Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's tan coloured shoes with appliqued leather design attached to the laces creating a wave-like point on the sides of the shoes.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's black leather brogue shoe. Leather detail stretches around the bottom of the shoe and the toe as well as around the opening of the shoe and the laces.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's brown leather shoe with a different coloured leather around the upper part of the shoe and laces. Only the right shoe.1992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8144.1 - Men's cream coloured shorts. Manufactured from a cotton and wool blend fabric. 8144.2 - Cream fabric sample with labels attached. 8144.3 - Cream fabric sample. 8144.4 - Cream fabric sample.8144.1 - On label- FLETCHER JONES 60% Wool, 40% Cotton 8144.2 - Stapled label- WOOL COTTON 50:50 STRETCH1992 barcelona olympics, sport, athletes, fashion, design, uniform

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8341.1 - A pair of dark green trousers made from a wool blend fabric. 8341.2 - Green sample fabric with labels stapled on. One staple that was used to attach the label has gone through several layers of fabric preventing it from being unfolded. 8341.3 - Green sample fabric with white thread attached where it has previously been sewn. 8341.4 - Green sample fabric. 8341.5 - Green sample fabric.8341.1 - On label - FLETCHER JONES 8341.2 - on labels- Wool PE. 80:20 FAILLE WEAVEolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, fletcher jones, wendy powitt

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8340.1 - A pair of men's green shorts made from a wool blend fabric. 8340.2 - Green sample fabric with labels attached. 8340.3 - Green sample fabric.8340.1 - on label - FLETCHER JONES 8340.2 - on label - Wool PE. 80:20 PLAIN WEAVE SULZER LOOMolympics, 1992 barcelona olympics, olympic uniforms, wool, fletcher jones, wendy powitt, shorts

Green tie with gold stripes. Australian Olympic emblem pattern on front and back with tag on back. On emblem - Austrlia On tag - "Austico" Wash Wear Made in Australiadesign, australian, athletes, uniform, textile, fashion, tie, olympics

Photograph of Salvation Army staff band at rehearsal for Carols by Candlelight. 30 men in Salvation Army Band uniforms watch their conductor during the musical session. This image was included in the 1975 Carols program.B/W photograph of Salvation Army band.Carols p.7. 69% 32 Cm widecarols by candlelight, salvation army band, colin wood

First local soldier wounded in World War1Black and white photograph of Group of men and boys surrounding a soldier in uniform on crutchesdefence, soldier, world war1, people, boys

Humberstone's Royal Hotel was a substantial 2-storey building on the corner of Canterbury and Broughton Road. The hotel was built in 1887 to replace an older hotel (Delany's Hotel) built further east in 1856. It was de-licensed in 1921 after a "Local Option Poll" and became Tower House Day & Boarding School under Miss Marion Beetson from 1922 until 1932. It was demolished in 1932. There were 25 students in the 1920's, mostly boarders from outside Surrey Hills and all primary school students. The school room was detached from the main building and there was 6 acres of playing area. The old bar was the business office, the girls' dormitory the old dining room. Marion Beetson was the teacher, Mary Beetson managed the household. Their father was an Indian Army officer. The younger children wore a school blazer with the T.H.C. badge on the pocket. Miss Susan Kelsall visited to give piano lessons and Prof. Kelsall taught French. Miss Marion Beetson died in Castlemaine on 8 February 1952. Information courtesy of Mrs Louise Bell, Castlemaine, ex-student. See SHP0867a and SHP0867b, photos of Louisa in T.H.C. uniform. Photograph of line sketch of Humberstone's Royal Hotel, Surrey Hills. In the foreground is a horse and cart with 5 men standing in front of the hotel. Main entrance is on the corner of the intersection with large windows. There are 8 on one side and 3 on the other with 4 arches on both upper and ground floors. Turret style edging hides the rooftop with two chimneys visible. Pencilled on back "Spare - have in/ our photo files"delany's hotel, miss marion beetson, humberstone's royalhotel, surrey hills, canterbury road, broughton road, hotels, accommodation, royal hotel, tower house day and boarding school, 1880-1890, mary beetson

