Black and White Photograph of Bendigo No. 2 at the Eagle Hawk terminus, Jan. 1971, night photograph. Tram has the destination of Quarry Hill. In the background is the Foodland Store, a Milk bar. The tram has arrived at the terminus, the trolley pole has been turned, but the headlights and dash canopy lights have yet to be turned. Tram has the destination of Quarry Hill. Photo Chris Wurr, early 1970's. "Photo by Chris Wurr" stamped on the rear. In top left hand corner, in ink "71)" and "Bendigo (SEC) Tramways / 1.1971 / Eaglehawk Terminus"trams, tramways, bendigo, eaglehawk, night photo, tram 2

Set of 8 Digital Images of the powering up of the sub-station on 18/12/2004 .1 - Lights on in No. 27 .2 - ditto .3 - Being driven out of the shed by Paul Mong watched by Garry Wood .4 - ditto .5 - ditto .6 - a happy Paul leans from the tram ,7 - down the access track .8 - Scrubber No. 8 at St Aidans Drive with a full Lake Wendoureetrams, tramways, btm, substation, testing, isolating transformer, tram 27, tram 8

Photo of 10 trams in Lydiard St., with No. 20 at north end for Australian Railway Historical Society visit on 7-4-1962. Taken from west side of Lydiard St. looking south. Photo includes Vauxhall and Morris built cars. No. 20 fitted with dash canopy lights, small white strip, and has an ad for 'The Age' on front panel. Destination shown is 'Special'. Photo is over exposed.'SEC Ballarat ARHS Specials, 10 trams in Lydiard St. Nth. 7/4/62.' in blue ink.tramways, trams, lydiard st., specials, arhs, tram 20

Duplicated A4p 9 page document titled "Operation of Z class Trams", providing instructions for the operation of Z class trams, fault finding, running out, changing ends, brake issues, defective doors, track brake, lights, automatic points, loud speaker, Public Address, safety, hot weather, tram No. 5, Z3 tramcars, slip indication, changing destinations, overspeed and defects.trams, tramways, mmtb, z class, training, operations, instructions, faults

black and white photo of underground mining, showing 8 miners in a stope with their Bendigo bucket carbide lights. A large quartz spur formation is visible in the foreground. A wooden ladder gives a good scale in relation to the stope size. Photograph taken in the Central Nell Gwynne at the 265 m. level C 1939. On back MNc4 ( in indian ink ) ? Hercules and Energetic ( in ball point pen ) RHSV of Vic. Stamp.organization, business, hercules and energetic mine

Hardback cover book with white Title (see above) and author text, KVERNDAL, Roald, on pink grey cover. pp 903, ills. Cover image depicts a masted galleon ship at anchor with interior lights at dusk or dawn flying from the stern of the ship is the blue BETHEL flag featuring a star and dove of peace in top and lwr corners respectively. xxviii, 903 p. : ill. ; 24 cmnon-fictionThis book will long stand as the foundational study of church missions and ministry to men and women of the sea. International in scope, it covers in detail the efforts, particularly during the past two centuries, to serve the spiritual and moral needs of seafarers. The author, himself a former seafarer and seafarers' chaplain, spent more than fifteen years of painstaking research to compile this fascinating and authoritative book.merchant seamen, missions and charities, royal navy chaplains, missions-to-seamen, mission to seafarers, roald kverndal, bethel, welfare, shangaing, crimping, health

The photograph shows L class tram No. 102 with the destination City via Williams St route 65 in Hawthorn Rd, East Brighton. The tram is in the mid-distance and the road, span poles, street lights, residental houses with front fences are also included. Daylight with long shadows. The print is under exposed with several scratches in the centre requiring digital enhancement. Photo by Jim Seletto January 1960Shows 40 year old L class in revenue service as evidence of the MMTB's shortage of newer rolling stock.Black and white photgraph with photographer's notes on rearIn biro on rear: 'L 102 Hawthorn Rd East Brighton Jan 60 D X Print JSE7 J Seletto Phototrams, east brighton, hawthorn rd, tram 102, l class, span poles, tramways, route 65

Photograph of Victorian Railways built tram No. 53 which was sold to the MMTB following closure of the St Kilda - Brighton Beach line in 1959. Modified by the MMTB, as VR class tram No. 53 and generally used on the Moonee Ponds to Footscray route 82. This photo shows the tram in River St after being fitted with tail lights in Feb. 1973 and before being renumbered to tram 700 in Oct. 1976Yields information about VR class tram 53Colour print on Kodak paper with black borders. trams, tramways, river st, route 82, vr class, tram 53

