Showing 533 items
matching mirrors
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Shepparton RSL Sub Branch
Sighting Mirror, Stainless Steel, 1945
WW2Polished Stainless Steel. Centre hole has a copper eyelett. Top hole for storage. Rounded CornersWtl. Broad Arrow. 1945 -
Greensborough Historical Society
Newspaper Clipping - Digital Image, John Miers of Greensborough, 14/09/1960
John Miers was the proprietor of Miers' Electrical at 64 Main Street Greensborough. This advertisement was chiefly for Kriesler productsScanned copy of newspaper advertisement, with captionelectrical shops, john miers, main street greensborough -
Greensborough Historical Society
Newspaper Clipping - Digital Image, Diamond Valley News, Alfred Stephen Cattanach, Chemist, Watsonia, 1960o
A. S. Cattanach owned the pharmacy at 77 Old Greensborough Road (now Watsonia Road). These advertisements are from 1960 and 1973.Scanned images of two advertisements, with notes.pharmacies, alfred stephen cattanach, watsonia road watsonia -
Greensborough Historical Society
Newspaper, Elliott Provincial newspapers Pty Ltd, Diamond Valley Mirror May 4, 1965, 04/05/1965
Contains article "Valley plan goes to Council", discussing the development of the Plenty Valley, north of Greensborough.Early plan submitted to Diamond Valley Council in 19658 p.greensborough -
Glenelg Shire Council Cultural Collection
Book, Edited By W.A. Waller, A Victorian Mirror, c. 1947
An anthology of nineteenth century prose. Orange cloth, limp cover, black print. -
Australian Commando Association - Victoria
Equipment - Mirror
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Federation University Historical Collection
Photograph, Joseph At Her Majesty's Theatre Ballarat, c1990
A student production of Joseph and His Amazing Technicolour Dreamcoat. Possibly dating c. 199039 Colour Photographs of a Student Production of Joseph At Her Majesty's Theatre Ballarat c. 1990s .1) Len Bauska (Technician) on a red ladder .2) Len Bauska .3) Unknown Student .4) Unknown Student .5) Older woman .6) Rehearsals in Progress .7) Students in Dressing Room .8) Two students .9) Student .10)Rehearsing in Orchestra Pit .11) Rehearsing In Orchestra Pit .12)Rehearsing in Orchestra Pit .13) Set Design .14)Student .15) Two Students .16) Green Room at Her Majesty's Theatre Ballarat .17)Directors and students .18)Len Bauska with Disco Balls .19)On set with ladder .20)Rehearsals .21) Making the Technicolour Dreamcoat .22)Making the Technicolour Dreamcoat .23) Student making costume .24)Students making costumes .25)Student .26)Students making costumes .27)Making costumes .28) Students making costumes .29) students making costumes .30) Younger members of the cast .31) Hair and Makeup .32)Preparing for a performance .33)Male cast members .34) Three cast members .35) Male cast members in dressing room .36) Student on phone .37)Student on phone .38) Courier poster announcing 6 more nights .39) Promotional banner for Joseph and the Amazing Technicolour Dreamcoat - Students in dressing room - Children on stairs -Male actor's headshot joseph, joseph and his amazing technicolour dreamcoat, performing arts, alumni, her majesty's theatre ballarat, ballarat, rehearsals, costume design, stage, mirror ball, orchestra pit, band, 1990, balllarat university college, bapa, ballarat academy of performing arts -
Glen Eira Historical Society
Document - NEWSPAPER PUBLISHED OR CIRCULATED IN CAULFIELD
This file contains four items: 1/Two typed lists of the names and years of circulation of Elsternwick and Caulfield Newspapers held at the Caulfield Library, the first with amendments in ballpoint pen and the second a revised version of the first dated 12/07/1988. Also included in the item is a typed list of what appears to be issues of the Southern Cross newspaper held at the library and an original handwritten list with a black and white photocopy of newspapers held at the Caulfield Library, dated 11/09/1988. These were provided by Gladys Vallati (longtime member; Head Librarian of Caulfield Library for many years). 2/Two extracts from the Caulfield Historical Society Newsletters (issues April 1975 No 15 and June 1975 No 16) detailing newspapers published and or circulated in Caulfield that are held at the State Library of Victoria, both undated and author unknown. The first has some handwritten annotations and a minute from the first meeting of the Caulfield Road Board on 25/11/1857 on the reverse side, listing the surnames of those present. Also included in the item is a typed draft for one of the extracts. 