Winter Olympics, Innsbruck, Austria. This uniform was donated to the Falls Creek Historical Society by Dr. Howard W. Farrow who was appointed as a Medical Officer for the Australian Olympic Games Team of 1976. Dr. Farrow's father, Dr. Claude Farrow was a founding member of the Edelweiss Ski Club of Australia which was formed in 1947. He was also the Founding President of the Federation of Victorian Ski Clubs (F.O.V.S.C) which produced the Ski-Horizon journal. Dr. Howard Farrow reported that "the Europeans laughed at us and called us the prisoners". Australia sent a team of eight athletes to Innsbruck, five men and three women. The team consisted of alpine skiers Kim Clifford, David Griff, Robert McIntyre, Joanne Henke and Sally Rodd; figure skaters Billy Schober and Sharon Burley and speed skater Colin Coates, who was competing in his third Winter Olympics. This uniform was designed by famous fashion designer Pru Acton OAM, in response to a request by athletes for a more colourful uniform than the standard green blazer previously worn by the Australian team at the Opening and Closing Ceremonies of the Games.This uniform is significant because it was a modern development of Australian Winter Olympic team uniforms created by a famous Australian fashion designer.The Australian Ski Suit for the 1976 Winter Olympic Games. It has patches of big bold black and white stripes, set horizontally and vertically, with panels of yellow. The Australian emblem of Olympic circles and a kangaroo are placed on the back and front of the jacket and on the arm and leg. A bib-and-brace overall in matching stripes was worn under the jacket.1976 winter olympics, australian winter olympics uniforms, pru acton, dr. howard farrow

Each Ward in the Melbourne District Nursing Society After-Care Hospital, at 45 Victoria Parade, Collingwood, had a Sun Room which was well lit by its many windows. This digital image is taken in one of the Sun Rooms and shows the type of hospital beds, furniture and the uniforms worn by Sisters and nurses in the 1930s.Melbourne District Nursing society opened the After-Care Home, situated at 39 Victoria Parade Collingwood in 1926 following a public appeal for funds. The name changed from 'Home' to 'Hospital' in 1934. The After-Care Home was originally established to provide nurse-managed convalescent care to poor and underprivileged people who could not look after themselves at home due to illness or on release from hospital. Opening in 1926, at a cost of £27,000, the home included maternity, children’s and adult wards as well as accommodation for Matron, twelve nurses and four domestic staff. In 1930 an ante-natal clinic was opened at the home. During 1934 the Women’s Welfare Clinic including, at the time, a very controversial Family Planning Clinic, the first of its kind in Australia, was opened to support women at risk following multiple and difficult pregnancies. Major extensions occurred in 1936. Each Ward in the After-Care Hospital at 45 Victoria Parade, Collingwood, had a Sun Room which was well lit by its many windows. Several donors gave money to furnish some of the Wards. Following Government intervention, the After-Care Hospital was separated from the Melbourne District Nursing Society in 1957. The District division of Melbourne District Nursing Society became the Melbourne District Nursing Service and moved to 452 St Kilda Road; later, in 1966, with Royal patronage this became Royal District Nursing Service (RDNS). The After-care hospital continued to operate at the same address in Collingwood until 1985 when it became the Melbourne Geriatric Centre. This digital Image shows six men patients and nursing staff in a Sun Room in the Melbourne District Nursing Society After-Care Hospital. In the left foreground is a low bedside cupboard, beside it is a man with short dark hair lying in an iron framed hospital bed with a white cover pulled up to his shoulders. A Sister, who is looking at the camera, is wearing a grey uniform with a white collar, and a white veil over her short dark hair; she is standing behind, and at the head of the bed with her right hand holding the vertical bar of the bed frame. Behind her is an open door and then a nurse wearing a long white apron over her grey long sleeved uniform; she has a white cap over her shoulder length dark hair and is looking at the camera. Both of her hands are resting on an empty cane chair. Next along is a man with a bandage wrapped around his head and over his left eye. He is wearing dark clothing and is sitting on a padded cane chair, as are the rest of the men in the room. To the rear, in front of four long windows, are another two men, one on the left has short white hair and is wearing light clothing, and to his right is a man with short dark hair and is wearing a dark dressing gown over light colour pyjamas. On his right is a large vase of flowers on a tall white stand. On the right hand side of the photograph are another two men with short dark hair and wearing dressing gowns; part of a wall with windows can be seen behind them.mdns, after- care hospital, melbourne district nursing society, rdns, royal district nursing service

