A photo of an Annual demonstration at the Melbourne Town Hall showing a large group on the stage. The item is 'Masque of the Seasons' with costumes including the skaters. These costumes were reused several times, including 1955, 1959, 1969. The central figure could be Father Time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of large group on the Melbourne Town Hall stage. junior legatees, demonstration, annual demonstration, girls classes

Black and white photo of girls in costumes backstage during an Annual Demonstration. It could be the sugar plum fairies for a nutcracker routine. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a group of girls in costumes backstage at a Legacy demonstration.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of girls backstage during an Annual Demonstration. Most of the line up are dressed as hunters and one is dressed as a fox. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of dancers in hunting outfits and one dressed as a fox backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes

.1 The Minute details that the Army Survey Regiment is maintain a contingency production capability until ATSE is operational. .2 The Minute details the Data Aquisition Squadron requirements during the Implementation to ATSE. .3 The Minute details the Hardware, Software, Personnel and skills required during Implementation to ATSE. .4 The Instruction details that the non-core mapping, charting and geodetic (MC&G) activities of the Army Survey Regiment and 4 Fd Svy Sqn were tested under the Commercial Support Program (CSP) process resulting in the decision to award the contract for the provision of non-core mapping services to the ADF to the Preferred In-House Option (PIHO). .1 Contingency Support Capability - Army Topographic Support Establishment (ATSE) Implementation 26 Apr 95 (11 x A4 pages) .2 Data Acquisition Squadron (DAS) Contingency Support Capability - Army Topographic Support Establishment (ATSE) Implementation Apr 95 (4 x A4 Pages) .3 Contingency Support Capability - Army Topographic Support Establishment (ATSE) Implementation 28 Apr 95 (9 x A4 pages) .4 Directorate of Military Survey - Army Instruction for Implementation of the Army Topographic Support Establishment (ATSE) Jun 95 (10 x A4 pages)royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, atse

The former Christopher Crisp residence was constructed in 1868 by William Watson, one of the members of the Bacchus Marsh Express printing company which took over the management of The Express after the first edition, 7 July 1866, was published by its founder, George Lane, a book binder. This syndicate failed after three months and the ownership was then taken over by Christopher Crisp, a compositor working for the company. Crisp remained the editor from 1866 to his death in 1915, when he was succeeded by his son, also called Christopher Crisp, and later by his grandson. Under the Crisp family leadership, The Express widened its readership and was subscribed to by influential men and public servants in Melbourne. (Heritage Victoria Council. Places. Entry no. 45.)Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photograph is of a single-storey cottage of rendered brick and sandstone with a shingled roof of slate tiles and ornate concave verandah. A chimney stands at either end of the house. A carved barge board decorates the northern end of the hip roof. A skillion with windows and a chimney adjoins the rear of the cottage. The front facade is symmetrical with two sash windows placed either side of the central door. A wire fence runs along the front of the cottage. Standing at the gate is a formally dressed gentleman wearing a top hat. A young child is standing on the road. This child is possibly Christopher Crisp, Jnr., who later took over the role of editor of the Bacchus Marsh Express in 1915 on the death of his father. At the time of this photo, he would have been 4 years old. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, christopher crisp 1844-1915

The Stony Creek Trestle Bridge was built in 1916 when the existing rail line from Melbourne to Bairnsdale was extended to Orbost. This 97km Bairnsdale to Orbost extension through rugged terrain was reputed to have been the most difficult rail project undertaken in Victoria. In service for over 60 years the bridge was damaged by bushfire in 1980, with the last train crossing in 1987. At 247m long and 20m high, it is the largest standing bridge of its kind in the State, and is listed on the Register of Historic Sites. Built of red ironbark and grey box timber, it is a fine example of the early engineering skills that utilised the resources and materials found on site. (More information Newsletter July 2013)Built during the period 1914-16, of Gippsland Grey Box and Red Ironbark, the Stoney Creek bridge on the East Gippsland Railway is a fine example of early engineering skilll , being constructed without the aid of any of the modern machinery available today. This is a rare photograph and of high significance in showing the bridge under construction.Landscape format black + white photograph (unframed). Four pin holes in each corner, tear to top left quadrant and fold / crease top to bottom in centre of image.construction, 1916, railway bridge, timber industry, trestle construction, stony creek bridge, east gippsland, bairnsdale to orbost line

