Showing 81 items
matching upholstering
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Bendigo Historical Society Inc.
Photograph - COUNCIL CHAMBER, FORMER COUNCIL OFFICES, TOWN HALL, BENDIGO
COUNCIL CHAMBER, FORMER COUNCIL OFFICES, TOWN HALL, BENDIGO -black and white copy : in centre of image : eight polished wooden desks with ornate iron legs, ink wells , surrounded by eight upholstered chairs. At rear of table, one chair surrounded on either side by drapes. Royal Coat of arms above.- crown above a shield , rampant Lion and Unicorn .There is also a wooden gavell and blockbuildings, town hall, bendigo, bendigo, town hall, council -
Flagstaff Hill Maritime Museum and Village
Furniture - Theatre Chairs, 1930's
These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: MAN PLAYING ACCORDION
(1) An older man seated in an armchair with an upholstered back with a carved top playing an accordion? He is wearing shirt, cardigan, trousers, lace up boots and a cap. His walking stick is hanging on the back of the chair. (2) A middle aged man sitting in front of a brick fireplace playing an accordion. The instrument has a plate near the keys with 'The Grand Organ' printed on it. It has decorative scroll work on the corner near the keys.photo, individual, male, peter ellis collection, accordion/concertina players -
Friends of Westgarthtown
Buggy, horse drawn
Horse drawn buggy. Black leather upholstered chair with studded back. Four large timber spoked wheels the back wheels are larger than the front wheels, with steel trim on edges of wheels. Axels connects wheels and have turning mechanism. Two metal steps on each side of carriage. Small wooden seat on back of carriage facing the back. Steel barrier at front of the carriage. Wooden attachment with two wooden poles to attach to cart to horse.No visible markings.transport, animal, buggy, cart, horse, dairy, carriage, jessie. -
Puffing Billy Railway
221 NQR - Open medium truck with seats & canopy, between 1990 and 1992
221 NQR - Open medium trucks with seats & canopy (28) Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992. Mar 2013 - A metal roof is being fitted. July 2016 - Upholstering of the seats in progress Link to Heritage / Period Photos PBR Workshop Blog report Tuesday, November 1, 2016 NQR Revised - making them more comfortable for passengers http://puffingbillyworkshops.blogspot.com.au/2016/11/nqr-revised.htmlHistoric - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopy221 NQR - Open medium truck with seats & canopy made of Steel and metal221 NQRpuffing billy railway, pbr, rolling stock , 221 nqr -
Melbourne Tram Museum
Photograph - Set of four Black & White Photograph/s, Sutcliffe Pty Ltd, late 1920's
Set of four Photographs, Black and White, of the MMTB Tourist Bus late 1920's. .1 - Side on view of the MMTB Tourist bus showing the lettering and logo. .2 - Front on view showing the radiator, head lights and other details including the crank handle. .3 - Interior view looking along the bus from the front. Shows the curtains and the extensively upholstered seats. .4 - ditto showing the woven cane seats. Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.In ink on the rear: All "M&MTB Tourist bus late 1920's" and the photographers stamp, with .3 and .4 adding "Interior" KSK print number SA957 to 960trams, tramways, mmtb, tourist bus, buses, interiors -
Melbourne Tram Museum
Negative, Wal Jack, c1946
Black and white negative, of Victorian Railways trams 48 turnout out of Bay Road Sandringham, after passing the junction to the Sandringham Tram depot. Note the white bumper bars. Photo c1946. (Possibly 12-3-1946 - see Reg Item 5773) In the background is the Roxy Theatre and the spire of the All Souls Anglican Church. (The church spire has since been rebuilt).Also in the background is the Salvation Army Hall, Barker Upholster and two buses. Photo not in the Wal Jack Victorian Railways Album.trams, tramways, victorian railways, vr trams, bay road, sandringham, buses, tram 48 -
Bendigo Historical Society Inc.