Crotonhurst was the estate of Mr William F. Langdon and his wife Sophia, the daughter of judge George H.F. Webb. A drawing room meeting was organised here by the Ladies' Harbour Lights Guild on 13 July 1926 hosted by Mrs Langdon. In an article published in the Australasian on Saturday 24 July 1926 we could read: " A drawing room meeting in connection with the Victoria Missions to Seamen took place on July 13, at Crotonhurst, Caulfield, the picturesque home of Mrs. W. F. Langdon, when the chaplain to the mission (the Rev. J. R. Weller) and other speakers explained the purpose of the Ladies' Harbour Lights Guild, and urged its claim to interest and support from the people of Victoria. The chair was taken by the mayor of Caulfield (Councillor Page), who spoke sympathetically of the fine work being carried on "week-in week-out" by members of the guild. The honorary treasurer of the guild (Miss Tracy) spoke of the need for more annual subscribers." The estate was demolished in 1937.Drawing room meetings were organised by the Ladies' Harbour Lights Guild to raise awareness and recruit new members. The hostess of the meeting were often but not always the secretary of the local branch of the Guild.Colour photograph of street sign , Crotonhurst Avenue, Caulfield North.City of Glen Eira CROTONHURST AV.lhlg, drawing room meeting, crotonhurst, reverend weller, sophia sarah annie langdon, nee webb (1863-1948), willaim farrar langdon (1861-1943)

Long awaited building renovations in 2019 commenced with the replacement and upgrade of the 102 year old floorboards in the main hall and old Billiard room of the Mission to Seafarers Victoria. Some stumping replaced and repaired in places. Many older seafarers especially recall the regular dances hosted by chaperoned local young women and members of the Ladies Harbour lights Guild that commenced in the 1930s and carried on through to the 1960s. (see also significance statement)These photographs are another historical record. As a listed Building of Heritage significance the Mission to Seafarers commenced in consultation with heritage advice as per Burra Charter, the first phase of renovations to the century old building complex at 717 Flinders St which is still providing services and facilities to seafarers as per the original purpose and design. The club room or main hall was the sight of many performances, slide shows, film screenings, and events to entertain or raise funds for the Mission. Series of photographs depicting the new floor boards in the main hall, Flying Angel Club after renovation winter 2019 and before recarpetingbuilding renovations, flying angel club

In the minutes of the 21st meeting of the Victoria Mission to Seamen, held at the Harbour Trust Board Room on Thursday, 8th October 1925 , the Treasurer, Mr Perry reported that he had obtained a fresh lease of land of the Central Institute with an extra piece of land to be used for the future tennis court. The lease started on the 1st of January 1926 and was for 21 years. The tennis court was funded by the Hawtorn branch of Ladies Harbour Lights Guild.The tennis court was a feature of other missions overseas and it seems seamen were asking for one in Melbourne. It was in use until the mid fifties.Small silvertone photograph depicting four men working with horses are preparing the ground of the future tennis court. Behind is the Mission to Seafarers (chapel side) and the docks on the Australian Wharf. The photograph is glued to the photographic album with the caution belowBelow in white ink: Making the tennis courttennis court, weller album, 1926, garden, trees, horses, flinders street

Photograph of SW6 850 (Route 77) at the Prahran terminus, Chapel St and Brighton Road, probably soon after its construction and entry into traffic on 31-3-1939, although the roof appears weathered. The tram has a sign promoting off peak travel, dash canopy lights and a tail light. In the background are the shops at this location. The tram was the first of its class and was considered a luxurious car compared to the W2's and W5s.Yields information about SW6 850 and the Prahran terminus.Black and white photograph on paper.trams, tramways, chapel st, prahran, brighton road, sw6 class, tram 850

Photo, an Official MMTB photograph, shows a safety zone concrete prow with a set of flashing lights at the intersection of Collins and Spencer Sts. In the view is W2 305 (Route 12, South Melbourne Beach). The tram has large experimental roof ventilators and two White Wings Tomato sauce adverts on the end panels. In the background are the Victorian Railways Spencer St buildings. Photo used in the 1961 MMTB Annual Report.Yields information about Safety zones and W2 305.Black and White photograph on plain paper.In ink on rear "Collins & Spencer"tramways, collins st., spencer st, safety zone, w2 class, tram 305

Newspaper cutting from The Courier, Ballarat, Saturday 20/6/1998 in the 'In Retrospect' section of the newspaper, of the report 75 years ago of the derailment of a tram car, fully loaded at intersection of Sturt and Lydiard Streets. Notes passengers left quickly and that traffic was delayed for some time. Another item also mentions of the plans, 25 years ago, of traffic lights at the intersections of Sturt St. with Lydiard, Armstrong and Doveton Streets.In bottom right hand corner in ink, "Sat 20/6/98", and ink markings on either side of the tramway item.trams, tramways, in retrospect, accidents, derailments, traffic lights

