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Port Melbourne Historical & Preservation Society
Document - ATO, Statement of Termination Payment, 8 May 1987
The Mathews family have been in continuous ownership of 395 Howe Parade (was 8 Howe Parade until 1964 when addresses re-assigned), Port Melbourne from 1938 to the present (Sept 2019)Six folders of assorted documents relating to the life of Alan Mathews and his family. Employment documents. Alan commenced work with CAC Commonwealth Aircraft Corporation on 27/4/1953. Australian Taxation Office Notices Aust Tax Office Statement of Termination Paymentindustry, workers, taxation, alan mathews, commonwealth aircraft corporation, cac -
Ballaarat Mechanics' Institute (BMI Ballarat)
George Richmond in Hames and Woodward
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward Pty Ltd
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop, street, night -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward window Armstrong St Nth
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.” -
Ballaarat Mechanics' Institute (BMI Ballarat)
Hames and Woodward
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and usage inquiries. BMI librarian Rosemary McInerney's father George Richmond ran this furnitue business on Armstrong St Nth. Here are his reminiscences of that shoppping area from The Courier March 1st 1978 THE GOOD OLD DAYS IN ARMSTRONG ST. NORTH Mr George Richmond began work in Armstrong street north as a lad in knickerbockers in 1926. He started with Hames and Woodward, a piano, music and record shop, which he took over when both Hames and Woodward died during the war. Mr Richmond was guest speaker at an informal dinner of the Armstrong St North Traders Association held at the Victoria Hotel on Monday night. At the meeting he was made a life member of the association, with which he had been involved since its inception in 1930. “I can remember when a man on a bicycle with a little ladder on his backrode up the street with a long stick and turned on the gas lights under the verandahs,” he said. “It was around that time when there used to be a little man with a broom walking up and down the street, sweeping away what was left behind by horses. “There also used to be a bellringer who would walk up and down Armstrong street announcing a sale in a shop. He used to have a tall black hat, a large black frock coat and had a large mustache.” “Up to 1936, there used to be regular visits by street musicians, who were usually good for a few laughs.” “The last musicians to come through were an Italian trio, who were very good.” Mr Richmond said the depression was a sad time for Armstrong street. “A lot of people had to put their properties up for sale, because not many people could afford to buy things like records then,” he said. Mr Richmond said Fridays were very busy then as it was market day for hundreds of farmers in the area. “The hotels put on extra groomsmen for the stables, and standing in the store I could smell the beer and tobacco drifting down from the hotels.”ballarat, hames, woodward, furniture, richmond, armstrong st nth, shop -
Ballaarat Mechanics' Institute (BMI Ballarat)
Amy Tsilemanis (curator), Pauline O'Shannessy-Dowling (artist in residence) and guests in the Reading Room at Talking Shop Community Day 2/2/19
This photograph is held in the Ballaarat Mechanics' Institute Audio Visual Collection. Please contact BMI for all print and image inquiries Talking Shop: Ballarat in Business and City Life was an exhibition and program of events held at Ballaarat Mechanics' Institute Between January and April 2019 the BMI hosted Talking Shop: a world of Peters Icecream cones, milk bars, vintage advertising, historic photographs and ephemera, and contemporary photographs and creative responses exploring Ballarat's shops and businesses. Community events invited the community to contribute their images and memories to the BMI collection, and engage in creative activities. This exhibition was curated by Amy Tsilemanis at the BMI who worked with artists Pauline O'Shannessy-Dowling and Margie Balazic, collector John Kerr and Ballarat businesses, council, and schools to create a 'generative' exhibition where material and collaborations could grow. ballarat, ballaarat mechanics' institute, talking shop, exhibition, event, artist in residence, reading room, 2019 -