3/A six page handwritten list of newspapers circulated in the area of Caulfield held in Australian libraries, taken from a Union List dated 1967 in the Canberra National Library, author unknown. Details given of the newspapers include the title and dates of issue, in some cases also listing the merging of newspapers and ceasing of publication. Attached is a handwritten note detailing the production history of the Caulfield and Elsternwick Advertiser dated October 1980, author unknown. 4/A file note dated 24/02/2021 noting that the acompanying typed list of the titles, eras of publications and storage location of newspapers held at Glen Eira Historical Society dated September 2008, is out of date and superceded.elsternwick, buzz, glenhuntly advertiser caulfield communication activities, the elsternwick advertiser, libraries, newspapers elsternwick times caulfield library, the caulfield star southern cross documents, the caulfield advertiser, the age, the caulfield mercury and glenhuntly guardian, the elsternwick and caulfield herald, the elsternwick and caulfield mercury, the caulfield and elsternwick star, the caulfield and elsternwick times caulfield elsternwick advertiser, caulfield and elsternwick leader the caulfield and elsternwick advertiser caulfield contact caulfield news australia israel review, regional progress jerusalem post international edition australian jewish news, the elsternwick leader, microforms, caulfield bibliography brighton , malvern , oakleigh, prahran, carnegie courier, the observer, south east suburban mail, elsternwick news caulfield road board meetings, board meetings caulfield historical society, caulfield historical society newsletter victorian government gazette, the argus, caulfield city council caulfield city council rate books , books, rate books, minute books, harris mr , brooks mr , semple mr, handasyde gilbert, nelson mr, dempsey mr, grants, financial economics, brighton independent, brighton leader, brighton news, brighton southern cross, southern weekly, sunshine times, malvern advertiser, malvern and armadale express, malvern and armadale recorder, malvern argus, malvern courier and caulfield mirror, malvern news, malvern press, malvern spectator, malvern standard, southern news, ormond news, prahran telegraph, oakleigh and caulfield times, chadstone progress, property review weekly, glen eira historical society newsletter, glen eira caulfield leader, glen eira news, south east suburban mail, brighton independent, bentleigh echo, bentleigh news, bentleigh standard, prahran and st kilda advertiser, prahran chronicle, prahran news, prahran post, the times, daily mail, esplanade post, st kilda advertiser, st kilda and balaclava news, st kilda and caulfield southern cross, st kilda district guide, st kilda chronicle, st kilda mercury, st kilda news, oakleigh local news, oakleigh advertiser, oakleigh and caulfield times, oakleigh and mulgrave guardian, oakleigh leader, oakleigh southern cross, standard times -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem -
Federation University Historical Collection
Flyer - Document, W.S. McKee, Printers, Gem Pictures Advertisement, c1920
The advertised feature "Heritage' was released in the United States in August 1920. See an advertisement at http://news.google.com/newspapers?nid=1499&dat=19210703&id=26tRAAAAIBAJ&sjid=TCEEAAAAIBAJ&pg=3490,5244641Gem Pictures advertising pamphlets (three of the same on green paper), and Gem Pictures advertising tickets (six of the same: three are printed on green paper and three are printed on orange paper).gem pictures, matty robourt, willard mack, wonders of the sea, electric mirror arc projection -
Flagstaff Hill Maritime Museum and Village
Functional object - Carbide Lamp, Powell & Hanmer, 1920s
Francis Powell (1861-) and Francis Hanmer (1858-1925) founded Powell and Hanmer Ltd in the Summer of 1885 for the manufacturer of bike and carriage lamps. Their first advertisements began to appear in November of 1885. In 1890 they lodged a Patent for “velocipede” lamps to be used by lightweight wheeled vehicles propelled by a rider, such as a bike, tricycle and railroad handcar. In April of 1913, they were selling headlamps for cars and in 1914 built their second factory manufacturing dynamo lighting sets in Rocky Lane Birmingham, also for the production of dynamos for motor cars. Then in 1929 Powell and Hanmer Ltd, was acquired by the Lucas company which was at that time the main competitor for the manufacture of non-electrical equipment for cycles and motorcycles. When a director of Powell and Hanmer joined the board