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Kiewa Valley Historical Society
Cards - Party Invitations x7
Children's party invitations were purchased, filled in with date, time etc and had a torn off section to be returned by the recipient with confirmation of attendance.Mt Beauty was a construction town built in the late 1940s. These cards would have been used to invite friends to birthday parties as was the tradition at the time.Small cardboard party invitations with coloured front, folded in two, and inside on the left the invitation details and on the right the acceptance both to be filled in. 1950s style I think.children's party invitations 1950s -
Kiewa Valley Historical Society
Royal Antediluvian Order of Buffaloes Member's Case
Originated in the United Kingdom in 1822 with a motto "No man Is At All Times Wise" and a maxim of "Justice, Truth and Philanthropy". A branch of the Royal Antediluvian Order of Buffaloes was formed at Bogong by Grand Lodge Officers from Melbourne and other members. The ceremony was held at Lewis Camp Mess (Kiewa Hydro Electric Scheme) with a world record of 78 new members initiated and a world record of over 100 pounds was raised. Another branch, No. 150 was opened in Mt Beauty. The Bogong and Mt Beauty lodges combined in 1948 and organised a Christmas treat for all children of the State Electricity Commission of Victoria working on the Kiewa Hydro Electric Scheme.Historical: The Bogong R.A.O.B. was formed circa Sept. 1946 and the Mt Beauty R.A.O.B. in 1948. It was a popular organisation in Bogong and then in Mt Beauty during the construction of the K.H.E.S. This club shows how important social clubs were in making up part of the community thus making it socially historic as well. It was a voluntary charitable organisation with a complicated ceremonial tradition and enjoyed by its participants. The donor, Brian William John Bourke was a cook at the pub and other places around the town. He had lived in the area since the 1950s and passed away 2019 and is buried at Tawonga Cemetery.Small brown leather case with attached handle and sliding clips on each side. The corners are reinforced with steel.The hinge appears to be stitched on and is held by an attached leather strap on the right side. Inside: the lid has a material open gathered pocket holding 4 small books and 4 thin booklets / papers. The case holds 2 large leather red and gold cuffs, 1 red with gold decoration apron, 1 red ribboned necklace with a personal badge and 1 of the lodge and 2 short ribbons (one green and 1 blue) with badges attached including the Mt Beauty badge on horns. 1 cardboard roll with B W J Bourke / Mt Beauty on the outside and 4 certificates rolled inside. These are dated 1964, 1970, 1974, 1974 . See also KVHS 0084, KVHS 0945, KVHS 1441 Brian William John Bourkeroyal antediluvian order of buffaloes, bogong, mt beauty, charitable organisation, lewis camp mess, r.a.o.b. -
Kiewa Valley Historical Society
Uniform - Mt Beauty High School
Mt Beauty High School commenced in 1953 as a Higher Elementary school as the need for a secondary college grew with the increase in population due to the Kiewa Hydro Electric Scheme. It became the Mt Beauty High School in 1964.Historical: Education in Mt Beauty commenced relatively late so there was less of a tradition. The decision to adopt a uniform is of interest to compare it with other schools and the times.Girls winter school uniform consisting of - Blazer x4 See KVHS 0019 Dark green blazer made from pure wool flannel. It has 3 pockets - 2 lower ones on each side and on the left pocket at chest height is the cloth badge 'Mt Beauty' at the top, colored scene of mountains and river in the middle and 'High School' at the bottom.... Shirt - x2 White long sleeved blouse with collar, buttons down the front and one button on each sleeve. Tie - 124 cm long with pointy ends and with a diagonal yellow stripe 0.5 cm wide on green 2.5 cm apart. Label: "Tee Dee" Made in Australia 90% wool 10% nylon Tunic - Grey pleated tunic (3 pleats on both the front and back) with a zip pocket on the right from the waist 14 cm long Also a 3.5 cm wide grey belt with grey plastic buckle and Label on centre back at neck: "Stamina / clothes/ Tailored by / Expert Craftsmen / Crusador Cloth" Size 46 uniform, mt beauty high school, school uniform -
Warrnambool and District Historical Society Inc.