The P.S Adelaide had been displayed in the Hopwood Gardens from 1960. In 1984 The City of Echuca decided to put the paddle steamer back in the river. This happened over several weeks and involved digging a boat ramp into the bank in front of the Hopwood Gardens. This involved a lot of skill and people. It also attracted a lot of attention. Crowds gathered every day to watch the task. In this photograph the P.S Pevensey in the foreground still has the name P.S Philadelphia writing on its name plate. The P.S Pevensey was used in the TV Series 'All The Rivers Run', as the P.S Philadelphia. Relates to a series of images Reg. nos. P000059.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071.The re-floating of the P.S Adelaide is significant because it occurred at a time when the Tourist Industry was gathering momentum in Echuca. The City of Echuca made the decision to add another paddle steamer to its fleet to carry passengers on the Murray River. The P.S Adelaide is one of the oldest, still operative wooden hulled paddle steamers in the world. It celebrated it's 150th birthday in July 2016. The re-floating of the P.S Adelaide created a lot of attention locally and regionally.A rectangular coloured photograph, and enlargement photograph, of the P.S. Adelaide being re-launched into the Murray River , on the 3rd April, 1984. The photograph is taken from the N.S.W bank with the P.S Pevensey in the foreground right corner of the photograph. The word Philadelphia can be seen faintly on the P.S Pevensey. There is a large crowd of people on the Victorian bank watching. There is a floating pontoon on the river immediately in front of the P.S Adelaide.On near boat obscured are the words Philadelphia.p.s adelaide, p.s pevensey, all the rivers run, p.s philadelphia, hopwood gardens, re-floating of the p.s adelaide.

Adelaide had been displayed in the Hopwood Gardens from 1960. In 1984 The City of Echuca decided to put the paddle steamer back in the river. This happened over several weeks and involved digging a boat ramp into the bank in front of the Hopwood Gardens. This involved a lot of skill and people. It also attracted a lot of attention. Crowds gathered every day to watch the task. In this photograph the P.S Pevensey in the foreground still has the name P.S Philadelphia writing on its name plate. The P.S Pevensey was used in the TV Series 'All The Rivers Run', as the P.S Philadelphia. Relates to a series of images Reg. nos. P000059.3, P000061.3, P000062.2, P000063.3, P000070.2, P000071. Statement of Significance The re-floating of the P.S Adelaide is significant because it occurred at a time when the Tourist Industry was gathering momentum in Echuca. The City of Echuca made the decision to add another paddle steamer to its fleet to carry passengers on the Murray River. The P.S Adelaide is one of the oldest, still operative wooden hulled paddle steamers in the world. It celebrated it's 150th birthday in July 2016. The re-floating of the P.S Adelaide created a lot of attention locally and regionally.A colour negative, photograph and enlargement of the re-launching of the P.S Adelaide in 1984. In the photograph the P.S Adelaide is situated in the river after just being launched down the slipway from Hopwood Gardens. There is a crowd of people standing on the bank behind the paddle steamer, bathed in late afternoon sunlight.The paddle steamer has the word Adelaide written across the wheelhouse, and on the front port side of it's hull.p.s adelaide, p.s pevensey, all the rivers run, p.s philadelphia, hopwood gardens, re-launch of the p.s adelaide

RAEME Corps was first established in 1942 when the Ordnance Corps and the Service Corps were combined. The royal ascent was granted in 1948. Ref: www.raeme.org.au The Royal Australian Electrical and Mechanical Engineers (RAEME) is a technical corps tasked with the maintenance of the Army's modern hardware and equipment. RAEME personnel are represented in most Army units, with the representation varying in size from one or two tradespersons, to small groups of 20 to 30 tradespersons, to large maintenance units with over 150 personnel and a totally integrated military and civilian workforce. The Royal Australian Electrical and Mechanical Engineers corps motto is ‘Arte et Marte’, which is Latin for ‘With Skill and Fighting’. Ref: www.army.gov.auVarnished Wooden BoardRAEME Badge Jan Zyla George Zyla 2020

Under the heading 'Ballarat Technical School' the words 'a division of the School of Mines' has been whited out. The Coat of Arms was attached to the door of the Ballarat Junior Technical School (later used as Prospects Restaurant) Latin inscriptions: Ingenio effodere Opes - with skill to dig out wealth Scientia Laboris Coadjutrix - knowledge the handmaiden of labour Around 1913 a foundation student from the Ballarat Junior Technical School, Angus Henderson, won a competition to design a monogram for the school. At that time the school was situated at the Dana Street Primary School. This design remained the official insignia for about 40 years. Angus Henderson became a renowned Ballarat signwriter. Ballarat School of Mines Coat of Arms painted onto galvanised iron, with the words 'Ballarat Technical School' at the top. ballarat junior technical school, signwriting, ballarat school of mines, sign, coat of arms, heraldic device, latin inscription, angus henderson, henderson, logo, signwriter