This group and RDNS Sisters are at a meeting at Fawkner Park Community Centre and are listening to the lady on the left who is pointing out information to them.. Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals and Community Centres would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS) Trained nurses (Sisters), but also for the patients of RDNS and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from Hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital. District Sisters also liaised with personnel attached to Community Centres.This black and white photograph is of a group of two men and five ladies, three of whom are Royal District Nursing (RDNS), Sisters, sitting at a large dark wooden table which has an open folder and papers with diagrams or information on them, Notepads and pens sit in front of several. L-R is a partly hidden man who has short dark hair; wears glasses, a dark suit over a white shirt and dark tie. His left hand is up to his face. Next is another man with short dark hair who wears glasses; has a grey suit, white shirt and patterned tie. His right hand is up to his face. Next is a lady with short curled hair who is wearing a dark patterned and white edged vest over a round neck grey jumper. She is looking at, and holding a pen in her right hand poised over, a sheet of paper with columns and writing on it. Next is an RDNS Sister with collar length dark curled hair, who has her left hand up to the side of her face. Then an RDNS Sister with short straight hair. Next is a lady with her dark hair drawn back and wearing a white jumper; she has her hands up to her chin. Next, and far right, is an RDNS Sister, who has short straight blonde hair and has a pen in her right hand. Her left hand, with a dark watch at the wrist, is up to the side of her face. The group are all looking at the columned information sheet which the lady on the left is pointing out with her pen. The RDNS Sisters are wearing light grey skivvies under dark grey V neck tunic style frocks.Barry Sutton LO 40royal district nursing service, rdns, rdns liaison, rdns uniform

This menu would have been printed to distribute to guests attending dinner on the Orient Line, which embarked for the Middle East in 1940. The dinner was held on Thursday 18th July of the same year. Signatures on the reverse of this document were signed by Ken Williams, RW Sterrett, MR Campbell, J.H. Christie, JH McKinnon and F Finch. This item relates closely to a photograph of the 3rd Squadron, in RAAF uniform, boarding the Orient Line.This menu is an item of ephemera dating to the World War Two era. Items such as this are ordinarily lost over the passage of time. As the item contains signatures it is possible that further research and interpretation could be done regarding the men it relates to. The item is therefore of historic and social significance and has good interpretive capacity.Card with printed lettering centrally spaced and folded along horizontal centreline. There are hand written inscription on the front and reverse in pen ink.On the front, top: 3 Sqn RAAF boarding for the Middle East. On the front, lower left there are markings under and to the right of the printed word 'tourist'. The is a thick line under the word, two arrows pointing to it from beneath and a question mark to the right. On the reverse, upper left corner: Ken Williams, RW Sterrett MR Campbell JH Christie JH McKinnon F Finchdinner menu, orient line, raaf, royal australian air force, ken williams, r w sterrett, m r campbell, j h mckinnon, f finch, j h christie, 3 squadron