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 21 departing from the North Bendigo terminus, 10-4-1950, turning in to Thunder St. Has the level crossing flashing lights in the foreground. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "No. 21 at North Bendigo, Thunder St, level crossing 10-4-50" and in bottom right hand corner "W. Jack".trams, tramways, bendigo, north bendigo, thunder st, level crossings, tram 21

Photo of Ballarat No. 41, derailed in Barkly St. Ballarat near main road on 4-11-1961. Image is going red. Tram fitted with dash canopy lights, small white stripe, large triangles. Penfold Sherry ad on roof. Numerous markings on road surface of previous? derailments. Note advertisement hoardings in background of photo, one featuring an ad for Penfolds. Tram has a destination of 'Mt. Pleasant.''SEC Ballarat No. 41 derailed in Barkly St. near Main Road, 4-11-61 1.40pm' in blue ink.tramways, trams, barkly st., derailments, accidents, mt. pleasant, tram 41

Photographs, Black and White, of the MMTB bus 45? - large Garford Chassis - .1 - Front on view showing the radiator, head lights and other details including the crank handle - shows the destination of Brighton Rd. Registration Number 68945. .2 - Side on view of the bus showing the lettering, logo, doorways and destination "via High St". Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.In ink on the rear: .1 - "M&MTB Garford Bus No. 45 - late 1920's". .2 - "MMTB Large Garford Bus (Probably No. 45), Late 1920's and in pencil "Large Garford" KSK print numbers SA955 and SA956.trams, tramways, mmtb, buses, brighton rd, garford, tram 7

Colour slide - red and white cardboard mount - reproduction of a photo of tram 255 looking east along Collins St from Swanston St with the Scots Church spire in the background. Tram has destination of City, Route 42 and has not been fitted with marker lights. It is a very quiet scene traffic wise. Produced by Ess-vee-vee, No. 1079, Set No. 31, and then number "8601 - Looking east in Collins St"trams, tramways, collins st, w2 class, swanston st, tram 255

Report - A4, 170 pages + card coves with plastic sheets black comb bound, titled "Demonstration Project - East Preston Tram route upgrading Sept. 1976" Has a Table of Contents, appendices, photograph, tables and diagrams. Looks at the delays on the East Preston route with methods of overcoming the bunching of trams, installation of kerbs for trams, traffic island, coordinated traffic lights along with Project costs. Notes it is a demonstration project.trams, tramways, mmtb, tramways, melbourne, surveys, passengers, east preston, traffic control, traffic lights, delays, road works, maps

Lillie Duncan was a member of the Ladies' Harbour Lights Guild, the women's auxiliary group of the Mission to Seafarers organisation. The LHLG was formed in 1902 and organised social events for visiting seafarers and were directly responsible for much of the fundraising for the construction of the facility at 717 Flinders Street. As a member of the Guild, Lillie was expected to entertain and support visiting seafarers, although within a strict set of rules. This letter, along with a number of others, was sent to Lillie from abroad.This letter, along with a number of others sent to Lillie Duncan by visiting seafarers, underscore the social conventions of the time and the work of the Mission to Seafarers in provide comfort and support to visiting seafarers. The letters speak of the many events and activities undertaken at the Mission and provide a snapshot of the era.Letter addressed to Miss L. Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from J. Kokx, U.S.S. Medusa, c/o Pm San Francisco, 5th Div Cal consisting of two parts. Part 0074.1 Envelope Part 0074.2 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and both sides of the letter. The letter begins with "Dear Lillie, I received your letter..." and concludes with "Bundles of love, Julius Kokx, x Little Melbourne girl x"The envelope is torn across the top and part of the flap for access to its contents. It has two 2 cent red stamps with the text "United States Postage" and "Washington" on it, and one green 1 cent stamp with the text "U.S. Postage 1 cent 1"correspondence, handwriting, postage stamps, julius kokx, lillie duncan, lhlg, uss medusa, san francisco, california