Programme - Celtic Concert presented by Warrnambool & District Pipes & Drums Inc, 2013
The Warrnambool Pipe was started around 1906 under the tuition of Simon Fraser and his sons. It has operated in various forms for most of that time. A ladies band was formed in 1951 and the two bands amalgamated in 1974. They celebrated their centenary in 2007. Many Scottish people settled in the South West of Victoria from the 1840’s onward and brought with them many of their traditions. The Warrnambool pipe band is one aspect of Scottish traditions which have been continued in this region, including a Caledonian Society and Scottish dancing In one paragraph state what is significant, the type of significance it holds, and why it is significantFour pages with title Celtic Concert in dark blue on muted coloured cover with performance details and dates of performance in the middle with major sponsors within box at bottom of page. Inside two pages contains details of performers and the concert program. The back page contains a list of sponsors.Deakin Worldly, Warrnambool, RSL, Victoria Police, Police band, Victoria Pipe Band, warrnambool, warrnambool pipe band, simon fraser, warrnambool ladies band -
Flagstaff Hill Maritime Museum and Village
Tool - Auger, Robert Sorby, First half of the 20th Century
A scotch eye auger is perfect for quickly making holes in dry or wet wood for making chairs, stools, and any number of woodworking projects. The scotch eye serves as a peg gauge and whatever peg you make to go into the hole should fit into the augers eye. Robert Sorby & Sons: The forbearer's of Robert Sorby had been cutlers in the Sheffield region of England, dating from the mid 17th century. Robert Sorby and Sons were registered in Sheffield in 1828 as a manufacturer of edge tools, saws, scythes and hay knives. In addition to manufacturing tools, they also diversified into the manufacture of crucible steel for tool manufacture. From circa 1860-1967, the Sorby factory in Sheffield was known as the “Kangaroo Works”. The Kangaroo Brand of tools was made by Robert Sorby & Sons. During the 19th century, they had a large trade in Australasia. By the early 20th century, they were manufacturing carving tools, planes and plane irons, circular saws, wood saws, butchers saws and cleavers, garden tools, pruning knives, coopers’ knives, bricklayers tools and joiners tools. In 1923 Robert Sorby & Sons was bought by Sheffield company Hattersley and Davidson. They are today one of the few remaining British tool manufacturers.The company has a long tradition of making edged tools for various uses and exporting them to Australia, however the subject item was probably made from the early 20th century up until 1967 when the company stopped exporting to Australia.Scotch Eye Auger, Double Twist with Lead Screw, square shaft, socket set at right angleRob Sorbey Sheffield stamped on shaft with Kangaroo trade markflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ring auger, carpenders tools, hole drilling, rob sorby & sons -
Flagstaff Hill Maritime Museum and Village
Clothing - Bib, ca 1910
In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Bib or feeder for a baby, cream coloured, crocheted in a circle with ends shaped to fit around the neck, satin ribbon threaded through crochet border. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, baby clothes, bib, feeder, crocheted bib, crocheted feeder -
Federation University Historical Collection
Book - Book -Scrap Book, Ballarat School of Mines: Scrap Book of newspaper cuttings, Book 29, November 1986 to February 1987, 1986-1987
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 20 November 1986 to 14 February 1987.Book with blue cover, front, spiral bound.courses available, tertiary orientation program, t o p, teaching positions advertised, smb programs, fashion of the future, clare schreenan, lisa willison, mary anne rowe, smb staff join protest, wool classing exams, smb secretarial program, women graduate with trades skills, linda bland, julie baulch, tracey coleman student, royal horticultural society of victoria, garden tools for field officers, helen mclennan course teacher, writing for pleasure, book launch "wednesday's words"june griffiths, nan gale, averil macklin, smb applied science grant, atomic absorption spectrophotometer, julie baulch encourages women to break with tradition, family centre space in tippett building, mellissa bone win photographic award, smb computer world's best, sue dennis, school's in for adults, smb vocational programs, university of the third age, ken flecknoe managing director courier retires -
Flagstaff Hill Maritime Museum and Village
Equipment - Rowing Oar, 1972 -1985