Australian Rules football had been played in the Bacchus Marsh area from at least the 1870s. The first meeting to form a club was held in Bacchus Marsh in 1874 but it was not until the 1880s that regular matches were played in the district. In 1912 it was decided by representatives from a number of football clubs in the district to form a football association to better organize and promote the development of the game in the district. Hence by 25 May 1912 the Bacchus Marsh District Football Association was formed comprising the following clubs: Bacchus Marsh, Deer Park, Melton, Parwan, and Maddingley. This image shows the delegates from the various clubs to the newly formed association. The individual people in the image have been specifically identified but the clubs they represented have not. The unnamed umpires in the image have been identified by the honorary historian and statistician of the Australian Football League Umpires Association, David Flegg. Left, Fred Lucas (Goal Umpire), centre, Evan James (Field Umpire), and right, James Smith (Goal Umpire). The date of this image is 9th August 1913. Newspaper reports in the Bacchus Marsh Express on 9th August confirm the participation of these umpires in a Bacchus Marsh versus Melton match on this date. The match took place at Maddingley Park, which appears to be the location where the picture was taken.This item has historic and social significance as an image of one of the early sporting administrators of Bacchus Marsh and District. It is a typical example of group photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos. It reflects the pride local districts invested in their local sporting clubs. A sepia photograph mounted on a cardboard mat, showing a group of sixteen men arranged in three rows in a park setting. Twelve men are dressed in suits, collars and ties, a thirteenth man is wearing a uniform coat with epaulettes. Several of the men are wearing ribbons which may indicate their membership of the Association, and/or their status as delegates. In the front row, three men are crouched, two wearing white coats over their suits, and holding white flags, denoting their role as goal umpires. The middle man, the field umpire, is wearing long-sleeved top, shorts, socks and laced-up athletic shoes. On the front, under the photo, hand-written, the words: Delegates 1913. Bacchus Marsh District Football Association. Beneath the title: Top Frank Winderlich. H Connors (s deleted). G.Coburn. P. McDonald. McKenzie? Grant Morton. Edgar Smith. Mid: Roy Edwards. J.J.Barry Snr. Ross. Robert Dugdale. Cunningham. J.B. Doherty. Bottom Row. Not inscribed but have been identified as VFL accredited umpires. Left, Goal Umpire Fred Lucas, centre Field Umpire Evan James, right Goal Umpire James Smith. On the back: Hand-written: Executive members of the First Football League (formed 1912). Given by E.Kight. E. Kight Grant Street Bacchus Marsh. On a white label: Miss Gwynne Moore. australian rules football, bacchus marsh district football association

Darley football club was formed in 1919. Darley lies on the northern side of the township of Bacchus Marsh. It is part of the overall township of Bacchus Marsh but forms a distinct community within Bacchus Marsh especially in the early period of its history. The area is known as a football breeding ground and has produced many champion players at VFL and AFL level and the club has had sustained success over many decades in various competitions. For many years it played in the Bacchus Marsh District Football Association. From the mid 1990s it has competed in the Ballarat Football League.A black and white photograph print mounted on mounting board, showing a group of 19 players, 3 non playing officials and one child acting as the mascot arranged in three rows. A player in the centre holds a football with D.F.C. Premiers 1939 written upon it. Nineteen men are in football Guernseys, 3 are in civilian clothes. Two of these have towels over their shoulders and are probably trainers. In the centre is the third non-player who is presumably the coach. The photo is taken in an outdoor setting. The child is a young boy dressed in the clubs uniform and sits in the front row between the legs of another player. At the foot of the photo is, "Darley F. B. C. Premiers 1938-39". On the reverse are written some of the players names. Back row: 1. C. Lillburn, 2. ? Cook. 3 Skinner. 4 -----------. 5 Jimmy Younger. 6. Barry. 7. Albie Jones: Middle Row: 1. ----------. 2. McMahon. 3. Ray Closter. 4. Pop Closter. 5 ----------. 6. Mickey Dix. 7 ---------. 8. Densley. Front Row: 1. -----------. 2. Hartley Younger. 3. Whelan. Darley Football Club 1938-39. At to of reverse: 'Donated by the Wittick Family 12 - 1 - 2004. Marie Wittick'.darley football club, australian rules football

Darley Football club contested the 1954 Bacchus Marsh District Football Association Grand Final against Maddingley Football Club. This photograph is thought to have been taken in 1954. It is cited in some sources as the Premiership winning team of 1954. This is incorrect as Maddingley Football club were the premiers in this year. It is possibly a photo taken at the time of the Grand Final of 1954 and subsequently misidentified. Or, it may be a photo from another year in the 1950s.A black and white photograph print on a mounting board in a display folder, showing a group 30 men, 3 boys and one younger child seated on the knee of a man probably his father. The group is arranged in three rows, 10 in civilian clothes, the rest in vertically-striped guernseys and white shorts. In the front row, seated in the middle, are three boys, club mascots , dressed in uniform guernseys and shorts. Two of the men have towels slung over their shoulder, indicating that they were club trainers. The photo is taken in an outdoor setting, probably Maddingley Park. There are no names on the mounting board, but from information taken from "Bacchus Marsh. A Pictorial Chronicle", 1986, by Gwyn Moore and Jean Oomes. This source incorrectly identifies this team as Premiers 1954. Bacchus Marsh Express of Saturday 18 September 1954 reported "Decisive Win by Maddingley." The score was recorded as Maddingley 17.11 Darley 12.15. The names given in Moore and Oomes are: Back Row: l-r: M.Cook, B.Skinner, J.Cook, C.Reddrop, L.Holt, J.Cook, M.Carr, J.Carr, M. Younger, B.Carr, R.Stevens, W.Richardson, B.Giani. Middle Row: C.Casey, N.Thomson, N.Holt, G.Tudball, J.Ashby, L.Carr, L.Carr jnr., M.Younger, J.Moore, T.Densley, L.McKenzie Front Row: H.Cairns, P.Shea, L.Kight, M.Shea, R.Closter, A.Franklin, with mascots.darley football club, australian rules football

