John Christian MacCullagh (5/6/1832 - 24/9/1917) Born in Ireland Dean MacCullagh came to Victoria in 1863 and was ordained as a minister in 1864 and his first posting was to Lancefield where he served as the first resident minister 1867-1870. Following the death of his young wife he moved to Bendigo in 1870 as the parish minister for St Pauls in Myers Street. At this stage the church was a long way from completion. 1872 made Canon 1877 Bishop's Canon 1883 rural dean 1883 Archdeacon of Sandhurst 1902 Dean of the diocese 1916 retired due to ill health 1917 Died in Melbourne and was buried at Lancefield. A triptych stained glass window at St Pauls stands as a memorial to his service of 47 years.Biography Six-page notes on the life and service of Dean John Christian MacCullagh. Typed pages.biography, dean maccullagh

This simple rear cottage door at Hymettus built 1900-1901 has been the back door since the early 1900s. Photos in the family collection however, reveal that it was originally the return front verandah door to the dining-room and the transition seems to have occurred about 1910 when a new door was installed for the front verandah to complement the art-nouveau lead light transom and surrounds to the main front entrance. A similar simple glass and two panel cottage door closes off the passage from main passageway to the kitchen and service end of the home so that the home presents as more simple in the service area fittings with more decorative features to the more important front rooms of the home reflecting the progression of style as the family had more money to spend on the home.

This hat belonged to a Warrnambool undertaking firm, Beattie and Phillips. This firm was established by Christopher Beattie and Henry Phillips in 1865 and was originally situated in Koroit Street. Beattie’s son, James, took over the business in 1916 and moved to new premises at 82 Fairy Street about 1928. In 1945 the business management was transferred to James Leahy and the firm continued until 2000. The top hat was used by both James Beattie and James Leahy and would have been one of several used by the employees in this undertaking business. The suppliers of the hat were Cramond and Dickson (note that the name ‘Cramond’ is misspelt on the hat itself). John Glass Cramond and James Dickson established their clothing and drapery and ironmongery business in Warrnambool in 1855 and it continued to operate in Liebig Street until 1974. This is a highly significant item for three reasons: 1. It belonged to, and was used by, two directors of the undertaking firm of Beattie and Phillips, a most prominent business in Warrnambool for 135 years 2. It was supplied by the firm of Cramond and Dickson, a dominant retail shop in Warrnambool for 119 years 3. It is an important example of a social custom of the past – the wearing of formal wear, including a top hat, by funeral employees (even to the extent of taking the hat by rail for funerals etc outside of Warrnambool) This is a black top hat with paper and silk inserts in the inside crown and a brown leather lining stitched on to the inside of the brim. There is black corded ribbon around the brim and around the outside of the hat. The brim is made of felt with the crown showing a shiny pile. There is a small round metal insert on the top of the crown. A piece of a newspaper dated 1st January 1931 is stitched into the inside of the brimInside the hat on the bottom of the crown – ‘Extra Quality’; ‘Crammond (sic) & Dickson Warrnambool’ with a stamp logo on the silk – a British logo with a lion and a unicorn with the words – ‘Honi Soit Qui Mal Y Pense’ and ‘Dieu et Mon Droit’ In biro on inside crown are the letters ‘J.L.’ undertaker's hat, beattie and phillips, christopher beattie, henry phillips, warrnambool history