Women's Art Register
Book - Catalogue, National Gallery of Australia, Joy Hester and Friends, 2001
Catalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache -
Women's Art Register
Book, Virago Press Limited, The Art & Life of Georgia O'Keeffe, 1986
Illustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.Booknon-fictionIllustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.painting, abstraction, watercolour -
Women's Art Register
Book, Germaine Greer, The Obstacle Race. The fortunes of women painters and their work, 1979
Traces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters.Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life -
Port Melbourne Historical & Preservation Society
Document (Item) - Biography of Norma Madeline Watters, Robyn WATTERS, 15 May 2021
A biography of the life of Norma Madeline WATTERS plus a transcript of the eulogy delivered at her funeral. Includes pictures of Norma as a schoolgirl, teenager & in her later years. Norma grew up in Port Melbourne in the 1930's and went on to work in various clerical positions in the firms of Rootes, Austral Silk and Cotton Mills Pty Ltd, The Myer Emporium, W.E. Bassett & Associates, The Metropolitan Gas Company, Hardware Co. of Australia, Gill Glass and The Phosphate Co-operative Company of Australia Ltd.education - secondary schools, norma madeline watters, rootes/chrysler -
Port Melbourne Historical & Preservation Society
Document, Melbourne Water, Community Bulletin port Melbourne Pump Station Essential Works, Feb 2020 - Apr 2021
Built c.1897, the pumps drain the larger Port Melbourne area to Port Phillip Bay. It was identified that the pumps were at the end of their serviceable life & would need to be renewed.Five Community Bulletins outlining the work to be done on the Port Melbourne Pumping Staion.pumping station, melbourne water -
Port Melbourne Historical & Preservation Society
Photograph - Digital images Heart of Port Award to Phyllis Maher 2017, 18 Mar 2017
Phyllis MAHER is pictured receiving her 'Heart of Port' award from Martin FOLEY MLA. The award was for her work with the Peter Mac Auxiliary. Pictured are back row - L - R - Cr Bernadene VOSS; Chris WRIGHT; Lachlan VOSS. Front row - L - R - Phyllis MAHER; Kate KELLY; Martin FOLEY.Two digital images of Phyllis receiving her Heart of Port award.heart of port awards, phyllis maher, neighbourhood centre community carnival., celebrations - life in port, martin foley, bernadene voss, chris wright, lachlan voss, kate kelly -
Australian Gliding Museum
Machine - Glider - Sailplane, 1961
The Scheibe Bergfalke II is a high performance (for its day) and relatively inexpensive two seat sailplane designed by Egon Scheibe. It appeared in 1953 as a derivative of the Scheibe Mu13 Bergfalke and incorporated design changes to resolve and simplify structural issues that affected the Mu13. The Bergfalke II-55 followed in 1955. About 300 of the Bergfalke II and II-55 types were built in Germany and Sweden. This aircraft of the Bergfalke II-55 type was built by Scheibe in 1961 (work number 339). After a long life at Fliegergruppe Leimen e.V. logging 6754 flights and 1588 hours in the air, the glider was imported into Australia from Germany in June 2004. The glider was registered as VH-GKZ in January 2005 by Thomas Dattler of Millumbindy and flown only a small number of occasions (probably at Byron Soaring Centre). The Mangalore Gliding Club appears to have taken an interest in the glider in 2006 and completed routine Form 2 inspections in 2006 and 2009. The amount of usage during this period is unclear as the logbook records held are incomplete. In January 2012 the glider was purchased by the Southern Riverina Gliding Club and flown at Tocumwal until it was damaged in 2013 due to being blown over while at rest on the airfield. The 10 year survey was due in March 2013 and a decision was made by the club to donate the glider to the Australian Gliding Museum instead of completing the necessary repairs for returning it to an airworthy condition. It is