Photograph - FAMILY PORTRAIT, approx. 1910
black and white photo: family. One mature female in dark gown with brooch and necklace, one mature male in suit, white shirt, tie and tie pin. One male child suited, short trrousers. Six young males suited and buttonholed, one with watch chain. Two young females, long dark curls, pinafore gown, brooch visible at throat of R. hand gown. Weatherboard house at rear, ivy at left hand border. Step and verandah visible behind group with an upholstered chair, personal belongings nearby and below four pane glazed window.2000 - 180-01 on back of photoperson, group -
Melbourne Tram Museum
Document - Tramcar Data Sheet, Keith Kings, "Data sheet for "W2 Day", special tour, Sunday 19/5/68", May. 1968
Gestener print of a sheet titled "Data sheet for "W2 Day", TMSV special tour, Sunday 19/5/68", listing the tramcars used on the day; car number and depot, motors, controllers, date in service, class, date converted and class, body builder, roof, date of Upholstered seats in saloons, sun shades and notes on the tramcars them selves. Data for 567, 407, 585, 547, 332, 436 and 233. Made by Keith Kings May 1968. See Reg Item 605 for the ticket used on this tour and Reg item 3543 for a photograph of tram W2 332 at Wattlepark Loop."K. S Kings May 1968" in bottom right hand corner in light blue ink.trams, tramways, tramcars, mmtb, lists, tours, w2 class, tmsv -
Melbourne Tram Museum
Negative, Wal Jack, 12/03/1946 12:00:00 AM
Black and white negative, of Victorian Railways tram 26 in Bay Road near depot junction - extremely overload with hangers on, footboards used and a young cyclist hanging onto the rear of the tram. Wal's album print "VR Sandringham - Black Rock Tramways - No. 26 "Toastrack" in Bay Road near depot junction - Black Rock Bound (5.55pm) 12-3-46" along with Wal Jack stamp and T555 Note the white bumper bars. A uniformed tramway man? and conductor are observing. In the background is the Roxy Theatre and the spire of the All Souls Anglican Church. (The church spire has since been rebuilt).Also in the background is the Salvation Army Hall, Barker Upholster and two buses. Photo in the Wal Jack Victorian Railways Album.trams, tramways, victorian railways, vr trams, bay road, sandringham, tram 26 -
Bendigo Historical Society Inc.
Photograph - MR & MRS J.B.WITTMANN PORTRAIT, cq. 1900
B+W photograph on front mount studio portrait (B+W) of lady seated on upholstered chair (carved wood), man standing behind occasional table. Man is dressed formally (Bow tie and stiff shirt); whiskered- beard & moustache. Inscription: Front: the crown studios Sydney - printed on board. Back: (P.T.O).Back: Handwritten: 'Mr & Mrs Wittmann in later years when/they had gone to live in Sydney. RHSV stamp (Royal Historical Society of Victoria/Bendigo Branch), '1128', Printed by Studio: 'George & Market Streets/Sydney', 'The Crown Bromide Enlargement Coy 'Trade Mark'','The/Crown/Studios','Mark Blow/General/Manager', 'Portrait enlarged/on Bromide,Platinotype/Carbon Opal, and Finished/ in crayon, indian in, partel/water colour or oils',' Telephone No 477','Cable Address 'Bromide'/Sydney',' Copies of this Photograph No__ maybe had at any time'.The Crown Studios, Sydney, George & Market Streetperson, family, wittmann portriat -
Federation University Historical Collection
Photograph - Art class photograph, Drawing from the Antique, 1920, c1920
The large plaster Illisos depicted in the back of this image is still held by Federation University Australia. The Ballarat Technical Art School (No. 10) was part of the Ballarat School of Mines and was established in 1907. After conducting classes in various locations around Ballarat a custom built art school was erected on the site of the former Ballarat Circuit Court House, previously used as the initial building of the Ballarat School of Mines. Examples of drawings undertaken by students, as well as some plaster castes are held in the University of Ballarat Historical Collection. The Ballarat Technical art School is the oldest continuous Tertiary Art School in Australia. Sir Alexander Peacock opened the new Ballarat Technical Art School building in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios could be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. (http://guerin.ballarat.edu.au/curator/buildings/technical_art_school.shtml) Black and white mounted photograph showing eleven students of the Ballarat School of Mines Technical Art School drawing from plaster models of human bodies in various poses and of various scales. The students are in a room of the Ballarat Technical Art School which was custom built for teaching art. The image was reproduced in the 1920 Ballarat School of Mines Students' Magazine. drawing, ballarat school of mines, ballarat technical art school, art studio, plaster caste, gribble building, illisos, hercules, drawing from the antique, visual arts -
