Bronze-gold circular metal "film canister" with the word "convergence" applied to lid using "Colour Ease" system available at university at the time. This was essentially a way for Ballarat design students to produce their own transferable graphics and was often applied to packaging. The metal canister is filled with coffee beans (a theme continued on the accompanying CD Rom). Some invitees received gold-bronze canisters, some received silver. A silver plastic sleeve, printed one colour white, holds a Macintosh and Windows compatible (at the time) CD Rom, itself printed two colours (white and black). Also in the plastic sleeve is a ten page roll-fold brochure, printed in two colours (black and a metallic silver-blue). Refer item 29164.2 for screen captures from CD Rom. In addition, the canister contains a coaster, printed in single colour brown, with the appearance of a coffee cup stain, and the word "convergence". This provides the actual exhibition details, including sponsors. Also included is an exhibition poster, single colour (black) offset print on newsprint. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Limited run, complete pack sent as invitation to graphic design community to attend the opening of the third year Graphic Design graduate exhibition, 1998. Bronze-gold metal film canister containing invitation coaster, event poster, CD Rom catalogue of student work, brochure and coffee beans.university of ballarat, federation university, graphic design, helmut stenzel

University of Ballarat, third year / graduate A5 promotional pack/publication consisting of four volumes and one 4pp card, with a paper wrap holding the five pieces together. Reverse of Volume Two lists lecturers: Chrissie Smith, Ben Mangan, Glen Bellman, Gavin Nash, Luke Keys, Damian Lentini and Jennifer Jones-O'Neill Guest speakers at the event were Travis Price, Amy Walker, Sam Harmer, Nick Hallem and Phillip Berry. Publication layout and design attributed to Leah Armstrong, Josh Dunbar and Carleen Harmon. Poster, Invitation and flyer design attributed to Leah Armstrong, Josh Dunbar, Carleen Harmon and Lara Russell. Sovereign Press sponsored the print. Exhibition opening Friday 22 November 2013. Students listed across volumes are: V1: Scott Gullock, Carleen Harmon, Kate Simpson, Josh Dunbar, Jennifer Marlow. V2: Billy Burns, Jessica Nuzum, Leah Armstrong, Lisa Kearney, Samantha Reddie, Lauren McKenna. V3. Ashlea Caygill, Sarah Trotter, Naomi Roberts, Simon Dunbar, Lara Russell, Ray Edwards, Casey Pinkerton. V4: Teghan Johns, Tyler Zebra, Nawal Al-Adasani, Bonnie Redfern, Amarinda Long, Dylan Leak. University of Ballarat, third year / graduate A5 promotional pack/publication consisting of four volumes and one 4pp card, with a paper wrap holding the five pieces together.teghan johns, tyler zebra, nawal al-adasani, bonnie redfern, amarinda long, dylan leak., ashlea caygill, sarah trotter, naomi roberts, simon dunbar, lara russell, ray edwards, casey pinkerton., billy burns, jessica nuzum, leah armstrong, lisa kearney, samantha reddie, lauren mckenna, scott gullock, carleen harmon, kate simpson, josh dunbar, jennifer marlow, university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy

Friday, September 28, 1883 was a memorable date for Wycheproof as on that day was the long-awaited official opening of the railway. It was recorded that no less than 23 parishes would act as feeder to the rail line. The Railway Station closed in December 1990 but the building was renovated in 2010 with plans for a community focus and cultural events.The arrival of rail opened up the Mallee. Local farmers began sending wheat, sheep and wool by rail. Improvements to transport stock was ongoing and the eventual rail extension north of the town, resulted in a well patronised passenger service for years. Railway families and workers added to the culture of the town.Display Book of A3 size with 20 pockets of Wycheproof Rail information. It includes a collection of newspaper and magazine articles, photos, rail drawings, train calendar, paint colour legend and other rail references.sea lake, railway, rail-drawing, last-passenger- train, centenary- train, train - calendar, steaming- up- broadway, wycheproof - rail

Wycheproof Historical Society in November 2010 co- ordinated and hosted the re- opening of the refurbished Wycheproof Station to great acclaim. The re-opening of the railway station provided a focus on the railway heritage of Wycheproof bringing former railway workers and was supported by Steam Rail Victoria which re-scheduled a train to visit a Wycheproof on the day.wycheproof is a railway town and its major contribution is recognised Varnished brown hardwood map of Australia with rectangular bronze plaque inscription in black lettering.AUSTRALIA DAY AWARD 2012 WYCHEPROOF EVENT OF THE YEAR HISTORICAL SOCIETY. PRESENTED BY WYCHEPROOF VISION SPONSORED BY LIONS CLUB OF WYCHEPROOF.wycheproof vision, lions club, australia day, 2012