The family-owned timber manufacturing business Pelco was started by Cecil Victor Woodfield in 1937. The joinery company Pelco began by making wooden ladders and was registered as the Palmerston Extension Ladder Company. C V Woodfield, who lived from 1884 -1959, arrived in Palmerston North from Canterbury NZ in the aftermath of the Great Depression to work in construction. The company got its first step up when Woodfield was asked by a commercial painter to make a ladder, and the founder set up shop in a garage on Ruahine St. According to the company website, Pelco made its name in New Zealand with its Oregon Extension Ladders, and up until its closure, manufactured non-conductive Lamilite Ladders for the electrical supply and service industry worldwide. The company was incorporated as a joinery business in 1946 and continued making high-end cabinetry for seven decades. Under director Geoff Woodfield, in the 1950s, the company embarked on the production of Fleetcraft plywood boats. Another water-related enterprise followed, with the manufacture of oars and paddles. Its branded Gull Superior Oars and Paddles business began exporting in 1972 to Australia and subsequently to the United States, UK and Japan. The company ceased trading in April 2018 and was placed into receivership.This pair of lightweight oars represents the maritime tradition of handmade oar making, which has evolved over the centuries. Their shape is still similar to early oars and continues to serve the same purpose, to steer and propel a boat. Pair of blonde varnished Tasman Fir oars with a flattened paddle at one end. Made by Gull of New Zealand, sold by James Edwards & Sons of Melbourne. Inscriptions on printed labels on the oars."GULL Superior Oars and Paddles, Pelco, Palmerston North NZ" "JAS. EDWARDS & SONS, Boat Builders, Oar and Skull Makers, & Importers, PRINCES BRIDGE MELBOURNE"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oar, oars, gull oars and paddles, new zealand oars and paddles, jas edwards and sons melbourne, rowing equipment, new zealand oak, paddle, james edwards and sons melbourne, james edwards, tasman fir, gull superior oars, marine equipment, marine technology, ship fitting, boat fitting, rowing oar, boat oar -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 14th Dec. 1927 Funeral of Cr. F.T. Le Page JP Cheltenham, 14th Dec. 1927 Funeral of Cr. F.T. Le Page JP Cheltenham, 14th December 1927
14th December 1927. The funeral of Cr. F.T. Le Page, leaving Cheltenham Church of Christ, Chesterville Road, for the old Cheltenham Cemetary. The undertakers were W.D. Rose & Son. Standing alongside the hearse is Mr Wally Rose. In front him is Mr Clarrie Judd, father of Mrs Clarice Whitehead. At the front of the procession are two Church of Christ Ministers. On the right is Mr Daniel Wakefield, who was minister at the time. On the left is Mr Mudge who was the previous minister. The man wearing collars are members of the Star of Moorabbin Order, of the Sons of Temperance Friendly Society. Others are elders from the church. Some of the names are: Mr George Brough, Mr Horace Brough, George Roberts, Tom Tilley, and Frank Martin. The house in the photograph was the home of Mr and Mrs Fred. Judd. The picket fence was at the front of the Church and the Cypress hedge on the right, was the home of Mr Chas. Fairbank, now the Church Manse grounds.Frank T Le Page arrived in Cheltenham, ( Two Acre Village) aged 3 with his father Nicholas Le Page , a tailor from Guernsey in the Channel Islands. Nicholas purchased one of Holloway's two-acre lots and established a market garden. Frank T Le Page worked on his father's market garden from age 14, then worked as a coachman and met Tommy Bent whilst employed at Brighton Grammar School. He bought land adjacent to his father's , built Daphne Cottage in 1876 and later established the Cheltenham Cream and Butter Factory. Frank T. Le Page was member of many community groups and was a Moorabbin Shire Councillor for 25 years serving a term as President. 'The Le Pages became one of the best known Moorabbin market gardening families, with a tradition of service to communal and civic affairs that is unmatched.' John Cribbin ' Moorabbin A Pictorial History 1862-1994 ' p3714th December 1927. The funeral of Cr. F.T. Le Page, leaving Cheltenham Church of Christ, Chesterville Road, for the old Cheltenham Cemetary. The undertakers were W.D. Rose & Son. Standing alongside the hearse is Mr Wally Rose. In front him is Mr Clarrie Judd, father of Mrs Clarice Whitehead. At the front of the procession are two Church of Christ Ministers. On the right is Mr Daniel Wakefield, who was minister at the time. On the left is Mr Mudge who was the previous minister. The man wearing collars are memebers of the Star of Moorabbin Order, of the Sons of Temperance Friendly Society. Others are elders from the church. Some of the names are: Mr George Brough, Mr Horace Brough, George Roberts, Tom Tilley, and Frank Martin. The house in the photograph was the home of Mr and Mrs Fred. Judd. The picket fence was at the front of the Church and the Cypress hedge on the right, was the home of Mr Chas. Fairbank, now the Church Manse grounds.Written as above signed D. Maynard 2/4/86funeral, 14th december 1927, cr. f.t. le page, cheltenham cemetery, mr george brough, mr horace brough, george roberts, tom tilley, frank martin., cheltenham church of christ, early settlers, market gardeners, rellgious rites, justice of the peace, star of moorabbin order of the sons of temperance friendly society, daphne cottage cheltenham victoria, cheltenham cream and butter factory ltd, tommy bent, moorabbin shire, le page everest , le page frank w. , le page frank t,, two acre village, dendy's special survay 1841, holloway josiah morris, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, girl's party dress c 1927, 1927