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This Classic Lighthorse bear is different to the previous special edition Lighthorse bear and was a limited edition in 2020/22. The Light Horse Brigades were mounted infantry made up of mostly young men from the country. They were experts at rough-riding from their lives in the bush and could navigate terrain easily for long periods with little food or water. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a Lighthorse uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This special edition WW2 land army bear was released in 2019. The Women's Land Army (WLA) was a British civilian group created during World War II to replace the men called up for the military. Over 80,000 women served working on farms, in sawmills, and in forestry. They became know as Land Girls and Lumber Jills. Please note the archive does not have a copy of this bear but is recorded here to complete the series.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a female WW2 Land Army uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

Uniform equipment worn by officers Khaki officers peaked cap with brown strap. One button on right side. Button on left is missing. Two small holes in front where hat badge has been removed, The fabric is slightly darker behid where the rising sun badge had previously been located. Inside the cap has a brown leather sweat band with the letters R R stamped into the right side. the top of the cap is padded RR Wardrop's of Melbourne, Collingwood & Geelong for all mens wear 5/6 rvr, uniform, hat

Murray Comrie Collection. The Presbyterian Church in Tarnagulla was built in 1863. Today it is a private residence. Monochrome photograph depicting the Presbyterian Church in Tarnagulla. Nine men standing in front of church, apparently in uniform, possibly band uniform. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Pres. Church written in lower left corner (of original).tarnagulla, churches, church, presbyterian, religion, band

The Newbridge Rifle Club Butts were behind a big hill north of road to Llanelly. Formed in 1900 for rifle practice during the Boer War. Range of 500 yards. Brigade Captain Bob Douglas. Murray Comrie Collection. Two copies of a monochrome photograph, image depicting a large group of men assembled in an outdoor setting, some holding firearms. Printed caption reads: 'The Newbridge Rifle Club' Title printed on top of page reads 'The Bendigonian' and 'October (?) 22 1901'. This is a poor quality copy of an older original, possibly a news clipping. Copy probably made by Murray Comrie in the 1960s.Accompanying note identifies some subjects: Standing: 1. Will Hart (?) 2. _________ 3. John Brown 4. Donald Joyner 5. Geo. Daws 6. _______ 7. Nat Ramsay 8._______ 9.__________ 10. Alf Michael 11. Bod Hamilton 12. Jack Bruce 13. Vince Pola 14. Frank Bruce 15. Eli Summers 16. ____ 17. ____ 18. ______ 19. Bob Chamberlain 20. P. Rayner 21. Ted Skinner 22. Geo. Martin 23. Bill Michael. Sitting: 1. ______ 2.______ 3. ______ 4. Will Ramsay 5. Nat Hart 6. Bob Douglas (in uniform) 7. Jim Joyner 8. Steve Hatt 9. Bob McKenzie 10. Charlie Summers (in uniform) 11. William Bridge (in uniform) 12. Tom Michael (in uniform). (Not sure if this matches the photo very well. Note filed in M. Comrie research notes (general).)newbridge, sports, recreation, shooting, clubs, rifle club, military, boer war

The inaugural meeting to form Harcourt Bowling Club was held in May 1955. Cr Ben Bingham donated half an acre of land in Bagshaw st Harcourt and the club acquired a small building from Blight's Quarry to serve as a clubhouse. The first day's play took place on 24th October 1959. New clubrooms were built in 1961 with the official opening of the Club held on Saturday 11th November 1961. The club became affilaited with Bendigo District Bowling Assocaition and, in 1966/67 won the Associated division 3 pennant. ; Depicts a group of men, the core ‘movers and shakers’ of the Harcourt community, in the course of their favourite recreation, Association champions in just the seventh year after formation.. Black and white photograph of fourteen men dressed in collar and tie, white trousers and dark blazers, each bearing the club name, HARCOURT BOWLING CLUB B.D.B.A. PENNANT WINNER - DIVISION 3- SEASON 1966-67 and the names of each player.