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base glazed finish Marked "1" on brown glazed rimflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware

This undated photograph shows Councillor Cecil Jessop, as Mayor of Heidelberg, opening a venue in Diamond Creek, possibly a pool. Photographed b G. Cox, this photograph appeared in the Diamond Valley Story, published by the Shire of Diamond Valley in 1979.Large black and white photograph of a group of people at an official event.diamond creek, cecil jessop, shire of diamond valley

From the Rogue Academy website: Over the last 100 years, volunteering has been the mainstay of the Mission To Seafarers. We were invited to create an artwork for the MTS centennial celebration, which was held in September 2107 In highlighting the essential nature of volunteering to the organisation, we further explored the richness and vitality of the MTS volunteer community by gathering information about the volunteer. We initiated conversations that sought individual stories, their role within the organisation and heir feelings, opinions and ideas about the generous act of giving time. This information was being used to create further artworks in the leadup to the September that highlight the impact and importance of your role at the Mission and the changes in these roles after the introduction of shipping containers. Food for Conversation recipe booklets which show old recipes that may have been served by the famous Ladies Harbour Lights Guild at their many functions, sea shanty evenings and volunteer BBQs accompanied the main even – a diiner at the exhibiion.The Rogue Academy is a social and participatory agency run by artists Amanda Shone and Fiona Lee that is working with the Mission’s volunteers to rethink the capacity of volunteering as a form of social engagement and unpaid labour in the 21st century. For Opening Night, they will host a casual dinner for Mission volunteers and their families, offering a hearty meal that would be the envy of the Ladies of the Harbour Lights Guild. As seats become available seafarers and members of the public will be invited to join in the conversation, and adding to the atmosphere will be three seafaring knotters.PerformanceSmall blue booklet with the Flying Angel logo in cover.mission to seafarers, 2017, 100th anniversary, sounding histories, the rogue academy, food for conversation, lhlg, ladies harbour lights guild, recipes, centenary, flinders street, cameron bishop, anne wilson, maree clarke, artworks, deakin university, fiona lee, amanda shone, dinner, volunteers, michael needham, catherine bell, bishop and reis, michael graeve, anne scott wilson, performance, installation, community, cultural events

Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events

Artist Louise Hearman visited the Mission on the 15th of September 2011 and brought photographs in colour of her artwork painted in 1987/88 in the Norla Dome. She shared some background information about how she created the artwork: Louise arranged with O'Brien Glass to have the glass panes donated to replace the steel plates once covering the skylight. She painted the entire ceiling of the Dome precariously balancing on scaffolding. The walls were made as canvas panels and then put in place. She angled some of them to create openings so when you entered the Dome you were totally encased in her work.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Series of 7 colour photographs scannedlouise hearman, exhibitions, cultural events, norla dome, 1988, cottage, flinders street, melbourne, elephant room

This scrapbook holds numerous newspaper clippings, advertisements and other informative pieces about the events and functions held at and by the Victoria Missions to Seamen (Mission to Seafarers). Signatures of seamen from the RMS Orsova in 1920 1906: Death of Mr Darvall 1907: Opening of the Siddeley St Institute by the Governor / Photograph of the trowel for the playing of the foundation stone. This scrapbook outlines the many events, concerts, important visits and social occasions held at and by the Mission during this time frame. It includes the names and activities of many prominent Melburnians and shows the vivacity of the work at the Mission.Gold leaf lettering on spine: "SCRAPBOOK/NO 1/ VICTORIA/MISSIONS TO SEAMEN"scrapbook, clippings, mission to seafarers, mission to seamen, events, orsova, flyers, news cuttings, news clippings, ships, william henry charles darvall (1830-1906), siddeley street, violet teague, ac swinburne

The booklet was issued for the opening and dedication of the new Methodist Church in Greensborough on 5th February 1966.The booklet also outlines the history of Methodism in the Colony of Victoria and in Greensborough. It has a time line of significant events that led up to the opening. Also included are the Order of Service and lists of the Officers of the Church such as the then current Minister and Trustees and also a list of all Ministers of the Circuit to which Greensborough had been attached.A 16 page booklet issued for the opening of the Greensborough Methodist Church on 5th February 1966.Nilgreensborough, methodist church, 1966, ministers

