Book cover has title "Electric Tramways of the State Electricity Commission of Victoria By-Law No. 1". Pages are numbered pages 1 to 24, amending By Laws dated 9/3/1937 (See Reg. Item 3108). Dated 18/8/1949. Gives definitions, fares and charges, regulations re passengers, behaviour, smoking, dangerous goods, luggage and behaviour of crews. Gives schedule of fares and charges for Ballarat, Bendigo and Geelong. Fares applied from 1949 to 1951 - see Reference. Details names of SEC Commissioners, Minister in Charge of Electrical Undertakings on rear page. Four copies held - 4th copy added 17/1/2007. On page 24, printer details given - Sands and McDougall Pty Ltd. See item 7588 for a drawing showing fare and tram routing. Fares in Ballarat – from Alan Bradley 11/4/2005 – appendix for Book Demonstrates aspects of the SEC governance system in issuing By-laws for the travelling public, as part of their Act. Yields information about fares charged for tram services in Ballarat, Bendigo and Geelong. Issued to crews.Twenty Four page booklet, plus medium weight card grey colour covers centre stapled. Copy 2 - has "Ballarat Tramway Preservation Society No. 203" written in black ink on top of cover. Copy 3 - has "Ballarat Tramway Preservation Society No. 203" written in black ink on top of cover . Copy 4 - has "D.C. Kellett (67)" written in ink on the inside of the front cover.trams, tramways, secv rules, by laws, tickets, fares, ballarat, bendigo, geelong

Details the history of the Bendigo system, take over by the SEC and the conditions of that take over by the SEC, reconstruction, financial losses incurred by the SEC, decline in passengers, its suitability, condition of the infrastructure and rolling stock. Its unsuitability to extend, effectiveness of the Geelong conversion, ability of private bus operators, tramway employees, methods of abandonment, tram tracks, overhead and impact on the electricity supply system. Has a table showing the income and losses and population from 1935 to 1967, a coloured graphical presentation of tramway statistics, sheet of Fares and Charges for Ballarat. Attached to the rear of the document was an advertisement for Ballarat Tramways fare sections (See Reg Item 8039) See item 9835 for the Ballarat report dated April 1968. At the rear of the second copy is drawing VX4/2/1 showing bus and tram routes in Bendigo and VD6/144A for Geelong. See Reg Item 8046 for a separate map which may have been part of this report.Yield information and demonstrates the SEC's attitude to trams in Bendigo and their finances.Report 15 Foolscap sheets, duplicated and three attachments, was stapled in the top left hand corner, titled "Evidence to be given at the inquiry into Public Transport Facilities at Bendigo" Presented 28/5/1968. Two copies held.trams, tramways, reports, closure, bendigo, history, buses, submissions

The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A sepia image looking across a path bordered with rocks of a house (the Curators lodge) behind a fence. In front of the fence there is a young girl sitting on a rock with a young boy standing beside her. The house is timber with two brick chimneys, the right hand one half hidden by foliage. The house is federation style with timber battening above the front window. A timber frieze is above a verandah supported by three posts and light coloured brackets. Front: ‘Williamstown Gardens. Vic.’ ‘0457/1’ THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, children, federation style, crown studios, lee heap furniture warehouse

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is hand written in nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine

A history of the Donnelly's Creek gold mine in VictoriaPaperback. Front cover has a drawing depicting two horses carrying packs followed by a man mounted on a horse. There is also two men on foot following with packs and walking poles. They are walking along a forest track that has some tree stumps alongside it.The back cover has two colour photographs. The top one is of an old wooden building with what appears to be an attached lean to. Both of the buildings have stone chimneys. There is a group of people sitting and standing outside the main building. The bottom photograph appears to be the ruins of a building and a fence. There are three people viewing the ruins.The captions accompanying the photographs are: History revisited - O'Sullivans Old Toombon Hotel Recreated and Remnants of a Bygone Mining Era.Stamp of the Marysville & District Historical Society Inc / P O Box 22 / Marysville 3779gold, gold miner, gold mining, gold field, gippsland, victoria, australia, history, fulton's creek, seaton, walhalla, aberfeldy, jericho, wood's point

Copies (2) of original photo: Print attached to back of photo : Mr. Fred Kelly ( in uniform ) with his complete working model of a mine which took part in the Easter Procession for many years. Mr. Kelly built the mine himself, and included a small steam engine to drive the stampers and make the cage go up and down. The mine was formerly on show upstairs in the Town Hall, and is now at the Deborah mine museum. Written on bottom of photo in black biro : Valda Pinder 54435593 Photo shows 6 seated men, one standing and one driving horse driven cart with mine model on cart. Two white horses drawing cart. Streetscape in background.bendigo, mining, kelly mine model

Commemorative envelope produced to celebrate the last mail carried by tram between Eaglehawk and Bendigo. Inscriptions: Sponsored by Tramway Museum Society of Victoria Limited purple rectangular stamp), Envelope is addressed to B.W.B. Millar, 284 King-street, BENDIGO. 3550, Envelope has 7cent stamp in TL corner. Stamp is picture of Sturt Desert Pea. Imprinted with round black stamp noting Bendigo 5 Apr 72, Vic - Aust. Green drawing of three trams headed by banner stating 'Last Trammail Cover', Underneath picture of trams' mail carried by tram in Victorian provincial cities by the Tramway Museum Society of Victoria, Ltd., in conjunction with the State Electricity Commission.person, individual, basil miller

Postcard with raised 8.5cm x 8.5cm coloured image of Crystal Palace London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 51' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean McKenzie Street Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard

Postcard with raised 8.5cm x 8.5cm coloured image of Royal Exchange London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 52' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss Dean Golden Square Victoria Australia. 1 penny stamp attached and postmarked Johannesburg.W.N. Sharpe Sole Publisher Bradfordpostcard

Postcard with raised 8.5cm x 8.5cm coloured image of Buckingham Palace. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 43' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated sewing and standing placing a cloth on a table appear either side of the image. On reverse card is addressed to Miss G Dean Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard

Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss K Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music

Certificate from Australian Natives Association Eaglehawk Branch Competitions 1907. Coloured Certificate in green and sepia printed on thick cream coloured card. A wide border surrounds a rectangular illustrated certificate. There is intricate scrollwork with floral emblems, a figure in classical robes holding an artist's palette is standing against a pillar with a lyre and mask on the right hand side and on the left hand side a cherub is singing while playing a lyre. At the bottom in the centre is a drawing of a man standing holding a document. The words Australian natives Association Eaglehawk Branch Competitions 1907 First Prize Awarded to Miss M Foster For Piano Duet open, E Harris President and John Trevean Secretary are printed in the centre.F W Niven & Co Design No 11document, certificate, music

Colour print from a scanned image of a blueprint drawing, BEO 41/10 titled "Bendigo Electric Tramways / Existing Fares and New Proposals / July 1935". Has date of 18/7/1935, shows a map of the Bendigo system, with current fares to various points, and two proposal A - shown in yellow (cash and ticket) and B shown in red. Gives various locations on the tramways. Scanned image prepared by joining six portions into one using photoshop by W. Doubleday. Image made 9/3/2005. Image 1 is of the blue print itself - forwarded to Bendigo Tramway Image 2 is a jpg of colour scanned image. high density image on the special image files directory.bendigo, fares, tickets

