Circa 1920's the postcard depicts a pathway and manicured lawns leading to the Beechworth Mental Asylum administration building. The asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) that was renamed Mayday Hills Mental Asylum. The now decommissioned asylum was cinsidered one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum active works was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation.This postcard is significant as it depicts the historical, architectural, technical and aesthetic significance of the Beechworth Mental Asylum's administration building to the State of Victoria.Black and white rectangular postcard printed on card.Obverse: Valentine Series No.1858/ The Asylum Beechworth Reverse: 1997.2464/ Valentines/ Real Photo Series Published by Valentine Publishing Co. Pty. Ltd/ Queen St.. Melbpostcard, beechworth, beechworth mental asylum, beechworth lunatic asylum, mayday hills, mayday hills mental asylum, administration building, beechworth mental asylum administration building

Taken in c. 1905, depicted is a large group of children and adults dressed in formal attire sitting and standing upon a granite rock that is located in the centre of Queen Victoria Park. In front of the group is a wooden picket wire fence that sides the granite rock. On top of the rock is a gas lamp post.Originally known as the Beechworth Botanical Gardens, the Queen Victoria Park features a extensive collection of historic trees and plants, which have been listed on the Indigo Shire’s Significant Tree Register.Black and white rectangular reproduced photograph printed on matte photographic paperReverse: 6956 (in pencil)/ ©/ DONALD HAYES/ BEECHWORTH (stamped in orange ink)/entertainment album, burke museum, beechworth, queen victoria park, park

Taken in the early 2000s, this photograph depicts two men and two women, all holding wine glasses. Everyone is casually dressed and seem to be attending a dinner party at the Burke Museum. The group of four have been identified as A. Robbins, J. Indian, S. Routledge and A. Box.This photograph is significant because of its insight into the social aspect of life at the Burke Memorial Museum during the 2000s. The photograph is part of a large collection of photos from this time period and shows fashion trends, social events and interior design trends of the time. The photograph in an interpretive capacity could also assist in further research into the life and development of the Burke Museum, providing a different perspective on early 2000s social events and their development into the social events of today.Coloured rectangular photograph printed on photographic paper.Obverse: No Exit / Reverse: AGFA Watermark / 6511burke museum, beechworth, 2000s, dinner party, function, recreation, fashion, party, 2000s clothing, community

Taken in 1999, the photograph depicts a section of “The Harvest” exhibition held at the Burke Museum between May 1st and June 20th 1999 as part of the Baking Industry Victoria. In the foreground is believed to be an old seed distributor. The grain mill made by B. M. Purshouse in Wolverhampton, United Kingdom, was of special interest during the exhibition. This photograph is of historical and research significance, connecting with various themes such as farming, adapting to diverse environments, and the promotion of settlement in Victoria. The photograph is an example of an exhibition held at the Burke Museum in 1999, demonstrating the communal interest of Beechworth in their farming history. The photograph contains a strong interpretive capacity as it demonstrates the importance of farming to Beechworth and Beechworth's history, revealing the enduring connection between the local community and the surrounding land. The historical and research value of the photograph is further enhanced by the depiction of historical farming machinery, providing a means for future generations to view historical machines used in farming. Colour rectangular photograph printed on photographic paper.Reverse: 2857burke museum, the harvest, exhibition, baking industry, grain mill, b. m. purshouse, beechworth, baking industry victoria, seed, seed distributor

Taken in 1924, the photograph depicts ten young men and three male children all in formal attire on the day of the Beechworth Concert Party. They are standing in front of Bill Howes' home on Loch St, adjacent to the old swimming bath.Black and white rectangular photograph printed on matte photographic paper mounted on board.Obverse: W. Howes / Beechworth Concert Party / 1924 / Taken at Bill Howes home in Loch St. / (Last house, next to old swimming bath) / Back row. / Ted Warden. / Bill Howes. / B. Shallard. / Jerry Burns. / J. Heatherly. / K. Prowse. / E. Smith / Front row. / P. Burdew. / A. Foster. / J. Warden. / Squidgy Smith / A. Shallard. / G. Foster / Reverse: 1997.2518 / A03063 / 79.19.3 / entertainment album, beechworth concert party, beechworth, 1900s, loch st, concert party

The Ovens pottery operated from 1881 to1892 they had taken over H L & E pottery at Beechworth in 1888 but mounting debts forced the Ovens company to close in 1892. During their short ten years of operation they produced stoneware garden urns, vases, cheese dishes, ginger beer bottles, butter coolers, water filters, wine and spirit barrels, bread plates, jugs, teapots, storage jars, pots, tiles, flower pots, spittoons, basins, bowls, demijohns, lidded crocks, pipes and bricks.A significant item made by an early Australian pottery in Beechworth Victoria, this company made many utilitarian items for the Victorian domestic market. It gives us today a snapshot into early Australian companies that were unable to sustain manufacturing their products into the 20th century, due in part to the rising imports of cheaper items from overseas.Red terracotta butter cooler comprising, round base with ridged lip, and bell shaped, domed lid with spherical handle on topMarked "Ovens Pottery, Co Ltd, Patd 1890, Beechworth" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooler, terracotta cooler, utensil, kitchen ware, terracotta, food container, food preservation, butter cooler, ovens pottery

This series of 3 photographs were taken in 2007. They were taken to show the new protective case for the Burke Museum world globe, made by Kurt Wagner. The three photographs show different angles of the globe and case.This series of photographs is of social significance to the people of Beechworth and the surrounding shire. The case was made by local woodworker Kurt Wagner and therefore shows the bond between the Burke Museum and the community of Beechworth through their collaboration. Additionally, the photographs provide an interesting perspective on late 2000s museum interior design as it is possible to see how this part of the museum was set up in 2007.Coloured rectangular photograph printed on photographic paper.5567.1 / 5567.2 / 5567.3 globe, 2007, burke museum, beechworth, kurt wagner, protective case, world globe, woodworking, museum styling, 2000s, community involvement

This series of photos all depict Burke Museum curator Beryl Witkowski. The invitation was created in 2005, the other photographs seem to be throughout Beryl Witkowski's career, however it is not possible to determine exactly what date they are from. The photographs show Beryl in front of the main museum building, standing beside exhibits, receiving awards and holding antiques.This series of photographs are centred around the Burke Museum curator Beryl Witkowski. The collection consists of an invitation that features mid-2000s photo editing and numerous photographs of Beryl throughout her career. The invitation provides artistic/ aesthetic significance for its interesting photo editing technique, as photo editing was becoming increasingly popular during this time. Socially, the collection of photographs are significant to the community of Beechworth and to the Burke Museum. As a curator Beryl would have had significant influence over the running and display of the museum, therefore having photographic evidence is a way for the community to reminisce and connect.Some coloured and some black and white photographs printed on paper.7599.1 Obverse: You are invited to Beryl's Bash, 'for her sins, 30 year's at the Burke' 2 December, 7pm-10pm, 2005 at Robert O'Hara Burke Memorial Museum, RSVP to Burke Museum, 03 57 28 8067 / 7599 7599.1 Reverse: and Christmas Party at the Burke Memorial Museum on 2 December, 2005 7-10pm, RSVP to the Burke by 29th November / 7599 7599.2 Obverse: Library Burke / Burke Museum / Open 10am- 5pm 7599.2 Reverse: Burke Museum / Robert O'Hara Burke Memorial [Mus]eum / Exhibitions / Notices / 1856 7599.3 Obverse: Newsagent / Est. 1853 / (illegible) invitation, christmas party, staff party, burke museum, beechworth, beryl witkowski, 2000s, employees, curator, celebration, 2000s photo editing

This image showing a man sitting on a bench seat reveals what life was like in the Edwardian era through the clothing and hairstyle worn by the seated man. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, edwardian era, portrait

Taken in 1924, the photograph depicts ten males of various ages dressed in different uniforms. They are posing as the Beechworth "Rag Time Band". Some of the men are holding musical instruments.Black and white rectangular photograph printed on matte photographic paper mounted on board.Obverse: W. Howes / Beechworth "Rag Time Band" / Under the baton of Professor E. Smith / Back Row / Geo. Foster / Jerry Burns. / Shinty Shallard. / Bill Howes. / Front Row / K. Prowse. / Ted Warden / J. Warden. / Professor Smith. / A. Shallard / A. Foster / Reverse: 1997.2517 / A03062 / 79.19.2 /entertainment album, music, beechworth rag time band, beechworth, rag time band, music group, concert, band, musicians, musical instruments, entertainment

Easter 1955, Beechworth.Black and white rectangular photograph printed on matte photographic paper.Obverse: No inscription Reverse: 2376.2 5822 Easter 1955hotels album, beechworth, burke museum

