Hat belonged to Catherine (Kitty) Ann Windsor (born 23 Nov 1919 died 17 Nov 2002) in the 1930s. She was the grandmother of Rachael Cottle (Whitehorse Historical Society Secretary Aug 2011-2016). She was gate keeper at the Tunstall (Nunawading) railway gates crossing at Springvale Road during 1934 - 1952.A house was supplied for the keeper. The gates were closed to traffic from midnight till 5 a.m.Dusky pink felt skull cap shaped cap. Pearly white, gelatin sequins in the shape of a feather on one side.costume, female headwear

Ballarat from the Ballarat School of Mines. 9 x silver gelatin prints depicting panoramic view of Ballarat mounted onto board, split into two sections 14073.1 and 14073.2ballarat, ballarat panoramic view

Sue Ford (1943-2009) was an important practitioner in the wave of 1970's Australian feminist photographers. Ford regularly took intimate and candid pictures of artist friends, such as 'Neil Douglas Research 1964', documenting a time in Eltham when Montsalvat and Dunmoochin played an important part in the early attraction of artists to the Nillumbik area. Artist, conservationist and activist Neil Douglas (1911-2003) is best known for his garden at the Bend of Islands, Kangaroo Ground where he formed a co-operative for like-minded people who wished to live in harmony with the bush and wildlife. His love of nature and the beauty and fragility of the bush are constant themes that often run parallel in his ceramic works and paintings.Sue Ford and Neil Douglas were artists of national significance who both lived in the local Nillumbik area in the mid to late twentieth century. They were part of a community of artists integral in forging a dynamic artistic spirit, heavily inspired by the region's landscape and its people. Black and white silver gelatin photographic print of Neil Douglas plein-air painting in his rose garden at Research. Ed.1/3N/Aford, douglas, silver gelatin photograph, bend of isles, research, kangaroo ground, garden, environment

Beginning in the mid 1800s, photographers used glass plates to capture image - collodion wet plate and gelatin dry plate. Collodion wet plate negatives were in use from c1851 until 1880s. Gelatin dry plate negatives late 1880s - 1920s. Called an ambrotype is comprised of an under exposed glass negative placed against a dark background . The dark backing material creates a positive image.Man in photo is unknown in a uniform but not very serious so it could be a 'fun thing to do'. The significance is based on the photo being on glass.A man in uniform sitting casually. The photo is on glass. Dark wood frame holding more layers making it thick with gold tin frame in the inside. The outer layer is wood with embossed (illegible?) cover facing the outside. The inside layer is the photo on glass. Next layer is another frame of gold with an oval frame and covered by glass to protect the photo. The photo sits inside the wooden frame.

Sandringham was originally part of the Shire of Moorabbin. On 28 February 1917, Sandringham was severed from Moorabbin and incorporated as the Borough of Sandringham. It was proclaimed a Town on 9 April 1919 and a City on 21 March 1923. The Sandringham Town Hall, located on Abbott Street, Sandringham (formerly the mechanics institute) was demolished in 1994.councillor, sandringham, local government, municipality, mayor, portrait, city of sandringham, sandringham town hall, abbott street, cr. e.l. belyea, cr. b. champion, cr. h.b. grace, cr. c.a. hartsman, cr. j.e.d. beck, cr. b.j. ferdinado, cr. t.g. farrant, cr. w.t.c. kelly, cr. g.w. knott, town, proclamation, bayside, hampton, black rock

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Silver gelatin framed photographic group portrait of fifteen men taken in the alcove of the Strathfieldsaye Shire Hall. Four men are seated and eleven are standing. Photograph is attached directly to cream mount card. Handwritten note with photograph: 1/ John Burke, 2/ (?), 3/ (?), 4/ RHS Abbott, 5/ M Brennan, 6/(?) 7/(?) 1/. M Condon? 2/ (?) 3/ M Burns, 4/(?) Gentlemen at back probably are council staff.shire of strathfieldsaye, strathfieldsaye shire council, president of strathfieldsaye shire, councillor john burke, councillor r.h.s. abbott, councillor brennan, councillor condon, councillor m burns

