"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4848)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point on Mullum Mullum Road in Ringwood. (See Registration Number 4847)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. Painted from an original black & white photograph, Catalogue Reg No. 1347 recorded as "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". (Difference in painting date and photograph date indicates years as shown are approximate only). Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4836)Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Biography of Goldfields Commissioner Joseph Anderson Panton for whom Panton Hill was named for. The cover painting "J.A. Panton, Esq., PM" 1904 is by Frederick McCubbin. Sections in the book refer to : J. A. Panton CMG, Discovery of gold, 1854 Year of Exhibitions, Mining commission, Europe, Bohemia, art and marriage, artist in the western district, patron of Victorian Academy of Art, First Police Magistrate of city court, pioneer pastoralist, aboard the yacht "Cushie Doo", fellow of Royal Geographical Society, London, Inaugural President of Victorian Artists Society, Later Life of Joseph Panton.Softcover bookjospeh anderson panton, biography, frederick mccubbin, cushie doo (ship), gold discovery, police magistrate, victorian artists society

John Raymond Bruns (Jack) enlisted in the 38th Bn CMF date unknown or "V" number at this point. A family photo shows the marriage of Jack to Margaret Joyce (Peggy) Ball dated 10.3.1942. The 38th Bn were part of the 6th INF Brigade and they moved to WA in March 1942 for Garrison duties. By the DVA roll he enlists in Geraldton on 23.7 1942 with the number VX88627. The unit relocates to the NT in January 1943. He is discharged from the Army on 13.4.1944 with the rank of Cpl in 6th Inf Brigade Dep Platoon. Refer Cat No 5588, 5589P, 5599P for Peggy's Brothers.Set of Identity disc's, fibre one round orange colour, one eight sided fawn colour, a small metal is attached to them all held by a leather thong.Stamped on both disc's, "VX88627 Bruns J.R M4" on reverse of both "04"identity disc's, accessories, 2nd 38th

Mary Ellen Dunbar nee Johns 1873 - 1936, Mary was born in Walhalla, married Hugh Dunbar at Traralgon 1900 and had 3 sons. Hugh's daughter from his 1st marriage, Ada was blind and she was well cared for by Mary Ellen and later her brothers.After Hugh died 1910 she moved to Bentleigh ( East Brighton) and joined the Methodist Congregation Mary was appointed Trustee of the the Bentleigh Recreation Ground 1914 - the other Trustees were men. The family moved to a farm in Carlsruhe near Kyneton 1920. Mary is buried in Kyneton. The family sold the farm in 1970 .Mary Ellen Dunbar was a well respected and accomplished woman in Bentleigh and was appointed the only woman Trustee for the foundation of the Bentleigh Recreation Ground 1914A Black and White photograph of Mary Ellen Dunbar and family c 1917bentleigh methodist church, bentleigh recreation ground, walhalla, traralgon, dunbar hugh, dunbar mary ellen, johns mary, johns william, smith j l , stanley helen, the pines bentleigh, , city of moorabbin, county of bourke, moorabbin roads board, parish of moorabbin, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman s, highett william, ormond francis, maynard dennis,

Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy. Her marriage occurred shortly after the death of her father, and took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front. oggi - 103-105 collins street - melbourne (vic), women's clothing, wedding dresses, janet (brock) walker, australian fashion - 1970s

Ernest Lance Young was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls record him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. Beryl Mair (1916-1976) was the daughter of David Miller Mair and Lily Vipond Deakin. She had an older brother Geoffrey David (1913) and younger sisters Gwynneth (1918), Isobel Lillian (1921) and Shirley Inez (1928).This is part of a large donation of material relating to the Deakin, Mair and Young families, all of whom had connections with Surrey Hills / Mont Albert. The donor is the daughter of Ernest Lance and Beryl Young.Post card photograph with a stippled surface which has been cut in two and stuck back together but without the top RH corner section. It shows a well-dressed couple and a young girl. The woman and girl are in summer dresses and wearing hats.Multiple inscriptions on both sections. "Young" in lead pencil. "Lance Young / Beryl " / Shirley Mair / at Zoo 1940." Two lines blacked out with permanent marker. "SHIRL MAIR / Melb Zoo / 1940"ernest lance young, lance young, beryl mair, beryl young, shirley inez mair, zoo