Taken in Beechworth 1862, this photograph depicts the shops in Camp street Beechworth, with the Empire Hotel in view.Black and white rectangular photograph. The image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: 7778 Shops, Camp Street 1862 Roy Harvey Collection PH 54 A Empire Hotel formerly the Smithville in the Woolshed relocated to Camp street burnt 1867 Full view has the post office with the tower beechworth, camp street, shops, empire hotel

This photograph shows a group of workmen outside the Loch Street Printing Office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. Initially based on Ford Street, the Loch Street office opened in 1893, after printing facilities were updated. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. He appears in this photo alongside twenty of his staff and is the man standing directly in front of the doorway. When it launched, the paper’s goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conversates and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period.Rectangular black and white photo printed on photographic material, unmounted. Obverse: Ovens and Murray/ Printing Office Reverse: Ovens and Murray Advertiser Staff 7721/ Beechworth/ BMM 79.15ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, r warren, loch street, 1890s, 1890s beechworth

Taken in 1944, depicted are members of the Army Signal Detachment Unit with local residents at at Lake Kerferd. David Pittard (back row, right) is standing beside Dorrie Elliot. The other people are unidentified. A secret experimental micro-wave radio station was established and tested at this site by the Army Signal Detachment Unit during World War II. It was part of an experimental Ultra High Frequency (UHF) link between Melbourne and Sydney. At the time, it was highly classified. It intended to enquire into the hitherto unexplored transmission of micro-waves; that is, a radio signal which could only be transmitted by line of sight, and thus required hill-top to hill-top location.The photograph is historically significant as it pertains to World War II; the largest global conflict in history. This significance is enhanced by Australia's prominent involvement in campaigns across the Pacific, particularly on land in New Guinea and across the Huon Peninsula. It was also the first time that the Australian mainland came under direct attack by the Axis, with Japanese forces targeting north-west Australia and Sydney Harbour. These battles became Australia's largest and most complex offensives during the war. The record is also historically significant as it relates to the Royal Australian Corps of Signals, or "RA Sigs". This significance is strengthened by Australia's unique distinction of having the first established signal unit under the British Empire. This unit provides electronic warfare. They enable commanders to implement highly dynamic battle control against opposing forces by using a number of methods including radio, fibre optic, micro-wave, information systems and satellite links. The record has strong research potential. This is due to the ongoing scholarly and public interest in war, military history, the ANZAC legend, and the continuing existence of the RA Sigs. The historic context of this record can provide insight into Australia's history, military, technological innovation and advancements, as well as national economic, defence and foreign policies after 1945.Sepia rectangular photograph printed on matte photographic paper.Reverse: BMM5095.5 / Relaxing with some of / the Stanley locals / David Pittard (back row Rt.) / next to Dorrie Elliot / I can't recall the others / Lake Sambell, I think / Kerferd /military album, army album, lake kerford, army signal detachment unit, royal australian corps of signals, military, war, wwii, world war ii, beechworth, victoria, sydney, melbourne

A hand-painted slide from c.1900 depicting a circular image of 11 goldfish swimming around the words 'Good Night'. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniquesThis glass slide is significant because it provides insight into early photographic and film-making technology in use in regional Victoria during the late 1800s and early 1900s.Thin translucent sheet of glass with a circular image printed on the front and hand-painted in shades of orange, red, blue, and green.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, fish, hand-painted, good night, 1900s

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Used at fire basecampsKerosene lanternBeechworthforests commission victoria (fcv), bushfire, camping equipment

Used at fire basecampsKerosene lanternBeechworthforests commission victoria (fcv), bushfire, camping equipment

This photograph is of old mine workings on the site of the Spring Creek diggings. Spring Creek is a contact zone for granite pluton and siltstones, shales and standstones; which has, over time, encouraged natural springs to form. Enriched with gold washed out of the surrounding granite, these alluvial deposits achieved fame from 1852 onwards as the Spring Creek Diggings sprang to life (not realised as geographically important until 1871). In Spring Creek that runs behind the main street of Beechworth, near the foot of Newtown Hill a pint pot of gold was discovered on one of these expeditions in 1852 by prospectors Baker and Strickland and the gold rush town of Spring Creek was formed. Australian gold rushes have always created a sense of independence and freedom; as do-it-yourself, off-grid, low-tech adventures. People of all backgrounds were drawn to the gold fields by the prospect of riches and adventure, but they also learned self-sufficiency and found freedom of expression. Industry boomed, new practices were adopted and social norms were upended. This image is of historical significance as it informs on the history of Australian gold mining. It represents the innovation that accompanied the mining industry and the importance of gold mining in town building and regional histories. Black and white rectangular photograph on unmounted board.gold mining, spring creek, mining, geography, geology