This child's green, silk, party dress was worn by Sylvia Marriott in 1927. The Marriott family were early settlers in the Moorabbin ShireMembers of the Marriott family arrived in Port Phillip in 1857. However it was John and Jane Marriott who in 1876, (after toiling hard since their arrival in1871, for very little gain), first leased, then purchased in 1882, 30 acres with a four-roomed house in East Boundary Road, in the area then called East Brighton. (Now known as East Bentleigh). The land they purchased had previously been a part of the 1841 Dendy Special Survey. Over the following years, John and his four sons with hard work and determination became prosperous vegetable growers and purchased further land in the area. Following John's retirement and subsequent death in 1903, the land was passed to his sons, and then onto the Marriott grandchildren. The family continued to remain very prosperous and successful vegetable growers and are one of many families steeped in the tradition of vegetable growing which significantly contributed to the prosperity of the Moorabbin ShireA home-sewn pale green silk party dress, worn to a wedding by four year old, Sylvia Marriott c 1927. The skirt of the dress has layers of ruffles. It has short cap sleeves. Decorative ribbons are attached at the shoulder continueing to the waist, then hang loosely over the skirt of the dress. Small pink and white ribbon rose buds have been applied at the neckline, waist and the edges of the sleeves .brighton, moorabbin, marriott, clothing, market gardeners, home, dressmaker, needlework, dendys special survey -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby's long white calico Christening gown c1900, c1900
A traditional Baby's long white calico Christening gown with cut-work and pintucks on the front yoke and fastened at back by a mother of pearl button and draw string at neck with long waist ties. The women of the early settler families in Moorabbin Shire were skilled dressmakers and craft workers and made the clothes for their families. There were times when prices for produce were not good and families struggled to support their families until prosperity returned. However they still made simple materials special by their dressmaking and craft work skills The early settler families followed the religious traditions of their Churches. This Baby's long white calico Christening gown is an example of the simple dressmaking skill of a woman making a special garment with inexpensive material and her cut- work decoration. A Baby's long, white calico Christening gown with pintucks,cut-work, lace, long sleeves, long waist ties and a draw string neck. clothing, brighton, moorabbin, pioneers, dressmaking, lace work, cut work, christening gowns, methodist church, religious services, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire blackburn nance, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Travel Trunk, c 1851 wood, brass lock and hinges and Guernsey Newspaper 1851, c1851
This wood traveling trunk was used by the LePage family when emigrating from Guernsey , Channel Isles, to Melbourne on SS Caliope 1852. Nicholas LePage , a tailor, and wife Elizabeth arrived in Melbourne in 1852 with their son Frank Thomas and daughter Elizabeth. Joshua Holloway released land in his 'Two Acre Village' in Cheltenham 1851. Nicholas bought a LOT for 10pounds and began a market garden that was managed by successive generations. The LePage family became involved with the Methodist Church , local friendly societies, sporting clubs and civic councils that endured. 'The LePages became one of the best known Moorabbin market gardening families, with a tradition of service to communal and civic affairs that is unmatched' John Cribbin, ' Moorabbin ,Pictorial History 1862-1994.' (City of Kingston)A handmade wood trunk with brass lock and hinges and Guernsey ( Channel Isles) Newspaper lining 1851Top of lid; White Stencil BETSEY LEPAGE / PASSENGER TO MELBOURNE Lining of box; Guernsey Newspaper 1851 henry dendy's special survey 1842, moorabbin shire, moorabbin roads board, dendy henry, were jb, holloway josiah, brighton, bentleigh, cheltenham, pioneers, market gardeners, early settlers, methodist church, two acre village cheltenham, charman stephen, bent thomas, daphne cottage, sons of temperance friendly society, mayors moorabbin council, lepage nicholas, lepage frank thomas, lepage everest, lepage frank wilbur, cheltenham co-operative society, cheltenham cream and butter factory -
Flagstaff Hill Maritime Museum and Village
Equipment - Rowing Oars, 1972 -1985
