A history of Diamond Creek from earliest records of white visitors (1836) to the 1970s. John Ryan was born in Diamond Creek and lived there all of his life.A detailed history and anecdotes of the Diamond Creek area and its early pioneers.55 pages. Soft cover, light brown with copy of early painting of Diamond Creek on front cover. Black and white illus. 3 copiesOn page one in pencil: John Mackeydiamond creek, john l ryan

Greensborough Football Club, First Eighteen, Premiers 1961, Diamond Valley League. Names supplied by Gary Partington. Back row, Left to right: Rob Wickes, not known, John Crellin, Don Bell, Ian Bryant; 2nd row from back: Jim Kill, Dick Ward, Arthur Cattach, Ern Bishop, Frank Londrigan, Trevor Partington, Graham Geer, Brian Eltham, Jack Maurer, Tom Tobin, John Ely, Ron Hall; 3rd row from back: Joh Nolan, Rob Wasley, David Wickes, Joe Murphy (Captain/Coach), Len Mullenger, Don Williams; Front row: Fred Anderson, Brian Weidlich, Peter Londrigan (mascot), Trevor Browning, Ron Reynolds. Team photograph of Greensborough Football Club. Not mounted. .greensborough football club, diamond valley league

This "Invicta" cut-throat razor was owned and used by Osborne (Ozz) Daniel John Hawkins Abbott of Albury, N.S.W."Cut-throat" razor, stainless steel with cream plastic handle in brown cardboard case"Invicta" inscribed on handle and razor; "The Invicta Razor, manufactured by E. M. Dickinson Ltd., Sheffield England" printed in silver on case; Manufacturer's name inscribed on razorrazors, cutthroat razors

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of torso and head of a woman. The woman is wearing a long sleeved top, a large necklace and a brown hat with large feathers. The background is yellow with light brown wallpapered patterning.Front: Portland Commemorative Print 4/20 A. Gee. The Organist. John Cain signature Premier of Victoria Back: 16

CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

A history of Diamond Creek from earliest records of white visitors (1836) to the 1970s. John Ryan was born in Diamond Creek and lived there all of his life.A detailed history and anecdotes of the Diamond Creek area and its early pioneers.55 pages. Soft cover, light brown with copy of early painting of Diamond Creek on front cover. Black and white illus.

This children's book tells the story of 'Gendarme' a much loved Melbourne police horse during the 1970s.The connection to Greensborough is through Trevor Partington who owned this book. Trevor was a mounted policemen.32 pages, hard cover. black and white illustrations.Inside front cover: "This book belonged to Trevor Partington who worked with Victoria Police as a mounted policeman. Alex Tassell (Gendarme's trainer) was Trevor’s boss. - Faye Fort (nee Partington) 2013." gendarme (police horse), alex tassell, trevor partington, victoria police

Artist comment: These three prints (The Groom, The Undertaker's Assistant, The Organist) are part of a series on forebears of Portland. The drawings are taken from people in a collection of photographs belonging to the Johnson Family of Portland. The "Old Lady" and "The Wedding" are part of the same series. I designed the background to each drawing to suit each character's expression.CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing male from hips to head. The man wearsr a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in green, yellows and blues. No matt. Wooden frame with glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left) (stamp) 1/20 A Gee (lower left) The Undertaker's Assistant (centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

Saccharin is an artificial sweetener. The basic substance, benzoic sulfilimine, has effectively no food energy and is much sweeter than sucrose, but has a bitter or metallic aftertaste, especially at high concentrations. It is used to sweeten products such as drinks, candies, , medicines, and toothpaste. Saccharin derives its name from the word "saccharine", meaning of, relating to, or resembling sugar. The form used as an artificial sweetener is usually its sodium salt. Saccharin was produced first in 1878 by Constantin Fahlberg, a chemist working on coal tar derivatives in Ira Remsen's laboratory at the Johns Hopkins University, Baltimore, Maryland USA. Although saccharin was commercialized not long after its discovery, it was not until sugar shortages during World War I that its use became widespread. A brown glass bottle with a plastic screw top containing 'Saccharin' tabletsFront label ; .... TABLETS / trademark ' R T & C ( entwined)' / Soluble / SACCHARIN / Half Grain / ROCKE TOMSETT & CO. / PTY LTD / MANUFACTURING CHEMISTS / MELBOURNEfahlberg constantin, remsen ira, john hopkins university, maryland, baltimore, america, nasau, south america, central america, sugar cane, pharmacy, medicines, saccharin, glassware, bottles, moorabbin, bentleigh, cheltenham, elbe, germany