John Murray photographed and developed the 3 prints in 1998.The photographs depict the weathervane stolen on March 2022.3 8x10 inches glossy silver gelatin prints (Ilford Photographic Paper) depicting the weathervane on the roof of the Mission to Seafarers Melbourne in 1998. The photographs were taken on Ilford film 3200 ISO or ASA.weathervane, windvane, finial, walter richmond butler (1864–1949), john murray, mission to seafarers, seamen's mission, 717 flinders street, melbourne

brighton, middle brighton, aerial, photograph, airspy, shaw-ross aviation company, suburbs, sea baths, pier, dudley street, st ninian's road, st kilda street, brighton beach, port phillip bay

Gelatin silver photograph of Officers of the Brighton artillery corps taken in 1865. Standing, L to R: Wm Mair, J. H. Were and J. L. Strudwick. Sitting, L to R: G. Waltsab, F.G. Moule and - Dixon. This photograph was donated by Mr William Herbert Edgar, grandson of Colonel William Mair.brighton artillery corps, soldier, colonel william mair, j. h. were, j. l. strudwick, g. waltsab, f.g. moule

The former Deep Rock Swimming Pool was about 500 yards [457 metres] above Dight’s Falls. It was there that the Deep Rock Swimming Club was established in 1906. This initial club was expanded in 1916 to incorporate a life-saving club. In 1918, John Wren, the president of the club offered the club £1000, and undertook to sponsor a patriotic carnival in March 1918, at which swimming champions would take part. The ‘pool’ was to achieve fame as the venue for a world record-breaking ‘swallow dive’ of 205 feet 9 inches [63 metres] by ‘Prince Wickyama’, [aka Alec Wickham], a Solomon Islander. The dive from a special platform on the west side of the Yarra was reputedly viewed by between 50,000-100,000 spectators, with funds going to the State War Council. The Herald, 25 March 1918, claimed that the wide area occupied by spectators made more precise estimates impossible. In the 1980s, the construction of the Eastern Freeway, and the consequent re-routing of the Yarra River led to the site of the Deep Rock Pool being obliterated. A small cairn and plaque on the Fairfield side of the river now marks its former site.Very rare early photograph off the Deep Rock swimming pool. The pool and its built structures are historically and socially important to the people of Collingwood, Fairfield and Kew. Small, faded, Gelatin Silver print positive photograph of the Deep Rock Swimming Pool situated on the Yarra at Collingwood and Fairfield. The famous diving tower is at the right of the photo. The built structures were constructed for the Deep Rock Swimming and Life Saving Club. People are sitting on the terraces above the river. "Bathing Club. Deep Rock on the Yarra. Studley Park Melbourne. Please credit E.J. Thomasson Collection"deep rock swimming pool, deep rock swimming club, deep rock lifesaving club, swimming -- river yarra, river yarra

Harry Montague Marks was born at Pall Mall Bendigo on the 1st October 1855. At age 18 he worked for Goldsborough & Co in Melbourne learning land, wool and banking business. He returned to Bendigo aged 22 to open an auctioneers business which operated on the corner of Williamson and Hargraves Streets. Councillor Marks was elected to the seat of Darling in May 1893 and remained serving until 1902. He served as Mayor once only from 1896-97. It was noted in the Bendigo Advertiser on July 3rd 1897 that Mayor Marks appeared in new robes .. made to council order by Messrs Henderson and Goodisson who dealt in highly fashionable goods in the Beehive. (fn https://trove.nla.gov.au/newspaper/page/9088966). It is not know if these robes are still in existence. Harry Marks married Mary Leech in 1881and together they had four sons and one daughter. Harry Marks died in February 1916 aged 60. After his death Mary Marks became the senior partner in the firm HM Marks and Sons auctioneers. Mary died in 1919.Oval black and white silver gelatin print mounted on card. Studio portrait of Mayor Marks. Photograph mounted on card. Front facing seated portrait wearing mayoral robes and chain, clutching a rolled document. Original rectangular shaped photograph has been trimmed to fit into oval frame.Bartlett Bros. lower left on photograph.councillor h m marks, mayor marks, mayoress marks