The Banyule Banner is published quarterly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This collection begins with the Sept/Oct 2012 edition. Includes the opening of Watermarc pool complex on Sept 9th 2012.A record of events within the City of Banyule.20 pages (approx.), colour illustrations.banyule, banyule city council, watermarc, banyule banner

This was issued in 1973 for the opening of Bundoora Post Office. See Item 492 for news article on opening.Bundoora was a developing suburb at the time. This program records the events of the opening ceremony. A black and white 4 page program printed on glossy paper. It features a photograph of the Bundoora Post Office in August 1973.Pencil markings on the rear page.bundoora post office, david mckenzie, 1973, william emms, postmaster generals department, fiedler builders

In 1987 the Halls Gap Flower Show ran a procession for the opening.The photo shows a woman holding a small terrier in her arms. She has a sprig of flowers in her hand and is wearing a hat and sun-glasses."1987 (1) H.G.F.S." written in ink on back.events, wildflower show

Ararat pipe band member taking part in the street parade held before the opening of the 1987 Halls Gap Flower Show.The photo is a close-up of a young woman in "Scottish dress" playing the bagpipes. The photo is taken from a position beside and slightly behind the woman."1987 (1) H.G.F.S." written in ink on back.events, wildflower show

A photo of Stawell Brass Band. The band played at a number of Wildflower Show openings. This shot was taken at the parade held on 29 September 1985, in conjunction with the flower show, commemorating the 150th anniversary of Major Mitchell's visit There was also the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows close up shot of brass band members. events, parades

The photo shows the opening ceremony of Henham Township by Lord Stradbroke (the man on the right of the structure). A strip of land 2 kilometres long and half a kilometre wide had been approved as suitable for subdivision into 591 quarter acre blocks valued at 30-35 pounds each. Unfortunately it turned out to be a "fizzer". For further information see Victoria's Wonderland pp 93-95, 103.Photo shows a group of people sitting on and standing behind a low pile of rocks that sweeps around a wooden structure, which is three rough logs standing and lashed together to form a rough pyramid. A pulley is attached to the apex of the pyramid and a large stone block is suspended from it. Two men stand, one in front of and one beside the structure, both wear suits and are holding pieces of paper. A young boy sits in the left foreground in front of one of the poles.events, ceremonies

The photo shows the opening ceremony of Henham Township by Lord Stradbroke (the man on the right of the structure). A strip of land 2 kilometres long and half a kilometre wide had been approved as suitable for subdivision into 591 quarter acre blocks valued at 30-35 pounds each. Unfortunately it turned out to be a "fizzer". For further information see Victoria's Wonderland pp 93-95, 103.`Photo shows five men, middle foreground all standing, with others seated and standing in the background. The man stranding closest to the camera is holding a piece of paper in his hand. A rock pile and low stone fence can be seen middle foreground. A pulley is attached to a tripod of tree posts and is holding up a large cut stone. Mountains are visible in the background.events, ceremonies

Contents: • Next meeting, guest speaker; Harold Bird AOM: An Illustrated Talk on AOS6 and the Bird Family Orchard • Annual General Meeting • AOS6 and the Bird Family Orchard • Opening of the Viewing Platform at Kangaroo Ground • Centenary of Women’s Suffrage in Victoria • Eltham’s Homeless by Sue Law • Shillinglaw Family History • More Coming Events The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Contents: • Next meeting, Speaker Panel: Houses with History • Welcome • September • September Excursion – Walk to ‘Killeavey’ • Peter Bassett-Smith 1911-2011 • Community Centre Opening (From Newsletter No. 1 May 1978) • Recent Events (From Newsletter No. 46, January 1986) • Recent Activities (From Newsletter No. 58, January 1988) • Whroo and Chateau Tahbilk by Bettina Woodburn (From Newsletter No. 100, January 1995) • Municipal Amalgamation and the Future of Our Society (From Newsletter No. 100, January 1995) • The Eltham Connection (From Newsletter No. 135, November 2000) • Walter Withers in 1903 (From Newsletter No. 150, May 2003) • And Also The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