The A.N.A. Hall in View Street was opened in August 1894. The Sandhurst Branch was started on August 26th, 1874. In July 1874, several gentlemen met together, and when a sufficient number had given in their names and sufficient promises of support had been received, the board of directors were approached with a view to forming a branch of the association in Bendigo. On August 26, 1874, the inception took place. The building was demolished in 1971. Photo collage of members of the Building Committee of the Sandhurst Branch of the Australian Natives' Association. Twenty sepia coloured photos recessed in oval or rectangular shaped opening with gold coloured edging, on backing board. One larger photo is surrounded by gold coloured pattern with scalloped edge. Below this is a photo of the ANA building in View Street. Banner beneath the Photo of the ANA building "Presented to Mr Chas. the Sandhurst Branch ANA in Recognition of His Valuable Service as President in Year 1894". The collage is framed in gold coloured ornate wooden frame. Plaque attached to lower edge of frame lists names of men in the photos. "BUILDING COMMITTEE - 1894" J H CURNOW M J CAHILL Dr J QUICK D A CAMPBELL M J E STAPLETON A DUNSTAN Dr J MURPHY C DALEY (President) A G DUNLOP W CROWLEY A J HAMPSON W BEEBE J HOGAN T GLASS J B YOUNG R H ABBOTT A.N.A. HALL A G DAYMOND D EGAN J DANIEL J BUCHAN S A COCK ana, australian natives' association, sandhurst, photo collage

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking forwards in a raised position. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the right leg.Swing tag: 143a / unnamed / catalogue page 59 Metal tag: A4439 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

The Freshwater Crocodile can measure up to 3 meters and is generally not considered to be a threat to humans. They reside in Northern Australia, Western Australia and the northern part of Cape York Peninsula in Queensland. They live in freshwater environments and make burrows among the roots of trees which fringe the waters they can be found in. This species of Crocodile mainly feed on invertebrate and vertebrate prey which includes insects, spiders, frogs, fish and small birds and mammals. They are also recognized as "cannibalistic" with the older Freshwater Crocodile occasionally preying on young hatchlings. These crocodiles are known for their "high walk" which they do to move on land. It is named "high walk" because the animal lifts their body off the ground using their long legs for height. They are able to walk considerable distances on land using this technique. In captivity, Freshwater Crocodiles are known to be hostile and aggressive to others of its species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Freshwater Crocodile has a slender snout which is much smaller and thinner than its Saltwater counterpart. This specimen has dark grey and brown colouring with the darker colours concentrated around the face and upper torso of the Crocodile. There are darker stripes along the tail which features triangular scales and is long in length. The teeth are visible and bright yellow glass has been used to replace the eyes of this particular specimen. The crocodile has long but thin limbs which protrude from the sides of the body.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, crocodile, freshwater crocodile, johnstone's crocodile

Certificate, booklet and information article framed together. Certificate - red and brown print on cream coloured paper. This is a "59th Battalion AIF Association/ Past President Certificate" Booklet - red and brown print on cream coloured paper. Title on front "59th A.I.F. Association/1962" Article - black ink print on cream paper with the title "WHAT THE COVER DESIGN IS". Frame - gold coloured aluminium, with black coloured cardboard backing mount, glass front and MDF board on back.framed accessories, certificate, 59th battalion, 8/7 rvr

This item, always known as a ‘Chinese Puzzle,’ has been in the collection of the Warrnambool and District Historical Society for many years. It is such an oddity that it is probable that it came from the collection of the old Warrnambool Museum which was established in the 1870s-80s and was dismantled in the 1960s. It had many objects of a bizarre nature such as this as many local people while on their travels brought back from many different countries objects deemed to be of unusual interest. This item is of great interest as an oddity from the 19th century and it attracts great attention when it is displayed. This is a spherical-shaped imperial quart thick glass bottle with a cork in the top. It contains a clear liquid filling two-thirds of the bottle. Inside the bottle and filling it to the top of its main section are several pieces of metal of varying shapes. These originally were part of a puzzle, presumably with the object being to unlock the shapes from each other. These have now been connected to each other with what looks like thin wire. The liquid is still reasonably clear. The cork is a little worn at the top. ‘Imperial Quart’chinese puzzle, warrnambool

