Two men; one soldier and one Vietnamese man with hardly any front teeth. Shelves in background with instruments on them. Photographed by Robert Moffitt. Ektachrome slideTheatre staff, 8 Fd Ambulance are short of Dettol. Dental Unit has surplus of Dettol, however WO2 Geoff Andrews refuses to hand it over as the unit will be out of stock. 33DU OR;s one night empty the Dettol and replace it with water, Theatre staff thank 33DU OR's for their efforts8th field ambulance, 1st australian field hospital

Letter to the editor published in the Diamond Valley News,, July 1, 1998 by John Wise, General Mananger Aged Services, Melbourne Citymisson Retirement Centre, Diamond St. stating the situation regarding a reduction in subsidies by the State Goverment and the organisations committment to upgrade the facilities. In 2021, Judge Book is known as St Vincent's Care Services Eltham. Another letter to the editor refers to the Ring Road / Greensborough Bypass / Greensborough Highway Duplication by Karen Geradts, convenor of the St Andrews & District Branch of the Australian Greens. judge book memorial village, aged care, melbourne city mission, seniors, funding, ring road, nursing home, aged care facility, john wise, greensborough bypass, greensborough highway, karin geradts, st andrews & district branch of the australian greens, judgebook

Contents: • In the Blink of an Eye by Jim Connor • Memories of My life Growing Up in Eltham by Beryl Bradbury • One Hundred Years Ago; July-December 1919 by Liz Pidgeon o Unveiling of the Eltham War Memorial o Opening of St Andrews Gold Battery at Smiths Gully • Horses • Mr Parker by Grace de Visser • Mosaics in Were Street, Montmorency • Eltham Cemetery Stories by Richard Pinn o David George Clark o William Crozier • Contacts for the Eltham District Historical Society The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to membersnewsletter, eltham district historical society

The plaques originate from chairs donated towards the furnishing of the Mair Street premises of the Clarendon Presbyterian Ladies College opened 1926. The chairs were situated in Watson Hall. The chairs were donated by the Old Collegains Dramatic Society which commenced with an inaugural production 1 October, 1925. The Touchstone December 1925 records the performance took place in the St Andrews Hall begining with a comedy sketch entitled 'Such is fame'...the second half of the programme consisted of what was described as 'a Pot-Pourri of Old Fashioned Tunes'. Four brass plaques featuring fine border and inscription.Inscribed on obverse: ; GIFT OF / Clarendon Old Collegians / DRAMATIC CLUB / 1926plaque, old-collegians-dramatic-society, clarendon-presbyterian-ladies-college, chairs, watson-hall

This book was one of several independent publications dealing with Australian and Pacific topics. The author, J. Alex. Allan, was a Councillor with the Historical Society of Victoria. The book is less important than the inscription on the first page which indicates that the book was a gift from the staff of Warrnambool High School to William L. Grauer, a teacher who was leaving the school in 1946. Mr Grauer, born in Warrnambool in 1915, became Supervisor of School Forestry in 1968 and served in in the Australian Army and Air Force in World War Two. The Grauers were a prominent early family in the Allansford area and descendants still live today in Allansford and Warrnambool. Warrnambool High School opened in 1907 as the Warrnambool Agricultural High School and merged with Warrnambool North Technical School in 1994 to become Warrnambool College. This book is of interest as it was given as a farewell gift to a member of the Warrnambool High School staff in 1946 and contains the signatures of ten fellow teachers, including the Headmaster, Roy Andrews. The recipient of the book, William Grauer, was a member of a prominent family in the Allansford area.This is a hard- cover book (Social and Economic Sketch of Victorian History) of 172 pages. It has a plain dark red leather cover with a buff-coloured strip pasted on the spine. It is by J. Alex. Allan and was printed in 1945. There are 19 chapters and an Epilogue. There are several pages of black and white photographs. Spine: ‘Cheshire, Men and Manners in Australia, Allan’ On frontispiece: ‘To W.L. Grauer, With best wishes from the Headmaster & Staff, 1946, Roy W. Andrews, Betty H.T. Ward, H.E.L.Jones, S.A.O’Keefe, W.B.Gow,.A.F. Coggins, Leo Ingwersen, Winifred B. Gray, Ida L. Henderson, Lilian M. Williamson’ w.l. grauer, warrnambool high school