Amelia Allan (Amy) Jacobs on her marriage to James Dodgshun in 1916; photographed at the home of her grandfather, "Terreglea" in Boundary (Warrigal) Road, Surrey Hills. Amelia attended Ormiston Girls' School in Mont Albert soon after its opening in 1900. Her mother was Eleanor Mills, youngest daughter of Robert Shortbridge Mills and Ann Lovelady. She died soon after the birth of Amy. Her father was Henry Atwood Jacobs. Following Eleanor's death Henry married Amy Lilian Scales. The donor Winifred Yarnold (nee Jacobs) was their youngest daughter and Amy's half-sister.Lady dressed as bride wearing a white dress and possibly a lace jacket with a fluffy collar and matching hat, carrying a large bouquet of flowers. The man is wearing a dark suit and carrying a top hat.wedding dresses, house names, surrey hills, warrigal road, clothing and dress, hats, terreglea, the tower house, weddings, wedding parties, ormiston girls school, schools, mont albert, miss amelia allan jacobs, miss amy jacobs, mr james dodgshun

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). John Gates began working at the Truganina Explosives Reserve handling explosives at the magazines in 1946. He was appointed assistant manager in 1956. When the site closed in 1962 he was retrained and worked at the Births, Deaths and Marriages offices. In this interview he and his step-daughter, Sue King, talk of life in Altona, life on the Explosives Reserve and some of the people who worked there. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay city council, pier street altona, alma doepel, explosives, lighters, gates court altona meadows, christmas picnic

A foundation day speech in 2002 by Past President, Legatee George Woodward. Instead of looking at the history of Legacy from a timeline perspective he chose to look at old Bulletin articles and comment on aspects of what he read. He mentions they provided a sense of belonging, of fun, sadness, enthusiasm, and activity. It gave him a different view of the founding legatees, other than as ageing old men, they were young men full of energy and enthusiasm. There were notices of marriages and children, leave taken for honeymoons etc. 'I received a terrific sense of family in reading through these early Bulletins'.A speech given at a Legacy function to commemorate the day on which Legacy was founded that has information about the early years of Legacy.White A4 paper x 5 pages with black print of 2002 speech by George Woodwardfoundation day, george woodward

In this image Sarah appears young and has a wide wedding band on her left ring finger which dates it to after her marriage to Charles Aldous in June 1880. By the mid 1880s dresses were becoming more tailor made and form fitting. Hair in the 1880 was plainly dressed, close to the head, with a small bun in the early eighties, and a higher one from 1885 suggesting early 1880s for this image, shortly after her marriage. A duplicate image is located on page 27 of the album. Stewart & Co operated from 217 Bourke St., East from 1871 to 1876 and from 217-219 from 1877 to 1889. Other locations included 42, 284 and 286. Overall, they operated in Melbourne from 1871 through at least 1910 though Carte-de-Visite photos were superseded by 1890. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1871-1890, 1882, sarah aldous (nee shillinglaw 1854-1925), stewart & co photographers melbourne

