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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Potographs, Turkish Prisoners, c. 1918
A set of nine black & white photographs depicting mainly activities of Turkish prisoners. 1. Ten prisoners sitting in a circle preparing vegetables. On the back - "Preparing the daily stew". 2. A group of about 70 prisoners in ranks of four with hundreds more in the background. On the back "Led or fed up". 3. Three sets of 44 gallon drums set up for cooking with a line of 25 prisoners behind. On the back "One of the camp kitchens, prisoners, staff and interpreter". 4. An open plane with long lines of prisoners . On the back "Prisoners from Jenin to Lejjun". 5. A group of about 80 prisoners by a stream. On the back " The first batch of prisoners in Damascus district near Sasa". 6. Lines of graves decorated with rocks. On the back "Turkish Graveyard". 7. Another scene of the camp kitchen with a large gathering of prisoners and Light Horsemen. On the back "The stew issue". 8. A large gathering of prisoners, mainly sitting on the ground. On the back "Acres of prisoners at Tulkeram". 9. Graves of Turkish POW's who died of sickness Oct 18See descriptionphotos, turkish pow, ww1 -
Kiewa Valley Historical Society
Photographs – Set of 10 black and white photographs and photocopies of original photographs documenting early residents of Bogong Village
Bogong Village, which was known as “The Junction”, is well recorded. The first tent camp was at the junction of Pretty Valley and Rocky Valley streams in the early 40’s. Further downstream were the sawmill, stables and blacksmith’s forge. Horses were the main mode of transport in the early days. The road to Bogong had reached the lookout spur just beyond Roper’s Spur track just before the 1939 fires. The early forties saw rapid growth of the village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Much of the temporary accommodation that housed groups such as the Albion Quarrying Company were in the area now under water.This group of photographs are a pictorial record of the early history of the Kiewa Hydro Scheme, the people who worked in the background supplying administrative support and the workers and their families. It also shows a glimpse into how a large group of people from very diverse backgrounds came together to enjoy social activities and share each others companyGroup of 10 black and white photographs and photocopies of original photographs of varying sizes (some official SECV photos) Some Photos are labelled with the date and the names of SECV staff members. Depicting early life at Bogong Village 1. Group photo – Kiewa House Residents 1.8.41 (SECV official photo) 2. Female staff residents 3. Female office staff 4. Kitchen staff – Junction Mess (SECV official photo) 5. Male administration staff Bogong 6. Bogong Social Club fancy dress ball, 1940 7. Wives and children of SECV workers 8. Children in fancy dress 9. Opening of Volunteer Air Observers post 1943 10. Flag raising at opening of Volunteer Air Observers post 1. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 1.8.41 Time: 12.30pm No:K 435 Kiewa Hydro-Electric Works. Kiewa House Residents Back Row L to R: S.A. Salmon, W. Strachn, T.A Connors, W.J Norman, R.C Grealey, R.D Hegarty, Mrs Hegarty, W.R Morgan, S.A Clarke, P. Morgan, P.J. Harnetty, G.W Crouch. Front Row L to R: W.L Godfrey, R.S Hollands, Pte. R Charlesworth, R.L Dunn, N Caldwell, L.T Davies, I Webber, H.L Kendall, P Tiller, Ricky Hegarty, L.T Guy, M.C Cox, K.F Calder, D.S Gibson 2. Printed on bottom: Staff who lived at Kiewa House and worked in the Administration Office c 1943 Handwritten at bottom Priscilla Johnson (nee Reid) At top of page A GOOD LIFE: WOMEN’S RECOLLECTIONS OF LIFE IN THE UPPER KIEWA VALLEY 3. Printed under photo- Office Staff – Bogong 4. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 18.5.40 Time: 11.05am No:K 103. Kiewa Hydro-Electric Works. Kitchen Staff- Junction Mess. Opening night of the new staff mess Bogong. 5. Printed under photo -Administration staff Bogong 6. Printed under photo- The social club raised money for patriotic fund from fancy dress nights. (1st Fancy Dress Ball, Bogong 1940) 7. Printed above photo: ---- and family life begins (1942 Bogong) 8. Printed under photo: A favourite photograph 9. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 24.5.43 Time: 2.8pm No:K 1151 Kiewa Hydro-Electric Works. Bogong- Squadron Leader Leggett speaking at opening of Air Observer’s Post 10. Printed under photo: Raising the flag at the opening of the Volunteer Air Observer’s Post at Bogong - 1943 bogong village; kiewa hydro electric scheme; social activities; community clubs -
Vision Australia
Photograph (item) - Image, Woman taking casserole dish out of over
Cooking often requires skill and adaptation. In this kitchen, a woman with low vision removes a dish hot from the oven of an upright cooker. Dressed in a pinafore and oven gloves, she carefully maneouvres the dish outwards. Above her, a tea kettle sits on the hob, next to the sink. In the background, spice jars are lined up on the bench, each with a large written label on them. Woman is not named, but possibly Joy Kerr, who gave talks and wrote a book on cookery for people who are blind or vision impaired.royal blind society of nsw, education -