This is a framed photograph showing a key event in Warrnambool's history - the proclamation by Sir Arthur Stanley of Warrnambool as a city in 1918. Warrnambool was the fifth non--metropolitan town in Victoria to be declared a city and a large crowd gathered outside the Town Hall to see this event. Sir Arthur Stanley (Lord Stanley of Alderley) was an English nobleman, Parliamentarian and soldier who was the Governor of Victoria from 1914 to 1920. The photographer was Arthur Jordan who, like his father Joseph, was a prominent photographer in Warrnambool at the end of the 19th and the beginning of the 20th centuries and took many official photographs of civic affairs. The donor of the photograph, probably immediately after the event to the Warrnambool Museum at the time under the auspices of the Warnambool Mechanics' Institute, was George Mackay, a prominent Warrnambool lawyer, Councillor and Mayor. He was probably responsible for the framing of the photograph.This is a significant photograph as it is a record of an important event in Warrnambool's history and is a great research toolThis is a black and white photograph in a polished wooden frame with a card inset and a glass covering. The photograph shows the Governor of Victoria, Sir Arthur Stanley, in civilian dress standing on a platform outside the Warrnambool Town Hall proclaiming Warrnambool a city. Behind the Governor on the platform are many men and some women and in the foreground left is a band and in the foreground centre are Army school cadets. The photograph frame has a wooden backing with a piece of wire attached for hanging the object. In the photograph also is a columm with a sign on it.His Excellency the State Governor Sir Arthur Stanley Proclamation- Warrnambool a City 23rd May 1918 Warrnambool Museum & Art Gallery Presented by G.S.Mackay Warrnambool Arthur Jordanwarrnambool -a city in 1918, sir arthur stanley, george s. mackay, arthur jordan

Box cameras were first produced in the late 19th century and were intended to be used by amateur photographers. This type of camera was a simple one with the lens at one end and the film at the other and the provision for 12 photographic plates. The spring-loaded lens folded into the camera and one side of the box served as a base for the lens to sit on. Cameras of this size and shape were made until the mid 1920s. This camera case is retained for display purposes.This is a wooden rectangular box which is covered in black leather. The box is a camera case and has a top lid with metal hinges and metal clips and five glass apertures. There are two knobs or buttons which were originally adjustable mechanisms and the remnants of a leather strap on one side of the box. The leather on the outside is partially torn away. Inside the box the photographic mechanisms and the lens are missing but there is a part of the metal spring still evident. There are also eight photographic plates loose inside the box. early photography in warrnambool, history of warrnambool

Framed memorabilia of "WORLD WAR ONE /THE ANZAC LEGEND". Frame: Moulded timber frame, dark brown, coloured with gold painted inner edge. Glass front. Mount: dark green cardboard with gold inner individual mounts. Memorabilia: top - a colourised black and white photograph depicting a large group of soldiers on a pyramid. Middle: Collection of black & white photographs of various ANZAC locations. Lower section: Service and Bravery Award medals with two Rising Sun badges.Gold coloured information label within the mount with the heading "WORLD WAR ONE"AND "THE ANZAC LEGEND" with black printed information on back of frame - handwritten, blue felt tip pen "DONATED TO BGO RSL/ BILL YATES" .framed memorabilia, ww1, anzac

These photographs and medals are of the McIntyre family. Three members of Lara's McIntyre family served during the First and Second World Wars, and two were members of the Lara RSL. John Lachlan McIntyre was born at Beeac, Victoria in December 1890. He enlisted in the 1st AIF in July 1915. John fought on the Western Front, taking part in the battles of Fromelles and the 2nd Battle of the Somme. He was severely wounded at Fromelles and spent 12 months in hospital in England before returning to the front. John returned home in 1919 and was granted a soldier settlement block in Lara in 1937. He was a founding member of Lara RSL and is its longest serving member. John died in 1990. Thomas Gordon McIntyre was born at Lara in 1901. Thomas, known as Gordon, was too young to enlist in the First World War with his brothers. At the outbreak of the Second World War he joined the 2/2nd Pioneer Battalion. He fought in the Syrian Campaign, before being recalled to Australia to fight in the pacific campaign. Gordon was wounded in a battle against the Japanese in Java on the 19/02/1942, and taken prisoner. No record of him after this was ever discovered, and he is presumed to have been killed. Jim McIntyre was born in 1893, and grew up in Lara and Geelong. Jim enlisted in the 1st AIF in 1916, and served with the 14th Battalion through the war. He was wounded twice. Jim died in 1976. The McIntyre family were early pioneers in the Lara district, and the brothers were founding members of the Lara RSL. Their medals and photographs represent a significant link to the history of the town and sub-branch. Three photographs and three sets of medals in a pine wood frame with glass covering. Photographs are black and white portraits of soldiers in uniform mounted on cream card. The medals are mounted on black felt. T.G. McIntyre VX20754 - 35-45 Star, Africa Star, Pacific Star, Defence Medal, War Medal and the Australian Service Medal 39-45. J.L. McIntyre 3591 - War Medal and Victory Medal J.W. McIntyre 7049 - War Medal and Victory Medal J.L. McIntyre REG. No. 3591 58th. BATT. 1st A.I.F Foundation Member Lara R.S.L 1890 - 1990 REG. NO. VX20754 T.G. MC INTYRE 2/2nd PIONEERS 2nd A.I.F 7049 J.W. McINTYRE 14th BTN. 1893-1975photograph, mcintyre, medals, wwi, wwii, world war 1, world war 2, aif, pioneers, lara, rsl