This cream and green patterned vest is said to have been made for William Herbert Teal as part of his "trouseau" on the occasion of his marriage to Daisy Edith Davis on April 14th 1916 at St. Peter's Church, Merino, Victoria, Australia. It is a handmade waistcoat but it is not known who made it. William Teal was born in 1889 to Elijah Teal and Isabella Campbell Reid in Camperdown, Victoria and after marrying, William and Daisy also lived (and worked as farmers) in the Camperdown area. They had seven children. Daisy died in 1962 and William died in 1975. A wedding portrait of William and Daisy shows William wearing a dark suit consisting of a single breasted coat, trousers, good shoes, gloves and a shirt with a stiff, high collar, however if he is wearing this vest, it is unfortunately hidden under his coat. Although by 1916, men's "ready to wear" clothing were widely available, this waistcoat was handmade (possibly by his mother or sister or future wife) and has been preserved by his family for almost one hundred years. Men's suits in the early part of the twentieth century were predomininantly three piece, consisting of a jacket, vest ( or waistcoat) and trousers made from matching fabrics. On special occasions (such as a marriage) the groom might also wear gloves and have a flower in his buttonhole. Some men liked to wear a watch attached to their waistcoat with a fob chain.This item is of significance as a rare example of a man's vest that was made for a special occasion (William Teal's marriage in 1916) and preserved by his family for several generations.Man's handmade vest with a green and cream patterned brocade front, trimmed with green cord around the edges and featuring four inset pockets (also trimmed with the green cord). It has six buttonholes down the left front edge (plus a hand embroidered buttonhole to hold a fob chain) and six corresponding holes for shank buttons (which are missing) down the right front edge. The back and lining are made from cream cotton fabric. The back has a centre seam and a strap with a metal buckle with prongs (to allow for adjusting the length). The cream lining and back display some discolouration and brown marks.flagstaff hill maritime museum and village, great ocean road, warrnambool, camperdown, merino, teal family, william herbert teal, daisy teal, daisy davis, waistcoat, man's waistcoat, vest, wedding, handmade vest, wedding clothes

This is an original Argus in a maroon leather folder. The paper itself is a 32 page broadsheet which slides inside the folder for protection. A certificate of authenticity is glued to the inside cover of the folder.non-fictionThis paper contains mostly news items and advertisements of the day. However some items contained within are fictional in nature.warrnambool, the argus 1925, winslow, o'keefe, o'keeffe

St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door.

'Shiloah' was the home of Isaac Jeeves the younger - son of Isaac Jeeves the Valley Pioneer and brother of Ellis Jeeves. Isaac built this house himself using local timber he cut and split. It was ready for his marriage to Selina Leach of Bayswater in 1886. ‘Shiloah' was enlarged to take guests in the early 1900s. It was situated close to a beautiful fern gully and Isaac and his family capitalised on this by setting out walking tracks through the ferns. They charged 1/- to walk through and this included afternoon tea in a garden setting. ‘Shiloah’ was a popular tourist attraction but the making of the Olinda Creek Road destroyed the fern gullies and, by the 1930s, it was all finished.Black and white photograph of wooden structure with two wings and a central verandah. Eight adults sitting or standing at the front.Handwritten on back by John Lundy-Clarke "Shiloah" 1913.isaac jeeves, isaac jeeves the younger, ellis jeeves, shiloah, guest house, guesthouse, selina leach, selina jeeves, olinda creek road

James Robbins was born on 9 February, 1869. He married Martha Owen (nee Burch) on 9 October, 1889, in Adelaide, South Australia. After having two children by her first marriage James and Martha went on to have seven children of their own, all except one surviving. James settled in Beech Forest in 1887, travelling to and from Tatura for two years before finally settling in Beech Forest. He had a number of jobs including Director of the Beech Forest Butter Factory, farmer, bullock wagon driver, and butcher. He died in Colac. James' predecessors and his successors are spelt out.Ancestors and descendants of the family of James and Martha Robbins, 1760-1990. Doris Robbins. Self published; Colac (Vic); 1990. 67 p.; illus. Soft cover.james robbins; martha owen; beech forest; tatura; colac; rushworth;