of Austin motor cars, Lucas feared that Austins might encourage Powell and Hanmer to start to produce electrical equipment for supply to the company and as a result this association might affect Lucas's business with other large vehicle manufacturers. As a result, Lucas made an offer to Powell & Hanmer and purchased the business for £500,000. Carbide lighting was used in rural and urban areas of Australia which were not served by electrification. Its use began shortly after 1900 in many countries and continued past the 1950s. Calcium carbide pellets were placed in a container outside the home, with water piped to the container and allowed to drip on the pellets releasing acetylene. This gas was piped to lighting fixtures inside the house, where it was burned, creating a very bright flame. Carbide lighting was inexpensive but was prone to gas leaks and explosions. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights. Acetylene lamps were also used on riverboats for night navigation. The National Museum of Australia has a lamp made in about 1910 that was used onboard the PS Enterprise, an 1878 Australian paddle steamer, currently owned by the National Museum of Australia in Canberra. It is still operational, and one of the oldest working paddle steamers in the world, listed on the Australian Register of Historic Vehicles.Acetylene Carbide lamp, Model “Panther” distinct patterned side red and green lenses. These lamps were also known as acetylene gas lamps. They work off a chemical reaction between calcium carbide and water.Model 75flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, carbide lamp, motor vehicle, bike lamp, lighting, vehicle lighting, powell, hanmer, acetylene gas lamp, early lighting -
Flagstaff Hill Maritime Museum and Village
leisure object - Pram, Probably late 19th or early 20th century
The pram appears to have been developed during the 18th century. Queen Victoria is known to have bought three prams (she had 10 children). From then, it was a natural progression to create a smaller version as a leisure item, particularly for little girls.The introduction of dolls prams into the leisure item area, mirrors the development of toys generally.Pram cane, painted white with interwoven cane hood. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pram, cane pram -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, jet necklace, c1880
Jet became popular in the Victorian era for mourning jewellery, which became fashionable after the death of Queen Victoria's husband Prince Albert in 1861. Jet is a dense black fossilized wood, almost like coal, and very light in weight. It is easy to cut, so carved well. It became popular in the Victorian era for mourning jewellery, which became fashionable.This jet necklace is typical of the mourning jewellery worn by early settler women in Moorabbin Shire c1900A continuous circular, long, black necklace with small jet beads.Nonejewellery, mourning wear, jet stone, queen victoria fashion, early settlers, pioneers, black clothing, moorabbin mirror, bader fran, rietman august, rennick stefanie, resin jewellery, -
Flagstaff Hill Maritime Museum and Village
Functional object - Carbide Lamp, Powell & Hanmer, Late 19th to early 20th century
Francis Powell (1861-) and Francis Hanmer (1858-1925) founded Powell and Hanmer Ltd in the Summer of 1885 for the manufacturer of bike and carriage lamps. Their first advertisements began to appear in November of 1885. In 1890 they lodged a Patent for “velocipede” lamps to be used by lightweight wheeled vehicles propelled by a rider, such as a bike, tricycle and railroad handcar. In April of 1913, they were selling headlamps for cars and in 1914 built their second factory manufacturing dynamo lighting sets in Rocky Lane Birmingham, also for the production of dynamos for motor cars. Then in 1929 Powell and Hanmer Ltd, was acquired by the Lucas company which was at that time the main competitor for the manufacture of non-electrical equipment for cycles and motorcycles. When a director of Powell and Hanmer joined the board of Austin motor cars, Lucas feared that Austins might encourage Powell and Hanmer to start to produce electrical equipment for supply to the company and as a result this association might affect Lucas's business with other large vehicle manufacturers. As a result, Lucas made an offer to Powell & Hanmer and purchased the business for £500,000. Carbide lighting was used in rural and urban areas of Australia which were not served by electrification. Its use began shortly after 1900 in many countries and continued past the 1950s. Calcium carbide pellets were placed in a container outside the home, with water piped to the container and allowed to drip on the pellets releasing acetylene. This gas was piped to lighting fixtures inside the house, where it was burned, creating a very bright flame. Carbide lighting was inexpensive but was prone to gas leaks and explosions. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights. Acetylene lamps were also used on riverboats for night navigation. The National Museum of Australia has a lamp made in about 1910 that was used onboard the PS Enterprise, an 1878 Australian paddle steamer, currently owned by the National Museum of Australia in Canberra. It is still operational, and one of the oldest working paddle steamers in the world, listed on the Australian Register of Historic Vehicles.Acetylene Carbide lamp, marine pattern burner housing and reflector missing Carbide Lamp, metal. Has plate for attaching to wall, & gimbal to allow lamp to remain vertical. Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, carbide lamp, motor vehicle, bike lamp, lighting, vehicle lighting, powell, hanmer, acetylene gas lamp, early lighting, marine lighting -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION: FOOTPRINTS ON THE SANDS OF TIME
Book titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History with a grey tone cover with images of Sir John Quick, Amy Castles, Amy and Eileen Castles and Anthony Palamountain on the front and back covers. La Trobe University, Bendigo The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Lecture by Professor Jeff Brownrigg, Head of Research and Outreach ScreenSound Australia, Canberra. Mentioned in the book is Sir John Quick, Some women of the early 20th Century, Bendigo's singers and opera singers and why communities all over Australia must face up to the challenges of global media by first recognizing the value of their own stories. Mentioned at the back of the book is a brief mention of Professor Jeff Brownrigg's career, John Quick's career and a list of The Sir John Quick Bendigo Lecture Series from 1994 to 2001.bendigo, history, long gully history group, the long gully history group - footprints on the sands of time, professor jeff brownrigg, research and outreach screensound australia, la trobe university bendigo, sir john quick, bendigonian annual, bendigo school of mines, british empire, alfred deakin, sir william lyne, king o'malley's commonwealth bank, telstra, sir frederick holder, robert garran, john mckay, the mirror, henry gyles turner, fischer, state library of victoria, bishop reville, bendigo evening news, bendigo independent, bendigo advertiser, melbourne university, melbourne age, richard twopenny, mr donald clarke esq, bendigo's butter factory, madame carandini, amy sherwin, nellie melba, oscar commetant, shamrock hotel, constitutional convention adelaide, frederick holder, edmund barton, catherine helen spence, elizabeth nicholls, women's christian temperance union, mary lee, rose scott, susan margery, maybanke anderson, vida goldstein, bendigonian annual, amy castles, alice crawford, edward allan bindley, joseph castles, mercy conent, freeman's journal, catholic press, therese radic melba, state library of victoria, cardinal moran, de quiros, bulletin, john norton, d headon, j brownrigg, lili sharp, eileen castles, mike sutcliffe, melbourne argus, frank cusack, david horsfall, alvin tracey, melbourne's advocate press, amy sherwin, frances saville, lalla miranda, hugo gorlitz, samuels family, louis august samuels, kate (catherina) samuels, madame benda, mathilde marchesi, emily dyason, erna (lovie) mueller, the german chapter, german heritage society bendigo, bertha rossow, hamilton hill, beatrice english, anthony palamountain, alfred bottoms, a c bartlemann, dorothy penfold, dr penfold, penfold gallery, pauline bindley, e a bindley, willie murdoch, sister mary tarcisia, sisters of mercy, peter dawson, bendigo's chinese populatin, masonic hall, ashman's dry-cleaners, walter murdoch, lily baxter, walter savage landor, robert garran, ada colley, australian journal of communication, michelle matthews -
National Vietnam Veterans Museum (NVVM)
Book, Pilger, John, Heroes
John Pilger was born and educated in Sydney, Australia. He has been a war correspondent, film-maker and playwright. He has written from many countries for the London Daily Mirror, the New Statesman and the New York Times. He has twice won British journalism's highest award, that of Journalist of the Year, for his work in Vietnam and Cambodia. Among a number of other awards, he has won International Reporter of the Year and the United Nations Association Medial Peace Prize. His documents, for ATV and Central Television, have one prizes at Chicago, Melbourne and other international film festivals.Paperback has been covered in plasticJohn Pilger was born and educated in Sydney, Australia. He has been a war correspondent, film-maker and playwright. He has written from many countries for the London Daily Mirror, the New Statesman and the New York Times. He has twice won British journalism's highest award, that of Journalist of the Year, for his work in Vietnam and Cambodia. Among a number of other awards, he has won International Reporter of the Year and the United Nations Association Medial Peace Prize. His documents, for ATV and Central Television, have one prizes at Chicago, Melbourne and other international film festivals. journalism - history - 20th century, journalism, 1960-1985 - personal observations, vietnam, cambodia -
City of Ballarat
Artwork, other - Public Artwork - Temporary, George Goodnow, Mirror Maze by George Goodnow
“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall -
Ballarat Base Hospital Trained Nurses League
Theatre Head Mirror
In metal tin.theatre, head, mirror -
Ballarat Base Hospital Trained Nurses League
Head Mirror
head, mirror -
Ballarat Base Hospital Trained Nurses League
Head Mirror - Gowllands - Vulcanite Head Band
head mirror, gowllands, vulcanite -
Ballarat Base Hospital Trained Nurses League
Vulcanite Headband - for Head Mirror
vulcanite, headband, mirror -
Ballarat Base Hospital Trained Nurses League
Head Mirror - Gowllands - Vulcanite Head Band
half inch holehead mirror, gowllands, vulcanite -
Ballarat Base Hospital Trained Nurses League
Metal Attachment for Head Mirror on Cloth Head Band
head mirror -
Ballarat Base Hospital Trained Nurses League
Metal Attachment for Head Mirror on Cloth Head Band
head mirror -
Ballarat Base Hospital Trained Nurses League
Laryngeal Mirrors - Size 16, 24
laryngeal mirrors - size 16, 24 -
Clunes Museum
Magazine, HENRY KENNETH PRIOR, 44 BRADLEY'S HEAD ROAD, MOSMAN. NSW, The Australian Women's Mirror, 14/02/1951
THIS MAGAZINE WAS FOUND UNDER THE HOUSE WHERE MRS. L. HUDSON USED TO LIVE.MAGAZINE WITH FRONT COVER, COLOUR IMAGES, WRITTEN CONTENTlocal history, magazine, hudson, laura -
Nillumbik Shire Council
Sculpture: Deborah HALPERN (b.1957 Melb., AUS), Deborah Halpern, Wayfarer, 2010
Local resident Deborah Halpern is a highly recognised and respected contemporary artist with an acclaimed national and international reputation in the arts community. She has a strong artistic connection to the area as her parents were founding members of Potters Cottage - a group of local ceramicists who were influential in the development of ceramics in Australia. Deborah Halpern donated Wayfarer through the Australian Government Cultural Gift Program. A cubist inspired kinetic work in three parts, the artwork depicts a semi abstract figure, a ‘traveller’ made out of reflective mirror and colourful ceramic tiles. Wayfarer is an excellent example of Halpern’s tile construction technique and playful style that she is renowned for. Wayfarer is one of Halpern’s first works exploring kinetics as well as combining mirror with painted ceramic tiles. Sculpture - Kinetic Ceramic, Glass, Fibreglass, Aluminium deborah halpern, wayfarer, nillumbik shire council -
Koorie Heritage Trust
Booklet, Baxter, Bruce [et al.]. (Aboriginal History Program), Matakupat : the Aboriginal history of the Swan Hill area, 1990
Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.20 p. : ill., map ; 21 cm.Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.1. aborigines, australian -- victoria -- swan hill -- history -- juvenile literature. 2. aborigines, australian -- victoria -- swan hill -- social life and customs -- juvenile literature. i. baxter, bruce. ii. title., other: wemba wemba tribe -- wathi wathi tribe -- aboriginal educators. -
Whitehorse Historical Society Inc.
Magazine - The Australian Woman's Mirror, 1941195619591960
Pearl Hanks of No 1 Second Street, Black Rock, Victoria wrote articles and poems for these magazines.December 23 Tuesday 1941 Vol 18 No 5 The Australian Woman's Weekly. NOTE: Short Story by 'Pearl Hanka' page 3 'The Australian Christmas Tree' 4323.1|August 22 Wednesday 1956 Vol 32 No 39 NOTE: Story by 'Pearl Hanks' page 6 'Our Frankston Palm Tree' 4323.2|October 28 Wednesday1959 Story by P. Hanks page 7 'Come the Bogeyman' 4323.3|April 5 1961 Poem by Pearl Hanks page 59 'Twin Fairies' 4323.4books, magazines