Set of 22 digital images of Bendigo Tramways, 1972 at or before closure while on a tram tour by Stuart Lodington. .1 - No. 7 arriving at North Bendigo .2 - No. 5 departing Charing Cross along View St, with a Firestone tyres in the background. .3 - front view of a tram in View St with a blurred background image. .4 - No. 24 showing Eaglehawk destination .5 - No 26 and 3 in View St, with the Armstrong Tyre Service building in the background and signs for T&G and Cohn's Drinks. .6 - ditto .7 - No. 3 arriving at Charing Cross from Eaglehawk in View St, with a Quarry Hill destination. .8 - No. 3 and 18 at Charing Cross. .9 - No. 24 on the Quarry Hill line. .10 - No 26 in View St, with the Armstrong Tyre Service building in the background and signs for T&G and Cohn's Drinks. .11 - ditto, with fountain in view, Colonial Mutual building and a newsagent with a Herald sign on the building. .12 - No. 7 at North Bendigo terminus .13 - ditto with pole being reversed. .14 - No. 18 at Quarry Hill terminus with Northern Terrazzo sign in the background. .15 - No. 24 at Quarry Hill terminus .16 - No. 18 arriving at Charring Cross, with Fountain Plaza and Bendigo Pharmacy in the background. .17 - No. 3 and 18 at Charing Cross. .18 - No. 7 at North Bendigo terminus with pole being placed on the overhead. .19 - No. 26 in View St inbound, with Sandhurst Trustees sign in the background. .20 - No. 6 leaving Charing Cross in Pall Mall with Myer and other buildings in the background. .21 - No. 7 at North Bendigo .22 - Single trucker with two roof Advertisements crossing View St with fountain in view, Colonial Mutual building and a newsagent with a Herald sign on the building.trams, tramways, bendigo, eaglehawk, quarry hill, north bendigo, charing cross, view st, tram 7, tram 5, tram 24, tram 26, tram 5, tram 3, tram 18, tram 6

On of a class of 120 trams built at Preston Workshops between 1939 and 1951. Third tram to be converted to a Colonial Tramcar Restaurant Tram. Of the six trams converted, the only former Melbourne Restaurant tram in use currently (March 2019), trams 4, 5, and 6 having been withdrawn during October 2018.Four motor bogie tram - ex Melbourne - tram No. 939 - One of a class of 120 trams built at Preston Workshops between 1939 and 1951. Third tram to be converted to a Colonial Tramcar Restaurant Tram. Of the six trams converted, the only former Melbourne Restaurant tram in use currently (March 2019), trams 4, 5, and 6 having been withdrawn during October 2018. The tram was built by the MMTB as No. 939 in 1948 at Preston Workshops as a standard SW6 tramcar. It was resident for most of its life at Camberwell, Kew and South Melbourne depots and finally Southbank depot. Heavily rebuilt internally to give a flat floor, air-conditioned, 240V and 24V systems fitted along with changes to bulkheads and position of the passenger door and a goods door in 1994. The tram was converted into Melbourne Restaurant tram No. 3 in 1994/95, being launched on 8-2-1995. While in the later part of its use by the Colonial Tramcar Restaurant Co, it was named “Valentine” during July 2008. It was withdrawn from service in May 2012, when it was replaced by No. 935 (Restaurant No. 6). In August 2014, the Museum received a grant from the Victorian Government of $40,000 to refurbish tram – part of the Transport Investing in Regions Program. The tram was relocated to the Ballarat depot on 29/10/2014. Refurbishment work was completed during March 2016 and the tram was formally launched on 5/4/2016.. The tram is named after Sir Henry Cuthberts (1829 - 1907), the first Chairman of the Ballaarat Tramway Co (the horse tram operator). Sir Henry was a Ballarat based solicitor, member of the Legislative Council, Knighted in 1897 and strong supporter of many Ballarat institutions. Photo Warren Doubleday 5-4-2016.trams, cuthberts 939, restaurant tram, sw6 class, tram 939