A man and two women surround the case of the extinct Tasmanian Thylacine at the Burke Museum. They have been identified as Tim Flannery, Linda Peacock and Pam Magennis. Tim Flannery was an orator at the Kerferd Oration and spoke on "The Climate Change Challenge".This photograph is significant both socially and historically. The Kerferd Oration is held every year and speaks on topics that both challenges and encourages members of the community. In 2008 the speaker was Tim Flannery pictured in this photograph. Flannery spoke on the issue of climate change, and how we can better manage the earth and her resources. This makes this photograph particularly interesting as the Tasmanian Thylacine is extinct because of the acts of man (hunting and introduction of foreign species), this photograph therefore sends a message about climate change and subsequent extinction, which makes it a significant item to the community of Beechworth and to the Burke Museum.Coloured rectangular photograph printed on photographic paper.Reverse: 6854burke museum, beechworth, 2008, event, thylacine, taxidermy, late 2000s fashion, museum display, recreation, arts, community, 2008 kerferd oration, the climate change challenge, extinction

This certificate was awarded to Beechworth Fire Brigade for winning the eight men hose & reel practice at the inter-colonial Demonstration held at Albury, NSW on January 1st 1895. Pictured from left to right: T. Coswello / H. Thompson / F. Dunn / H.O. David / F. Lloyd, (capt) / J. Davis / H. Duncan, (Lieut) / T. Shennan. Black and white certificate reproduction printed on matte photographic paperObverse: Beechworth Fire Brigade / Winners of the Eight Men Hose & Reel Practice / at the intercolonial Demonstration / Held at Albury, NSW / Jan 1st 1895/ T. Coswello / H. Thompson / F. Dunn / H.O. David / F. Lloyd, (capt) / J. Davis / H. Duncan, (Lieut) / T. Shennan Reverse: BMM 6933emergency services, burke museum, fire brigade, fire, beechworth, 1895, albury, beechworth fire brigade

Rectangular black and white rectangular photograph, on gloss photographic paper.Obverse: TANSWELLS/ COMMERCIAL HOTEL Reverse: BMMAO3233/ 97.2248/ 11/ Commercial/ Beechworth/ 85-166-2 hotels album, beechworth, burke museum, tanswells, commercial hotel

This photograph depicts the visit of Sir Rohan Delacombe and Lady Delacombe (on right) to Beechworth in 1965. Also present are Shire Secretary Graham Gray and Mrs Gray (left), and Shire President J McCauley and Mrs McCauley, centre. His Excellency Sir Rohan Delacombe (1906–1991) was appointed Governor of Victoria on 8 May 1963 and served until 1974, when he was replaced by the first Australian-born governor, Sir Henry Winneke. Born on 25 October 1906 at St Julians, Malta, Sir Rohan was the second child and only son of Addis Delacombe, a British army pay officer, and his wife Emma Louise Mary, née Leland. The Delacombe family seat was Shrewton Manor, near Salisbury, Wiltshire, and several generations of Delacombes had served in the armed forces. Sir Rohan took up his role in Australia following long and distinguished military and diplomatic career. He is reported to have taken great interest in local events and politics, and at the time this image was taken, he and Lady Delacombe made several appearances as guests of local government representatives at centres around Victoria. This photograph is historically significant for its record of the visit of Sir Rohan and Lady Delacombe at Beechworth in 1965. It may be compared and studied alongside other photographs and objects in the Burke Museum.A black and white rectangular reproduction photograph printed on paper.Reverse: A02556-2 /local government, united shire of beechworth, sir rohan delacombe, victoria governor

The children from Mickleham and Bulla Primary Schools were attending a school camp near Beechworth and were visiting a trout farm.A non- digital coloured photograph of a group of children by a river. Three people are standing very close to the edge, while the rest of the children are sitting further up on the river bank.school camps, beechworth