The family-owned timber manufacturing business Pelco was started by Cecil Victor Woodfield in 1937. The joinery company Pelco began by making wooden ladders and was registered as the Palmerston Extension Ladder Company. C V Woodfield, who lived from 1884 -1959, arrived in Palmerston North from Canterbury NZ in the aftermath of the Great Depression to work in construction. The company got its first step up when Woodfield was asked by a commercial painter to make a ladder, and the founder set up shop in a garage on Ruahine St. According to the company website, Pelco made its name in New Zealand with its Oregon Extension Ladders, and up until its closure, manufactured non-conductive Lamilite Ladders for the electrical supply and service industry worldwide. The company was incorporated as a joinery business in 1946, and continued making high-end cabinetry for seven decades. Under director Geoff Woodfield, in the 1950s, the company embarked on the production of Fleetcraft plywood boats. Another water-related enterprise followed, with the manufacture of oars and paddles Its branded Gull Superior Oars and Paddles business began exporting in 1972 to Australia and subsequently to the United States, UK and Japan. The company ceased trading in April 2018 and was placed into receivership.This pair of lightweight oars represents the maritime tradition of handmade oar making, which has evolved over the centuries. Their shape is still similar to early oars and continues to serve the same purpose, to steer and propel a boat. The oars are associated with a significant family business situated in Palmerston New Zealand that along with making ladders also graduated into making wooden boats and oars.Pair of blonde varnished Tasman Fir oars with a flattened paddle at one end. Made by Gull of New Zealand, sold by James Edwards & Sons of Melbourne. Inscriptions on printed labels on the oars.(1) "GULL Superior Oars and Paddles, Pelco, Palmerston North NZ" (2) "JAS. EDWARDS & SONS, Boat Builders, Oar and Skull Makers, & Importers, PRINCES BRIDGE MELBOURNE"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oar, oars, gull oars and paddles, new zealand oars and paddles, jas edwards and sons melbourne, rowing equipment, new zealand oak, paddle, james edwards and sons melbourne, james edwards, tasman fir, gull superior oars, marine equipment, marine technology, ship fitting, boat fitting, rowing oar, boat oar -
Women's Art Register
Book - Anthology, Jeanette Hoorn, Strange Women. Essays in Art and Gender, 1994
The masculine landscape tradition was seen as the 'true' national identity in the early 20th century while the new Modernist painting of women was seen as marginal and incidental. This text looks behind the commonly held narratives of art criticism to present a new reading of gender in Australian painting.Booknon-fictionThe masculine landscape tradition was seen as the 'true' national identity in the early 20th century while the new Modernist painting of women was seen as marginal and incidental. This text looks behind the commonly held narratives of art criticism to present a new reading of gender in Australian painting.grace cossington smith, thea proctor, margaret preston, grace crowley, hilda fix nicholas, sybil craig, ethel carrick -
Ithacan Historical Society
Newspaper - Divine Debutantes, 80th Anniversary Ball, 23 September 1996
The Ithacan Philanthropic Society, 'The Ulysses' celebrated its 80th Anniversary at the Debutante Ball on Saturday 21 September 1996 at the Carlton Crest Hotel Grand Waldorf Ballroom. Much loved Ithacan actress Irini Papas was MC for the evening and guest of honour was the Consul of Greece, Mr. George Veis. Dance instructor and coordinator of the debutante group was Olga Black who worked with the fourteen debutantes and their escorts and the young flower girl to prepare for the memorable night. Pictured (above left) are debutantes Faye Baker and Angela Thomas. For the Ithacan Philanthropic Society to endure as an active organisation for eighty years was a memorable achievement. Debutante balls was an Anglo tradition that was taken up by the Ithacan Philanthropic Society and were particularly popular in the period 1940 - 1960. There was a resurgence in popularity in the 1980s - 2000. A black and white newspaper photograph of five debutants and one flower girl on the dance floor. The photograph has been backed onto white cardboard and laminated. The photograph is one of a pair which was published in the 'Neos Kosmos' newspaper. -
Ithacan Historical Society
Photograph, Picnic Group, 1920s
From the outset the Ithacan Philanthropic held at least one family picnic a year. They either took place at a popular seaside locations or at popular picnic sites in the nearby hills around Melbourne. The first annual picnic was held in 1918. The Ithacan Greeks worked long hours in family food and restaurant businesses in Melbourne. On Sundays the shops were closed so it was seen as an opportunity to relax outdoors away from the city. The Ithacan Philanthropic Society continues this tradition holding an annual picnic in late summer.A black and white panoramic photograph of a large picnic group of men, women and children standing in an open area with trees around the perimeter. Eight children are sitting on the ground in front of the adults and a group of ladies are sitting on a bench to the left of the group. Some of the party are holding long walking sticks which must have been used when they went on a hike or walk.families, picnics, leisure time. -
Alfred Hospital Nurses League - Nursing Archive
Document - Fictional Alfred Hospital Medical Record, Medical Record of Klaus (AKA Claus) Santa UR 999995 Folder No.2 (1983-1993), December 21 1983
tradition commenced in December 1969 by von Clinch, charge sister of Ward 3 at the time. A dummy dressed as Santa Clays at the entrance to ward 3. it was decided that a medical record needed to be kept. Original UR was 2512169, later changed to 999995Buff coloured folder, green spone with multicoloured horizontal stripes, containing papers fixed by solit pinstradition commenced in December 1969 by von Clinch, charge sister of Ward 3 at the time. A dummy dressed as Santa Clays at the entrance to ward 3. it was decided that a medical record needed to be kept. Original UR was 2512169, later changed to 999995hospital humour, alfred hospital, ahnl, christmas, santa claus -
Alfred Hospital Nurses League - Nursing Archive
Letter - Letter of explanation accompanying item 202404.002.01, Von Clinch letter
single page handwritten note alfred hospital, ahnl, hospital humour, santa claus, christmas -
Monbulk RSL Sub Branch
Book, David Chandler, The Oxford illustrated history of the British Army, 1994
From longbow, pike, and musket to Challenger tanks, from the Napoleonic Wars to the Gulf campaign, the Duke of Marlborough to Field Marshal Montgomery, The Oxford Illustrated History of the British Army recounts the history of the British army from its medieval antecedents to the present day. Drawing on the latest scholarship, this survey shows how British fighting forces have evolved over the last five centuries. The continuities revealed are sometimes surprising: narrow recruitment patterns, friction between soldiers and civilians, financial constraints and recurrent political pressure for economies are constant themes. Commanders, campaigns, battles, organization, and weaponry are covered in detail within the wider context of the social, economic, and political environment in which armies exist and fight. The British army has been remarkably successful in fighting terms, losing only one major war (of American Independence 1775-83). As one of the engines of empire it has been active all over the world, as well as shaping the internal destiny of the nation in civil war and revolution. Its history is charted in a sequence of chronological chapters, each containing special feature articles, beginning with the medieval, Elizabethan, and Restoration army and moving on through the eighteenth and nineteenth centuries to the two world wars of the twentieth. The book concludes with accounts of the army of British India, the amateur military tradition, the British way in warfare, and an assessment of what the future may hold in the light of the Options for Change review. Extensively illustrated in black and white and colour, and with a detailed chronology and further reading lists, this is the definitive one-volume history of the British army for specialists and non-specialists alike.Bibliography, Index, Chronology, ill (plates, col, b/w) maps. p.452.non-fictionFrom longbow, pike, and musket to Challenger tanks, from the Napoleonic Wars to the Gulf campaign, the Duke of Marlborough to Field Marshal Montgomery, The Oxford Illustrated History of the British Army recounts the history of the British army from its medieval antecedents to the present day. Drawing on the latest scholarship, this survey shows how British fighting forces have evolved over the last five centuries. The continuities revealed are sometimes surprising: narrow recruitment patterns, friction between soldiers and civilians, financial constraints and recurrent political pressure for economies are constant themes. Commanders, campaigns, battles, organization, and weaponry are covered in detail within the wider context of the social, economic, and political environment in which armies exist and fight. The British army has been remarkably successful in fighting terms, losing only one major war (of American Independence 1775-83). As one of the engines of empire it has been active all over the world, as well as shaping the internal destiny of the nation in civil war and revolution. Its history is charted in a sequence of chronological chapters, each containing special feature articles, beginning with the medieval, Elizabethan, and Restoration army and moving on through the eighteenth and nineteenth centuries to the two world wars of the twentieth. The book concludes with accounts of the army of British India, the amateur military tradition, the British way in warfare, and an assessment of what the future may hold in the light of the Options for Change review. Extensively illustrated in black and white and colour, and with a detailed chronology and further reading lists, this is the definitive one-volume history of the British army for specialists and non-specialists alike.great britain - military history, great britain - military tradition -
Monbulk RSL Sub Branch
Book, Jane Ross, The myth of the digger: The Australian soldier in two world wars
The Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.Index, Notes, Bibliography, ill (b/w)non-fictionThe Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.australian army - history, australia - military culture -
Monbulk RSL Sub Branch
Book, Random House, Write home for me : a red cross women in Vietnam, 2006