Possibly a picnic for returned servicemen from Gallipoli. This photo was taken in front of the Police Paddocks with the police station on the left. Model T Fords parked with soldiers, drivers and locals resting on the police paddock in front of the Queenstown (St Andrews) station. The RACV Volunteer Motor Corps service during World War One was the reason the organisation was granted its Royal prefix. Automobile Club of Victoria members volunteered their time and vehicles to collect returning soldiers and nurses from ships at Princes Pier, Port Melbourne. Trips were also often arranged for convalescing soldiers to country areas for picnics and to “revive spirits”. The soldiers were also picked up from the Austin Hospital in Heidelberg and Mont Park Military Hospital in Macleod. Queenstown (St Andrews) was a common picnic spot. The Evelyn Observer reported on June 9. 1916 "Some 75 returned soldiers visited Queenstown on Sunday, 28th ult., and were hospitably entertained by local residents who had provided refreshments sufficient for 150. Mr. Milne in an appropriate speech welcomed the soldiers, and Mr. Robison suitably responded.” The photo was reproduced page 108 of “The Diamond Valley Story" by Diane H. Edwards.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image, 16 x 24 and 12.5 x 9 cm and 4 x 5 inch B&W Neg sepp, shire of eltham pioneers photograph collection, queenstown, cars, police station, st andrews, soldiers, picnic, exhibition yprl 2019-12, gallipoli, model t ford, pioneers and painters, police paddocks, retuned soldiers

The items in this collection of Ecclesiastical Linen were used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. The items donated include Maniples, Chalice Covers, a Goblet Cover, Altar Cloths, Matts, Priest's scarf, armband and sashes, and a bag that is a cover for the Baptismal Towel. HISTORY OF ST ANDREWS, DENNINGTON The land on which St Andrews Church was built in Dennington was surveyed in the 1840s and reserved for church purposes in 1855. In 1889 the Farnham Dairy factory relocated to Dennington and the town began to grow as involvement in the dairy industry increased in the area. In 1896 plans for a church hall on the reserved land were considered and on 22nd December 1907, the first Anglican Service was conducted in Dennington, with 60 people attending. In August 1909 the first building was opened with a midweek evening service conducted by the Rev. J.A. Coe. The Sunday School was opened the following year. In that same year, Nestle took over the Farnham dairy plant. On December 20th, 1914, a new church was opened in memory of Andrew Peacock, who passed away in 1912. The funds had been raised by the community and 150 attended the morning service. The building was described as a simple edifice with a plain exterior and high, wide pointed windows, and a comfortable porch entrance, all of which gave a pleasing impression of light and space. In 1935 the average attendance for morning services was just over 22 people. In 1936 extensive repairs and replacements were carried out. In 1947 the first recorded Pastoral Festival took place and in the same year, a Ladies Guild was formed. In 1954 water services were connected to the church building. Many items of furniture, furnishings and books were donated over the life of the church, including handworked linen items. Further items were added due to the work of the Ladies Guild, as well as donations in memory of church and community members.These items of Ecclesiastical Linen are significant as examples of handworked embroidery and drawn-thread work from the early 20th century. They are also examples of a collection of items used for church services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance of setting aside land in the 1850s for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900s and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Set of Ecclesiastical Linen. The items were once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. All of the handmade items are in white fabric. Some also have embroidered emblems, tassels and drawn-thread work. White embroidery thread has been used for most of the decorated items, with the following exceptions, which have been embroidered with coloured thread; the communion linen, the Priest's scarf, armband and sash, the altar cloths, mats and a cover for the baptismal towel. Two items have hand written inscriptions.(See individual objects for details)flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, linen for religious service, communion linen, priest's sash, baptismal towel, maniple, eucharist, emblem of rope and cross, embroidered religious cloths, embroidered celtic cross, drawn thread, chalice covers, handmade linen, embroidered linen, stylised cross, the english church, ladies guild dennington, nestle, farnham dairy, andrew peacock, victorian heritage register vhr 118083, hand worked linen, handworked embroidery, j.a. coe

In October 2000, Council invited three artists from the region (Deborah Halpern, Matcham Skipper, Tony Trembath) to submit designs for a sculpture / public art work for the Eltham Town Square. The commission was paid for by supermarket giant Safeway (Woolies) as part of its supermarket permit, which required them to contribute to beautification work in the Town Square.This is the first of three parts. The 'Spirit of Nillumbik' is a celebration of the artistic spirit of Eltham and surrounding communities. Each area is identified through the flora and fauna represented in the panels. The work honours the many creative artists and architects, past and present, who have built homes and shaped lives and livelihoods with their unique creative spirit. Halpern describes her work as a public expression of their individual and collective visions. Halpern acknowledges these contributions to our hand-made history and the influence they have on the character and identity of Eltham and Nillumbik. Five picture and six woven balustrades each made out of welded steel / organic wrought iron and coated with wax. Imagery (flora - plants, landscapes and fauna - animals, birds, reptiles, insects) are all based on the local environment. There is also a relevant aboriginal presence amongst each of the panels. Each panel represents the different areas that make up the Shire. 'Water' for Warrandyte, 'Kangaroos' for Christmas Hills, 'Cockatoos and 'Valley Creek Flats' for Hurstbridge, 'Wombats', 'Bluetongues' and 'Possums' for St. Andrews/Kinglake, 'Orchids' for Panton Hill, 'Cows' and 'Grapevines' for the Kangaroo Gound Hill landmark. N/Apublic art, nillumbik, fauna, flora, wrought iron, balustrade, halpern, laurence, kangaroo, eltham town square, spirit, warrandyte, christmas hills, kangaroo ground, hurstbridge, kinglake, panton hill, water, valley creek flats, cockatoos

PRESBYTERIAN SUNDAY SCHOOL OCTOBER 1915ORIGINALPHOTOGRAPH OF PRESBYTERIAN SUNDAY SCHOOL 1915PRESBYTERIAN SUNDAY SCHOOL INCLUDING J.S. COOK, F. HARRIS, L. RANDEL,WILLIAM BARKELL MEMBERS OF PRESBYTERIAN SUNDAY SCHOOL STANDING AT FRONT DOOR OF ST ANDREWS PRESBYTERIAN CHURCH TWO COPIES OF THE ORIGINAL PHOTOGRAPH. 1 ONE SEPIA .2 ONE BLACK AND WHITE .3 PHOTOGRAPH MOUNTED ON CARDBOARDlocal history, churches, presbyterian, sunday school

Sepia photograph of 1900 Bendigo Bowling Club. Group of well dressed men outside a building. Men wearing waistcoats, suits, ties, hats. Four bowls (for playing law bowls) right front of photo. Inscriptions: Card, front - R Dermer Smith, Photo Bull St., Bendigo. Card back - GP88. Stamped 'Royal Historical Society of Victoria, Bendigo Branch, 1959, 145)' Paper posted to rear of card. Stamped - 'Royal Historical Society of Victoria, Bendigo Branch' Hand written in stamp '1959', '145'. Hand written in blue ink '1900 Bowling Club'. 'M Yates (Bendigo Station Master), F Brown, Roeder (Hotel Athenaeum), Howel (Band Manager), Town Clerk W Honeybone, Jackson Parker, AJ Pearce (Grammar School), Fred Barder, Pascoe, JA Deravin (Dolfe), WHB Neill, Charley Satchell (Solicitor_, Charlie Fly (Grocer), Andrews (Commercial Traveller), MA Bosselman, Mr WJ Jackson Sen, Mr WJ Jackson Jun. (tailors), John Fly (brother of Charles), Dr. Garnet, Dr. Theodore Deravin. (old Grammar School at back of St Andrews about to be demolished). Not Bendigo. Rear Admiral Dr St---dee, 1893.person, group, sports team

Facebook comments suggested this location may be a cabinetmaker by the name of Cook out the back of Panton Hill. Another comment recalled this man as a visitor to Montsalvat as a friend of the late poet, Geoffrey Egglestone. It is believed his name is Mizza. He is a Bohemium Poet. Also a frequent visitor to the St Andrews market. Photos taken by Eltham Shire Council officers most likely during an inspection of the property for non compliance. Other images on the roll of film are of Council Health officers undergoing food inspections at the shops, maternal health services and housing estate development inspectionsRoll of 35mm colour negative film, 6 strips Frames 3 through 9Fuji 100eltham shire council, shire of eltham, 1989, atlantic ethyl, sheds, signs, unidentified, houses, kinglake, simms road