estimated that the glider was flown about 300 times and perhaps logged about 140 hours in the air in Australia. If restored this exhibit will be representative of the Scheibe Bergfalke II-55 sailplane type (a rarity in Australia).Tandem two seat sailplane of a wood and tubular steel construction covered with plywood and fabric. It has a fully enclosed cockpit under perspex (which is missing from this airframe). The wings which join the fuselage at shoulder height are swept forward such that the aircraft can be flown solo from the front seat and be properly balanced. The aircraft is in a damaged condition. Registration "GKZ" on sides of fuselage glider, sailplane, australian gliding, scheibe, bergfalke, byron soaring centre, mangalore gliding club, dattler, southern riverina gliding club, tocumwal -
Croatian-Australian Immigration Museum
Family photograph, Vincent Gercovich family, c. 1889
Vincent Gercovich married Winifred Rebecca Bennett (English emigrant) on 13 February 1867 in St. Alipius church in Ballarat. They had a total of 12 children. Little is known about his life, but what is known that he was well disposed to several languages and due to his ability to communicate with immigrants worked at the entry gate to the city of Ballarat. He died at the age of 61. Vincent was one of these early Croatian immigrants who came to Victoria around 1850s. His surname Gercovich (probably Gerković or Jerković) came from the island of Hvar on Dalmatian coast. On his Australian citizenship documents, the place of birth was stated as Dalmatia, Austria. From research of collected documents it can be concluded that the first Croats arrived to this country some 150 years ago mainly because of gold discovery. Victoria had a few rich deposits of gold and for obvious reasons many came to join the great ‘Gold Rush’.A black and white family photograph features Gercovich family with 12 children photographed in a studio around 1889. Children ages on the photograph range from unborn to young adults.vincent and winifred gercovich, gercovich, early croatian immigrants, immigration, croatia, dalmatia, ballarat, gold rush -
Coal Creek Community Park & Museum
Music Sheets
A collection of 41 music sheets. 5 - The Blackpool Walk / Angels of the Mons 6 - Love is Where you Find It / A Little Love, A Little Kiss 9 - Brown Eyes, Why are You Blue? / Poor Little Me 12 - My Dear / Why / You're as Pretty as a Picture / My Own (2 Copies) 13 - Cinderella Sweetheart / Hi-Ho Silver 14 - That Week In Paris / Two Sleep People 16 - Rock it for me / Say THat You Care For Me 17 - On The Bumpy Road to Love / There's Honey On The Moon Tonight 18 - The Same Sweet You / On Parade 21 - Cinderella / The Chestnut Tree 22 - Skating Down The Old Mill Stream / What Have You Got That Gets Me 26 - All Ashore / Sixty Seconds Got Together 32 - I Go For That / Junior 33 - The Great Waltz / Don't Wake Up My Heart 34 - Strike Up The Band / Kinda Lonesome 35 - Peace Of Mind / minute For Modern Miss 37 - The Night / Honolulu 38 - Hang Your Heart On A Rickory Limb / That Sly Old Gentleman 40 - Grandma Said / Something to Sing about 41 - Loving You / Killy-Ka-lee / I'll Still Be Loving You 91 - Waltzes From Vienna 96 - To You Sweetheart Aloha / Did I Remember 102 - At The Close Of A Long, Long Day / I Have Lost Me Heart In Budapest 111 - Man Of My Dreams / Life Is Empty Without Love 120 - Have You Ever Been Lonely / Sitting In The Dark 121 - And So I Married The Girl / Someone to Care For 122 - Thank Heaven For You / All Over Italy 123 - There's a Bridle Hanging On The Wall / You'll Never Go To Heaven 125 - There's a Lull in my Life / A Nic Cup Of Tea 138 - On Wings of a Song / Harmony Lane 149 - Swing it Here to Sway / The One Rose 150 - What Harlem is Tome 156 - Fifty Million Robins Can't Be Wrong / Nice Work If You Can Get It 162 - Sail Along, Silvery Moon / I Love To Whistle 164 - I Double Dare You / The Snake Charmer 168 - Sweet As A Song / Toodle Do 177 - I've Got A Pocketful of Dreams / When The Organ Played Promise Me 182 - This May Be The Night / I've Got A Date With A Dream 179 - At A Perfume Counter / On Linger Longer Island 183 - I Married An Angel / Spring is Here -
Bendigo Historical Society Inc.