Working as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love.Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women -
Monbulk RSL Sub Branch
Book, Quest Books, War and the soul: Healing our nation's veterans from post-traumatic stress disorder, 2005
Post-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help themIndex, bibliography, notes, p.329.non-fictionPost-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help thempost traumatic stress disorder - treatment, veterans - mental health - united states -
Monbulk RSL Sub Branch
Book, Melbourne University Publishing, The broken years, 2010
Before the First World War most Australians shared the emotions and traditions of the British Empire. Proud of their British heritage, anxious to raise the Imperial status of Australia, they were eager to fight and, if need be, to die in defence of their race and country. But the horror and tragedy of the conflict brought fundamental changes in outlook. Many of the pre-war enthusiasms persisted, but the days of unquestioning allegiance to Empire were beginning to come to an end, to be replaced by the bittersweet tradition of Anzac. Dr Gammage shows how and why these changes took place. Using the diaries and letters of one thousand front-line soldiers of the First Australian Imperial Force, most of them now part of a unique collection housed in the Australian War Memorial in Canberra, he reconstructs the motives and expectations with which these men volunteered and the experiences they encountered. He highlights and examines the new attitudes to war and to the homeland that developed and foreshadows the important effects in Australia of the changed outlook brought home by the survivors. Those who have returned from war will recognise immediately the raw realities faced by the 'diggers', the growing disillusionment, and the hopes for the future. Those with fathers, husbands, or brothers who served, and all those concerned with what happens to men at war, cannot fail to be moved by the simple dignity of the men{u2019}s accounts, or by the understated courage with which they wrote to their families of the miseries they endured. This book, written with sensitivity and scholarly care, must be read if we are to understand war and its impact on the ethos of a nation.Index, bib, ill, notes, p.288.non-fictionBefore the First World War most Australians shared the emotions and traditions of the British Empire. Proud of their British heritage, anxious to raise the Imperial status of Australia, they were eager to fight and, if need be, to die in defence of their race and country. But the horror and tragedy of the conflict brought fundamental changes in outlook. Many of the pre-war enthusiasms persisted, but the days of unquestioning allegiance to Empire were beginning to come to an end, to be replaced by the bittersweet tradition of Anzac. Dr Gammage shows how and why these changes took place. Using the diaries and letters of one thousand front-line soldiers of the First Australian Imperial Force, most of them now part of a unique collection housed in the Australian War Memorial in Canberra, he reconstructs the motives and expectations with which these men volunteered and the experiences they encountered. He highlights and examines the new attitudes to war and to the homeland that developed and foreshadows the important effects in Australia of the changed outlook brought home by the survivors. Those who have returned from war will recognise immediately the raw realities faced by the 'diggers', the growing disillusionment, and the hopes for the future. Those with fathers, husbands, or brothers who served, and all those concerned with what happens to men at war, cannot fail to be moved by the simple dignity of the men{u2019}s accounts, or by the understated courage with which they wrote to their families of the miseries they endured. This book, written with sensitivity and scholarly care, must be read if we are to understand war and its impact on the ethos of a nation. world war 1914-1918 - personal correspondence, world war 1914-1918 - social conditions -
Monbulk RSL Sub Branch
Book, Australian Broadcasting Corporation, P.O.W. : prisoners of war, 1985
Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.Index, bib, ill, maps, p.224.Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.world war 1939 – 1945 - prisons and prisoners – japanese, world war 1939-1945 - personal narrativies - australia -
Monbulk RSL Sub Branch
Book, Australian National University Press, Australia in peace and war, 1978