This book was authored by Rev William Henderson, founder of Ballarat College. It was donated to the College by Keith Hofmaier (PY1944) who had received it from Rev Sid A Goddard, former Ballarat College and Clarendon Presbyterian Ladies College council member and chair. The book affirms the strong theological convictions, training and qualifications of the school's founder. The book is accompanied by two letters. The first from Sid Goddard on the occasion of his presentation of the book to St Andrews Kirk. The second from Keith Hofmaier advising the inclusion of the book among the 'meagre collection of Henderson relics at the college'. Book has social significance for the college community because of its association with both William Henderson and Sid Goddard. Black binding with gold lettering on cover' damaged spine;green endpapers; various letter included; Gummed label fixed inside front cover: Edward Ford MAsid-a-goddard, william-henderson, keith-hofmaier, 1992, theology, ballarat-college,

The Anglican Cheltenham parish was created in 1865 by excising a portion of the parish of St Andrews Brighton. A small brick church was completed in 1867 to serve a rural community stretching from Brighton South (Moorabbin) to Mordialloc. 1867 St Matthew's Church of England was erected in Cheltenham beside the Nepean Highway near Charman Road. The early settlers established a tennis club, cricket team and social groups. A typical social event was the annual Sunday School Picnic held in 1907 at Dandenong Creek.Young members are mentioned Curly Owen,C,Burnett,A Manett St Matthew's Church of England Cheltenham was erected in 1867 and was integral to the spiritual well being and social life of the early settlers.Black & White photograph of the St Matthew's Church of England Sunday School Picnic 1907Handwritten Curly Owen, C, Burnett, A Manett st. matthew's church of england cheltenham, sunday school picnics, anglican church, st andrew's church brighton, owen curly, burnett c . manett a, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b., bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Dress worn by Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938 at St Andrews Presbyterian Church, Rushworth. Veil was handmade by mother Madge Brydon in 1912 for her wedding. Dress and veil donated by Molly's daughter. Dress also worn by sister - Lyndsay (Lyn) Sprunt for her marriage to George Hendrie on 10 November 1945 at St John's Church Elsternwick. Gown made by Molly and Lyn's aunt Edith Brydon. Veil (NA3495) worn was made by mother Madge Brydon. Donated by Molly's daughter.Cream damask 1938 satin dress. Long sleeves, cross over neckline to a diamond front panel. Skirt cut on the cross, with front pleat. Back skirt has long train. Self-covered buttons at centre back.|See also NA3495 - Veil. Also worn for 1945 wedding with veil. NA3496 - Shawl.costume, female ceremonial

BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD, TAKEN OF STUDENTS AT CLUNES STATE SCHOOL NO. 1552Hand written on reverse C MORGAN Clunes Hand written on paper glued to cardboard; Illegible Harvey, Ida Harvey, Florrie Harden, Katie Jones, unknown Coon, Barbara Galloway, Sam Breadmore, unknown Andrews, Dick Maddern, Bill Dowie, unknown Harden, Bill Williams, Chas Hayes, Hawkes girlslocal history, photography, photographs, schools, 1552

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

Document. Gold Sale notes for Nicholas Bolle. Papers pinned together covering the years 1868 - 1887 being statement of gold melted and assayed for Nicholas Bolle from the Eaglehawk branch of the Bank of Victoria. A few of the papers are from the Bank of New South Wales - Eaglehawk Branch, Bank of Australasia, Bank of Australasia Gold Office. The earliest statement dated 3 Jul 1868 is for Messrs Harrison & Bashton. Other early ones are for Derbyshire Reef. The Bank of Victoria cards mention R. H. Andrews, Agent on the back. The Bank of Australasia Gold Office statement contains an ink picture of the building on the back.cottage, miners, gold sale notes for nicholas bolle, bank of victoria - eaglehawk branch, bank of new south wales, bank of australasia, bank of australasia gold office, messrs harrison & bashton, derbyshire reef, r. h. andrews

Articles in annual report include: the development of an educational camp at Romsey through the bequest of Mrs Cecelia Tye, a new Family Group home at Andrews Street, East Burwood, new program developed for Trans Australia Airlines providing mobility instruction to air hostesses when guiding blind passengers, three kiosks at RMIT, Melbourne University and RVIB providing employment and training for blind workers, a short term contract assembling motorcycles, introduction of paperless Brailler (Digicasette), beginning of Il Globo becoming available as an audio magazine and provision of up to $3000 interest home loan for blind people. 1 volume of printed materialroyal victorian institute for the blind, corporation records