Photocopies of five newspaper cuttings from 11/5/1988 to 20/6/1990 mentioning the German Society by Bendigo Advertiser writer Maurie McDonald. Mentioned are German Society plans memorial to its pioneers, German contribution to Bendigo, German dinner an outstanding success, German settlers established vineyards in the district and German Society plans to remember its pioneers. One cutting has a photo of an ornate bookcase which was made for a Miss Pike. It was the work of a German tradesman, Mr C Nagle. Another has a sketch? Of the Brache & Co Weroona Vineyard, Sandhurst. It also mentions a number of early vineyards. These cuttings were held in an extra copy of the drawing of the man with the wine barrels (8803.33).bendigo, clubs, bendigo heritage, german heritage society collection - newspaper cuttings, bendigo advertiser 11/5/1988, 3/5/1989, 6/9/1989, 20/6/1990, maurie mcdonald, daryl pinder, peter hyett, glen schier, josef mika, ian walder, bendigo library, peggy & bill schlotterlein, annita schlotterlein, renate & hans ruemelin, michael ruemelin, max drechsler, vin drechsler, dr david stolz, rosemary schulz, mrs june stolz, ali zvirgzdins, eva mika, johann detleff kahland, eugene sandner, glen schier, lydia & josef aniolkowksi, helen, christa & dieter scharenberg, brache & co, weroona vineyard sandhurst, dr backhaus, bruhn, pohl, mannes' strathfieldsaye vineyard, hercynia vineyard, greiffenhagen, wittschiebe's vineyard, carl august heine, adventure vineyard, scheuffle, streckfuss, henry mayer, frederick kramer, frederick klemm, kahland, miss pike, mr c nagle, johann gottfried tabias christopher ballerstedt, gustavus von tempsky, ken wust, frank cusack, clem schmidt, dorothy strauch, ausrey drechsler, reg schleiger, ian weibegen, ron meurer, bill mannes tim iser, neil mertens

The item is a hard cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page records the customer orders by date, name and goods supplied. Some entries include more detailed descriptions and small drawings. The cardboard cover is green with red and brown marbling on both front and back with some wearing at the corners. "B S GOODS" is hand drawn in black on the front cover, with a paper rectangle stuck over the top on which is handwritten the type of book and dates. The pages are bound together with string. The book includes the date range of 20 August 1894 to 12 November1895. All pages have been used. This item is part of the Margaret Roberts Collection. "B S GOODS" is hand drawn in large black capital letters across the front cover, with a brown paper rectangle stuck over the top on which is handwritten "Factory Order Book From Aug 20/94 to Nov 12th 1895". Also, on the front cover there are some ink spots between the D and S and other pen marks around the G, including mathematical workings (18 +13 = 31). The back cover also has ink spots and two groupings of mathematical workings.margaret roberts collection, ironmongers, forest street, bendigo businesses

Original drawing by Mullin for cartoon entitled 'THEY NEVER COME BACK', for publication in New York World Telegram. Large central naturalistic portrait of Gonzales, surrounded by caricatured vignettes referencing Gonzales comback in 1964 after semi-retirement. Glass backing on frame reveals handwritten inscr's.: 'MULLIN FOR TUES', 'VIA WESTERN UNION MESSENGER/CHARGE ACC'T WILLARD MULLIN/27 COLONIAL DRIVE PLANDOME L.I./(516) MA 7-2555/ PLEASE RUSH/ TO / ENGRAVING ROOM / 5TH FLOOR / WORLD TELEGRAM / 125 BARCLAY ST. / N.Y.C.' and ' PLEASE/DO NOT/CRUSH'. Frame glazed with UV glass. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felt, Foamboardtennis

An antique green hardcover Edwin Landseer and Animal Painting in England book - Vere Foster Series with the title printed in gold lettering at the top right hand corner with a large head of a stag with black and brown lines in the bottom left hand corner.There is a thin black line surrounding the edge of front cover. The spine and back cover are plain green. There is gilt on the edges of the pages. Inside are guidelines for drawing and painting animals as suggested by Landseer and other well known English artists of the time with several reproductions of coloured plates as well as black and white engravings. Stephen T. Dadd gives practical hints. At the back are lists of Vere Foster's water-colour books and Blackie Publications.Pp 84.non-fictionA useful book for artists wishing to learn the techniques of drawing and painting animals by Edwin Landseer and other notable English artists in the early 1890's. The reproduced coloured plates and engravings support the text and advice.painting, art, art books, artists, artworks, etchings

This is a plain brown book with small diagonal squares pattern on the covers. La Nourriture De L'ame, ou Recueil De Prieres pour les Principales Fetes de L'annee which translates to - The Food for the Soul or Collection of Prayers for the Main Holidays of the Week. The author is Jean- Rodolphe Ostervald, pastor of the French Church of Bale. There is a drawing on the frontispiece of Jesus talking to men. At the back is a Table of Contents. Some pencil markings inside, foxing and tanning. There are two bookmarks included - One has Federal printed on it in red lettering with a rising sun pattern at each end with a French handwritten message written on the front and back. Another paper used as a bookmark has Y Foy and Gibson, Melbourne. 545p.non-fictionFood for the Soul - a collection of prayers for every day of the week and for the main holidays of the week. religion, prayers

Set of 7 photocopied plans or drawings on A3 sheet of various MMTB properties for the following locations. .1 - P8194 - Embankment North Coburg - 18-5-1938 .2 - P8055 - Park Northcote - 28-10-1937 - showing a park at the corner of St Georges Road and Merri Parade Northcote .3 - P8403 - Property at 27 Scotchmer St, North Fitzroy - c1938 .4 - P8177 - Fitzroy Stables, Victoria St and Fitzroy St - 19-11-1938 .5 - P8092 - Cottage in Royal Park - 29-6-1939 .6 - P?? - Land at the corner of Gertrude and Smith St Fitzroy - undated .7 - P8302 - Plan of buildings at the corner of Gertrude and Smith St Fitzroy, c1938.trams, tramways, drawings, depots, property, north coburg, fitzroy, stables, royal park, gertrude st, smith st

Photocopy of a drawing or plan on an A4 sheet, titled "Detail of land leased to Alfred Kefford Pty Ltd" and the back of the former MMTB Office building in Victoria Parade Fitzroy. Gives the block dimension, streets, a location of a workshop and the brick office building. The Young St sub-station was excluded. Gives details of the fences. Plan undated. Rod Atkins advised 29/7/19 that Alfred Kefford nee Pty Ltd. resided at no 17 Young Street on corner of Duke Street just several doors further up Young Street on the same side. All I know so far is they were into some form of delivery type transport - i.e.. carrier.trams, tramways, mmtb, buses, lease agreement, victoria parade, young st, substation

Set of four drawings of electrical and brake equipment on VR Tramcars. .1 - No. 1 - Bogie car wiring diagram - shows all equipment including lights, compressors, motors and switches. Has a different lighting circuit for the 52 to 54. 4 copies held. .2 - No. 2 - Air and Brake Equipment (Excluding one-man car) - shows all equipment including wipers, conductor's brake valve .3 - No. 3 - Pneumatic Equipment for One-man car - shows all equipment including door engines, emergency valves, emergency reservoirs, door valves and links to controller. .4 - No. 4 - Pneumatic Door Equipment - cars 52 to 54 - including door controller valve positions.trams, tramways, vr class tramcars, victorian railways, brakes, wiring diagrams, one man trams, air compressors

Sheet of two newspaper cuttings from "Metra News" - Spring 1982 issue. 1 - "New Public Transport Vehicles for Melbourne", about the introduction of two prototype articulated tramcars (B class). Has an drawing or image of the proposed vehicle. Notes capacity of the trams, doors, length. Cutting also notes the order for another 28 trams as well. Has MTA logo on side of the vehicle. Has Minister for Transport Steve Crabb making the announcement. 2 - cutting - from a Newspaper, date unknown about the Doncaster light rail line being given the Green Light by the Government, with construction to begin in mid 1983. Has the same sketch of a light rail vehicle as item 1.trams, tramways, b class, light rail, doncaster, new trams

Instruction Book - 20 pages, within manila card covers, titled ""How to become an efficient conductor", published by the Melbourne and Metropolitan Tramways Board. Gives details on how to be a conductor safely, collect fares, disputes, school concessions, ticket cancellation, accidents, and conduct. A list of dos and donts' employee benefits summary and two drawings showing the consequences of not securing the trolley pole under the hook and step accidents. No date on the documents - assumed 1950's. Second copy added 15/1/2015 from donation of Lindsay Rickard. 739.1 - Second copy added 3/12/15 from donation of Gary Butler - has a green ink printed cover and printed on gloss paper.trams, tramways, mmtb, conductors, instructions, melbourne, depot

Transverse Section of the Great Extended Hustler's Mine on the Hustler's Line of Reef. Bulletin No 33, Plate No XII. Shows Poppet legs at the surface and Sill of Shaft at 788.99 feet above Sea Level, Cross Cuts and their depths, stone and geographical features encountered and their references and a number of enlarged drawing of sections of the crosscuts, Geological Survey of Victoria emblem and signed by H A Whitelaw, Underground Survey Office Bendigo, September 1913. The depths of crosscuts to No 21 were taken from plans of surveys by Mr. Walker and Mr. Craven, noted under Reference. Another note: This Saddle Reef is sketched from Mr. Walker's plan. Dividends amounting to 360,000 pounds were obtained from it. mining, parish map, great extended hustler's mine, transverse section of the great extended hustler's mine, old shaft, mr walker, mr craven, geological survey of victoria, underground survey office bendigo, h a whitelaw

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours This ship depicted by B. C. G. Burnett in his pen and wash sketch labelled "The White Ship" exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This artwork (one of a set of three small artworks) is significant as an example of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. It is also important as its creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.An ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. The back of the sketch is black card with faint pencil marks (overwritten in red ink) that appear to read "1842 A". A page from an album belonging to Beni Burnett displays five black and white photos including three photographs of ships. The photograph on the bottom right is an exact match for the pen and wash drawing. front - "THE WHITE SHIP / B. C. G. BURNETT" back - difficult to read "1842 A"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall

Instruction Book - 20 pages, within manila card covers, titled ""How to become an efficient conductor", published by the Melbourne and Metropolitan Tramways Board. Gives details on how to be a conductor safely, collect fares, disputes, school concessions, ticket cancellation, accidents, and conduct. A list of dos and dents' employee benefits summary and two drawings showing the consequences of not securing the trolley pole under the hook and step accidents. Inside front cover is a list of Melbourne tram depots, giving stop number, and street. Handwritten addition regarding South Melbourne depot - short cut from St Kilda Road - folded printed sheet. No date on the documents - assumed 1960's.trams, tramways, mmtb, conductors, instructions, melbourne, depot

In architecture a corbel serves a decorative as well as structural function as a solid piece of stone, wood or metal that is built into a wall and juts out like a bracket to carry a weight. The smoothly shaped corbel was formerly built into the external wall of the lighthouse facing the sea. It consists of two cupped, rounded forms, one bigger than the other, which are attached to a damaged flat base. Made of cast concrete, it is the same fabric as the lighthouse and shows evidence of white paint on its surface. An early architectural drawing of the tower shows the corbel as a projecting, decorative moulding underpinning the balcony floor associated with the auxiliary light. It indicates the original corbel was a much larger architectural feature which started as a solid rectangular block and terminated with a smaller block and then two tapering, rounded forms. Prepared in mid-1888, the architectural drawings for the lighthouse by Victorian Public Works Department architect, Frederick Hynes, were amended in 1888-89 to provide for an auxiliary light, which comprised an arched opening and door in the tower wall below the lantern room and small balcony. In the late nineteenth century all of Victoria’s lightstations installed a red auxiliary light to serve as a danger warning to mariners sailing too close to shoare. Existing lightstations, like Cape Otway, built a pavilion below their lighthouse facing out to sea, but newly constructed towers like Point Hicks and Split Point incorporated them into their designs. The efficacy of auxiliary lights became a controversial issue and all were discontinued on 1 January 1913. The Point Hicks balcony was removed from the face of the tower in 1971 after it was found to be badly rusted. This resulted in the complete removal of the corbel, from which the rounded moulding and part of the base survives. The auxiliary light and door were subsequently removed in 1975 and glass blocks now fill the opening. Cape Schanck Lightstation retains four cast iron brackets from its auxiliary light balcony which are currently stored in the lighthouse on the ground floor. No other architectural fabric associated with the auxiliary light has been identified at Point Hicks Lightstation. The fragment of corbel has first level contributory significance for its historic and architectural values as a relic of the auxiliary light and as an original moulding from the fabric of Victoria’s first concrete lighthouse.A masonary corbel.