Book - JOY WELLINGS COLLECTION: BOOK BY W. SNOWDEN 'HELL BELOW'
"Hell Below" a novel by W. Snowden published in 1959. Hell below is set in the Australian gold mines, and the background is the hard life of those who experience hell below. The story is a forceful and excruciating one, of life in the raw. Hell below is the romance of gold - a story of mining at Bendigotold from the viewpoint of a man who worked below. on the inside there is a dedication: to dear dad, whishing you a very happy birthday, love from May and Alex, 12-1-60. Stephen Langdon (d.15-11/1960) for his 85th birthday.book, bendigo, mining -
Monbulk RSL Sub Branch
Book, Pierre Boulle, The bridge on the river Kwai, 1952
The Bridge on the River Kwai" tells the story of three POWs who endure the hell of the Japanese camps on the Burma-Siam railway - Colonel Nicholson, a man prepared to sacrifice his life but not his dignity; Major Warden, a modest hero, saboteur and deadly killer; Commander Shears, who escaped from hell but was ordered back. Ordered by the Japanese to build a bridge, the Colonel refuses, as it is against regulations for officers to work with other ranks.p.157.fictionThe Bridge on the River Kwai" tells the story of three POWs who endure the hell of the Japanese camps on the Burma-Siam railway - Colonel Nicholson, a man prepared to sacrifice his life but not his dignity; Major Warden, a modest hero, saboteur and deadly killer; Commander Shears, who escaped from hell but was ordered back. Ordered by the Japanese to build a bridge, the Colonel refuses, as it is against regulations for officers to work with other ranks. war stories - fiction, burma-siam railway - fiction -
Monbulk RSL Sub Branch
Book, Roy Kyle, An ANZAC's story, 2003
Roy Kyle started writing his remarkable memoirs at the age of eighty-nine and almost completed his story before he died. Bryce Courtney was asked if he would edit Roy's work with the view to it being published. Roy Kyle was a typical Anzac, fiercely patriotic and prepared to give his life for King and country. He couldn't wait to have a go and enlisted at seventeen, a year underage, and found himself in a trench in Lone Pine on his eighteenth birthday. The battle of Lone Pine, more than any other, established the legend of Gallipoli and was where a new nation was called upon to test its courage. One of the last to leave Gallipoli, Roy Kyle served in Egypt and later at the Somme where he was wounded in the head, arms and back.Bibliography, ill, p.300.non-fictionRoy Kyle started writing his remarkable memoirs at the age of eighty-nine and almost completed his story before he died. Bryce Courtney was asked if he would edit Roy's work with the view to it being published. Roy Kyle was a typical Anzac, fiercely patriotic and prepared to give his life for King and country. He couldn't wait to have a go and enlisted at seventeen, a year underage, and found himself in a trench in Lone Pine on his eighteenth birthday. The battle of Lone Pine, more than any other, established the legend of Gallipoli and was where a new nation was called upon to test its courage. One of the last to leave Gallipoli, Roy Kyle served in Egypt and later at the Somme where he was wounded in the head, arms and back.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal recollections -
Monbulk RSL Sub Branch
Book, Quest Books, War and the soul: Healing our nation's veterans from post-traumatic stress disorder, 2005
Post-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help themIndex, bibliography, notes, p.329.non-fictionPost-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help thempost traumatic stress disorder - treatment, veterans - mental health - united states -
Monbulk RSL Sub Branch
Book, Penguin Books, The coming of the Third Reich, 2004
n 1900, Germany was one of modernity's great success stories: The most progressive and dynamic nation in Europe, it was the only country whose rapid economic growth and innovation rivaled that of the United States. Its political culture was far less authoritarian than Russia's and less anti-Semitic than France's. Representative institutions thrived, and competing political parties and elections were a central part of life. How, then, could it be that in little more than a generation this stable modern country would fall into the hands of Adolf Hitler and the violent, racist, extremist political movement he led, a movement that would lead Germany and then all of Europe into utter moral, physical, and cultural ruin?" "There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. Its citizens were angry and embittered by military defeat and economic ruin, and its young democracy undermined by a civil service, an army, and a law enforcement system deeply alienated from the new order. The electorate was beset by growing extremism and panic about communism; and the small but successful Jewish community was subject to wide-spread suspicion and resentment. In the end, though nothing about what happened was preordained, Germany proved to be fertile ground for Nazism's ideology of hatred.Index, bibliography, ill, maps, p.335.non-fictionn 1900, Germany was one of modernity's great success stories: The most progressive and dynamic nation in Europe, it was the only country whose rapid economic growth and innovation rivaled that of the United States. Its political culture was far less authoritarian than Russia's and less anti-Semitic than France's. Representative institutions thrived, and competing political parties and elections were a central part of life. How, then, could it be that in little more than a generation this stable modern country would fall into the hands of Adolf Hitler and the violent, racist, extremist political movement he led, a movement that would lead Germany and then all of Europe into utter moral, physical, and cultural ruin?" "There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. Its citizens were angry and embittered by military defeat and economic ruin, and its young democracy undermined by a civil service, an army, and a law enforcement system deeply alienated from the new order. The electorate was beset by growing extremism and panic about communism; and the small but successful Jewish community was subject to wide-spread suspicion and resentment. In the end, though nothing about what happened was preordained, Germany proved to be fertile ground for Nazism's ideology of hatred.germany - politics and government 1933-1939, germany - nazi party -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: JOHN JEWELL
Five typed pages outlining the life of John Jewell from his birth in Cornwall to his marriages, immigration to Australia and his living in Ballarat, North Queensland and then to Bendigo where he worked at the Kentish Mine and was later the Manager. He also managed the Carlisle and Unity Batteries, was involved in a number of organisations and lent large sums of money to the Methodist Church in McIntyre Street Bendigo. There is a photo of John in his later life, one of his houses, John surrounded by 7 of his Grandchildren. and his headstone.bendigo, history, long gully history group, the long gully history group - john jewell, richard jewell, charity jewell (nee tippett), history of jewell family in cornwall, mrs frieda lee (nee jewell), sarah jewell, elizabeth tozer, john tippett jewell, henry tozer, nanny odgers, 'cadeueus', william john jewell, elizabeth jewell, john jewell, richard james jewell, kentish mine, george henry jewell, sarah ann clark, frederick albert victor jewell, william leslie norman jewell, mr j b watson, carlisle company, john jewell junior, carlisle battery, unity battery, the bendigonian 6/7/1909, long gully imperial football club, mining managers association, star of eaglehawk i.o.o.f., hopetoun band, carlisle mine cricket club , bell's reef co maldon, long gully fire brigade, dr simmonds, lanner, white hills cemetery, r bennetts, j cox, w arkinstall, w steen, g cox, t delchuray, mr a hicks mlc, mr w verece, messrs norris and son, passby mine, ah poo & co (workers of the sand), mr w farmer -
Bendigo Historical Society Inc.
Book - LONG GULLY HISTORY GROUP COLLECTION: REFERENDUM - THE AUSTRALIAN WAY
Book titled - Referendum - The Australian Way, delivered by the Rt Hon Sir Ninian Stephen on Wednesday, 11 October 2000, La Trobe University, Bendigo. The 2000 Sir John Quick Bendigo Lecture. The lecture was written by Michele Matthews. Lecture mentions how the referendums in this country came to be. It was the Swiss Federation that served as the model on which the founding fathers of our constitution relied in selecting the referendum as the instrument of constitutional change. Mentioned in the back of the book is a short life story of Sir John Quick and his work in Australian Federation. Also one about The Rt. Hon. Sir Ninian Stephen.bendigo, history, long gully history group, the long gully history group - referendum - the australian way, 2000 sir john quick bendigo lecture, rt hon sir ninian stephen, la trobe university bendigo, robertson hyetts, quick hyett and rymer, quick and hyett, edmund burke, alfred deakin, playford, the australian natives association, edmund barton, sir robert garran, dr john quick, university of melbourne, michele matthews, mrs cheryle parker -
NMIT (Northern Melbourne Institute of TAFE)
Report: Life skills and TAFE programs in Victoria, TAFE Board, 1985
A4 size report, aqua cover and various pagings, written in 1985. The primary aim of this project was to report to the TAFE Board, Victoria on the implementation of life skills material into mainstream vocational education at Royal Melbourne Institute of Technology (RMIT), with parallel emphasis on implementation models for statewide courses. The report is divided into 3 parts. Part A attempts to define the notion of life skills that developed from the work of Dr Stewart Sharlow’s ‘TAFE and basic life skills’, TAFE Services, Victoria, 1982 and the ‘Audit of TAFE middle level and technician humanities subjects,TAFE Services, Victoria, 1982. As a result of these publications a conference ‘Life Skills and the TAFE Practitioner’ was held in October, 1983 at Preston College of TAFE in Victoria with the aim of seeking a definition of the term life skill with regard to curriculum developments and classroom teaching. This report draws on these events and a number of programs developed or piloted in Victoria that are relevant to the issue. The report focuses on: 1. Work and Engineering Programme (RMIT,1984); 2. Diploma of Architectural Technology (RMIT); 3. Certificate of Law Enforcement Studies (RMIT); 4. Office and Secretarial Studies Certificate; 5. Life Skills at the Gordon College of TAFE; 6. Life Skills in the V.O.P. at Box Hill College of TAFE. Part B focuses on the experience of these activities towards curriculum and implementation needs, and evaluation and staff development requirements particular to these programs. Part C presents conclusions and recommendations.tafe board victoria, nmit -
Bendigo Historical Society Inc.
Slide - BENDIGO BUILDINGS, Oct 1964
Slide. Bendigo Buildings. A red crane doing construction work at Charing Cross, between the fountain and cenotaph, with the City Family Hotel on the left, the View Point Hotel, RACV Building, Colonial Mutual Life Building on right.slide, bendigo, bendigo buildings., bendigo buildings. -
Victorian Interpretive Projects Inc.