Kew Historical Society Inc
Postcard - Kew East State School No.3161, 35 Kitchener Street, c.1927
What is now Kew East Primary School was opened on its current site in Kitchener Street in 1923. The Kew East and Mont Albert Heritage Gap Study (August 2020) established that: 'Kew East Primary School No. 3136 is historically significant for the evidence it provides of an early phase in the development of Kew East which gathered momentum from the 1920s, as housing developed rapidly and the population increased in response to the extension of the High Street tram to Harp Road then Burke Road then improved tram connections between the area and the city.'A rare and early photograph of the school taken four years after its construction. Small, sepia coloured photographic positive of East Kew State School. The two storey red brick building was opened in 1923. This view, three years after its construction shows preliminary fencing and undeveloped playing grounds.schools -- kew east (vic.), government schools -- kew -- kew east, strathalbyn street -
Churchill Island Heritage Farm
Functional object - mincing machine
Made and imported by Swedish company, Husqvarna, this machine was used to mince larger pieces of meat. The grinder was clamped securely to a table, and meat was then fed into the machine through the funnel at the top. The wooden crank handle was turned, moving the spiral grinding mechanism, and pushing the meat through the sieve-like fitting at the end. While hand mincers were ubiquitous in the late nineteenth and early twentieth-century kitchens, and was responsible for reducing food waste and promoting frugal ideals, the Husqvarna brand sold over 12 million worldwide.Hand operated mincing machine, larger than usual, with multi small holed attachment in place. Tin plating worn off top edge of bell. Plan wooden handle. Stamped with name, number, etc.HUSQVARNA 10 one side; also on attachment holder. RELIANCE/MADE IN SWEDEN + five pointed star on other side. "H" stamped on crank inside.husqvarna, mincer, hand, kitchen tool -
Stratford and District Historical Society
Theodolite
This theodolite was used by `Mr Dawson' (presumably William Tennant Dawson c.1820-1873) who `surveyed much of the area around and beyond Stratford'. It was damaged by the fire which burnt the original Roseneath home in 1921, when the Macleods were in residence. (Mrs W.T. Dawson was a Macleod). One little boy aged 3 years was given the job of saving everything on the kitchen table when the fire started at breakfast time. The theodolite was possibly in use by Dawson when he laid out St Kilda Road.This theodoite consists of a bottom plate, which is damaged and has melted metal. This rises to a ball joint, on which is pivoted another plate on which were housed four screws, of which three remain, to adjust the level. Above this is another plate, with compass markings and melted glass."Troughton and Simm's/London" in fine engraving on upper plate.surveyors, instruments -
Wodonga & District Historical Society Inc
Functional object - Dazey Churn, 1922
In the early 1900's, E.B. Jones developed a small glass churn for home use. Nathan Dazey purchased Jones' business and relocated it to St. Louis, Missouri as the Dazey Churn and Manufacturing Co. Dazey churns were manufactured up until 1945. Although best known for its butter churns, the company also made can openers, knife sharpeners and other kitchen products. Thes churns were widely used throughout households in rural Australia during the first half of the 20th century.This item was typical of kitchenware used widely in the early twentieth century when households produced more basic food items. A round glass churn with metal lid and mechanism. The handle was turned to rotate the paddle at the base of the mechanism in the jar. The jar holds 2 quarts of milk.The embossed Jar lettering is as follows: DAZEY CHURN No. 20 Patented February 12,1922 DAZEY CHURN & MFG. CO. ST. LOUIS, MO. MADE IN U.S.A.domestic appliances, kitchen appliances -
Flagstaff Hill Maritime Museum and Village
Instrument - Scale, Early 20th century
The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. One of the most common types of spring scales was the kitchen scale also known as a family or dial scale. Designed for horizontal surfaces, these vintage kitchen scales used the weight of goods in a pan at the top of the scale to force the spring down rather than the balance system. Such scales were common in early 20th century households and were sold by many companies. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks were the most popular brands used. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is as scoop at one end for the material to be weighted and a flat circular disc at the other end that holds the weights. Around the cast iron base is an embossed leaf pattern. All the weights have their weight embossed within the casting.There are 5 weights, marked 2 oz, 4 oz,8 oz,1 lb,2 lb, This scale does not have any visual markings on the arms to identify a maker or true balance. It is therefore assumed that these scales were made for domestic use only.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spring scale, scale -