Federation University Historical Collection
Photograph, Clare Gervasoni, Ballarat School of Mines Technical Art School, c2008
The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photographs of a double storey, red brick building built - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building -
Federation University Historical Collection
Artwork, other - Artwork, Artwork from the Ballarat School of Mines Students' Magazine, 1934
Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. This building is now the Gribble Building on the Federation University Australia SMB Campus.Artwork by students of the Ballarat Technical Art School from the 1934 Ballarat School of Mines Students' Magazine .1) Stairs to the Ballarat Junior Technical School from Grant Street .2) Caricatures by Nornie Gude .3) work by Colin S. Hunt .4) A girl and a rooster by Gilda Gude .5) Self Portrait .6) Main entrance to the Ballarat Technical Art School by Lorna Bailey .7) Artwork from the magazineballarat technical art school, gribble building, gribble, stained glass, white flat, hopwood, bailey, gude, ballarat junior technical school, visual arts -
Federation University Historical Collection
Photograph, Clare Gervasoni, Ballarat School of Mines Technical Art School, c2008, 29/07/2020
The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photograph of a sandstone detail on a double storey, red brick building - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Decorated Trams", 1940's - 1950's
Yields information about decorated tramcars in Ballarat.Handwritten notes titled "Decorated Trams" and cuttings from newspapers or printed documents. ESCo 7 - upholstered seats and carpets - notes driver was E. B. Williams No. 28 - King George VI - May 1937 No. 23 - Floral Festival 1938 No. 29 - Floral Festival 1939 No. 23 - Gold Centenary 1951 and newspaper cutting Coronation of Queen Elizabeth 2/6/1953 - carry flags No. 21 - Buy Australian flags - 14-9-1953 No. 38 - Royal Visit - 5/3/1954 and photo No. 25 - Made in Australia - 1956 and State Savings Bank posters No. 17 - Made in Australia - see sketch on following page - Nov. 1956 No. 41 - Bank posters - Nov. 1956. Photo of No. 23 - 1938 Floral Festival and No. 38 for Royal Visit Sketches of the State Saving Bank posters used on No. 17, 25 and 41 showing the different styles and colour details. See also Reg Item ???? about Mr. Williams retirement from the MMTB. Contained within Reg Item 5507 - Foolscap binder with green covers, black binding edge and metal clips. decorated trams, royal visit, floral tram, buy australian, state savings bank -
Flagstaff Hill Maritime Museum and Village
Vehicle - Murweh Carriage, c.1874
This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, hammer upholstering, c1900
A hammer is a tool with a heavy head and a handle, often made of shock absorbent wood or fibreglass, that is used to strike an object. The most common use for hammers are to drive nails, fit parts, forge metal and break apart objects. Hammers vary in size, shape and structure, depending on their uses. Hammers are basic tools in many trades. A hammer is composed of a head, most often made of steel and handle also called a helve or haft. Most hammers are hand tools. A traditional hand-held hammer consists of a separate head and handle, fastened together by means of a special wedge made for the purpose, or by glue, or by both . This 2 piece design is often used to combine a dense metallic striking head with a non-metallic mechanical shock absorbing handle - to reduce user fatigue from repeated strikes. If wood is used for the handle, it is often ash or hickory, which are tough and long lasting materials that can dissipate shock waves from the hammer head. This upholsterer’s hammer has one end of the steel head rounded for knocking nails into wood furniture. The other end is divided to form a 2 pronged claw for withdrawing nails. . An upholsterer's hammer with a steel head and wooden handle, The steel head has one rounded end and a clawed endpioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, cabinet makers, blacksmiths, builders, woodwork -
Melbourne Athenaeum Archives
web page, Upholster (dance) presented by BalletLab at Athenaeum Theatre two commencing 15 March 2001
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Bendigo Art Gallery
Furniture, UNKNOWN, Settee, c. 1850
No Marksdecorative arts, furniture, settee, couch, sitting, walnut, fringe, upholstered -
Canterbury History Group
Photograph - Geo. Carnell Upholsterer, 1920s
George Carnell, Upholsterer, 173 Canterbury Road Canterbury in the late 1920s. William Mcdermott the original owner on the left, George Carnell on the right. Delivery was by motor cycle sidecar. black and white photographcanterbury, geo. carnell upholster, mc dermott> william, motorcycles, canterbury road, balwyn road