A brown wooden award with a gold coloured plate above a wreath inscribed "V.B.T.T.A. Presented by St Andrews Badminton Club Glen Waverley 1970". At the base of the award a smaller gold coloured plate is engraved 'The Black & White Trophy'. Multiple small silver shields with the names of individuals and the year that they won the award are located either side of the larger plate, with four shields having no inscription. The smaller shields are engraved with the following: 1970 P. Sittlington, 1971 P. Goebel, 1972 L. Poore, 1973 B. Sitlington, 1974 P. Sitlington, 1975 P. Sitlington. A brown wooden award with a gold coloured plate above a wreath with 10 mini shieldsassociation for the blind, swish, awards, p sitlington, p goebel, l poore, bryan sitlington

Pennant produced to record the officials and team members for a Victorian Tramway Employees Cricket Association - 1935 Cricket match against NSW. Officials - J Regalde President, P R Milledge - Vice President, L Montgomery Vice President, C J Bourke Hon Sec, C A Peterson Assist Secretary, A Fogarty Hon Treasurer Team - H Pepper Captain, W Stone Vice Capt, V Andrews, L Johannesen, A Leeach, G Dobson, W Howell, F Pender, C J Ryder, J Smith, J Dynan, J S Yates,Yields information about the team for the Victorian Tramway Employees Cricket Association - 1935 Cricket match against NSW.Pennant - printed onto a white rayon like material with navy blue ink and dowell glued to the top fitted with a hanging hook.tramways, sports, cricket, sydney, carnival

The church in the photograph is the former Methodist Church which is on the NW corner of Barkly and Harker Streets inn Sunbury. It was built on land donated by Thomas Woods at Lot 14 Barkly Street where in 1870 a small weatherboard building was built. In 1879 John Browning gifted land at 13 Barkly Street for the building of a new brick church on that site. The brick church continued to be a place of worship until the June 1977 when the Presbyterian, Methodist and Congregational churches came together and worshipped as the Uniting Church. St. Andrews Uniting Church have been the owners of this building since that time. A non-digital black and white photograph of a little Church building with the words Methodist Church written across the bottom of the image.methodist church, methodism, barkly street, harker street, uniting church

Pills Cottage about halfway from Cottles Bridge to St Andrews near 1575 Heidelberg-Kinglake Road, St Andrews. William John "Bill" Pill was born on 19th June 1894 at Diamond Creek He was brutally murdered on 21st December 1958 age 64, in his cottage. His father was John Henry Pill, born 24 November 1856, Lalone, Perranzabuloe, Cornwall, England, He died 21 December 1930 at Cottles Bridge, His mother was Jessie Ann Whatmough, born 6th June 1870. She died 21 August 1921. William John "Bill '' Pill, grew tomatoes on his rich two and a half acres. In 2024 his second cousin Steve Whatmough recalled visiting Bill in 1957 with his parents (Eric and Nancy Whatmough) and Bill showing them his tomatoes. He had a very large aeroplane propeller set up at one end on his tomato crop. He would run the propeller on frosty mornings to keep away the frost damage. His tomatoes would ripen early and would receive a premium price for them. The cottage consisted of two buildings. The one closest in the right side of the photo was the kitchen. The second building that also has a chimney was his bedroom and living room.35 mm colour positive transparency Mount - Agfacolor Service (Blue)heidelberg-kinglake road, pills cottage, st andrews, william john pill, bill pill, john henry pill, jessie ann pill (nee whatmough), market gardener, murder, cottles bridge (vic.), tomato farm, mount - agfacolor service (blue), scan - 35mm positive