Cartoons, World War One Cartoons by Edwin Cannon
Edwin (Ted) Cannon was born at Ballarat on 30 July 1895, the only son of Edwin and Florence Cannon. He studied art at the Ballarat School of Mines Technical Art School. Ted displayed a talent for industrial design but it was his black and white work that 'drew' most attention. His cartoons and caricatures, heavily influenced by Phil May, were of a particularly high standard. During the Ballarat Exhibition of 1913 Ted's work was singled out for notice and he was awarded First Prize. After completing his art course Ted was employed as an assistant teacher at the Ballarat Technical Art School, before taking a position as cartoonist with the Ballarat Star newspaper at the end of 1914. With the war raging in Europe Ted discovered a darker aspect for his artwork, but, still, he could not resist depicting Turkey as a full-feathered, fez-wearing bird. In 1915 Ted was awarded the prestigious Victorian Education Department Senior Technical School Scholarship. Only months into his scholarship, Ted volunteered for the AIF. A keen member of the local 71st "City of Ballarat" Regiment Ted was already primed for a life in the army. He embarked from Port Melbourne on 23 November 1915 with reinforcements to the 6th Infantry Battalion bound for Egypt. It was during the Battle of Pozieres on the Western Front that Ted Cannon came into his own. His work with the Scout Platoon (under the command of Lieutenant Jack Rogers) sketching the enemy's gun emplacements proved invaluable to the Brigade and brought Ted to the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. See http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916 Digital images of a number of cartoons published in the Ballarat School of Mines Students' Magazine, 1916. Ted Cannon sent cartoons home to Ballarat from the World War One front.edwin cannon, ted cannon, cartoons, world war, world war 1 -
Monbulk RSL Sub Branch
Book, Oxford University Press, ANZAC memories: Living with the legend, ????
What is taboo in any family or in any society is never fixed. And neither is that body of family information which everybody knows but no one talks about. Mental illness is one such subject, and it created a kind of fence around one central element of Thomson's work in the 1980s - his grandfather Hector's story. He has had the courage to take that fence down and use a range of sources to enter the no man's land of suffering and isolation which was a part of his grandfather's life, and perforce, that of his grandmother and the young child who became his father. When the first edition was in preparation, Alistair Thomson's father objected strenuously to any mention in the book of his father's (Alistair's grandfather's) mental illness; reluctantly Alistair agreed to leave out the subject. We can understand why the author's father, himself a soldier, felt so strongly. .Index, bib, ill, p.239.non-fictionWhat is taboo in any family or in any society is never fixed. And neither is that body of family information which everybody knows but no one talks about. Mental illness is one such subject, and it created a kind of fence around one central element of Thomson's work in the 1980s - his grandfather Hector's story. He has had the courage to take that fence down and use a range of sources to enter the no man's land of suffering and isolation which was a part of his grandfather's life, and perforce, that of his grandmother and the young child who became his father. When the first edition was in preparation, Alistair Thomson's father objected strenuously to any mention in the book of his father's (Alistair's grandfather's) mental illness; reluctantly Alistair agreed to leave out the subject. We can understand why the author's father, himself a soldier, felt so strongly. .world war 1939 – 1945 – personal narratives – australia, world war 1914-1918 - biography -
Monbulk RSL Sub Branch
Book, Boolarong Press, Century of silent service, 2013
Australia's Submariners are a group with an extremely strong sense of identity that goes well beyond occupational comradeship or the esprit de corps of military life in peace or war. Since 1914, the unique skills, attitudes, values and demands of the work they do and the environment in which they do it have forged unparalleled camaraderie. A camaraderie that extends beyond nationality, embracing submariners past and present of every other nation. No one but submariners understand the experience of diving deep beneath the waves in technology filled tubes of steel, each submariner totally dependent on the other for a safe return to the surface. The ethos of Australia's submariners is based upon these factors and remains strong even when they leave the sea and take up other occupations. Australia's future submarines will certainly present challenges in terms of sophistication, technology and capability however the characteristics of our submariners evolved over previous generations will remain much the same; trained and equipped to meet the challenges; just as they have been met and surmounted so many times, in silence, over a century of service.Bib, ill, maps, p.243.non-fictionAustralia's Submariners are a group with an extremely strong sense of identity that goes well beyond