The Alexandra Gardens in Kew face Cotham Road. The land on which the gardens were created was purchased from the owners of 'Madford' in Wellington Street by the Borough of Kew. The rotunda was built to commemorate the jubilee of Kew in 1910. Demolished in circa 1975, it was replaced as part of a Bicentennial project in 1988. The current single storey rotunda in a reinterpretation of the original.One of the earliest photographs of the rotundaA tiny gelatin silver photograph of the Rotunda in the Alexandra Gardens, Kew that was built in 1910 to commemorate the jubilee of the Town of Kew. The photo, one of the earliest of the rotunda/bandstand shows the elements of its construction. Ground floor of brick, first floor with wooden railing and gabled roof covered with tiles. The roof sports a flagpole. Pencil reverse: "Kew Gardens"alexandra gardens - kew, kew municipal band, bandstands, jubilee of kew

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

Store was located opposite Dudley Street. Note various signs for Electrine Candles, Baker, Cadburys Cocoa, Cadburys Chocolate (in window) and Refreshment Room (faded). Edited version of print/digital file sourced from State Library of Victoria: Title: Lloyd's Store, Eltham, [Vic.] [picture]. Date: [ca. 1916-ca. 1922] Description: 1 photographic print : gelatin silver ; 6.6 x 10.8 cm. Copyright status: This work is out of copyright Terms of use: No copyright restrictions apply. Identifier(s): Accession no:H86.93 Subjects: Eltham (Vic.) -- Buildings, structures, etc; Victoria -- History -- 1901-1922; Gelatin silver prints Index terms: Shops; Victoria Notes: Title inscribed in ink on verso. Photographer unknown. Undated, date range provided by donor. Contents / Summary: Looking across street towards weatherboard store with porch at doorway, signs painted on front of store read: Electrine Candles. Source / Donor: Gift; Mrs. Nancy Graham; 1986.Copy of sepia photographbaker, cadburys chocolate, cadburys cocoa, lloyd's store, refreshment room, slv, shops

The earliest building on the Walpole Street site was the Kew Athenaeum Hall (built 1860) which was purchased by Kew Council in 1865. The Town Hall was sold to Woolworth's and subsequently demolished in 1972 when the civic offices were transferred to a new building on the corner of Charles Street and Cotham Road.This is the earliest known image of the old Kew Town Hall following the addition of the new facade in the 1880s.A print copy of a gelatin silver photograph of the former Kew Town Hall in Walpole Street, Kew. The photograph shows the neo-classical facade added to the former Atheneum building in the 1880s. The recessed doors in the entrance are now held by Trinity Grammar School. A man, probably Cr Edmund Marshall, is standing outside the entrance. Two gas lamps stand in front of the Hall.Reverse in pencil: "Edmund Marshall Councillor 1887"town halls, kew town hall, walpole street - kew (vic.)

Gelatin silver photograph of Officers of the Brighton Artillery Corps taken in 1865 on Parade Ground Drill Hall, Middle Crescent, Brighton. A cutout on the mount around a label with the soldiers' names listed. Standing, L to R: George Webb, Woodleigh, Rigg, Moule, Dixon, -, Selwyn, Walstab, Colonel William Mair (side on) Stamp, Gifford. Reclining, L to R: Were, Hallet, Strudwick. This photograph was donated by Mr William Herbert Edgar, grandson of Colonel William Mair.brighton artillery corps, soldier, colonel william mair, j. h. were, j. l. strudwick, drill hall, middle crescent, brighton, george wbb, woodleigh, rigg, moule, dixon, selwyn, g. walstab, stamp, giffod, hallet, strudwick, william herbert edgar

Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

The Kodak powders inside this tin were used in the production of dry plate photography. Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century.This item forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.A silver toned alloy tin with hinged lid. Inside are two packets of Kodak brand dry plate developer powder. On face of tin lid "20 BELLMETAL REEDS/B.C DUNLOP SYSTEM/CRACKAJACK/HAND FITTED AND TURNED/MADE IN (SENIOR) GERMANY"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

