The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition covers Fighting dumped rubbish, Changes to parking management and Summer vibes on Qwere Street,A record of events within the City of Banyule.20 pages (approx.), colour illustrations. banyule banner

The Methodist Youth Fellowship was for young people from 15 - 25 years old which met regularly, usually on Friday evenings. They organised camps and summer school conferences. Buninyong is a town 11 km from Ballarat, Victoria.French navy wool blazer with a pocket on the left breast with appliqued Methodist Youth Fellowship emblem. The blazer has yellow grosgrain ribbon at the cuffs and the top of the three pockets; it has two buttons and a buttonhole on the left lapel. It has a black half lining and the sleeves are lined with striped fabric.On breast pocket: "BUNINYONG"methodist youth fellowship, buninyong

One of earliest buildings in Cowes main street. Largely painted wares advertised on front and two sides of H Gullifer's Corner Store.Corner store, Thompson Avenue. No neighbouring shops. Neat building. Six posts front and two sides. Six windows. Door in middle of wide "V" frontage. Two chimney pots at rear. Definition on front 1906 H. Gullifer Corner Store. To left "Ropes & Boots" to right "Groceries & Cordials". Beneath window on right "Summer & Drinks" "Ice Cream"local history, photographs, buildings - historic, h gullifer's corner store 1906, black & white photograph, betty kus collection, thompson avenue cowes, phillip island, bruce bennett

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day with the wedding party on the steps of Holy Trinity Church. L-R Roger WESTWOOD (Bob's cousin), Harry SUMMERS (athletics friend), Murray LANG (best man & athletics friend), Bob GARDINER, Barbara GARDINER, Margaret CONN, Joan GARDINER and Marlene HEGARTY (Barbara's sister).weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, joan gardiner, margaret conn, roger westwood, harry summers, murray lang

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day with the wedding party on the steps of Holy Trinity Church. L-R Roger WESTWOOD (Bob's cousin), Marlene HEGARTY (Barbara's sister), Murray LANG (best man & athletics friend), Margaret CONN, Bob GARDINER, Barbara GARDINER, Harry SUMMERS (athletics friend) and Joan GARDINER.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, joan gardiner, margaret conn, roger westwood, harry summers, murray lang

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

Yields information about Geelong tram No. 10 in 1948.Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 10 at the Beach terminus, 1940's. Photos by Ken Magor, Negative No. 3103. Taken on a summers day as the crew are in rolled up shirt sleeves. Two copies held - second is dated 26/2/1948.On rear in ink "SEC Geelong, No. 10 at Beach terminus" Has in bottom right hand corner Ken Magor stamp with negative number "3103" written in. In the bottom left hand corners has details of the photograph itself.trams, tramways, geelong, beach, tram 10

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Summer days: the municipal pool, near the wooden tower, was a popular place in 1952. Pictured in the back from left are: Eric DeAraugo, Unknown, Unknown, Frank Corner. In front: Rodney Jones, Unknown, Unknown, Unknown, Paul White, Ian DeAraugo, Dennis Jones, Keiren Molloy and Denis Heritage. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This display of butter was created by Mrs Jessie Petterson for the Harvest Festival. Ten pounds of butter was used. The Harvest Festival display was always put together by the church ladies ( Orbost Presbyterian Church) and was a family friendly festival celebrating the end of summer. The Harvest Festivals were regular community events in Orbost during the first half of the 20th century. This photograph is associated with that time.A black / white photograph postcard of a butter sculpture, a flower arrangement carved out of butter.on back - "display of butter by Mrs Jessie Petterson, 1900"harvert-festival sculpture-butter petterson-jessie

Cattle grazing on the Bogong High Plains occurred on most summers since the 1840s. The families were farmers from the Kiewa Valley. The 2003 fires interrupted this tradition which was discontinued altogether in 2005 for environmental reasons. This tradition is still controversial.History of Cattle grazing on the Bogong High Plains and farming in the Kiewa Valley and the families that lived there.Photocopied topographical map of part of the Alpine National Park showing 11 families areas for cattle grazing. Dated 1991/92 up to 2003 fires.91/92 Until fires in 2003 Families names have been added in blue texta. They are: 'Kelly, Faithful, Weston Briggs, Ryder, Cooper, Blair, Roper, Maddison, Fitzgeralds, Hicks.'cattlemen of the kiewa valley, cattle grazing on the bogong high plains

Cattle were taken up to the Bogong High Plains by the Kiewa Valley farmers who had a lease there in their allocated area. The cattle roamed and were mustered in late summer. At this time they also sorted the cattle using the cattle's brands for identification.Types of breeds bred in the Kiewa Valley and the names of families who grazed cattle on the Bogong High Plains is of historical interest and also gives an insight into the history of cattle grazing.White paper, black print. Chart's headings: Name of Family (25 in alphabetical order), Run No., Earmark, Brand and Log and Breed. 29th Feb. 1972 cattle grazing, bogong high plains, kiewa valley families, cattle breeds, cattle brands