occupational comradeship or the esprit de corps of military life in peace or war. Since 1914, the unique skills, attitudes, values and demands of the work they do and the environment in which they do it have forged unparalleled camaraderie. A camaraderie that extends beyond nationality, embracing submariners past and present of every other nation. No one but submariners understand the experience of diving deep beneath the waves in technology filled tubes of steel, each submariner totally dependent on the other for a safe return to the surface. The ethos of Australia's submariners is based upon these factors and remains strong even when they leave the sea and take up other occupations. Australia's future submarines will certainly present challenges in terms of sophistication, technology and capability however the characteristics of our submariners evolved over previous generations will remain much the same; trained and equipped to meet the challenges; just as they have been met and surmounted so many times, in silence, over a century of service.royal australian navy - submarine forces, submarine warfare -
Yarra City Council
Artwork, other - Installation/Sculpture, Troy Innocent, Joel Collins, Indae Hwang, Yun Tae Nam, Drop Zone, 2011
'Drop Zone', is set in an imagined future where decreasing water availability has affected us more dramatically than anyone predicted. The water shortage has become so severe that we have to access water on a first-come first-serve basis, from military-like water ‘drop zones’, like this one, made from modified rain water tanks. These tanks function on three levels: Collected rain water causes the totem sculptures to rise and bloom; evaporation causes the totem sculptures to fall; and an anemometer (device that measures wind speed) drives a process that plays the tank like a giant drum, tuned by the amount of water contained within. This artwork envisions a future for Australia where the impact of decreasing water availability has had a more dramatic effect than any of the predictions. The shortage is so severe that military-like water ‘drop zones’, constructed of modified rainfall storage tanks have been established across the public parks of the City of Yarra for access on a first come, first serve basis. However, as the water is only replenished through rain catchment the tanks may only offer infrequent relief for the City of Yarra residents, standing as hollow reminders of the effects of inaction on the shaping of sustainable national water use.'Drop Zone' was one of three public art works installed in Yarra, in 2011, under the banner of The Environmental Public Arts Project which responded to key features of Council's Environment Strategy: 'Towards Local Sustainability 2008-2020.' The aims of this project included activating public spaces in new and creative ways through the creation of artworks which act as catalysts for further engagement and discussion around environmental themes and issues.Copyright the Artists. Ready-made corrugated water tanks arranged on a site. Situated within the tanks are small totemic sculptures that float on top of the water within the tank.Accompanying plaquesustainability, water, environment, climate change -
Bay Steamers Maritime Museum
Framed photograph, Lindsay Rex, S. T. Wattle on low loader passing under Bolte bridge, 22/10/2009
Photogtoraph taken during the removal of Wattle from the River Yarra to its temporary storage and restoration site at No 24 South Wharf, Port Melbourne. A very significant moment in the life of the Wattle as this was the first day of the major restoration project that continues from 2009 through 2012 aiming to finish in mid 2013. Prior to this restoration project there was a long lead up to find funding and resources to restore the Wattle and ensure that Wattle was not scrapped. The majority of this preparation and restoration work was and continues to be completed by volunteers.Gilded wooden frame around a colour photograph. Steam Tug Wattle facing aft on a low loader which is passing under the Bolte Bridge. This was towards the end of the tug's land journey from Victoria Harbour to 24 South Wharf.wattle, bolte bridge, river yarra, steam tug, restoration, low loader, port melbourne -
Bay Steamers Maritime Museum
Framed photograph, Ronald Mason, S.T.Wattle being lifted by two cranes from the Yarra River, 10/2009
Photo taken on the day of the Wattle's removal from the River Yarra by two mobile cranes, the vessel is suspended above the river. A very significant moment in the life of the Wattle as this was the first day of the major restoration project that continues from 2009 through 2012 aiming to finish in mid 2013. Prior to this restoration project there was a long lead up to find funding and resources to restore the Wattle and ensure that Wattle was not scrapped. The majority of this preparation and restoration work was and continues to be completed by volunteers.Colour photograph in a gilded wooden frame. S.T. Wattle being lifted by two cranes from the Yarra River onto 24 South Wharf. A number of crew can been seen wearing safety attire assisting with the manouvering of the vessel.photograph, wattle, river yarra, mobile crane, crane, steam tug, volunteers, bay steamers maritime museum, 2009