Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photo of a man dressed in a three piece suit and hat, leaning against a stone architectural feature high above the surrounding countryside. The foreground is concreted and on the far left is part of what appears to be a metal support for another structure. The background is hazy, but appears to be part of a town below. The man is Frank Wright.frank wright, conductor

Postcard, WW1, B&W image of a bombed railway yard showing what appears to be the tender of an engine. Location unknown. Two Australian soldiers standing among rubble in the foreground. Another two soldiers leaning from the tender. Ruined steel framework of a building in background. Written in pencil on the reverse "G10" and "GS"postcard, postcard, ww1, railway yard ruins

Book of 214 pages Colours and what they can do, by Louis Cheskin. Published in London by Blandford Press, in 1951. It has a Presentation certificate pasted on the inside cover 'Presented to / DavidFindlay / by the / B.B.S.I. (Vic.) Group / Best Student / City & Guilds of London Institute / Footwear Higher Certificate Course / 27th July, 1967'.book, colours and what they can do

Black and white photograph, boxing, prison, Scott Hosking winning a fight against a prisoner in a match of boxing while a group of Prisoners spectator in the background. Bendigo Advertiser Description on back of photo: WHY: Sparring at Prison WHO & WHAT: Right, Scott Hosking, Boxer and Left, Movie Nyiri Prison Space *Boxcap*recreations, sports, boxing

Peter Hoare standing at the lectern during the 1984 Synod of Victoria. Peter is in Vanuatu attire as he shared with Synod his experience of Vanuatu and its people, what Vanuatu as one of our neighbours has to say about faith. Peter asked the synod: "How vital and how living is our UCA faith?""Peter Hoare Vanuatu C&N 17/10/84 p. 18"hoare, peter, synod of victoria 1984, vanuatu

Yields information about the rostering of crews possibly for a specific day, alterations to regular rosters/runs. Handwritten.Handwritten notes - undated - about the traffic arrangements, possibly for a particular day - gives 9 different run numbers, changes to run and details on starting and finishing times and what to change with. Exact context of use unknown - could have been the changes for a particular day towards the end of the services due to crew shortages.trams, tramways, timetables, sec, ballarat, crews

Used by Wandin Sebire for an unknown purpose.An unusual split headed long thin spade with a wooden handle Four rivets attach the head to the handle. At the top the handle is screwed to the metal. It was used by Wandin Sebire, probably for a special purpose - it is not known for what. Spades are usually used for turning soil by pushing against the blade with the foot. Used in the early 20th century.Stamped on the metal handle - '2' and 'S & C Ham'. 'Parkes & Co. Birmingham no. 2'.gardening spades, spades, shovels, gardening tools

The preservation of plants and flowers for both decorative and scientific purposes dates back to ancient times. Drying and pressing flowers became a popular hobby and preservation method in Victorian England. The flower press was readily available to buy or simple and inexpensive to create. This flower press was marketed through Henry Buck Pty. Ltd. in Melbourne, Victoria. Henry Buck migrated from England and established his store in Melbourne in 1890. The business dealt primarily in menswear, but also had other domestic lines. The business, trading as Henry Bucks, still operates in Melbourne and several other locations.This item is representative of a popular hobby of the Victorian era.A flower press made from timber with metal clasps and screws. The front is decorated with a parquetry flower design. There are 2 metal strips screwed onto the timber horizontally. These are secured by wing screws which can be adjusted to hold the back and front together. They allow pressure to be adjusted depending on what item is being compressed.Label on back: Left hand side around red shape with HB in the centre "THE SIGN OF/ EXCELLENCE" On right hand side: "LONDON/ Henry Buck PTY LTD. / MELBOURNE"flower drying, victorian era hobbies, henry buck pty. ltd.

Pamphlet - DL size, three fold full colour printed on gloss paper titled "Fringe Festival Information Booklet", giving details of the festival, what's on, how do I get there, a map of the Melbourne tram network, use of Metcards. Published by M>Tram for the festival - 26/9 to 12/10/2003.trams, tramways, festival, m>tram, tickets

Pamphlet - 3 fold DL printed on gloss paper, titled "Imagine a party where the Venue changes every ten seconds", prompting the hire of trams for party's. Lists types of trams, conditions and what can be done. Gives contact details for Camberwell, Kew, East Preston and Southbank depots. Pamphlet c2002trams, tramways, yarra trams, charters, depots, passenger services

Handwritten notes on a sale of machinery, etc at the South New Moon Mine on 13th July 1927. Sold under Bill of Sale. Notes list some lot numbers and the description of what they are. Some have the price they were sold for. Manager's house was also sold for 280 pound. Notes prepared by Albert Richardson.document, gold, south new moon mine, south new moon mine, machinery sale at the south new moon mine

Small information book issued to all boy scouts attending the Pan-Pacific Jamboree in Melbourne in December 1955 & January 1956. It contains things to do and what will be available at the camp at Clifford Park, Wonga Park, Victoria. This copy belonged to John MAY, a member of the 2nd Port Melbourne Boy Scout Troop. club societies, 2nd port melbourne scout troop, john may

Newspaper clipping titled "A lot of surprises in half a century" from Adelaide Mail 7/1/1950, with photo of King William St. with horse trams and notes on life 50 years before that and what was happening in 1900. Item written by Max Fatchen. Record updated and image added 21/9/2013.trams, tramways, adelaide, horse trams, social history

Rose series post card of the Olympic swimming pool in Stawell. The Olympic pool was built in Cato Lake in Stawell, once called Victoria lake. In 1957 Cato Lake was emptied for construction of the Olympic pool and officially opened on 15.11.1958. Twenty seven years later In January 1985 the pool was found to be leaking and Borough Council in February banned further use of the pool. Eventually the Olympic pool was demolished in April 1988.Rose Series post card of the Olympic swimming pool, Stawell. The post card is of the Olympic pool with 3 people standing on the edges of the pool with what appears to be a pump maintaining the pool which is only half full. One of the men has a long pole holding up the hose of the pump. In the background is a line of trees.The Rose Series P 14917 Swimming Pool Stawell Vic. stawell