Maretimo was built in around 1854 for John McLeod. It was purchased by Robert Matheson in 1874 with the next owner being Hugh Campbell in 1895. In 1925 sisters Eleanor Downing and Edith Smith bought the home and lived there. They operated a summer guest house.Postcard showing Maretimo House in Portland.maretimo, home

Margaret Skey migrated to Australia with family 4/8/1957. She was wearing this coat on a hot summer's day, arriving in Melbourne 6/9/1958 on a cold wet Sunday. This coat was purchased at the local shop - Prattes of Streatham London.Red Mohair overcoat. Shawl collar fastening to a tab in front & closing with three large buttons down front. Wide raglan sleeves with turnback cuffs.LESTERS COUTURIERS STREATHAM LONDON SW 16costume, female

Cap owned by Warrant Officer William Alexander SUMMERS, RAAF., (10814) born at Surrey Hills Vic., 26 APR 1918, enlisted 02 JUL 1940, discharged 24 MAY 1946. Last Posting: Air Force Headquarters This Item directly linked to a World War serviceman. Typical uniform item. Dark blue forage cap with two 13mm diameter plastic RAAF buttons on front. Black Cotton liner with off-white label attached. Missing cap badge (eagle and crown) evidenced by mounting plate indentations in liner. Label black stamped with 'LEWIS', 'F arrow S', and ' 7', and handwritten service number '10814' black/blue inkheadgear

This item has been bought as a souvenir of Warrnambool probably by a tourist. It features the breakwater built in 1890 to assist shipping in the port of Warrnambool . Tourism is important in Warrnambool today - in Summer the coastal scenery and the beaches and in Winter the with the whale season and the May Racing Carnival This item is of minor interest as an example of a tourist souvenir of Warrnambool.Small circular plate with pale blue border with interior black ring. The centre of the plate is white and has a rectangular image of the breakwater.The breakwater Warrnambool Vic is in black text underneath the image. Noritake made in Japan in green on back of the platewarrnamool breakwater

The first Orbost Presbyterian Church was opened on January 9 1898. It was built by Mr R. P. Cameron for three pounds. The Harvest Festival display was always put together by the church ladies. The Festival was a family friendly festival celebrating the end of summer.This item is reminiscent of the late 19th - mid 20th centuries when church-going was more common.A black / white photograph of inside the Orbost Presbyterian Church decorated with rural produce and flowers for the "Harvest Festival". It is on a white buff card with a blue photographer's stamp in the bottom left hand corner.on front - stamp -" Herbert Sherwood" on back - "M. Gilbert, Orbost" - "Mrs J. Sterling, 6 Marine Parade , Elwood"church-presbyterian-orbost harvest-festival

This cup is an impressive souvenir of a visit to Warrnambool. Tourism in Warrnambool became important in the late 19th century with Warrnambool promoted as a spa resort. ( Coast line,sea baths etc). Today tourism is important in both summer and Winter (May Racing Carnival and whales). A object with which people, especially tourists, would identify.Straight sided glazed royal blue cup with gold text and decoration.Glazed white interior.A present from Warrnambool written on side of the mug. Made in Germany stamped in red on bottom of mug. Numbered 13 warrnambool

The magazine covers details of the 2006-07 bushfires in Victoria. On page 31 Region 24 list includes towns in the Kiewa Valley. The Kiewa Valley is under constant threat of bush fires during summer. Local fire brigades assist in the protection of residents.The Kiewa Valley was affected by the 2006-07 bushfires. Residents are encouraged to have a fire plan, to be knowledgeable about bush fires and to be ready to leave their homes when under threat. The local towns each have a fire brigade which includes volunteers. On page 18, 'The Yellow Line" - Photo of Kiewa Valley (Mt Beauty and Tawonga) Crews.Glossy coloured photograph of firemen on the front cover and raging fire on the back cover. 31 pages2006 - 2007 bushfires, kiewa valley fire crews

5 girls in Winter uniforms with ties. 11 girls in Summer Uniforms, 4 Girls in Dresses. 25 boys Sumer Uniform short sleeve shirts + Shorts, 2 Boys with ties, 1 in winter uniform Long Sleeve Shirt & trousers no tie.B/W. Photograph. 5 Rows of Girls and Boys in front of brick buildingStudent written on back - See attachment. Stawell State School 11 April Grade 3 1967education, class photograph

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa

Various papers relating to Judy Egelston-Dodd Co-ordinator National Project on Career Education and Career Awareness Summer Program; and Phil Harper from the Adult Deaf Society of Victoria who received a special internship at the National Technical Institute for the DeafBinder, 29cmHx25cmW