This item represents one of the most important spiritual references available to a settler in countryside Australia in the period 1800s to 1900s. This is the family bible and relates to the major religious beliefs of the early settlers who pioneered British/European colonial settlements. Although the first pages are missing the family name is written on the inside cover (J.A. Fleming). Most of these bibles (of this era) showed the family genealogical record of births, baptism and deaths, however this bible has the relevant pages missing. This bible would have provided the spiritual strength needed in bad times. Throughout this bible there are copies of specially commissioned lithographic engravings, each published between March 1812 to December 1813. These photographs were provided to visualise the theme of the each chapter.This item is significant because it shows that spiritualism of a small group (family in this case) is a vital part of the cohesive forces which holds a family(the basic subgroup of society) together, against all odds, and external pressures. It demonstrates that even in isolated or sparsely populated areas, the mores of a christian community is as strong as that of the cities. Mountains (Victorian Alps) have throughout the enlightened Ages been of extreme spiritual significance and this beholds those who live in this area.The families in the Kiewa Valley fall into the "isolated rural area" when this bible was first in use. This bible contains as its introduction,scripture history starting from 4004 BC "God created all things" to 2900 AD end of the World. There is a high degree of probability that this bible belonged to a member or members of the John Ambrose Flemming extended family who resided in the Kiewa Valley. J.A. Flemming (a famous English electrical engineer and physicist) invented the first diode in 1904). He and his family were devout Christians and he helped establish the Evolution Protest Movement.Leather bound bible. Leather in some areas is in tatters revealing the thick multi-layered cardboard backing. Front and back covers are held together by the thin leather binding. The lettering of the bible is large.Hand written inscriptions are in ink on the inside front cover, " J Tangam" at the top, "J A Fleming" underneath "Tangambalanga" and below that "1900". There are penciled dates "1937 1900" which have at one point in time been scribbled over in pencil. Although not marked on cover, the bible was known as "Brown's Bible" after the Author, the Rev. John Brown. Each of the major chapters is introduced by a copy of a lithographic print detailing the relevant religious picture and all are headed by "Brown's Superb Bible" and the date of the print. bible, rev. john brown, old and new testament, christianity

This booklet was produced for Thomas Randall, the proprietor of the Ozone Hotel, Warrnambool, situated at the corner of Kepler and Koroit Streets. It was a publicity booklet given out gratis to prospective clients of the hotel. The Ozone Hotel was originally called the Grand Ozone Coffee Palace and opened in 1890 as a temperance hotel, a splendid building with over 100 rooms. In December 1891 the Coffee Palace was granted a Colonial Wine Licence and in 1895 it was re-named the Ozone Hotel. Thomas Randall was the proprietor from 1894 to 1907. In 1920 the Ozone Hotel, after being closed for some time, was re-opened as the Hotel Mansions and a full liquor licence was obtained in 1923. In 1929 the building was burnt down and the present- day Hotel Warrnambool was built on the site. This booklet is of great significance as it documents the splendor of the Warrnambool Ozone Hotel when it was at its best. This building is regarded as the finest and most elegant building ever built in Warrnambool and this booklet contains the only photographs we have of the interior of a 19th century/early 20th century hotel building in Warrnambool. This booklet is also of interest as it belonged to Henri Worland, the Town Clerk of Warrnambool from 1918 to 1949 and Warrnambool’s best-known historian. This is a soft cover booklet of 64 pages. The cover is blue-grey and has an image of a sailing ship, the logo of the Warrnambool Ozone Hotel and some ornamental scrolls. The printing on the front cover is blue. The back cover has two advertisements for Melbourne businesses. The booklet is stapled and bound with purple tape. The booklet contains black and white advertisements for Warrnambool and Melbourne businesses, an article on the town of Warrnambool and black and white photographs of Warrnambool and district and of the interior and exterior of the Ozone Hotel. Most of the pages contain some ornamental patterns. The front cover is a little ragged and torn. Signature of H.Worland on the front cover and on the first inside page. grand ozone coffee palace/ozone hotel/hotel mansions, history of warrnambool, thomas randall

For his achievements in the Battle of Omdurman and Sudan in 1898, Kitchener was made Lord Kitchener of Khartoum, becoming an Earl - qualifying peer of mid-rank. Kitchener was a senior British Army officer and colonial administrator who won notoriety for his campaigns, most especially his scorched earth policy against the Boers and his establishment of concentration camps during the Second Boer War. Awards he received include: Knight of the Order of the Garter; Knight of the Order of St Patrick; Knight Grand Cross of the Order of the Bath; Member of the Order of Merit; Knight Grand Commander of the Order of the Star of India; Knight Grand Cross of the Order of St Michael and St George; Knight Grand Commander of the Order of the Indian Empire. Individual imagae take from photographed poster of tobacco and cigarette cards.battle of omdurman, sudan, kitchener, earl, scorched earth policy, boers, concentration camps, colonial administrator, knight of the order of st patrick, knight of the order of the garter, knight grand cross of the order of st michael and st george, knight grand cross of the order of the bath, member of the order of merit, knight grand commander of the order of the star of india, knight grand commander of the order of the indian empire

Alfred Milner, 1st Viscount Milner was a British statesman and colonial administrator. He played an influential role in the formulation of foreign and domestic policy from mid 1890s to early 1920s. In 1897he became High Commissioner for South Africa and Governor of Cape Colony. He pushed the Transvaal Republic to war, oversaw the war and organised the reconstruction after the war. Milner left South Africa in 1905 after being involved in many of the changes that took place while he was there. Honours Awarded: Companion of the Order of the Bath (1894); Knight Commander of the Order of the Bath (1895); Knight GrandCross of the Order of St Michael and St George (1897); Knight Grand Cross of the Order of the Bath (1901); Knight of the Order of the Garter (1921). Individual image from photographed poster of tobacco and cigarette cardsalfred milner, 1st viscount milner, statesman, colonial administrator, high commissioner, governor of cape colony, transvaal, south africa, companion of the order of the bath, knight grand cross of the order of the bath, knight grand cross of the order of st michael and st george, knight of the order of the garter

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

'Armytage House' formerly 'The Hermitage' a two storey Barrabool freestone ashlar and basalt rubble mansion was upon completion in 1860 one the finest colonial regency style mansion houses in Victoria. The Ionic portico and exquisitely proportioned, encircling wrought iron verandah is the most distinctive feature of this mansion, which is undoubtedly Edward Prowse's most impressive work. The mansion has considerable and important historical associations, firstly with the Armytage family, and finally with the Geelong C.E.G.G.S (1905-1973) (https://vhd.heritagecouncil.vic.gov.au/places/21747/download-report, accessed 25/03/2019) 03 May 1858 - Tender Notice in Geelong Advertiser 27 April 1860 - tender for iron gates 15 October 1860 - tender for stone wall and iron railing.armytage, armytage house, geelong, edward prowse, barrabook freestone, the hermitage

Frederick V Trickey had extensive service with the Victorian Colonial military prior to 18 months service in South Africa. His World War One service included Gallipoli and Western Front with 8th Infantry Battalion AIF. He served in World War Two but did not proceed overseas. Major Frederick C Truckey had pre-war service with 8th Light Horse and Australian Army Instructional Corps; then during World War Two he served with 2/8th Armoured Regiment AIF. Following the war, he joined the Australian Regular Army and served in Korea. Graham M Trickey served with the Royal Australian Air Force in World War Two serving in the South Pacific area.Framed display board with perspex cover sheet containing medals of Frederick Victor Trickey and his two sons Frederick C Trickey and Graham M Trickey. F V Trickey set: Queens South Africian Medal with clasps South Africa 1902 and Transvaal; 14-15 Star, British War Medal 1914-1918 and Victory Medal; British War Medal 39-45 and Australian Service Medal 39-45; also Gallipoli medallion. F C Trickey set: 39-45 Star, Pacific Star, British War Medal 39-45, Australian Service Medal 39-45, Korea Medal and Coronation Medal. G M Trickey set: 39-45 Star, Pacific Star, British War Medal 39-45 and Australian Service Medal 39-45.boer war, world war one, world war two, wwi, wwii, trickey

Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia

The building in this image was built by J. I. Murray for use as a Bank premises. The National Bank of Australasia opened a branch in the building in 1862 and remained there until 1865. The Colonial Bank of Australasia then occupied the building from 1865 until 1872. At the time this image was taken in 1883 the building was in use as a shop, although a sign saying 'National Bank of Australasia' could still be seen on the building. Goods for sale can clearly be seen in the windows and the photographers’ wagon or cart can be partly seen to the right of the picture. At a later stage the building became part of the Royal Hotel which can be seen to the right of the building. The small building to the left of the picture was used as a printing office by the West Bourke and South Grant Guardian newspaper between 1865 and 1872.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a shop in Main Street Bacchus Marsh in 1883. Goods for sale can be seen in the windows but there is no signage on the building to indicate what type of shop it is. A sign across the upper facade reads 'National Bank of Australasia' but this bank had vacated this location by 1865. Three women and a man can be seen standing in front of the shop. Two of the women appear to be shaking hands. The woman standing in the doorway is wearing an apron and may be the shop owner or assistant. Just visible at the edge of the photo can be seen a buggy with advertisements on the back and side. Letters that can be distinguished suggest that in all probability this is the carriage used by Stevenson and McNicoll, Photographers, on their trips around rural towns and countryside. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., banks bacchus marsh vic., commercial vehicles

Saw Mills Halls Gap (Childe’s Glenbower Creek). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. During the years of gold, the hardwood forests around Stawell were ravaged to provide timber for the mines. It was used undergrounds to shore up workings, and millions of feet of it were fed into furnaces and kilns in which the quartz was roasted. In the years after the gold boom, hardwood from the Grampians was milled for building timber. Wherever there are large tracts of natural bushland, fires are always a danger. A huge fire in January 1939 caused havoc in the Grampians, burning out towns and sawmills such as the one pictured. There have been no sawmills in the Grampian since that fire. stawell industry

August Rietmann 1877-1951 and his wife Frieda 1878-1942 leased the Box Cottage in 1917 and raised 2 children Stefanie 1918-2006, and William 1920– 1997. August was a Monumental Mason / Potter / Sculptor and he was employed at Corbens Ltd Clifton Hill, to make the War Memorials for many towns post WW1. August purchased the property 1935,and established a pressed concrete business using the cottage as a workshop and storeroom After August died in 1951, William, his son, continued to work in the business from the site until the land was sold to Lewis Co. Ltd Timber Merchants in 1970. Rietman's Landscaping Ltd , managed by William's family, moved to Bay Road Highett 1953 and later to Carrum. The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The cottage was occupied by William Box and family from 1865 until 1914 when it was sold to August Rietman . The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage by Mr August Rietman, when he purchased the property in around 1915, for 1200 Pounds approximately. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. The photographs in Album 1 record the progress of the reconstruction from February 1984 to the First Public Open Day November 18th 1984After the death of Elisa Box in 1914 the house was leased to August Rietmann, a potter / sculptor who with his wife Fieda raised their family there 1917 - 1951. Stefanie Rennick nee Rietman lived at the house until she left to study teaching 1937. August's son, William Rietman and family managed Rietman's Landscaping Ltd after moving to Bay Road Highett 1953 and later to Carrum. The Lewis Timber Company Ltd purchased the land with The Cottage c1970. i) A laminated, black and white, photograph of August Rietmann and Family c1918 at Box Cottage, Ormond, Molly the house cow is in foreground ii) Colour photograph of Rietman's Landscaping Ltd. Bay Road Highett c 1990brighton, moorabbin, cottages, pioneers, ormond, colonial, mckinnon, dendy henry, box william, box elizabeth, reitman august, convicts lewis timber co. ltd., deam h, museums, box alonzo, smith a, rietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, dendy, rietman agust, convicts, macrobertson, war memorial

Chicory was mixed with coffee to reduce the amount of coffee bean required to be used. This coffee "substitute" was due to the repeated fluctuations in availability of coffee beans (and price fluctuations) in the USA in the late 1800s and early 1900s resulting in the search for substitutes and additives to bulk out the available supplies. This was especially so during times of the major World Wars. Chicory was an excellent choice of fillers as it did not greatly influence the strong coffee bean taste. The first choice in USA households was coffee not tea and the influence of the American servicemen's thirst for coffee was a major thrust into the Australian "colonial" preference for a "cuppa" tea. Rural areas took longer to acquire a coffee "break" but with more and more subliminal advertising through "American" films the rural regions developed a growing preference for coffee, however the tea break alias "smoko" has lingered on.This coffee and chicory blend tin container is very significant to the Kiewa Valley in that it demonstrates that even in rural regions of Australia tastes and drinking preferences have changed by subliminal advertising as time goes by. The American "influence" whether by the "invasion" of friendly troops during the major wars or the avalanche of "American films" has altered some of the "dinky-di" Australian "true blue" tastes and mores. The availability of "straight " coffee supplies to rural areas was also in proportion to the level of all weather transport routes. In the late 1800's and early 1900's road freight had to contend with dirt roads, flooded roads, bush fires and grazing cattle/sheep in rural areas. The easier access that city households had with regard to replenishment of food and drink products, up until the mid 1900's, was severely retarded in rural areas. This extensively rusted tin of "Bushells Blue Label" Coffee and Chicory has an octagonal shaped body with a "push/pull" lid(tin).Three sides has reproduced painted ladies in "Roman dress" ladies picking the coffee beans. There is no reproduction of any chicory roots. There are two "Indian dressed" field workers(pickers) with turban head dress. On one side of the tin is "directions of use, net weight and manufacturer details."Bushells Coffee & Chicory", "NET 1-Ib. weight", " No. 144" "Under the Pure Food Act N.S.W. 1938" "by Bushells Ltd. No 144"chicory / coffee drinks, tin hydrated drink, rural food and drink consumption patterns, tinned food and drink

This booklet was produced for Thomas Randall, the proprietor of the Ozone Hotel, Warrnambool. The booklet has the front cover missing and the title of the booklet is actually ‘A Visit to Warrnambool’. It is a publicity booklet given out gratis to prospective clients of the hotel. The Ozone Hotel was originally called the Grand Ozone Coffee Palace and opened in 1890 as a temperance hotel, a splendid building with over 100 rooms. In December 1891 the Coffee Palace was granted a Colonial Wine Licence and in 1895 it was renamed the Ozone Hotel. Thomas Randall was the hotel keeper from 1894 to 1907. In 1920 the Ozone Hotel, after being closed for some time, was re-opened as the Hotel Mansions and a full liquor licence was obtained in 1923. In 1929 the building was burnt down and the present-day Hotel Warrnambool was built on the site. This booklet is of great significance as it documents the splendour of the Warrnambool Ozone Hotel when it was at its best. This building is regarded as the finest and most elegant building ever built in Warrnambool and this booklet contains the only photographs we have of the interior of a 19th century/early 20th century hotel in Warrnambool. This is a soft cover booklet publicizing the Ozone Hotel, Warrnambool, published for the proprietor Thomas Randall early in the 20th century. The front cover and several pages at the back are missing. The booklet contains advertisements, both local and Melbourne ones, black and white photographs of Warrnambool and district and of the interior and exterior of the Ozone Hotel, an article on the town of Warrnambool and extracts from the hotel’s Visitors’ Book. Most of the pages contain black and white ornamental motifs. One of the pages at the front of the booklet is torn in half. The booklet is bound with staples. On first page: Warrnambool & District Historical Society Stamp (smudged)grand ozone coffee palace/ozone hotel/hotel mansions, thomas randall, history of warrnambool

The building to which this tablet was attached was erected in 1890 as the Grand Ozone Coffee Palace. It was at the corner of Koroit and Kepler Streets in Warrnambool and was the most splendid edifice ever erected in Warrnambool. Initially it was a Temperance Hotel but in 1891 it gained a colonial wine licence. Thomas Randall was the lessee and proprietor of the building from 1894 to 1907 and from 1895 on it was called the Ozone Hotel. Mrs Lillias Euphemia Thom was the proprietor from 1907 to 1910. The tablet described herein has her name incised on the tablet ‘L.E.Thom’. The hotel was closed in 1915 and re-opened in 1920 with the new name of Hotel Mansions. The proprietor at that time was Howard Lawson. In 1923 Hotel Mansions gained a full hotel licence but in 1929 the building was destroyed by fire. The present day Hotel Warrnambool now occupies the site of the Hotel Mansions. This tablet is of great significance as it is an important memento of the Grand Ozone Coffee Palace/Ozone Hotel/Hotel Mansions. This building was the most elegant building ever to be erected in Warrnambool and, as such, a reminder of the type of luxury accommodation offered to visitors to Warrnambool in the late 19th and early 20th centuries. This was a time when Warrnambool was promoted as a spa resort with hot and cold sea baths and bracing sea breezes. The marble tablet is an indication of the splendor of the hotel’s furnishings and accoutrements. This is a rectangular marble slab with incised gold lettering (now somewhat faded). The bottom lettering is contained in a slight groove in the marble. There are four holes at each corner and six smaller holes along the edges of the tablet for attachment by screws to a building. The slab has some staining and a little rust. ‘Ozone Hotel’ ‘L.E.Thom’ grand ozone coffee palace (warrnambool), ozone hotel (warrnambool), hotel mansions, history of warrnambool, lillias thom

The pottery was at Fenton, Stoke on Trent, Staffordshire UK and was established in 1825, by C J & GM Mason, they were succeeded by Mr. Samuel Boyle from whom the works passed into the hands of E & C Challinor, formally E Challinor & Co. Of Sandyford and Tunstall. The partners in Sandyford and Tunstall works are recorded as Edward Challinor Jnr and Charles Challinor Jnr and is presumably they are the sons of the partners of the Fenton pottery business. They produced china of white granite, printed sponged common earthenware for the American, Australian, and other foreign and colonial markets. The main goods produced were tea, coffee, breakfast, dinner, and toilet ceramic sets as well as other earthenware goods. Their pottery marks were the Staffordshire rope knot with or without E & C Challinor or just E C. An early piece of earthenware pottery made in England for the Australian colonial market around the mid to late 19th century.Serving plate white body, smooth rim, and blue oriental designRope knot motif printed on back in blue with letters EC warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, earthenware, ceramic, willow pattern, serving plate, e & c challinor, potteries

xxxii, 322 p. : illus. (some col.)An account of pioneering, bushrangers, gold-digging, land sales and swindles, the aborigines, and colonial society.melbourne (vic.) -- description and travel., victoria -- social life and customs -- 1834-1900.

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. Wodonga Shire was created in 1876 when the colonial government agreed to ratepayers' petitions to have their part of the local government district severed from the Yackandandah Shire to form a new municipality. After meeting for 14 years in rented premises, in the Prince of Wales Hall, Wodonga Council built its first Shire Hall on the corner of High and Elgin Streets in 1890. The date on the facade of the building represents the date of the formation of the Shire.This image is significant as it documents an important building and era in the development of local government in Wodonga.Wodonga Shire office at corner of High street and Melbourne Road Built 1876 demolished 1971 . Now the location of Woolworths shopping complex. Also incorporated the Melba Theatre On facade of building: " A.D. 1876"high st wodonga, wodonga local government, shire hall wodonga

Waa Waa – Crow Feathers is a painting from Aunty Marlene Gilson’s 2022 exhibition ‘Bunjil Wour Kun Ya – Spirit of My Ancestors’. This work tells the story of Waa-Waa, the first Wadawurrung to see a white man, Matthew Flinders and his crew surveying the southern Australian coastline near the You Yangs on 1 May 1802. Speaking to Wyndham Art Gallery’s curatorial framework themes of Foregrounding, Habitat and Localism, the work portrays in Wadawurrung lore the first sighting of a European and acknowledges Australian First Nations peoples original and ongoing connections with land, history, politics and knowledges of place. The scene is overlooking the You Yangs which is deeply connected with the local place and habitat of the Werribee Plain. Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. Marlene Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. australian first nations art, cultural story, australian painting, wathaurung, female artist

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Grampians (Sunrise over the Saw Mills). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The Grampians were first sighted by Major Thomas Mitchell on the 11th of July 1836. Four days later he and a small party climbed its highest peak and named it Mount William. Owing to the lateness of arrival at the summit they had to spend a very cold and miserable night. Whilst in the Grampians, which he so named because of their likeness to his native Scotland. He collected about 150 plants and sent them to the Professor of Botany, John Lindley at the University of London. It is now known there about 900 different flowering plants in the Grampians, over one third of all those growing in Victoria. stawell industry

Great Western. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Great Western began as a changing station on Concongella, northeast of the present Township. The gold rush in Great Western began in 1858 and soon after a post office and store opened. A Township was surveyed and lots sold in October 1858. The gold soon passed and the diggers went on, leaving a small settlement. In 1863 Jean Pierre Trouette and Emile Bampied, his brother-in-law, planted the first vines and build the first winery, thus setting a firm foundation upon which the present wine industry has been built. Telegraph poles and wires visible. Bakery visible in distance on right of road, looking west. stawell

Grampians Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. From about 1860 there was agitation for a water supply, not only for Stawell but for the Wimmer Mallee as well. In 1887 Wartook was adopted as the first reservoir for the Wimmer. Stawells water supply was designed by Mr. John D’Alton. The scheme came from Fyan’s Creek via Wooden Fluming and a Syphon and finally through the mountain in a tunnel, before being piped to a reservoir on Big Hill. The system was completed in December 1881 and although there have been modifications, basically it has not been changed to this day. The Wimmera Mallee stock and domestic system from the Grampians is the largest system of its kind in the world, the latest edition being like Belfield and piping of Wimmera channels. stawell

Glenorchy. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Glenorchy township began as a resting place for bullock teams and travellers in the 1840s. In 1847, John Gleeson built the Four Posts Inn, which then became the name of the settlement. Gleeson is credited with naming the settlement Glenorchy, meaning tumbling waters, after his birth place in Scotland. In 1865 the Township consisted of a church, school, three hotels the Four Post Inn built 1847, Royal Hotel built 1855, The Royal Mail Hotel built1862. As well as boot makers, a blacksmith, stores, butcher and other enterprises. The town was a postal centre served by three coaches each day until the advent of the railway. stawell

Fountain Head Brewery Armstrong's. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The brewery, a three-storey high building, was established close to two streams which joined the Concongella Creek near Armstrong, although the water required to run the brewery was obtained from a natural underground spring which is still visible. Further findings of Gold in Victoria around 1859-1860 brought a large rush of miners to the area. Some stayed on to become merchants, farmers, etc. Jens Kofoed, a shipwright from the Netherlands, was one who came to the area at this time. He and his family move to Armstrong in 1860, establishing the Fountain Head Brewery, which employed quite a number of people for about 40 years. stawell industry

Telegraph Office Pleasant Creek Stawell. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The first post was office was erected at Commercial Street, Pleasant Creek in the goldfields, in June 1858, by J Harding and was a portable one. In October 1860 the first permanent Telegraph Office was erected by Cormick and Irvine for £329. In the same month the Post Office was removed from Commercial St in the Goldfields to the rear of the Telegraph office in Stawell. In February 1862 Edmond Johnson was appointed manager of Electrical Telegraph, Collector of Imposts and acting Postmaster. This building was later used as a private dwelling. It is situated in Lesley Street at the rear of the Pleasant Creek Courthouse although the right-hand wing has been removed. stawell