The Wallet has been issued to a member of the Australian Military Forces by the Geelong & District Soldiers Welfare Committee. It would appear the bank notes have been amassed by the owner of the Wallet and the post card and booklet have belonged the owner of the Wallet.All the items are originals from a member of the AIF.1 x Brown Leather Wallet, several bank notes, 1 x booklet 'Some Patience' - grey cover and white pages. A Sepia coloured post card of a tented camp in front of two of the Pyramids.Wallet - from the Geelong & District Soldiers Welfare Committee The booklet 'Some Patience' explained by H A H Carson The Bank Notes - mostly Marksleather wallet, bank notes, booklet, post card

VX46562 N J Richmond enlisted in 2AIF on 12 July 1940 and discharged on 04 December 1945, he was Posted to 2/9 Field Ambulance. After December Leave in this Unit left Australia on 3 February 1941 and arrived in Singapore on the 18 February 1941. On 10 April 1942 VX46562 N J Richmond was reported Missing and on 02 November 1943 was Listed at POW. XV46562 N J Richmond returned to Australia on 15 October 1945. This history has been compiled by Norman John Richmonds family, the documents and photographs are originals as kept by Mr Richmond.A brown colour Photograph Album, pages full of photographs and Discharge and Military Papers relating to VX46562 N J Richmond. This is his story - the family retain posession of the Album.vx46562 n j richmond, 2/9 field ambulance, singapore

Black and white photograph of men dressed in naval uniforms posed in two rows (one kneeling, one standing) at the base of a cliff. A further row of people are posed at top of cliff. Bottom third of framed work includes names of those in the image.Front: Portland Naval Cadets Corination Day King George V 22-6-1911 Front Row Standing (L to R): G.P.C. Fitzpatrick, William Redfern, James Kean, Benjamin Lear, William Dusting, Thomas Hardie. Front Row Kneeling (L to R): Edward Peters, Percy Dawkins, Leonard Tonkin, Hugh Keiller, Frank Edwards, William Alexander, Harry Goldsmith, George Jarrett, Roy Taylor, Roy Laidlaw, Thomas Herbertson, Dudly Brown, Sydney Pitts, Leslie Adams, William Patterson, jack Edwards, Norman Dusting, Eric Dusting, Noel Henry, William Mallett, Stanley Dusting, Herbert De La Cour, Joseph Cleghorn, Murry Douglas, Clarence Patterson. Back Row Standing (L to R): John Spikin, Charles Fredericks, Roy Campbell, Charles Gibbs, Bruce Douglas, Herbert Arkill, Archie Mathes, Murry Parker, Frank Edwards, Benjamin Davis, Osbourne Cruse, Oliver Westlake, Edward Pitts, Robert Edrich, James O'Brien, Edward Cook, William Paterson, Thomas Cook, George Lanagan, Frank Wilson, Ralph Taylor, Edward Jennings, George Parker. Presented by Harry Goldsmith. Back: To my boyhood friend Noel Henry to be hung wherever he thinks fit. Harry Goldsmith 16/7/66.gpc fitzpatrick, william redfern, james kean, benjamin lear, william dusting, thomas hardie