Labels below photographs. Left) "Lt. S. De Araugo/As a Company Sergeant Major he was Mentioned in Despatches" Top right "Pte W. Howard No.763, A Coy, 14th Batt AIF/ Pte F. Poliness No.114, A Coy, 14th Batt AIF/ Pte S. De Araugo No. 49. A Coy, 14th Batt AIF/ All from Bendigo District they volunteered to go in an attack with/Albert Jacka V.C., M.C. and Bar No,465, D Coy 14th Batt. AIF on/Gallipoli in May 1915. In this attack Jacka won the first Australian VC./ In WW1 Howard was wounded 3 times in the attack. He survived and/ in 1917 as a Corporal he was taken P.O.W. at Bullecourt. Bottom right: "S.E. De Araugo and A. Jacka both as Sergeants./ Place and time unknown. Donated by Mrs Kathleen Williams, Bendigo." Photograph - framed. Photograph- collection of 3 black and white photograph. Left - portrait of a soldier in uniform. Top right - group photograph full portrait of 3 soldiers in uniform. Bottom right - 2 soldiers sitting on a bench. Berlow each photograph - names and description of soldiers in black print on white background.` Frame - timber with decorative moulding, bown stain finish. Mount in dark green with second inner mount with dark brown edge. Glass front and cardboard/paper backing. photography, framed photographs, accessories, ww1

Refer to map, cat No 1635, Grinton collection. Refer Cat No 1280 for Jack Grintons detailsPhotos mounted on cream background with ornate light brown frame with glass front, white cardboard backing with wire hanging strap. Down left hand side: Photo of Sgt J GRINTON, photo of view toward Bony, photo of Sgt BRUNKER verso & Lt CALLAN Down right hand side: Photo of Fredrick LEHMANN, photo of L/CPL RISBEY's Cross, photo of Roy A INGLETON. Centre: The history relating to these photos is in black print on a white background. Top centre: The Hindenburg Line 1918photos, framing, ww1

Glass framed photo of the HMAS Maryborough insignia. Naval gold coloured crown with blue, red and green jewel inserts located above a gold coloured plaque. The plaque has a gold coloured edge with a gold coloured pig on a blue background on the left, a picture of a building with a frame tower on a red background located on the right, and a picture of trees on a white background located on the bottom. At the bottom of the picture is a gold edged blue ribbon with the words HMAS Maryborough in gold lettering.

This protection relay apparatus (a large electrical fuse), which permits the easy monitoring and disconnection of faulty electrical apparatus connected to the large SEC Victoria Hydro Scheme's electrical power producing generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro Schemes was achieved from the early 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This protection relay is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a small apparatus it was part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley.This protection relay unit has a black painted metal shell with four copper enclosed "prongs" fastened to the rear of the housing(from a bake-lite plate) . Between these "prongs" are four "empty" points allowing additional "screw on" bases. The front glass enclosed meter and recorder allows for the identification and automatic disconnection of any faulty equipment connected to the main power generator. This equipment acts similarly to a modern day circuit breaker found on the electrical circuit boards of residential homes.On the top section of the front panel "ASEA" to the left "Made in Sweden" and to the right "Frabrique en Suede" below this "RIS" below this a graph and next to it two columns of numbers and a pointer for each setkiewa hydro electricity scheme, victorian state electricity commission, relays, generators

This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Small clear glass bottle with a square base. The sides taper to the screw top opening with a bakelite lid which has embossed lines on it for easy opening. The top is on very tightly and a brown solid remains inside one quarter of the way up from the base. On 1 side is a yellow label with black writing and light blue back ground with white writing at the bottom (of the label). The label is complete but falling off. Base is embossed with numbers unreadable inside an embossed circle.Label: 'Evans'/ 50 ml / Nobecutane / Trade Mark / Marking Ink / A plastic ink for the / pre-operative mark- / ing of skin surfaces. / Inflammable / Keep well sealed / and in a cool place 'medical, hospital, nobecutane marking ink, evans suppolies ltd., medical operations

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. The tin was designed and used by the Colonial Sugar Refining Co. to store and sell golden syrup which is a by-product of cane sugar, molasses and treacle. The practices of early pharmacists are revealed through these items. The items have a clear association with Orbost.3210.15 is a rusty tin of CSR Golden Syrup. It is a yellow, red, brown, white tin with a black lid. used to sell and store golden syrup. The kilogram tin has the words 'golden syrup' printed in large red letters. There is a recipe for ANZAC BISCUITS on the back of the tin. Inside two concentric circles - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN" around a drawing of a sugar refinery. 3210.16 is a glass jar with a black metal lid. It contains small beakers, rubber tubing, stoppers and vials. on front in red print - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN ; CSR GOLDEN SYRUP ; GUARANTEED PREMIUM QUALITY ; NET 1KG ; SEE BACK FOR DELICIOUS RECIPE"pharmacies-orbost zimmer-john tin-golden-syrup medical-equipment

The poster advertises the new ship "The Great Britain", built in 1852 and owned by the Eagle Line of steam packets, sailings between Australia and Liverpool, and other vessels owned by the company. The Great Britain was an iron screw steamer, 3,500 tons, & 500 horse power, built for the Eagle Line in 1852 and its Commander was B.L. Matthews. Passengers had a choice of accommodation; the After-Saloon, Fore-Saloon and Second Cabin. A scale on the poster lists the provision of food for each day of the week, for Fore-Saloon and Second Cabin passengers. The lists of agents English and Australian offices.The poster is significant for its connection to migration between England and Australia in the 1850's. The information includes the rationing of food on a daily basis to different classes of passengers, and the class distinctions made for accommodation, and provision made for children and servants. The poster also connects to the various ships of the Eagle Line and the captains of the ships.Double-sided printed pamphlet, behind glass on both sides, with a timber outer frame. The pamphlet is about the sailing of the new packet steamer "Great Britain". dispatched from Port Phillip (Melbourne, Victoria) to Liverpool (England) in 1852. Lind drawing of a sailing ship on water. Tables of Provisions for Fore Saloon Passengers, Second Cabin Passengers, Shipping Agents and ships in the Liverpool "Eagle Line" of Packets. A label added to the poster has details of the previous owner of the poster."EAGLE LINE" "THE GREAT BRITAIN" B.R. MATTHEWS" "FARES" SCALE OF PROVISIONS FOR FORE SALOON" "AGENTS IN ENGLAND" "AGENTS IN AUSTRALIA"" GIBBS, BRIGHT & CO." SAILING SHIPS" Typed onto the label "Property of: / Shiplovers' Society of / Victoria. / See other side for scale / of provisions etc., / for passengers."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, poster, the great britain, eagle line, steam packet, liverpool, port phillip, b.r. matthews, screw steamer, 1852, scale of provisions, fore-saloon, after-saloon, second class, gibbs bright & co., g. seymour, samuel irvan & co, h.l. allen, george pim & co., t.l. holder, j.c. matthews, yates &o corkling, r.w. winfield, davy & co, crawley & smith, octavius brown &o co., w.m. younghusband &o co, albatross, osprey, condor, eagle, falcon, petrel, salacia, zealand, bloomer, capt. geves, capt. honeyman, capt. daly, capt. boyce, capt. taylor, capt. chapman, capt. brown, capt. simonds

Trophy in glass case, stained timber top, base and backing with 4 mounting brackets. Contains shield and silver cup with gold colour inside (stand for cup has separated but is still in case). Inscription on shield "Manchester Unity Increased Membership Competition 1933-4 Class D 200 - 300 Members. Victoria Lodge Warrnambool District' Increase 28 - 13.93 per cent" also on each side of shield "IO OF" (Independent Order of Odd Fellows) Inscription on shield "Manchester Unity Increased Membership Competition 1933-4 Class D 200 - 300 Members. Victoria Lodge Warrnambool District' Increase 28 - 13.93 per cent" also on each side of shield "IO OF"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, trophy, manchester unity increased membership competition 1933, sport

The piece of oak wood sample inside the case was obtained from Mr. H Cooper during the time he served as a shipwright for the British Royal Navy on Nelson’s flagship, HMS Victory, in 1891. By that time the H.M.S. Victory was around 100 years old having been built in 1765 and was currently in dry dock undergoing restoration. Cooper’s skills as a shipwright would have been well employed during this period. HMS Victory was and still does undergoing continuous restoration to preserve her for display as a museum ship, due to the vessel's significant naval history. It was during that time of early restoration that Cooper obtained the piece of Oak from HMS Victory believed to be from the ships hull. Cooper was in Australia in September 1891 serving on the HMS Wallaroo, a British Auxiliary Squadron commissioned to serve as part of the British Royal Navy contingent, tasked to operate in Australian waters. The photograph included with the donation of the wood sample is a portrait of Mr H Cooper taken in 1895 in Sydney. The inscription on the photograph describes him as a skilled shipwright from the H.M.S. Wallaroo, depicting Cooper as a young man in Royal Navy uniform, with the emblem of a petty officer third class. While Cooper was stationed on the H.M.S. Wallaroo in Sydney he presented the display case, containing the wood sample from H.M.S. Victory, as well as the exhibit labels to Charles Harding, ("Chas") late of the Royal Australian Navy. Harding had been based at the H M Naval Torpedo Depot at Williamstown, Victoria. Although not mentioned, it is believed the two men met whilst serving together in Australia in their respective assignments. It could have been a retirement gift from Cooper to Harding with the photograph of Cooper likely included with the case, and gifted to Harding in 1895, as the date on the photograph indicates. One of the exhibits labels indicates that Harding had the item on display whilst serving at the Naval Torpedo Depot in Williamstown. The label indicates: "This piece of Oak is part of the hull of H.M.S. “Victory” Lord Nelson’s renowned Flag Ship, which took such a prominent part in the Battle of Trafalgar. 21st October 1805. Exhibited by Charles Harding, H.M.V. Naval Torpedo Depot, Williamstown.” After Charles Harding died in 1931 the case containing the sample of oak from H.M.S. Victory was donated by his son Reg Harding to Mr. Murphy in 1962. The display case has since become a treasured item at Flagstaff Hill. A newspaper article dated 1905 included with the donation mentions that the city of Hamilton in Victoria was shortly expecting a mounted piece of the H.M.S. Victory, to be included in the city’s commemoration of the centenary of the "Battle of Trafalgar". Battle of Trafalgar: On October 21, 1805, twenty-seven British ships of the line led by Admiral Lord Nelson aboard HMS Victory defeated thirty-three French and Spanish ships of the line under French Admiral Villeneuve. The battle took place in the Atlantic Ocean off the southwest coast of Spain, just west of Cape Trafalgar, near the town of Los Caños de Meca. The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century and it was achieved in part through Nelson's departure from the prevailing naval tactical orthodoxy of the day. Conventional practice at the time was for opposing fleets to engage each other in single parallel lines, in order to facilitate signalling and disengagement, and to maximise fields of fire and target areas. Nelson instead arranged his ships into two columns to sail perpendicularly into the enemy fleet's line. During the battle, Nelson was shot by a French musketeer and he died shortly before the battle ended. Villeneuve was captured, along with his ship Bucentaure. He later attended Nelson's funeral while a captive on parole in Britain. Admiral Federico Gravina, the senior Spanish flag officer, escaped with the remnant of the fleet. He died five months later from wounds sustained during the battle. It was prior to this battle that Nelson had issued his now-famous final orders to his ships in 12 separate flag-hoists “England expects that every man will do his duty”. This wood sample is historically significant for its association with Admiral Lord Nelson the Battle of Trafalgar. Through Nelson’s leadership and unorthodox battle tactics, he secured not only a victory against the French and Spanish but reaffirmed Britain's naval supremacy opening the way for Britain to continuing the policy of colonisation of many countries including Australia.Wood sample adhered to the base of a hinged wood and glass display case. Wood is a sample of oak taken from the hull of Vice-Admiral Lord Nelson's flagship, the HMS Victory, built in 1765. The case also contain two exhibit labels pinned above the wood sample. Other items donated with the display case, and relating to the wood sample: an 1895 photograph, a 1905 newspaper clipping, a 1962 donor's letter (two pages), and a handwritten exhibit label with a border of red lines. Photograph Front: printed- "Herbst" "28 Oxford Street, Hyde Park, Sydney", handwritten - "Mr Cooper", "see back". Back: handwritten - "Mr H Cooper, skilled shipwright, H.M.S. Wallaroo 1895" Exhibit labels still in the case: Left: handwritten- “PIECE OF OAK FROM THE HULL OF H.M.S. VICTORY”, Right: typewritten- “This piece of Oak was originally obtained by Mr. H. Cooper, skilled shipwright on H.M.S. “Victory” & afterwards on H.M.S. “Wallaroo” on the Australian Station in 1895, when he presented this exhibit to me. Chas. Harding, Late Victorian Navy.”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oak, hms victory, vice-admiral lord nelson, horatio nelson, lord nelson, oak piece, piece of oaknelson, battle of trafalgar, maritime technology, ship relics, 18th century warship, british royal navy, h cooper shipwright, hms wallaroo, herbst hyde park sydney, charles harding, hmv naval orpedo depot williamstown, sir home popham’s telegraphic code, admiralty official day signal book

Page with photocopies of photos on it. 'Aq' is a football team. 'Ar' is a store which sells china, glass, oil, seeds and produce. People are gathered in front of the shop. 'As' is a weatherboard house. 'At' is a service station which sells Atlantic fuel and run by Herb Pearce. 'Au' is a photo of the Long Gully Junior Band. 'Av' is a large chimney which has a bend in it and is leaning at about a 45 degree angle. 'Aw' is a photo of a tall chimney and 'ax' is a group of people with the women in long dresses.bendigo, history, long gully history group, the long gully history group - copies of photos, herb pearce, atlantic, long gully junior band

Three commemorative wine glasses. [a Two identical with printed gold lettering, 'Presented with thanks Golden Square primary school Parents Club. [b] Silver frosted lettering on third glass reads, (c) Golden Square Primary School, 125 Years. 1873-1998. VHS Video Cassette Golden Square Primary School 125th Celebrations Oct. 1998, 27 mins. Sticker on cassette has inscription (1st copy), 125th Celebrations Golden Square P.S.bendigo, institutions, golden square primary school

1.. Grandfather Colgan standing in Military uniform with 2 medals 2.. Mother and father Colgan ( of Miss Colgan ) mother in long black dress, lace robe, sitting holding umbrella. Father in black suit, white shirt, black tie, white handkerchief in pocket, top hat, standing holding umbrella. 3.. Brother of grandfather Colgan ( Miss Colgans great-uncle ) sitting in military uniform with 2 medals. Ornamentation on wooden frame with grey mount, under glass.Bartlett Bros Bendigo & David Wood Sth Melbourneperson, family, colgan family portrait