Photograph taken on the day that the Town of Sandringham became a City, and the first meeting of the City of Sandringham Council. Sandringham was originally part of the Shire of Moorabbin. On 28 February 1917, Sandringham was severed from Moorabbin and incorporated as the Borough of Sandringham. It was proclaimed a Town on 9 April 1919 and a City on 21 March 1923.councillor, sandringham, local government, municipality, mayor, cr. c.a. hartsman, cr. t.g. farrant, cr. g.w. knott, cr. f.n. gibbs, h.t. williams, town clerk, engineer, cr. j.t.d. beck, b.r. sunderland, cr. w.h. kay, cr. r. chisholm, cr. h.b. grace, cr. j.m. ramsay, city, proclamation, council meeting, city of sandringham

golf, brighton municipal golf links, brighton public golf course, brighton east, mayor, councillor, opening, ceremony, speech, cr. j.a. grant, cr. e.m. young, cr. j.a. kennedy, cr. j. redapple, c.e. tuxen, city engineer, j.h. taylor, town clerk, kiosk

In 1920 the Prince of Wales embarked on a journey to Australia on behalf of his father, King George V. While the visit was intended to strengthen the relationship between Australia and the Empire, the main objective was to offer thanks to the Australian men and women for the sacrifices and contributions that they had made during World War I. The Royal Tour began in April 1920 and covered 110 cities and towns across the country. The Prince spent eleven days in New South Wales, nine days in Victoria, four days in Tasmania, eleven days in Western Australia, six days in South Australia and eight days in Queensland. On Saturday 5 June 1920, following a morning at the races in Flemington, the Prince spent the afternoon at ANZAC Hostel in Brighton, where he chatted to wounded soldiers and, according to the newspaper reports at the time, "won the hearts of all present."prince of wales, his royal highness, hrh, royal tour, anzac hostel, brighton, mayor, cr. thomas wilson, j.h. taylor, town clerk, soldiers, diggers, crowd, guard of honour, captain grieve, h.m.s. renown, north road, kamesborough, bayside

elsternwick park, tennis, football, hockey, playground, sports pavilion, club, ralph tyner, l.l. chapman, cr. g.a. giles, cr. eustace tracey, cr. j.a. kennedy, chairman, cricket, c.e. tuxen, engineer, j.h. taylor, town clerk, treasurer, c.j. pollock, councillor, aerial view, golf, croquet, club house

Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council

council, meeting, brighton, town clerk, councillor, reporters, press table, elizabeth bleazby, city engineer, g. woodward, hallkeeper, c.e. tuxen, j.h. taylor, mayor, portrait, thomas bent, local government, brighton town hall, cr. j.a. grant, cr. f.e. rogers, cr. a.r. horton, cr. a. giles, cr. e. bleazby, cr. j.v. satchwell, cr. j.a. kennedy, cr. h.e. hall, cr. e.m. young, cr. r. eustace tracey, cr. j. redapple

politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, thomas bent, unveiling, ceremony, mayoress, sculptor, councillor wilson, crowd, 1913, nepean highway, mrs bent, elizabeth bleazby, fountain, memorial, john madden, lieutenant governor

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) In 1863-4 A.Marion & Co. 23 Soho Square, London, were publishing cartes for Southwell Brothers of 16 & 22 Baker Street W. London, and in c.1866 producing cartes wholesale for Mayall of Regent Street. They appear to have printed numerous cards with a very small name printed onto the lower front. Travelling photographers would purchase the cards and sometimes have their own personlaised details printed onto the back..6) A tintype studio portrait of two seated men in suits, attached to a card, possibly brothers. On lower edge of card "marion Imp. Paris"little gem, tintype, photography

politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside, thomas bent, unveiling, ceremony, mayoress, sculptor, councillor wilson, crowd, 1913, nepean highway, mrs bent, elizabeth bleazby, fountain, memorial