The owner of the 'Autograph' book was Mary Alys (Gipps) Kirkland, the daughter of Richard Brook Woodthorpe Gipps (c.1872-1946). The family had migrated from Great Britain to Coorparoo, Brisbane, where most of the items in the album were created. In June 1925, The [Brisbane] Telegraph reported the wedding of Richard Gipps to Mary Alys Kirkland at Elvaston, The Righi, South Yarra. The bride, like the groom, was originally from Queensland, but at the time of her marriage lived with her parents at 21 The Righi. The album passed to their daughter Rosemary Alison (Gipps) Vaughan-Smith, and thence by donation to the collection of the Kew Historical Society. While the signatures are interesting, they are not rare. Rather it is the illustrations that dazzle with the surety of their design and execution. In the portraits, one can recognise the debt that Edwardian art and design owed to the Pre-Raphaelites whose serene and poised idealisations of women are exemplified in the drawings, albeit simplified for a new 20th century sensibility. Typical, is a very early portrait from 1906 of Mary Alys Kirkland by a 20-year-old Garnet Agnew (1886-1951). Agnew later became an illustrator for The Brisbane Courier and The Queenslander Illustrated Weekly, creating cover illustrations for these publications between 1926 and 1930. Another pen and ink portrait of Mary Alys Kirkland was created in 1910 by Augusta Frances Isabel Hobday (1884-1961). Augusta, with her brother and sister, Percy Stanhope Hobday and Gladys Hobday, were artists and teachers. Each was involved for many years in the Queensland Art Society. While the album has historic, aesthetic and social significance to Brisbane’s history, as a document, its preoccupations have a wider Australian relevance and importance. Compiled between 1905 and 1922, the 'Autograph' book has considerable aesthetic coherence, even though drawings and text are by different hands. Together, it provides a vivid depiction of social life and values in Brisbane in the period preceding the First World War. Like other autograph albums of the period, it is a compilation of pen and ink sketches, watercolours, quotations, poems, aphorisms and signatures. Most entries are from Queensland, particularly Coorparoo in Brisbane; friends and acquaintances from other Australian States also contributed items. The autograph album predictably contains numerous mementoes of the notable and the forgotten. It includes the signatures of the British contralto Dame Clara Butt (1872-1936) her husband, the baritone R. H. Kennerley Rumford (1870-1957), and that of the Australian actress and singer Nellie Stewart (1858-1931). autograph albums, manuscripts - kew historical society, rosemary vaughan-smith, vaughan-smith collection, dame clara butt, garnet andrew, augusta frances isabel hobday, coorparoo - brisbane, nellie stewart, mary alys kirkland, mary alys gipps (nee kirkland)

This skirt belonged to Miss Margaret Morison Ward Cole and was reportedly worn for her role as bridesmaid for the marriage of Miss Barkly, daughter of Sir Henry Barkly. George Ward Cole, father of Margaret, was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. Sir Henry Barkly was the second Governor of Victoria.A cream paper silk taffeta crinoline skirt c.1862. This skirt features a flat front across the front waistband but a gathered across the back. At the front it is floor length whilst at the back it features a small train. Presumably the skirt was concealed at the sides and back at the front features decorations that do not continue around the back. The front decoration consists of three tiers of pleated pale violet to pale pink silk ribbon with a deep drop of cream lace. The final lace tier is gracing the floor. st ninians, george ward cole, brighton, sir henry barkly, crinoline, bridesmaid, margaret morrison ward cole