Charles Frederick Clark was 1 of 3 sons of Thomas and Elizabeth Clark of Bonegilla who served in WW1. Charles, Ernest and Thomas were the eldest children of a family of 12 children. At the age of 25, Charles enlisted in 13th Light Horse Brigade 1st Reinforcement on 25 January 1915. He was later transferred to the 2nd Division Artillery Column and the 4th Australian Medium Trench Mortar Battery. Charles served in Egypt, Gallipoli and France. As a result of his actions at the Third Battle of Morlancourt on the Western Front, Charles was awarded the Military Medal. The citation for the medal read:- Awarded: Military Medal 24th June 1918 Recommended by: Brigadier-General O. F. Phillips Commanding 2nd Division Artillery Column Action for which commended: 637 Bombardier Charles Frederick Clark 868 Bombardier (T/Corporal) George Traill McLennan "On the night 10/11th June 1918 during the attack South of MORLANCOURT near ALBERT, these NCOs showed great courage and determination under most trying conditions. They were each in charge of 6” Newton Mortars which had very important tasks. Just prior to the attack their gun positions were very heavily shelled and this continued throughout the barrage fire covering the advance. The work of these NCOs, who could not remain under cover all the time, was extremely dangerous, the enemy batteries having the range exactly. Their great gallantry set a splendid example of coolness to their men." (Signed) C. Rosenthal, Major General Commanding 2nd Australian Division He also received the 1914-15 Star, the British War medal and the Victory Medal.This uniform is significant as it was worn by a Wodonga District resident who received the Military Medal which was awarded for acts of gallantry and devotion to duty under fire during World War 1.Khaki Australia WW1 uniform for AIF. This uniform has 2 external patch chest pockets and 2 internal pockets with opening flap. It has 5 central buttons and 4 pocket buttons. There is a buttoned down epaulet on each shoulder and unit badges sewn onto each arm. An AIF Rising collar badge is on each peak of the collar. A strip of service ribbons is attached at the top of one chest pocket.australian military uniforms, ww1 bonella, military medal, 13th light horse, 4th australian medium trench mortar battery

Presumably World War II based on comparison with silimar items. Initials inside cap may be associated with item to jacket, initialled with Lt. H. Dixon, VI. 7290.This item has historical signifigance as a an example of Australian military uniform dating presemably to World War II. Military peak cap, dark green. Brown leather chinstrap, attached by buttons on either side of visor with lettering 'AUSTRALIAN MILITARY FORCES' and Australian army insignia. Top of cap has double row of top stitching in dark yellow thread. Metal rimmed air holes (two) on each side under top of cap. Inner band made of brown leather embossed or printed with maker inscription. Rear of inner band has a row of rectangles punched through leather .50 mm in length, 22 in total, threaded through with gold coloured ribbon, tied together at centre back. Inner cap lining made of pale gold fabric, with diamond shaped liner/swear shield attached and topstitched in gold thread. Bronze coloured badge above visor with lettering Australian Commonwealth Military Forces.'THE MYER STORE FOR MEN MILITARY TAILORS MELBOURNE & ADELAIDE' on inner band in gold. Hand written initials H, and what appears to be D N (area has tears and insect damage) visible on lining behind visor. Initials in black marker. military, war, fashion, uniform, head, style, fabric, textile, cap, hat, visor, peak, outfit, myer, tailor, australian, forces, headwear, commonwealth.