AUSTRALIA IN PEACE AND WAR is the first work to trace the development of Australia’s external relations from their colonial origins to the present. It shows how successive Australian governments have seen the world, what their attitudes have been, their actions and (much more often) their reactions. This important and controversial book details the successes and failures of Australian foreign policy over two centuries. It shows how geographical aspects of the world's largest island, anchored off the south-east corner of Asia, have increasingly impinged on perceptions and attitudes historically derived from Europe. It pleads for recognition that Australia can adapt the best of its European traditions in coming to terms with and helping to shape its Asia-Pacific environment.Index, bib, p.578.non-fictionAUSTRALIA IN PEACE AND WAR is the first work to trace the development of Australia’s external relations from their colonial origins to the present. It shows how successive Australian governments have seen the world, what their attitudes have been, their actions and (much more often) their reactions. This important and controversial book details the successes and failures of Australian foreign policy over two centuries. It shows how geographical aspects of the world's largest island, anchored off the south-east corner of Asia, have increasingly impinged on perceptions and attitudes historically derived from Europe. It pleads for recognition that Australia can adapt the best of its European traditions in coming to terms with and helping to shape its Asia-Pacific environment. australia - foreign relations, australia - history - military -
Dutch Australian Heritage Centre Victoria
Child-size Wooden Skates, Early 20th century
Skates were and still are widely used in winter time in The Netherlands, when the rivers, canals, creeks, ponds etc. are frozen solid. Paintings out of around 1600-1700 show models of skates very much like the one shown. Even until as recent as 40 years ago, the wooden skates (with steel blade) that are tied to the shoe with leather strap and laces, were widely used in the Netherlands. Even now they are still made in children sizes, because of there flexibility in adjusting to a range of shoe sizes.Skating is a tradition which remains popular.Wooden skates, with brown leather straps. It has a metal strip on the base of the wood, which is necessary for gliding on ice.Letter R for right foot No letter for left footdutch migration skates wood -
Dutch Australian Heritage Centre Victoria
tourists bicycle pennants, mid 20th century
TourismHow people went on holiday. A memento of simple holidays. The tradition of camping as the holiday of choice.calico, triangular pennant. One edged in blue, the other in red.4089.R1 - blue edged pennant, showing the tourist sites around a place called Epen in the southern part of the province of Limburg. This is known because the name of the town is in large red letters. Three locations shown 1. Kamper Boerderij - A farm providing camping grounds. 2. Kasteel Beusdael - The Beusdael Castle 3. Wingbergermoelen - Wingberger Mill Also a little tent beneath the name of the town, with refers to the camping holiday. Also a maker's mark on the pennant, a small triangle with the letters L, A & B within it. 4089.R2 - red edged pennant, showing the area around Vaals in Limburg province, the name is in large red letters. The scene shows the meeting point between the Netherlands, Germany & Belgium - "Drie Landen Punt" (Three Country Meeting Point) Also shows the height of the viewing point (193m), as well showing other features including: - Hotel Bellevue - Uitzichttoren - viewing tower - Panorama Aken - Panorama of Aachen, Germany - Spoorbrug-Moresnet - Railwaybridge-Moresnet in Belgium. Small makers mark. Black triangle, possible the same as that shown in the other pennant, though obscured. -
Dutch Australian Heritage Centre Victoria
Booklet, Cultuur-historie aan het Eemmeer (Culture and History around Lake Eem), No date recorded
Although this publication has no date it is obviously from the 2nd half of the 20th century and put together by the local historic society in an effort to record certain traditions and promote the local area. It is aimed at visiting tourists and includes maps with walk and cycle routes.A colourful 32pp booklet published as extra-edition of the historic Bunschoten periodical 'Bunscote'.Names of the editing team, co-ordinator, graphic artist and printer are all recorded. -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Tiles are formed using the using the same tools as four centuries ago, namely a knife and a wooden mould with little nails in the corners. Afterwards, the imprints of the nails remain visible as minute points in the glaze. After the first baking, the tile is glazed. The wet glaze is imprinted with a charcoal powder design. Then the painter redraws the lines with a fine paint brush and uses his own craftsmanship to color with paints that are in fact glazes colored by a metal oxide. The second baking blends these colors with the layer of tin glaze. The result is a unique and beautiful tile. Tile design, making and baking is a traditional Dutch craft and continues today. The province of Friesland has its own traditions in the field of which this tile is a sample.Off-white pottery tile with blue coloured proverb in the Frisian language. There are also some blue glaze decorations in the four corners. On the back the brand name Harlingen Holland forms part of an imprint. There is also a hook for hanging.The proverb reads: "Doch dyn plicht en lit de lju mar rabje." (Do your duty and just let people talk). -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Australians in the Vietnam War
Coloured live footage of Australians in Vietnam.vietnam war - military helicopters, vietnam war, 1961-1975 - participation, australian