The Tawonga hall was used for community events eg. Dances, Balls and Debutante Balls. The dance Program was displayed for the Musicians and Dancers/Guests to be ready to dance when the music started. Traditional Ballroom dances include the Waltz, Foxtrot, Tango and Quickstep. Latin Ballroom dances include the Cha Cha, Rumba, JiveHandmade and used by residences of Tawonga and the Kiewa Valley. Possibly unique. Handmade, tall wooden box with opening at the front showing wooden slots for dance labels eg. waltz,. It has a knob at the top side. The knob can be turned to rotate the dances so that the current dance is at the top. The labels are on white paper and printed in large green letters. dances, balls, debutante ball, tawonga hall, entertainment

The dress was probably worn at a christening in one of the Kiewa Valley churches (denomination unknown). The importance of the event to family and friends is shown by the quality of the garment. These style Christening dresses were often worn buy several children of the one family , both boys and girls. Other items such as hand made bonnet may have been part of this out fit. "KVHS 0123" The quality of the garment and the fashion style it represents is both historical, not only the time of its manufacture but also of the fashion in that era. It has christian religious implications and values of the time frame of regional life in the early1900s. Girl's white dress (christening event), fine cotton with lace border "broderie anglaise" with a row of lace flowers mid skirt "battenberg".This lace is also inserted in centre front panel and sleeves. Scolloped cotton is also on sleeves, neck and front. Pin tucked skirt. Opening back with drawstring fastening at neck and waist. Short sleeves and machine stitched children clothing, lace-battenberg and broderie anglaise, female clothing, dress, cotton, christening, dressmaking

This photograph shows the "lay back" atmosphere enjoyed in a small country town in the 1940s to the 1950s. Two women and a young boy basking in the warmth of the sun. The unsealed drive way and cars parked close to the entrance was typical of small towns during this period. Open doors and shady trees provided sufficient cooling for most sunny days. The wooden barrel next to the outside wall shows that storage space within the hotel was limited and that metal aluminium barrels had not been in existence. This photograph was taken at a time when children and women had limited access to the major drinking and entertainment facilities within a hotel(pub). Legal drinking age was for patrons 21 years and older and no strict dress codes where applied. The hotel bar was not open on Sundays (God fearing) and opening time restrictions were in place. "In transit" clients were given some leniency when staying in small country hotels as strict liquor laws This photograph presents a window to a life in the 1940s to 1950s, of a small town in the Kiewa Valley. It covers a period when the local hotel or "pub" was the meeting point for local men and women to talk about local events and life in general. It was also a point where "locals' had the first opportunity to meet new arrivals and converse with tourists and "through traffic". The importance of "face to face" verbal communication was a critical part of community life and interaction. The hotel(pub) was in this period the hub of small communities, and together with local churches provided the essential structure for a balanced existence in rural Australia.Black and white photo of Tawonga Hotel. This photo is in itself a photo of a photo and as such lacks fine detail. This reproduction is on "Kodak XtraLife II paper ""outback" hotels, pubs, rural short stay accommodation, tawonga hotel

The original timber bridge over the Diamond Creek was built around 1840. It was destroyed by floodwaters in October 1923. A temporary bridge was rigged up but further damaged in April 1924. A new concrete bridge was built and opened in October 1926. The bridge decking was widened along with Main Road to Dalton Street by the Road Construction Authority in 1984. The upgraded bridge was re-opened October 25, 1984, 78 years after its original opening. (EDHS Chronology of known local events 1835- early 2000)Three colour photograph prints 1984, bridge construction, diamond creek (creek), eltham south, main road, main road bridge, road construction

This is a programme of the Warrnambool City Council Civic & Thanksgiving Official Service on November 1918. The service was held in the Warrnambool Botanic Gardens, conducted by the Ministers of the Churches in Warrnambool and led by the combined choirs of the churches. It was a public occasion held to offer thanksgiving for the end of World War One in November 1918. One of the hymns sung had the opening lines: ‘O God of Love, O King of Peace/Make wars throughout the world to cease’. The service was attended by the Mayor of Warrnambool and the City Councillors and Council employees. World War One was a signal event in the history of Warrnanmbool (as it was for all places in Australia) with so many young men volunteering for active service and so many dying overseas.This programme is of great interest as it records an important occasion in Warrnambool – the end of World War One and the official service of thanksgiving that commemorated this happening. This is a programme for the Warrnambool City Council Civic & Thanksgiving Official Service in November 1918. It is a sheet of buff-coloured paper folded in two to make four pages. There is blue printed material on three of the pages. The front page has the City of Warrnambool crest printed in blue with blue edging on the page and some ornamental patterns. The inside pages has a blue sketch of the flags of Australia and Britain. The programme is faded and creased and a little blotched.warrnambool city council, history of warrnambool, world war one