Associated with the service of Lieutenant H. Dixon, circa 1943. Worn by people who served on the Home Front in this Corps during the Second World War.This item is significant because Australian Army khaki woollen service dress jacket with red embroidered circular Unit Colour Patch on the top of each sleeves consistent with markings of Australia's home guard – the Volunteer Defence Corps (VDC). Four button down closure. The jacket is fully lined with a lightweight fabric, either natural or synthetic. A self fabric belt passes around the waist and fastens with a buckle at the front. Button down epaulettes with two pips denoting lieutenant ranking. 'Rising Sun' collar badges on each lapel. Pleated breast pockets with triple pointed flaps with exposed buttons. A pair of pockets over each hip with straight flaps each fastened with one visiable button. Pockets over hips have one Four front pockets are fastened with one visible buttton. These 8 buttons are domed metal showing a raised emblem of Australia surmounted by the King's Crown: also see Tudor Crown or Imperial Crown. The back of these buttons have a loop shank, secured with cotton. Surrounding is a stamp K. C. LUKE PTY LTD. MELB. There is a small pocket on the inside of the jacket corresponding to the right breast pocket.Small, white, rectangular manufactures tag stiched with khaki coloured cotton within the small pocket on the inside of the jacket corresponding to the right breast pocket. Approximately H 24mm x W 44m The MYER STORE for MEN MELBOURNE & ADELAIDE Typed in red ink on the bottom section of the manufacturers tag. Lt. H. Dixon W. 7290. 10/12/43.heraldry, uniform, volunteer defence corps

Members of the Bentleigh football team after presumably winning a premiership as the man seated in the front is holding a cup.Black and white photograph with four rows of men, and one child, grouped together in a traditional sporting photo. Most men are wearing the Bentleigh Football Club uniform but on either side of the third row there are men in street clothes, as are the two men sitting at the front.Black printed text on white round sticker adhered to reverse: 210 Handwritten in red ink on reverse: 72%bentleigh, football, team, sport

Roderick William Mills, known as Saltbush Bill (left) with his sons, James Charles Mills (centre) and John James Mills (right), in London. In 1917 Saltbush Bill travelled from America to London after giving shows in various cities of the US, to spend time with his sons. James and John Mills were serving with the AIF and on leave from the French front in London. Saltbush Bill remained in London for the rest of the war as he was unable to return to Australia. Saltbush Bill, was the inspiration for several poems by A.B. Paterson. Born at Balnarring in 1869, Mills earned the title of Saltbush Bill whilst working on a cattle station in Queensland. On these long droving trips, he learnt the art of cracking stock whips of many different lengths and sizes, a skill that earnt him £100 after a Melbourne saddler, J.K. Jennings, suggested that no man could crack a 65-foot stock whip in three tries. Saltbush Bill succeeded on his first attempt and decided to make a career in entertainment with his skill. Over his career he performed for royalty, travelled and performed extensively overseas and lent his skill to fundraising efforts, particularly during the war. His last concert was given in the Boomerang Hall in Dandenong in 1926.A local resident of the City of Moorabbin, Saltbush Bill was an ambassador for Australia and a literary inspiration to A.B. (Banjo) Paterson. Saltbush Bill, his wife Hannah Louise Porter and their 11 children lived in Old Dandenong Road, Heatherton, where Saltbush Bill and Hannah conducted a market garden for many years. Saltbush Bill is buried in Cheltenham's Pioneer Cemetery.Black and white photograph of three men, one seated behind a table and two standing. The two standing are in military uniformsHandwritten in blue ink: K000733saltbush bill, stock whip, entertainment, heatherton

Percival White was a blacksmith who set up shop in South Road, Moorabbin. The advertising on the front of the shop indicates he also made and repaired buggies, wagons, etc.Percival White opened his blacksmith shop in 1853. The business continued until 1973.Black and white image of a group of men, standing either side of a Clydesdale horse, in front of Percival White's shop in South Road, Moorabbin. The man to the far right appears to be in a military or police uniform. The man immediately next to him is wearing a long apron. There are two more men standing in a row and then the Clydesdale. There is a man sitting sideways on the horse. Another man is holding the horse by the reins. Another man is standing next to him, with his hands on his hips and another man, or boy, is seated. In the background there is another man with a long white beard.Handwritten in blue ink on reverse: 124 Handwritten in red ink on reverse: 55%moorabbin, blacksmith, repair