The shrouds or fore-rigging are a part of the standing rigging on a sailing ship. They are used in pairs on each side of a ship to help hold the masts in place and to aid the sailors who climb the rigging. They are part of the basic framework for the sails. Larger vessels may have two or three pairs, and some ships may have upper and lower shrouds. The upper shrouds would be fixed to a protruding structure on the top of the masts so that they hung from the right angle. The ropework skills of the sailmaker would be used to create the shrouds, choosing fibres with properties suitable for the job at hand and creating the triangular shape carefully. Deadeyes and ropes were then used to attach the shrouds to the ship's structure.This shroud is an example of a part of the standing rigging of a sailing ship. Shrouds were used in pairs on larger sailing vessels to help hold the masts in place and give access to adjustable rigging such as sails.Fore Rigging or Shrouds, made from rope fibres. This shroud includes the upper and lower wooden deadeyes. They are part of a ship's rigging. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shroud, fore-rigging, ropework, sailing ship rigging, standing rigging, natural fibres, sailmakers, handmade, deadeye, knot making

The shrouds or fore-rigging are a part of the standing rigging on a sailing ship. They are used in pairs on each side of a ship to help hold the masts in place and to aid the sailors who climb the rigging. They are part of the basic framework for the sails. Larger vessels may have two or three pairs, and some ships may have upper and lower shrouds. The upper shrouds would be fixed to a protruding structure on the top of the masts so that they hung from the right angle. The ropework skills of the sailmaker would be used to create the shrouds, choosing fibres with properties suitable for the job at hand and creating the triangular shape carefully. Deadeyes and ropes were then used to attach the shrouds to the ship's structure.This shroud is an example of a part of the standing rigging of a sailing ship. Shrouds were used in pairs on larger sailing vessels to help hold the masts in place and give access to adjustable rigging such as sails.Fore Rigging or Shrouds, made from rope fibres. This shroud includes the upper and lower wooden deadeyes. They are part of a ship's rigging.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shroud, fore-rigging, ropework, knot making, sailing ship rigging, standing rigging, natural fibres, sailmakers, handmade, deadeye

A temporary artwork by Lead On Ballarat was installed in a carpark at the Ballarat Library from 2013-2020. Art Streetz Murals was an initiative of Lead On Ballarat’s, “Take Back the Streets” art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas and designs with assistance from the ‘Lead Artist’ Pauline O'Shannessy-Dowling. The artwork was created through a number of workshops, planning and design sessions. The final design received approval from the City of Ballarat and was painted by the lead artist and collaborators from April – May 2013.The artwork is of aesthetic and social significance to the people of Ballaratpainted mural lead on ballarat, take back the streets

Photos of the Melbourne Junior Legacy Annual Demonstration at the Melbourne Town Hall in September 1963. They include a scene of a canoe with junior legatees dressed as Native Americans. There are ballerinas dancing, and children marching and making formations. Also gymnastics demonstrations. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo x 33 of the Annual Demonstration in 1963.junior legatee, annual demonstration, costumes, ballerinas

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.A record of a Junior Legacy Demonstration. This photograph serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of two people upon a stage dressed in traditional Native American attire.Stamped on the back of the photo: "This photograph is with / The Compliments of The... / MINISTRY OF TOURISM / GOVERNMENT OF VICTORIA / PLEASE ACKNOWLEDGE / PHOTO: MICHAEL CHESHIRE"junior legatee, annual demonstration, costumes

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photograph is of historical and social significance as it serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a ballerina dancing upon a stage. Other members of the troupe can be seen in the background.Stamped "This photograph is compliments of the / Ministry of Tourism / Government of Victoria / please acknowledge Photo: Michael Cheshire" in grey ink on reverse.junior legatee, annual demonstration, costumes, ballerinas, dancing

This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photo serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a young performer dressed in an elaborate costume and hat.Stamped on the back of the photo: "THE PROPERTY OF MELBOURNE LEGACY", "Leslie Thompson / 8 KEYSTONE CRES. / EAST KEW / WL 3078" Written on the back of the photo: "All costumes are made by the children's mothers. Annual phys. ed. classes at Melb Town Hall. Judith Bishop - Junior Legatee Melb. L's 1965 Annual demo. at Melb. Town Hall."junior legatee, annual demonstration, costumes

Fur hats were a necessary accoutrement for fashionable women who wore furs. Typically, the fur hat might be purchased from the furrier to match the colour and often the pelt of the coat or stole, rather than from a milliner. Hats, like coats and stoles were often dyed to achieve uniformity of colour. Tastes in the colour of furs also changed over time, so hats, coats and stoles could be updated to match prevailing tastes. Until the 1960s in Australia, there were many furriers, who usually brought from Europe experience in identifying fur types. With the decline in the fur industry, these skills are noticeably scarcer in Australia today.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular, brimless women's fur hat.Nilheadwear, women's hats, fur hats, furriers

Colour slides of a demonstration at the Olympic Swimming Pool stadium in 1960. They have a windmill in the routine and some have Dutch costumes. More slides from the 1960 demonstration are catalogued separately. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of different routines in an Annual Demonstration at the Olympic Swimming Pool stadium.Colour slides x 3 of a Demonstration routine with a windmill at Olympic Swimming Pool, in a cardboard mount.Handwritten on front 'Demo 1960' in blue pen and one has '7' on it.annual demonstration, marching, girls classes

Colour slide of a demonstration at the Olympic Swimming Pool stadium. It appears to be a practice as it is in daylight, normally the demonstrations were held at night. the Melbourne Olympic Swimming Stadium was used from 1959 to 1963. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of an Annual Demonstration at the Olympic Swimming Pool stadium.Colour slide of a Demonstration routine at Olympic Swimming Pool, in a cardboard mount.Imprinted with '10 Made in Australia' in red inkannual demonstration, dancing

A membership certificate for Derithe Ames, a junior legatee in 1955. The text says 'During War many men offer themselves for Service in the Forces of the Empire. It is the obligation of Legacy to assist the children of those who fell, or who have since died. Junior Legatee was the term used for the children of deceased servicemen that Legacy took into their care. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements. The certificate was with a group of items donated by Legatee Derithe Harrison, including several certificates, a silver metal trophy, and a green Junior Legacy patch for a uniform.A record of the membership of Junior Legatees.Printed certificate on white card awarded to Derithe Ames on becoming a member of Junior Legacy.Signed in black ink by President Arthur Amies on 9/9/1955.junior legatee, derithe ames

Button distributed to and worn by Australian Nursing Federation (ANF) members. The ANF has been campaigning for more funding and qualified nurses to improve the quality of aged care for the past several decades, and continues to do so. The 'Aged care nurses worth more not less' campaign was run throughout 2005-2006 during private aged care enterprise bargaining negotiations. Claims focused on unsafe staffing levels and an inadequate skill mix of registered and unregistered staff. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular pink and black plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Aged care WORTH MORE NOT LESS' and the ANF [Australian Nursing Federation] logo. 'NOT LESS' is underlined.nursing, nurses, unionism, aged care, lobbying, funding, badges, buttons, pins, trade unions, labour history, staffing, workforce, patient care

Programme of the second Legacy Demonstration at the Melbourne Town Hall on 20th November 1929. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. 'Demonstration arranged by the Chairman of the Gymnasium Sub-Committee (Legatee Aaron Beattie) in conjunction with Mrs Gilles (Hon. Directress Girls' Section) and James Tierney FPCV (Chief Instructor Boys Section).'A record of the second annual demonstration.Printed programme for 1929, purple cover with gold print and cream paper with black text. On title page in blue ink 'Aaron Beattie'annual demonstration, junior legatee

A photo of senior girls in performing their health exercises from an annual demonstration. The girls were dressed in their physical exercise kit which was provided by Legacy to the junior legatees. The photo was featured in the July 1954 newsletter so was from the year before. The article showcased the work of the Legacy girls. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatees dancing in a line on stage at the 1953 Annual Demonstration.In pencil on the reverse " Senior Girls - 'Health Exercises' ". Stamped with '4825' in blue ink.annual demonstration, junior legatee, girls' classes

A photo of a group of female junior legatees in sporting outfits. There are 20 girls of various ages, and 1 lady who could be the instructor. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally, as there are several photos of different classes (see 00862 - 00873) perhaps to record Legacy classes for promotion purposes. A note with the photo identifies two young ladies; "Kneeling at the front Michelle and Anne O'Connor. Date is estimated as the 1960s as they joined classes in 1962.A record of a way Legacy provided classes for junior legatees.Black and white photo of girls and young ladies in sports outfits with the Legacy logo.Stamped on the back Copyright, Herald and Weekly Times in grey ink. Handwritten 'Legacy P2' in blue penjunior legatee, girls' classes

A green tunic made for junior legatees to attend girls' classes. It is in great condition and is an excellent example of the uniforms used at Legacy classes. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. Melbourne Legacy would then conduct Annual Demonstrations to showcase their skills. Legacy provided uniforms free of charge for all girls attending the classes. Typical of the time the tunic appears hand made but many mothers and legatee wives would have been capable of making uniforms as they also made many of the costumes for the annual demonstrations. The tunic was donated back to Legacy from the family of Estelle Du Lieu, nee Mutimer.A fantastic example of a uniform that was a symbol of membership of Legacy classes.A green cotton tunic with a Junior Legacy Club emblem used by junior legatees in Girls' Classes.girls classes, uniform, jlc