Elenor Hinde (1842-1902) was born in Lancashire England. In 1858, Eleanor married Richard Reynold in the Forest St Wesleyn Methodist Church in Sandhurst. They both gave their address as Sailors gully Goldfields. They had seven children together. Richard was a skilled tradesman and after he died in 1872 from lung disease, Eleanor married Arculus Opie. Eleanor owned a property on the corner of gladstone and Stanley Streets which later became an electrical substation. She sold poultry and eggs and preserves. One of Eleanor's sons, William John, married Anna (Annie) Jorgesnsen, and one of her daughters. Amelia, married Anna's brother Thomas Joynes Jorgensen. The Jorgensens founded and managed Jorgensens and Sons foundry and engineering works. Peter Jorgensen (1849-1914), was a mining contractor, he lived at, "Bro," Russell street, Quarry Hill. His firm was Jorgensen and Sons, mining contractors. He was a native of the Island of Alsen, Denmark. He left Denmark in the year1861, embarking at Hamburg in a small saiThe four folders contain family history documents and photos of the descendants of Eleanor Hinde. Iris Ellen Greenaway (1922-2009) is the Great Granddaughter of Richard Reynolds and Eleanor Hinde. Iris married William Male 10891.5a Family history sheet of William Donald Male and Iris Ellen Greenaway 10891.5b, 5c Front and Rear of Marriage Photo of Iris Greenaway and William (Don) Male 10891.5d, 5e On rear of photo, Ron Charles Reynold, Iris Ellen Greenaway, Ruth Honorah Greenaway, taken at Auburn c.1943 10891.5f Iris (nee Greenaway) and Thomas Neal Male 10891.5g Iris Greenaway age about 2 years 10891.5h to 5v Photos and information on Iris's childrenbendigo, sandhurst, peter jorgensen, eleanor hinde, eleanor reynolds, eleanor opie, reynolds collection, amelia honorah reynolds, charles frank greenaway, charles albion reynolds, iris ellen greenaway, william donald male

1972 photograph of the Rowse Brothers workman's cottage built on the bank of the Olinda Creek in 1938.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Rowse Bros Workman’s Cottage built in 1938 on bank of the Olinda Creek at the 800’ contour on Crown Allotment 925B of materials and bricks taken on demolishing in the same year the house built in 1897 for J.W. Richardson before his marriage to Jeanie Green and their family’s home till 1912 when they went to Queensland. Sold to Rowses in 1913 was Rowse family home till the thirties then workman’s cottage. Chimney built by J. Lundy-Clarke. Picture Dec 1972 by JLC.rowse, workman's cottage, richardson, olinda creek, kalorama, chimney

Thomas McDonald was born in Hobart in 1836; in 1856 in Heidelberg, he married Mary Anne Maloney, born in County Clare Ireland c1836; Thomas was living in Diamond Creek and Mary Anne on Plenty River. They moved to Eltham and raised a family. Descendant Dan Delmo was researching this family's time in Eltham. Contents Photocopies of emails from Dan Delmo providing details of his family research; certificates of marriages, birth, deaths; letter 4 November 2010 from Lucille Andel with details of Eltham Rate Books. Photocopies of emails from Jim Connor, Eltham District Historical Society, listing McDonald children attending Eltham Primary School.Newspaper clippings, A4 photocopies, etcdan delmo, thomas mcdonald, mary anne mcdonald (nee maloney)

David Adam, pictured on the right with his wife, Judy, joined the International House Council in 1966, served on the Executive and Finance Committee in the 1970s, and became Chair of the Council from 1979 to 1986. Judy Adam served on the Ladies' Auxiliary throughout the period. Peter Bobeff, on the left of the image, was the resident law tutor at International House from 1965 to 1967, departing upon his marriage. He returned to serve on the Executive and Finance Committee in the 1970s and 1980s, and became Chair of the Council from 2001 to 2008. Various commemorative, valedictory, benefactor, and staff-student dinners were held at International House throughout the year, allowing for mixing of students, tutors, and Council members.david adam, peter bobeff

Phoebe Rebecca Georgina Colton was born in Williamstow in c1889, the daughter of Henry Culter Colton and Elizabeth Georgina Lucas. This photo was taken on her engagement to Albert George Harbert. They married in 1912 and moved into the house Albert had built at 237 Union Road. The house had cost him £240 to build. During his career he built a number of houses in Surrey Hills. Phoebe had worked as a seamstress prior to marriage, earning 2/6d a week. They had 2 daughters Unice and Norma. Unice remained single. Norma married Henry Jamieson. Phoebe and Albert are buried in Boroondara Cemetery - Spec E, Grave 6.A black and white photograph of a young lady wearing a light coloured lace blouse with a high neck and a white skirt. She has a very large bow at the back of her head.clothing and dress, mr albert george harbert, 1912, builder, miss phoebe rebecca georgina colton, mrs phoebe rebecca georgina harbert