Lillie Duncan was a member of the Ladies' Harbour Lights Guild, the women's auxiliary group of the Mission to Seafarers organisation. The LHLG was formed in 1902 and organised social events for visiting seafarers and were directly responsible for much of the fundraising for the construction of the facility at 717 Flinders Street. As a member of the Guild, Lillie was expected to entertain and support visiting seafarers, although within a strict set of rules. This letter, along with a number of others, was sent to Lillie from abroad.This letter, along with a number of others sent to Lillie Duncan by visiting seafarers, underscore the social conventions of the time and the work of the Mission to Seafarers in provide comfort and support to visiting seafarers. The letters speak of the many events and activities undertaken at the Mission and provide a snapshot of the era.Letter addressed to Miss L. Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Alex (no return address on the back or in the letter). It is in two parts. Part 0099.1 Envelope Part 0099.2 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and both sides of the letter. The letter begins with "Dearest Lily,I know you will forgive..." and concludes with "ever yours, Alex".There is a round ink stamp on the top middle of the envelope with the text "Cristobal, Jul 28 1130 AM 1926 Canal Zone". There is also an ink stamp in seven wavy lines covering the small blue 5 cents stamp. This stamp has the text "United States Postage, Roosevelt" on it.lhlg, alex, lillie duncan, panama, canal

The photograph shows St Kilda Junction c1900, looking towards Wellington Street from the centre of the junction. A Windsor (Chapel Street to Ackland Street) cable tram is turning the corner while another is approaching. There is a cable tram uniformed person (with his hands on his hips) watching the tram - possible an Inspector. In the view is: AA Sleight Undertaker, Miss Nichols St Kilda Floral Studio, street lights, and a number of pedestrians standing on the roadways.Yields information about cable trams and St Kilda Junction.Photograph - Black and White - St Kilda Junction c1900 looking along Wellington Streettramways, trams, cable trams, st kilda junction, inspectors

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Flat disc, black in colour, with an inscribed, modulated spiral groove across diameter. Centre has adhesive paper label bearing information about the songs on each side and artist/copyright information. Label is Mustard yellow to white in ombre fade effect. Centre of disk has round hole through which the disk is attached to a machine. Disc contained within plastic sleeve, fused on three sides.vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary, phonograph, vinyl record, gramophone record

A window sash is a type of moveable window frame that can slide, usually vertically. Unlike a window frame built into the wall, a sash allows glass window panes to slide up and down. The sashes fit inside a track that runs along another window frame attached to the house. Lead weights traditionally counterbalanced sashes, but today they are counterbalanced by springs. The traditional sash window is double-hung; this means it has two sashes that can both slide along a vertical track. However, some sash windows have a single moveable sash, and sashes may slide horizontally. A sash usually contains panels of glass, called lights. The lights are traditionally held together by a grid of bars. The sash window was developed in 17th century England and allowed for greater airflow. The sash window has had a significant impact on western architecture, used in nearly every style of English domestic architecture since the late 17th century. The subject item is a template used by the carpenter to mark or scribe the vertical track in which to window will slide up and down.An item used when sash windows were made by hand from the 17th to the early 20th century. The template allowed the carpenter to mark accurately a channel that was then planed and the Mitre to join the bars.Wooden Ovalo sash template with two screws each side. It has slot along length and has 45 degree bevelled edge each end.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden ovalo sash template, ovalo sash template, template, sash template, sash templet, window sash, tool

The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park. digital photographeureka stockade, diorama, jack ford, brenda ford, eureka stockade memorial

The signage that detailed the events surrounding the Eureka Stockade diaroma was affixed to the hut wall beside the entrance to the interior diorama. In the first photograph, you can see the dark, bare timber colour of the slab wood that held the signage plus (on the left side) one of the numerous holes in the slab walls. This made the display very cold and draughty in its interior. Once inside, you were confronted with an earthen, gravel and leafy floor, which became muddy, after rain, as it was on the day this photograph was taken. The diorama was held in a glass and cement display case. with no lights on. It was dark inside the hut so the diorama was not easy to see unless you inserted a coin into a metal pay-box. Then lights would turn on and a recording of shouting and gunfire (representing the battle noise) would play. The Photographer remembers the whole experience to be short and underwhelming. Once outside the diorama’s slab hut, you could walk across to a partial representation of the stockade’s fortifications, complete with two wagon wheels. This space was also graveled to distinguish it from the rest of the green-lawn park.digital photographeureka, diorama, 1993, jack ford, brenda ford, eureka monument, memorial

Newspaper clipping from The Courier, 6/7/2017 titled "Safer Street Crossing" about the installation of a set of traffic lights at the rear of the Museum Depot. Photo looking north along Gillies St. Included in the photo is Samantha McIntosh, VicRoads Ewen Nevett and MP Sharon Knight. Tram depot in the background. Note the traffic light installation resulted (a bit of accident and good talking by Neville Britton) of a crossing into the depot. Was not included in the drawings.gillies st, traffic lights, ballarat specialist school

Agfa plastic mount (blue base, white cover) with a photo of No. 34 Wendouree Parade, near Carlton St, Sturt St side of loop, showing Sturt St. West early 1961. Tram is in the process of being fitted with dash canopy lights and tiger strips. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 13" in penciltramways, trams, wendouree parade, carlton st, tram 34