Contents: List of illustrations, From the Shire President, Historical background, current perspective and catalogue of art collection. This includes over 100 items. Book produced to accompany exhibition held at the Eltham Community and Reception Centre, Main Road Eltham June 26 - July 4 1993. "This exhibition celebrates two aspects of the art collection of the Shire of Eltham. There is the work which shows the love of Eltham and the environment, and work which deals with much broader concerns" Artists include: Helen Aitken-Kuhnen, David Armfield, Brian Armstrong, Alan Baker, Yvonne Ball, Piers Bateman, Julie Begg, Judith Ben-Meir, Yvonne Birch, The Bodford Collection, Janet Boddy, Deidre Boeyen, Ian Bow, David Benchley, Don Brown, Gilbert Buchanan, Paul Cavell, Patty Chandler, Rosalie Cogan, Scott Joseph Cowcher, Augustine Dall'Ava, Greg Daly, Simon Dattner, Peter Day, Domenico de Clario, Robert Delves, Joh Ebeli, Mark Edgoose, Graham Fransella, Ernest Fries, Edward Ginger, Peter Glass, Drew Gregory, Alison Hann, Tony Harkin, Wendy Henderson, Stephen Hughes, Lindsay Imbandarinja, John Irving, Hilary Jackman, Jill Kahans, William Kelly, Margot Knox, Margot Kroyer-Pederson, Anne Kueffer, Bruno Leti, Kevin Lincoln, Paul Margocsy, Alan Martin, Barry Mills, Simon Barley, Jenni Mitchell, David Moore, Barbara Munro, Ewald Namatjira, Norma Neil, Mark Page, Herman Pekel, Shane Pickett, Anthony Pryor, Clifton Pugh, Lynn Quintal, Giuseppe Raneri, Ken Robb, John Serle, Marjorie Shattock, Leslie Sinclair, Matcham Skipper, Myra Skipper, Sonia Skipper, Harris Smith, Eric Stephenson, Adriane Strampp, Marian Sussex, Tony Trembath, George Turcu, John Wakefield, Peter Wallace, Ray Walsh, Michael Wilson, Walter Withers, Vic Wood, Doug Wright, Romana Favier Zorzut, Renier Zusters.Softcover . Includes separate sheet of paper printed on both sides: "catalogue supplement" and "errata"shire of eltham art collection

This childhood sketchbook of the 1918 era details the emphasis placed upon a skill of brushwork that portrayed part of the students natural environment both in Tasmanian schools and Victorian schools, especially rural schools. The close bondage between students and their environment was a reflection on the early "hands on" approach in child education. Abstract art or teaching aids which could not be identified with physical properties available to students at this period in time were of lesser value. The ability of the student to identify the artistic value of local nature eg. local plants and flowers was especial important to rural based school children who had limited excursion opportunities available to visit town/city based botanical gardens and museums. This brushwork book is very significant to the Kiewa Valley as it demonstrates that childhood relocations from one State to another were not detrimental to the students overall scholastic development. The rural environment in Tasmania was not that far removed from the rural environment of the Kiewa Valley. The skills taught in both regions were still the same and the socio-economic factors and mores were also similar. This item demonstrates the relocation of one family from Tasmania to the Kiewa Valley. The expansion in population into the Kiewa valley was quite erratic and significant population growth only came after the increase in population brought into the area by the SEC Vic Hydro Scheme introduced to quench the demand for Victoria's electricity.This book has a brown cover with black print and designs on a 150 gsm cardboard. Each page is of the same thickness as the cover but is of paper.On the outside cover and contained within a thick boarder. "EDUCATION DEPARTMENT" and below this in smaller print "TASMANIA" below this "THE TASMANIAN BRUSHWORK BOOK". Below this "FOR CLASSES IV., V., AND VI" Below this "NAME" SCHOOL" At the bottom 2 1/2d1918's educational sketchbook, 1918 children's sketchbook

Top Row, from left - Horst Woitassek, Barry Woodhouse, Danny Hick, Trevor Sorenson, Charles Harris, Marie Daye, Peter Sturtevant, Ian Leach, Dorothy Heywood, Gary York. Bottom Row, from left - Sue Hanna, Lyn Warburton, Stephen Gorst, Frank Tyler, Brian Wright, Bill Barber, Dave Lovatt, Helen Hickey, Carol Woodhams. (Staff not present - Lyn Glassford, Margaret Hosking, Sue Renehan, John Duffy, Deanne Brown, Dr. Hewitt, Alex Best).Two colour photographs, laminated, one with typed list of names 2 copies 22.5 x 27 cm laminated (12.5 x 20 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff