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Unions Ballarat
W. G. Spence and the rise of the trade unions, Palmer, Helen et al, 1964
Contents: 1. Masters and servants 2. Miners 3. Shearers and bushworkers 4. The new unionism 5. Conflict and clash 6. Parliaments and unions Spence played a considerable role in the development of craft and industrial unions including the Shearers Union. He attended the 7th Intercolonial Trades Union Congress in 1891 and supported the Australasian Federation of Labour, which envisaged a firm link between industrial and political organization. Direct relevance to unionism in Ballarat and the 7th Intercolonial Trades Union Congress.Book; 56 pages. Cover: pink and white background; illustration of a union members' gathering; white and black lettering; author's name and title. Australian Landmarks series.Title page: name - unreadable.btlc, ballarat trades hall, ballarat trades and labour council, spence, william guthrie, spence, wg, shearers and rural workers' union, masters and servants act, miners union, parliaments, australasian federation of labour -
Mission to Seafarers Victoria
Plaque - Memorial Plaque, Australian Navy, 2007
The two windows commemorate both seafarers of two world wars and the historic vessel Dreadnought. The installation coincided in 2007 with the 150th anniversary of services to seafarers by the Mission to Seafarers.Rectangular memorial plaque. The plaque is bronze with brass edged frame and bronze raised lettering on a black background. The plaque is mounted to a brick wall beneath windows referred to.Australian Navy Windows Dedicated by RT. Rev. Bishop Jeremy Ashton - 1st March 2007 Celebrating 106th Anniversary year of the foundation of the Australian Navy. Windows designed, crafted, installed by Commodore Dacre Smyth AO Legion D'Honneur Ran in conjunction with Victoria Division - Navy League of Australia during the 150th Anniversary year of Mission to Seafarers - Melbourneaustralian navy, windows, reverend bishop jeremy ashton, commodore dacre smyth, ran, 150th anniversary, 2007, mission to seafarers -
Flagstaff Hill Maritime Museum and Village
Clothing - Baby Clothes, c. early 1900's
These handmade baby clothes are a fine example of home crafts, showing attention to detail. The original owner and maker of these handmade silk baby clothes is unknown. They were previously owned by the mother of the donor. Her name was Mary Patricia (Pat) Mulready 21.4.1934 – 4.2.2007 who was born, died and died Warrnambool. The clothes were possibly purchased from an opportunity shop as clothing for her daughter Eileen Mulready, 3.10.1968 - Jan 1991.Baby clothes, hand crocheted fine, fawn coloured silk thread. Set comprises booties (2) with button and small floral embroidery, round bib and round cap with chin tie.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handcraft, baby clothes, crocheted baby clothes, home crafts, pat mulready -
Warrnambool and District Historical Society Inc.
Book, If These Walls Could Talk, 1995
This publication is a result of funding made to the Corangamite Arts Council in 1990-91. Its aims were to identify and research the dry stone walls of the region, to raise their profile and through workshops continue the skills of those wanting to learn more about the craft. The book gives the history of the practice in the area and the various different styles with photographs to illustrate the different features. It also has a number of first- hand accounts written by stonewallers.This study has social, historical, artistic and interpretive significance as the walls are an important feature of the district. The account written by former builders of the walls provides an interesting insight into the various styles and reasons for their construction.Light green card cover. Front cover has 4 photographs of dry stone walls with title and other text in black. Back cover is plain. 144 pages. It contains a large number of black and white photographs of stone walls from around the district as well as maps. Report of the Corangamite dry stone walls Conservation project.dry stone walls, corangamite stone walls, warrnambool and district history, constructing dry stone walls -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1967-1968, 1967-1968
Events that occurred in 1967 : Eight suburban craft centres for elderly blind people were established allowing a half day each week for people, the institute's secretary E.E. Petersen went on a study tour overseas, F.F. Knight senior Vice President and member of the board for more than seventeen years was honored for his work with a CBE, and the Insurance Institute of Victoria met the cost of a 16mm version of the film "A matter of independence".1 volume of printed and illustrated materialannual reports, royal victorian institute for the blind -
Orbost & District Historical Society
ornament, Healey, Ada
Ada Healey was for 20 years a volunteer and organizer at the Orbost Slab Hut (Orbost Information Centre). She was known for her craft skills and was a particularly fine knitter, She did own, as a child, a handheld mini sewing machine and it is possible that the item was made using this. Ada was the only child of Tom & Queenie Warne, born in Bombala/Delegate. She married Keith Healey. The Healey family were early settlers in Marlo.This hand-sewn ornament is an example of the skill and craftmanship of women in pioneer families.A hand-sewn silk tortoise. The head is padded. Four small beads are sewn to each side. It has white/brown lining. Pink beads are sewn on either side of the head for eyes.hand-made handcraft silk ornament -
Melbourne Legacy
Photograph, Widows activities, 1996
A photo of widows in the Clubrooms at Legacy House. It was published in the newsletter in April 1996 to show widows the types of activities that Legacy provided. For many years there were workshops for craft and painting and refreshments were provided during business hours. The timetable for activities was published in The Answer (prior to Sept 1992 it was called the Melbourne Legacy Widows' Newsletter) each month. These regular meetings and workshops provided important opportunities for widows to meet, socialise and be active.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo of widows at Legacy House.widows, activities -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Orbost & District Historical Society
shell ornament, c. early to mid 20th Century
Mrs Elma Camm (nee Freeman) was the wife of Herbert Desmond Camm. Des and Elma lived in Orbost from 1971-1980/1. Des died on 9/11/1980 and is buried in Orbost Cemetery. Elma moved away and is presently (2013) in care at Lakes Entrance. Elma's hobby was collecting shells and crafting them into interesting forms. Much of her work is in the Shell Museum in Lakes Entrance. The figurine in Orbost Museum was donated by Elma.This item is an example of the handcraft skills of women in the early to mid 20th century.A small figurine made completely of different shaped shells and set onto a wooden block as its base. The block was originally a Wee William cigar box. The figure is playing a stringed instrument, possibly a guitar, held in front of him/her. The hat is a small shell.shell-art figurine recycled-materials -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Celebration Cake
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting -
National Wool Museum
Beret
Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce -
Wangaratta RSL Sub Branch
Doily, c1915
This hand crafted doily, created during war time, features a side on image of a soldier handing a rifle with butt at his feet. In Victorian times, idle hands were frowned upon so women knitted and crocheted. In addition to their decorative function doilies have the practical role of protecting fine-wood furniture from the scratches caused by crockery or decorative objects, or from spilled tea when used on tea trays or with cups and saucers. Off white square doily with side on image of soldier holding rifle in the centre.Crotched - "Our Hero Were proud of him" "ANZAC 1915"doily, 1915 -
Flagstaff Hill Maritime Museum and Village
Tool - Hem marker stand, 1900s
This hem marker stand is a measuring tool for gauging the height of a hem, such as on a dress or curtain. The adjustable arm slides along the ruler and its snug fit ensures that it stays at the right height. The end of the arm has a metal pin inserted into it to hold a piece of chalk, which would be used to mark the fabric. The hem marker would be used by professional dressmakers, seamstresses, and tailors as well as by crafts people at home. The hem marker was made in Birmingham.The hem marking stand is an example of tools used during the 1900s in the garments and furnishings trades as well as for domestic purposes. Since that time the tool has evolved into a more efficient design that makes home sewing easier.Ham marking stand with a wooden ruler, stand and a sliding adjustable arm on a brass sleeve. The arm has a metal pin on the end. Measurements are marked on both sides, inches on one side and centimetres on the other. Inscriptions are stamped into the wood. Made in Birmingham."- - - - / - - - - - / -BIRMINGHAM" On end of arm "2*4'flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, hem marker, dressmaker, dressmaking, alterations, tailor, dressmaker's tool, sewing marker, sewing gauge, seamstress, domestic use, dress fitting, curtain hemming, birmingham, freestanding, chalk hem marker, stand, home craft -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1939
School Council, Members of Staff, List of Full Course Students 1939, Full Course Commercial Students, S.M.B. Magazine Committee 1939, Editorial, Personal Column, Obituary - Frank Ponsonby, The Old School, The Railway Workshops, The S.M.B. Literary Society, Papua: Land of Contrasts, Old Boys' Association, Snapshots in Berlin, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Techs SportsBlue, yellow and green covered magazine with black and green font. 70 pages including advertisements.ballarat school of mines, magazine, r. mchutchison, e. gribble, m. coward, n. rigney, o. raisbeck, g. myers, f. malseed, e. fitzgerald, m. linklater, j. wilkinson, m. dolan, j. woolcock, b. martin, g. downing, h. j. hassell, n. tatlock, a. wilson, h. trevenan, w. hender, dr. j. r. pound, a. r. gordon, mr procter, a. helm, r. desnoy, frank ponsonby, g. t. myers, h. christensen, enid johnston, k. h. wilkie, isobel boustead, eric j. gashler, violet d'angri, m. hayes, marian peirce, mr hillman, k. gingell, g. crouch, r. menhennett, j. menhennett, mr cornell, e. mann, a. vaughan, d. jelbart, a. moorhouse, d. gilmore, p. richards, j. nott, r. monteith, j. martin, f. jelbart, k. waller, a. gilpin, b. robinson, d. coad, m. dalla, u. kersey, j. cooper, p. coombs, l. stapleton, u. chisholm, l. peoples, l. stephens, j. hall, h. patterson, a. brown, v. evans, j. hallidale, c. clogan, d. ditchfield, j. daniel, e. theobald, g. james, j. unsworth, helen stichnoth, w. rowe, winsome hender, c. w. rowe, j. hosie, e. stephens, i. mclachlan, r. stoneman, m. gleeson, k. stoneman, h. tonkin, f. harland, r. bulluss, t. davies, r. gladman, m. thomas, e. salter, d. mcgregor, a. spence, g. taylor, j. pyke, r. allisey, i. clow, r. p. flower, l. taylor, b. neale, j. norman, f. p. manning, paul manning -
Warrnambool and District Historical Society Inc.
Document, Pattern Spotlight, 1996
Paper patterns have been used by seamstresses and home sewers throughout the 20th century and are still used today. The Simplicity Pattern Company was established in New York City in 1927 by James Shapiro and distributes patterns world-wide. Spotlight is the largest chain store in Australia selling fabrics, craft and interior decorator supplies at 100 stores throughout Australia, New Zealand and Singapore. It is currently situated in Warrnambool at 84 Raglan Parade. This dress pattern is of minor interest as coming from a local Warrnanmbool shop. It may be useful for display. This is a paper envelope containing the instructions and cut-out material for a child’s dress. There are three loose items inside the envelope. ‘Simplicity, 7009, Daisy Kingdom’ ‘No Exchange, Spotlight, Warrnambool’ spotlight store, warrnambool, sewing patterns, warrnambool -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection Cotton Napkin with Decorative Border c.1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Haeusler Collection Handmade Cotton Napkin with Decorative Bordertextiles, sewing, handiwork, women's history, domestic, craft, family, social history, haeusler collection, haeusler, wodonga -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection White Wear Pillow Sham c.1920s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women.The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white pillow sham with needlework.textiles, sewing, handiwork, women's history, domestic, craft, family, social history, hauseler, haeusler collection, wodonga -
Charlton Golden Grains Museum Inc
Photograph, Lou's Cafe High St Charlton c.1987
Lou's Cafe c. 1987. In the 1930s and early 40's it was Riches Cafe and Billiards Saloon. Sold to Halligan's, Duggans, Jerry Cowell until 1951 when Luths took over the building as a Car and Tractor agency. Next door was Bennett's Shoe Repair Shop which was later a Stock & Station Agency. Part of a streetscape series done for the Shire of Charlton c. 1987.Colour photograph of a single storey building. Signage on the windows reads Lou's CAFE and on the awning Lou's MILK Bar. Other signs on the windows read Fresh Fruit VEGS, meals, TAKE AWAY FOOD, FISH & CHIPS, HAMBURGERS. Signs above the awning advertise Pauls Streets and Peters ice creams. Two cars parked in front of shop and a man and a woman are standing beside one of the cars. Drive way to the left of the cafe and a single storey, glass fronted building is on the LH side of the photo. Signs on the windows read Crafts, Haberdashery, Gifts and BAGGAGE. To the right of the cafe is a yellow-green fence.lou's cafe, riches cafe and billiard saloon, halligan, duggan, jerry cowell -
Port of Echuca
Black and white photograph, 1907
The P.S Canally was built in 1907 by R.W. Beer. Known as the "Greyhound of the River" after her original engine was substituted with a Railway locomotive, minus the wheels.The speed of the Canally set up tremendous wash, which sank any small craft. In 1929 it was sold to N. Collins who converted it to a barge. The Chislett Brothers were the owners when the P.S Canally sank at Boundary Bend in 1962. (Ref . Parsons R. "Ships of the Inland Rivers." P.58.)The P.S.Canally is significant because it was fitted with a locomotive, minus the wheels. This is significant because it shows the need for the paddle steamers to travel fast. This could show the competitiveness of the paddle steamer trade on the river in the early 20th Century. A small black and white photograph of an old photograph of the P.S Canally in the middle of the river. The paddle steamer is travelling towards the camera. p.s canally, beer, r.w., chislett brothers, collins, n. -
Buda Historic Home & Garden Castlemaine
Artwork, other - Illustration - Poster Design, Australian Exhibition of Womans' Work 1907, 1907
This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Plate of cheese and asparagus rolls
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to by from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from wool fleece.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., felting, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool Museum
Textile Handcraft, The Afternoon Tea Party: Strawberry Pie
The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party" , designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to be from a group of five people and be able to demonstrate a number of wool crafts in at least five different items. "The Afternoon Tea Party" was loaned to the NWM for display and was subsequently donated in 2003. This piece was designed and made by Val Ingeme from commercial wool.agricultural shows textile art handicrafts knitting, geelong handweavers and spinners guild inc., embroidery, ingeme, mrs val, agricultural shows, textile art, handicrafts, knitting -
National Wool Museum
Dressing Gown
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Balaclava
Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce -
National Wool Museum
Puppet
Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce -
National Wool Museum
Muff
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce