Presented to/The Victorian Seamen's Mission/by/Congregation worshipping in Bethel/& friends./1st September 1890 Behind the stops a wooden plaque: J. CARNEGIE & SONS, SOLE AGENTS FOR VICTORIA MELBOURNE organ, worship, bethel, pipes, reed, bethel union, pipe top, jabez carnegie, w. bell & co, port melbourne, mission to seafarers, seamens' mission, mission to seamen, guelph, ontario, canada, pmhps, polly woodside, harmonium, reed organ

This postcard depicts the urban setting of the Mission to Seafarers a few years after its construction. (the Dome, the last part erected, was opened on 21 October 1921). It demonstrates a lack of urban surrounds or buildings as well as a paved road and a horse-drawn wagon. The figure in the photo is also a record of the dress style of the era. The lady is most likely a member of the Ladies' Harbour Lights Guild.This postcard demonstrates that the building was deemed important enough to be photographed for a postcard. It is a record of what the Mission to Seafarers looked like two years after its construction, and its urban surrounding.Sepia postcard of the Mission to Seafarers building complex and surrounding streets. The postcard depicts a wagon and a woman walking by the complex wearing a black dress and coat and black hat and holding an umbrella. Front: THE MISSIONS TO SEAMEN INSTITUTE, MELBOURNE VICTORIA REAL PHOTO SERIES.M.1696 Reverse: PUBLISHED BY THE VALENTINE & SONS PUBLISHING CO.LTD / MELBOURNE SYDNEY & BRISBANE. Contains logo of VALENTINES REAL PHOTO SERIES POSTCARD. Stamp logo lists: BRANCHES / SYDNEY / LONDON / DUNDEE / DUBLIN / CAPETOWN / MONTREAL / TORONTO Handwritten in blue: 1919mission to seafarers, melbourne, mission to seamen, seamen's mission, norla dome, flag, flying angel, lady, horse cart, umbrella, flinders street extension, ships, australian wharf, valentine's postcards, real photo series postcards, st peter chapel, lhlg, architecture, walter richmond butler

The postcard shows how the Mission to Seafarers, then known as the Seamens Institute, looked early in its operation - probably circa 1920. It also documents the types of activities were offered to visitors, and how the visitors used the facilities.The postcard records the fittings and furnishings of the Mission to Seafarers, then known as the Seamens' Institute: tables, chairs but also the paintings which were often donated. The largest one on the main wall above the stage is "Start Point Light, Devonshire" (see item 0230), painted and donated by Miss Madeline R. Lewellin (1854-1944) in 1918. A sepia-toned postcard, of the main hall/club room of the "Seamens Institute" Mission to Seafarers. The image shows the arrangement of tables, pool table and bar in the club room, as well as the decorations and fitting of the room.On front: INTERIOR OF SEAMENS INSTITUTE, FLINDERS STREET MELBOURNE VALENTINES SERIES M. 4968 printed in black. On reverse: VALENTINES / REAL PHOTO SERIES logo in the middle of the top of the postcard. Along the left-hand edge: PUBLISHED BY THE VALENTINE PUBLISHING CO. PTY. LTD / QUEEN ST., MELB. printed in black.postcard, seamens-institute, club-room, bar

Sculptures created from stumps of trees planted around Greensborough War Memorial park.Memorial to past armed services people from Greensborough District.Set of 12 postcards of chainsaw sculptures in Greensborough War Memorial Park.greensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures, war memorials

Studio portraits of Annie May Medhurst as an infant.Annie May was born into the Medhurst family and later married into the Partington family, both pioneer Greensborough families.2 photographs of infant Annie May Medhurst. Smaller photo is a studio portrait of child sitting in hay. Larger photo is a postcard of infant sitting on small chair.Small photo, front: Allan 270 Smith Street Collingwood. On backAnnie May Medhurst (Partington) 1884-1965. Faye's G'mother Larger photo, back: Annie May Partington. Auntie Dolly. Melinda's G.Grandmother.medhurst family, partington family, annie may medhurst, annie may partington

Albert (Gus) Lines was a local architect, councillor, and Greensborough identity in the mid 20th century. This Christmas card is from a young Albert to his teacher Mr Partington. The Partington family were Greensborough pioneers. Connects two Greensborough families in the early 20th century.Coloured postcard depicting sheep on hillside near a track.On back of card: 'To his teacher Mr Partington from Albert Lines'partington family, a k gus lines

Photograph of Jessie May Partington as a child.Jessie Angus was a Greensborough identity for her work with the local choral society and as a member of the pioneering Partington family.Postcard Studio portrait of small child in lace dress. Photograph in oval mount.In pen on mount: Jessie May Partingtonjessie may partington, jessie angus, jessie scholes, partington family

Photos of Greensborough taken from the Rose Series of postcards, posted by Helen White.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.greensborough, bluestone bridge greensborough, greensborough hotel

One of a series of official war photographs of World War I. The caption on back of card reads "Into this battlefield grave two dead British soldiers have been reverently placed, while the Padre reads the solemn words of the Burial Service".Colour photograph, black and white text on versoDaily Mail Battle Pictures. Official war photographs, Series III No. 23.world war 1

Early photograph of University of Melbourne grounds, with lake.Colourised photograph printed on one side, correspondence and address sections on reverse"printed in Germany 155/146062"university of melbourne, melbourne

Flinders Street Melbourne, facing EastRose Series postcardBlack and white photograph, correspondence and address space on reverseRose Series P.206flinders street melbourne, melbourne