Unclear what organisation this lapel pin is representing, Small square lapel pin.Pale gold coloured silhouette of a wheelchair athlete, with a red logo spelling out "SAD" or possible "CSAD", on whitish background.and gold border

McKay discusses in first two documents questions about what is a house and what do residents want from a city at large. In the last he discusses national housing policy and how it has evolved since 1944.Original manuscript of an ideas for other chapters (written by Ian McKay, Hugh Stretton and John Mant) in "Living and Partly Living", Nelson, Sydney 1971. In the book, Ian McKay authored "The House", Hugh Stretton authored "The City" and John Mant authored "National Housing Policy".Typewritten Typewritten (p’ copy) Typewritten (p’ copy), quarto, 1 page, 1 page, 3 pagesnational housing policy, commonwealth housing commission report 1944, commonwealth state housing agreement 1956, ian mckay, manuscript

This object is one of a three piece set. There is also a pair of trousers and a defence leave ticket which are associated with this object. The three chevrons on the sleeve signify three years of service. The unit patch may denote that the wearer was part of the Army Serice Corps Divisional Unit one. The associated ticket shows that the serviceman was at some point travelling in uniform on defence leave in a first class carriage from Spencer Street to either Moreland, Newmarket, North Carlton, Northcote or Westgarth.As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Woolen khaki jacket with button-up front. The top button is a plain brown plastic button. The lower four buttons are identical embossed dark brown metallic buttons. They depict an image of Australia in the centre with a crown above. Encircling this image are the words "Australian Military Forces". There is also a metallic clip at the waist-band and a metallic stud below the row of buttons. There are four button-up pockets on the front of the jacket. Two of these are breast pockets and the other two sit directly beneath these. There is also an interior pocket on the lower right section of the jacket. The lower right exterior pocket is missing its button. There is a spare button in the right breast pocket. All of these pocket buttons are of the same type as the decorative dark brown metallic buttons. There is also a spare unit patch in the bottom right pocket. The two cuffs are buttoned up with one decorative dark brown metalic button each. There are two identical brass badges on either collar. They depict a crown in the centre with the rising sun surrounding it and ribbons below with the words "Australian Commonwealth Military Forces". There are two identical brass badges on the shoulder edges of the epaulettes depicting the word "Australia". There are two buttons that fasten the epaulettes to the jacket near the neck which are of the same type as the decorative dark brown metallic buttons. There are two identical felt unit patches on either section of the upper arms. They have a light blue border surrounding a navy blue rectangle above a white rectangle. There is also a felt chevron just above the cuff on the right arm. This depicts three blue stitched arrows on a khaki/green background. There are also two labels stitched to the interior of the right breast pocket. Ther are two white rectangular labels that are stitched to the interior of the right breast pocket. These have inscriptions. There is also a stamp on the interior of the lower right pocket.Inscription on the two interior Labels: REGIMENTAL No........./ NAME........./ V.162 / MADE IN AUSTRALIA / 1942 / SIZE / (within a rectangle the number “26”) Stamp on the interior of the lower right pocket inscription: W.W. ( and what appears to be an upside-down W above thesearmy, uniform, jacket, army service corps, asc, divisional unit one, division one

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book contains patterns for baby clothes and was written by Ella Allan who authored numerous patterns books from c.1917 through to the early 1930s.What to Make for / Baby / Designs in Knitting / and Crochet. / Dedicated to everyone who Loves / a Baby. / PART THREE / By ELLA ALLAN / Wholly set up and Printed in Australia by / E.H. GIBBS & SONS, Printers and Publishers, / 19 Niagara Lane, Melbourne.knitting handicrafts - history crochet, allan, ella, knitting, handicrafts - history, crochet

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river

Two brochures produced to help educate the general public about general eye conditions. As well as common questions, there are images of the eye and the differences in what a full vision person can see and what a person with the condition can see.2 A4 tri-folded brochures about various eye conditionsAge-related macular degeneration Information on Cataractroyal blind society of nsw, pamphlets, education

German postcard with a printed illustration of a man and a women sitting on a bench seat in a garden setting. There is a brief poem written by hand in English beneath the illustration. The reverse side has what appears to be page two of an incomplete letter written in English. The postcard is labelled "Feldpostkarte" and has been stamped with the date 21st January 1919.

Photo has been taken from a postcard. The lookout is known as The Witch's Head, Grampians. (Numbered No. 6 this would be one of a series) c1930sThree man and a child (female?) standing on a rock ledge that just out over what appears to be a valley. Gum trees on both left and right of photo. First man has his hand on his hip. Third man is holding the hand of the child. Photo has writing bottom left and number at bottom right.scenery, wonderland range

Aulsebrook Collection: Bendigo and District Tourist Association Annual Meeting Notice (for meeting November 5th 1969) -Notice is dated October 13th 1969 -Meeting the notice is for is dated November 5th 1969 (8pm) -2 loose pages, typed. -Brief layout on agenda for meeting and notes on what has happened the past year

Robin Boyd travelled to Europe in 1951 on a Haddon Scholarship. He may have picked up this book on this trip.This is a black and white illustrated booklet of 64 pages. The Author's summary on the reverse of back cover says "This book of pictures tries to show what good modern Swedish architecture looks like and its connection with ordinary people in their daily life. The pictures are not typical, but they represent some of the best achievements during the last ten years."sweden, architecture, town and country, swedish architecture, hulten , walsh st library