This item has two photographs split horizontally. The top photograph was taken of Camp Street, Beechworth, looking south and the bottom image was taken of Ford Street, Beechworth, looking east.Black and white photograph printed on matte photographic paper. Obverse: Camp Street looking South / Ford Street looking East / Reverse: 1997.3095 / AO3192 / PH 77 / post 1906. / GH. Farley listed 1917-1918. / around 1910. See Camp St. Photo of Coronation arch Showing street lamp beechworth, camp street, ford street, burke museum

The manager of the trout farm is preparing to talk to the students from Bulla and Mickleham Primary Schools about the function and purpose of the trout farm which is in the Beechworth area. The children with their teachers and some parents were attending a school camp in Beechworth and a visit to the trout farm was one of the activities. A non- digital coloured print of a man talking to some children who are sitting in front of him on the grass in a paddock.trout farms, school camps, beechworth

The construction on Lake Kerferd began in 1862 however it wasn't completed until 1874 due to engineering and funding issues. The lake was named after George Briscoe Kerferd (1831–1889) who was responsible for Beechworth's water scheme. George Briscoe Kerferd was born on 21 January 1831 in Liverpool, England and arrived in Melbourne April 1853. He spent his first years in Australia in Bendigo before settling down in Beechworth as a wine and spirits merchant. He married Ann Martindale on 17th December 1853 at St James Cathedral, Melbourne and between them they had three sons and five daughters. Kerferd began his political and legal career in Beechworth when he was first elected to the Municipal Council in May 1857. Later he would be elected to the Legislative Assembly for the Ovens District in November 1864, and continued to represent the area until February 1886. The postcard holds Historic significance due to its connection to Beechworth and its Lake Kerford. It demonstrates the interactions between nature and colonialists, especially how the lake has somewhat been 'protected' with the man made fencing. It also presents information on the environmental development or degradation for the area, with possible changes to the environment that may have been caused by human physical forces, natural decay or Global Warming.Sepia rectangular postcard printed on paper.Obverse: The Rose Series P. 10542 / Copyright / Evening lights, Lake Kerferd, Beechworth, VIC Reverse: Farley / Published by the Rose Stereograph Co., / Armadale Victoria. / 84-132-1 / Post card / The "Rose" Series De Luxe / A Real Photograph Produced in Australia / BMM299 lake kerferd, beechworth, water scheme, water reserve, reservoir, legislative assembly, hon. george briscoe kerferd, catchments, beechworth water reserve, beechworth catchments, municipal council, st. james cathedral, lakes, reserve, water supply, political projects, rose series, postcard, rose series stereograph

The postcard depicts a large grandstand with spectators attending a race meeting in Baarmutha Park, Beechworth. The crowd is made up of many young men, women and children. There is one horse with a jockey captured in movement. The postcard is historically significant as it illustrates how Barrmutha Park was used at this time. The record's historical significance is enhanced by its strong relationship to the popular, continuing tradition of horse racing within Victoria (vis-a-vis Melbourne Cup, W.S. Cox Plate, Caulfield Cup). More broadly, it provides insight into the type of sport and entertainment valued by local residents.Sepia rectangular postcard printed on card.Reverse: POST / CARD / 51 / THE ADDRESS TO BE WRITTEN ON THIS SIDE / Race Meeting Baarmutha Park / 19/4/06 / Beechworth / Please give enclosed to Meg with my love. / You may be able to recognise a few people / on this with the aid of a glass. / Jell Mother + Father I am looking after / the family very well + all are behaving / themselves. Hope to see you over here very soon / but am afraid we will have to get a glass to / be able to see you if Meg / is so big as she is cracked to / be. Good-night. (?) /entertainment album, baarmutha park, beechworth, race meeting, horse race, horse racing, recreation, sport

Joan Jessup was born on the 17th November, 1926 at at Nurse Longmore's in High Street, Beechworth. In this recording, Joan recounts her childhood in Beechworth, her personal and working life as a young unmarried woman, and then later her marriage to Albert Jessup and her family life at Murmungee and Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the BurkeThis recording of Joan Jessup's life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural, historical, social, and religious heritage of the region. She details important historical events, local life, religious matters, and schooling in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal and working roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preservedThis is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Joan Jessuplisten to what they say, joan jessup, beechworth, burke museum, jessup

The children were attending a school camp at Beechworth and on this particular day, they were hiking for one of the activities.A non-digital coloured photograph of a group of children walking along a bush track, in single file with an adult holding a camera bringing up the rear. school camps, hiking, beechworth