The RDNS Sister is giving Post Natal care to the Mother and babe. She is wearing her RDNS summer uniform which is a white short sleeve blouse under a royal blue V necked tunic dress with the RDNS insignia emblazoned on the upper left.In August 1893 Melbourne District Nursing Society (MDNS), commenced a Midwifery Service with Nurse Fowler, who was trained in General nursing and Midwifery nursing, being the first Midwife employed. Mothers were assessed for suitability of a home birth or if they required delivery at the Women’s Hospital. The Midwife worked in conjunction with the Doctors at the Women’s Hospital and if a complication arose the patient was transferred to their care. Following birth they gave Post-Natal care to both the mother and babe. In 1898 the service ceased due to lack of funds but recommenced in 1906, and in the August 1925 Annual Report the number of MDNS home births was recorded at 478. MDNS built the After-Care Home and an Anti-Natal Clinic was opened in 1930. The last Ante-Natal clinic was held there in December 1951 and the MDNS Midwifery service ceased in February 1952. In 1964 MDNS commenced a Post-Natal Service with general and midwifery trained MDNS nurses working from a room at Footscray Hospital, and visiting early discharged Footscray Hospital maternity cases at home. Now as Royal District Nursing Service (RDNS), this service was extended to a Domiciliary Infant and Maternal Care, (DIMC) service operating from most Centres and visiting early discharged, often 24 hours after birth, maternity cases from hospitals to give post-natal care to the mother and babe.Black and white photograph of a Royal District Nursing Service (RDNS), Sister visiting a family in their home. The family are sitting on a dark coloured couch. From left to right:- The father, who has short dark hair and is wearing a light coloured patterned shirt and dark pants, is looking at his young blond haired daughter who is sitting on his right knee. She is wearing a light coloured top and darker coloured bib and brace pants. The mother, who has long dark hair and wears glasses,.is next to him and is smiling and looking towards the RDNS Sister. She is wearing a long sleeve buttoned grey top and darker coloured slacks, and is holding her babe in her lap with both hands supporting the baby's head. The babe has sparse dark hair and is wrapped in a white bunny rug. Next is a young girl, who has short dark hair and is wearing a light coloured top, darker coloured slacks and has her hands on the top of her left striped sock. Seated on the far right is the RDNS Sister, who has short straight dark hair, and has her face turned towards the child and mother. She is wearing her RDNS uniform of a short sleeve white blouse under a dark V neck tunic style dress which has the RDNS insignia on its upper left. The Sister has a pen attached to the V neck of the tunic and is holding a note book in her hands. She has a watch with a dark band attached to her left wrist. In the background part of a wooden and glass door can be seen and a patterned wallpapered adorns the wall behind the couch.Photographer stamp. Quote No EA 28melbourne district nursing society, mdns, royal district nursing service, rdns, dimc, mdns midwifery, rdns domiciliary infant and maternal care

Christmas postcard with two black and white photographs on the front. To the right is a portrait image of Noel Blundell, an Australian Army soldier in summer uniform. To the left is a woman with two children in an outdoor setting. To the woman's right is a teenage boy and to the woman's left is a younger teenage girl. The photograph was sent home to family by Noel Blundell who served in the Middle East during World War 2. The card is inscribed "A Happy Christmas and A Victorious New Year"postcard, christmas, middle east, 2nd aif, australia, army, aif, ww2, world war 2

An historical visual record of some of the members of the Ladies Harbour Lights Guild, circa 1950. Many events run by the LHLG founded in 1906, were initially held in venues across Melbourne. In later years the main hall of the building opened in 1917 became a main venue for entertainment, meals and dancing. The LHLG organisation eventually amalgamated with the Flying Angels at the Mission circa 1962 and many LHLG members such as Dora Simpson, later elected as FA President went on to officiate.The Ladies Harbour Lights Guild (LHLG) a Melbourne and statewide network initially raised funds and held events for the Mission to Seafarers. Originally founded in 1906 the LHLG were responsible in 1917 for raising the funding for the Chapel and Dome at the Mission. The group and network developed a structure promoted to and adopted in one form or another by other similar auxiliary groups supporting Missions around the world. Black and white photograph. Image shows a number of women sitting in front of the stage in the main hall of the Mission to Seafarers Melbourne. In the background there is a three-piece band situated on the stage. Depicts the MtSV stage decorated with flowers, and lengths of material woven through an arch.The ladies seated in two rows in front of the stage all wearing summer dresses and have short hair styles typical of the 1950s Printed title and donor information printed across the top of the mount. See also historical informationpiano, drums, band, floorboards, stage, 1950s, dresses, main-hall, curtain, celebrations, lhlg, ladies harbour lights guild, mission to seafarers, seamen mission, mission to seamen, flying angel, melbourne, flinders street, prue leggoe, music, dance, entertainment, events, sailors, seafarers, seamen, lynette reynolds (nee madson), king george vi

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day sitting at the wedding table with the wedding party toasting them. L-R Joan GARDINER, Harry SUMMERS (athletics friend), Margaret CONN, Bob GARDINER, Barbara GARDINER, Murray LANG (best man & athletics friend), Marlene HEGARTY (Barbara's sister) and Roger WESTWOOD (Bob's cousin).weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, joan gardiner, margaret conn, roger westwood, harry summers, murray lang

Newspaper or magazine clipping from the City of Ballarat Summer 2018-19 issue of my Ballarat with an article titled "On the Right Track", featuring an interview with Peter Waugh as Marketing Manager standing on the footstep of No. 27. Peter talks about the history of the tramway in Ballarat, the time a tram derailed and hit the Bucks Head Hotel, the Museum, the depot and the collection, Cuthberts 939 and when the Museum operates.trams, tramways, btm, marketing, bucks head hotel, city of ballarat