Pills Cottage about halfway from Cottles Bridge to St Andrews near 1575 Heidelberg-Kinglake Road, St Andrews. William John "Bill" Pill was born on 19th June 1894 at Diamond Creek He was brutally murdered on 21st December 1958 age 64, in his cottage. His father was John Henry Pill, born 24 November 1856, Lalone, Perranzabuloe, Cornwall, England, He died 21 December 1930 at Cottles Bridge, His mother was Jessie Ann Whatmough, born 6th June 1870. She died 21 August 1921. William John "Bill '' Pill, grew tomatoes on his rich two and a half acres. In 2024 his second cousin Steve Whatmough recalled visiting Bill in 1957 with his parents (Eric and Nancy Whatmough) and Bill showing them his tomatoes. He had a very large aeroplane propeller set up at one end on his tomato crop. He would run the propeller on frosty mornings to keep away the frost damage. His tomatoes would ripen early and would receive a premium price for them. The cottage consisted of two buildings. The one closest in the right side of the photo was the kitchen. The second building that also has a chimney was his bedroom and living room.35 mm colour positive transparency Mount - Agfacolor Service (Blue)bill pill, cottles bridge (vic.), heidelberg-kinglake road, jessie ann pill (nee whatmough), john henry pill, market gardener, mount - agfacolor service (blue), murder, pills cottage, scan - 35mm positive, st andrews, tomato farm, william john pill

Agitation for a railway extension began in 1888 when a meeting was held at Arthurs Creek to press for the construction of a railway line from Heidelberg to Kinglake. The Chairman Mr Charles Draper said this was necessary because this was the best fruit growing district in Victoria. Mr Cameron M.P. pointed out that whatever route the line took it would have to follow the Diamond Valley from Eltham. At the same time another meeting was pressing for the line to be extended to Queenstown (St Andrews). However when detailed surveys were made it was discovered that the only possible route was to Hurstbridge because of the hills. In 1912 the railway was opened terminating at Hurstbridge. Roll of 35mm colour negative film, 4 stripsKodak Safety 5035steam train, railway construction, wattle glen

The hospital was established (circa 1920's) by the Carruthers sisters, who both were qualified nursing sisters. It was later known as St Andrews. The hospital became the Sunshine & District Community Hospital on 15 September 1946. Many local people were born in this hospital. The First Annual Report for period 15 September 1946 to 30 June 1947 states that there were 182 births, and that 413 patients were admitted. The daily average of patients during this period was 15.3 of whom 37.8% were members and 62.2% non members. It ended its use as a hospital in 1989, and the buildings were demolished to be replaced by residential units.This was the main hospital in the Sunshine area serving the local residents for several decades. Its usefulness as a local hospital became irrelevant when the significantly larger Sunshine Hospital in Furlong Rd became operational.Black and white photograph of the former hospital which was of weatherboard construction, and which was located at 9 King Edward Ave, Albion Vic.sunshine community hospital, st andrews hospital, carruthers sisters, sunshine & district community hospital, king edward avenue hospital, 9 king edward avenue

A brown spiral bound book titled 'Collector's Choice of Music for Old Time, New Vogue and Modern Ballroom Dances in Australia. Vol. 3.' Compiled by Peter Ellis. Includes over 300 tunes for 40 dances, with a section for Special Occasions and Novelties.Companion to 'Take Your Partners' by Shirley Andrews. Published by The Victorian Folk Music Club of Victoria Incorporated. Box 2025S, G.P.O., Melbourne, 3001. Printed by Ajax Printing & Duplicating Pty. Ltd. 23 Nevin Drive, Thomastown, 3074. 202 pgs. Ill., music, ph. Presentedto the Royal Historical Society of Victoria, Bendigo Branch, with kind regards from Peter Ellis 3/12/1988.entertainment, dance, bush dance, peter ellis, collection, dance, dancing, dances, music, old time dancing, new vogue dancing, modern ballroom dances, australian history, colonial dancing, bush dancing, bush dances, shirley andrews, recreation, leisure, book

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.NDSN Trained Nurse Certification booklet. Black coloured folder with gold print on the front: "Northern District School of Nursing Victoria Australia". Inside the first page has the logo of the NDSN and the second page has: "This is to Certify that (Nurses name) has attended the prescribed course of theoretical and practical instruction at the Northern District School of Nursing, has had approved nursing experience in the wards and departments of: The Bendigo and Northern District Base Hospital and has passed the examination qualifying her to act as a Trained Nurse. Signed by the Director of Nursing, (J. Edgar) Medical Supt., Chairman, School committee (K. Houylahan)and the Dean (K. Andrews), and the date.ndsn, nursing, lister house bendigo, certificate of nursing