Kiewa Valley Historical Society
Plate Bread & Butter, Circa 1921
This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tide to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local expertise in dam construction and water management in alpine terrain came from migrants for England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic plate (bread & butter). It is made in England and is of strong and durable ceramic. The bottom of the plate is flat with edges sloping out (to position the bread) and the extended rim is to catch any spillages. The 5mm thickness of the ceramic suggests this plate belongs to a commercial kitchen/eating establishment (mess) and not a domestic dining room. The indent bottom of the plate is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (see KVHS 0128 for its saucer part of a dinner set.The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Robert Green, 28/03/1970 12:00:00 AM
Black and white photograph of SEC Bendigo Birney No. 28 decorated for the Centenary Easter Fair, in Arnold St. at the corner of MacCrae Street, Bendigo, Saturday 28 March 1970. Photo by R.W. Green. Tram has destination of "Nth Bendigo", sign on front dash panel "Easter Fair Centenary" and on side panel "Visit the Joss House, Eaglehawk Museum, Rosalind Park, Central Deborah Mine by Tram". Photo taken on a rainy day. Roof advertisement SEC - "Everything's fine in my all Electric Kitchen"On rear in black ink "Bendigo Birney No. 28 decorated for the Centenary Easter Fair in Arnold Street at the corner of MacCrae Street. / Saturday 28 March 1970." Stamped on rear of photo in black ink "R.W. Green / Copyright Reserved / No. . . ." Paper has a stamp "H429" in blue green ink.trams, tramways, easter fair, arnold st, decorated trams, tram 28 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Jan. 1969
Photo of three single truckers, 31, 32, 21 parked in City Loop, with another single trucker, 26 or 28 entering Sturt St. 31 and 21 have SEC "Everything's under control in my all-electric kitchen", 32 - Wilkinson Sword?. In the background are Woolworths Big W store and Dickins supermarket. Kodak cardboard mount slide, taken by Peter Moses assumed Jan. 1969, dated only "Jan", but date lines up with Bendigo slides and type of numbering. Could be 1970.On the rear of the slide in black ink "P. Moses" along bottom right hand corner in black ink.tramways, trams, city loop, sturt st, grenville st, tram 31, tram 32, tram 21 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Richards & Co Ballarat, 19/06/1955 12:00:00 AM
Black & white photograph of the Ballarat Tramways Social Club taken in front of a Grenville St. office (in 1997 was the "The Pancake Kitchen" building. No date. Group of 16 people, men, women and 1 child. HP James second from Right dressed with face blackened. Other people in fancy dress, includes a person in a pram "Baby Thrives on Modern Diary Milk" written on the side. Photograph mounted onto cardboard with a grey textured face and depressed for photo. Has "Richards & Co. Ballarat" printed on bottom rh corner. On rear in Pencil "Ballarat Tramways Social Club (street procession) H.James second from Right" On rear in top left hand corner, white circle with "3" in green ink.trams, tramways, ballarat, esco, personnel, social club -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Travis Jeffrey, 21/08/1971 12:00:00 AM
Colour photograph of Ballarat No. 43 and 37 in Lydiard St. North, at the intersection with Sturt St. No. 43 northbound, No. 37 about to turn into Sturt St (north side - See Reg. Item 2421). Both trams have the SEC roof advertisement "Everything's under control in my all electric kitchen". In the background is the ANZ bank, the AMP buildings and other buildings along the west side of Lydiard St. Nth. Also a number of pedestrians in the photograph. Photo on Agfa Paper and taken on Friday 21 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/14" in blue ink and date stamp "Friday 21 August 1971" also in faded green ink.lydiard st nth, sturt st, anz, amp, tram 43, tram 37 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Bob Lilburn, 17/01/1969 12:00:00 AM
Black and white photograph of Ballarat tram No. 37 at the Mt Pleasant terminus. Tram has destination of "Gardens via Drummond Nth.", roof advertisement for the SEC "Everything's under control in my all electric kitchen". Shop on the left hand side of the photo has Robur Tea company, Coca Cola and Women's Weekly advertisements. High Res image added 8/5/2019 from Peter Lambert. 2nd print - dates the photo as 17-1-1969 a photo by Bob Lilburn.On rear of 2nd image - "2nd Ballarat 37, Mt Pleasant, Ex Bendigo 1, Ex Geelong 35" and "ex MMTB 119, 17-1-69"trams, tramways, mt pleasant, barkly st, tram 37 -
Mont De Lancey
Book, Peter Cuffley, Chandeliers and Billy Tea: a Catalogue of Australian Life 1880 - 1940, 1984 (1995 reprint)
A comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.A comprehensive catalogue book: Chandeliers and Billy Tea 1880 - 1940. The front cover has brown tonings and shows a full page photograph of many kitchen and household objects from the past. The title is written in different elaborate lettering inside a square shape towards the top of the cover. The author's name, Peter Cuffley, is printed in white lettering at the bottom. Inside is a Contents page with Catalogue references, a Selected Bibliography, Acknowledgements and an Introduction. There are hundreds of black and white drawings and photographs of household items and general life of the times.non-fictionA comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.social history, australian history, family history, history -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of land dated 14th may, 1956 between Mr. H Nolan (vendor) and ? Property: land situate 55 Myrtle Street, Bendigo land described in Right to Occupy residence area no. 125, together with weatherboard and rough cast dwelling and all sundry outbuildings, also blinds, curtains, electric light fittings and shades, electric sink heater, electric stovette in kitchen, galvanised iron tank and all floor coverings with the exception of the lino in the middle bedroom. Price: 3,500 pounds.organization, business, h.a. & s.r wilkinson real estate -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tool - Tools small steel socket spanner
Early 20thC settlers need a different spanner for each size nut or bolt. Now socket spanners often come as a "socket set" with many different sizes or types of sockets to fit the heads of different-sized fasteners. Among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools This spanner is typical of the type used by early settlers in Moorabbin Shire early 20thCA small steel socket spannerhammers, early settlers, market gardeners, blacksmiths, tools, building equipment, moorabbin shire, bentleigh, mckinnon, highett, cheltenham, mcewan james pty ltd, melbourne, bunnings pty ltd -
Churchill Island Heritage Farm
Tool - Strop
This horse hide strop was traditionally used to sharpen and polish straight edged razors, although it could be used for kitchen knives or chisels. The metal loop was designed to be hung onto a nail or peg, and the person held onto the handle and pull the strop taut. The razor was sharpened by drawing the spine down along the strop, so no pressure placed on the blade. Once the razor reached the bottom of the strop, it was flipped and drawn upwards. This process required skill, although it could be done at a great speed. Keen Kut was an American brand that sold razors, strops, and safety brands. Double sided, two strips. Metal ring one end, padded stitched handle at other. Horse hide.KEEN KUT /GENUINE HORSE HIDEchurchill island, strop, horse hide, tool, kleen kut -
Puffing Billy Railway
5 NBD, June 1901
NBD This is a Puffing Billy Railway reclassification of the first series of NB carriages. COMBINED NB PASSENGER CAR AND GUARD'S VAN. A saloon or end platform NB which has had a guard's compartment temporarily added in one end. Due to the temporary nature of this conversion, this vehicle also retains its original number in the NB numbering sequence but is classed NBD to differentiate it from the standard NBC and the NAC. The use of the letter 'D' in the classification is recognising the code for guard's vans prior to 1910. NB Class - Number Built (1st Series) 6 - Number Built (2nd Series) 17 - Number Built (3rd Series) 4 NB (1st series) NB 5 was equipped with a vertical hand brake at one end to enable it to be used as the last vehicle of a train. Body Length 20 feet 6 inches ( 6248 mm) Vehicle Length 25 feet 2 inches ( 7671 mm) Coupled Length 27 feet 4 inches (8330 mm) Width 6 feet 3 inches (1905 mm) Height 9 feet 5 inches (2870 mm) Weight 8 tons Capacity 16 passengers Built 1898 - 1904 Number Built 6 In use NBD 1, 2, 5 NB - Puffing Billy Railway classed these as NBD to indicate their use as a trailing vehicle with guard's accommodation. 5 NBD Victorian Railways Service History NBB 5. ( it's original number ) Built new - - / 6/1901 Newport Workshops 4/ 2/1902 - In Service "Commenced running" circa 1910 - renumbered To NB 5 *NB 5. - / 6/1926 - Modified AC Malco 5/ 2/1951 - Scrapped - Body and underframe purchased by Puffing Billy Preservation Society from Pakenham. Restored by the Puffing Billy Preservation Society 1975. In July 2006 work commenced on 5 NB to make it a temporary kitchen car for the luncheon/dinner train. It has had the seating removed from the saloon and kitchen equipment installed. Plans are for a kitchen car to be constructed and 5 NB restored to carry passengers.Historic - Victorian Railways Narrow Gauge - Passenger Rolling Stock: Passenger and Guard's Van carriage 5 NBD - converted into Catering Car and Guards vanMade of Timber and steel 5NBDvictorian railways, narrow gauge rolling stock, 5nbd - catering car and van, puffing billy -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, Set Square steel x2, Stanley c1900, c1900
In 1843, Frederick Stanley, started a small shop in New Britain, USA, to manufacture bolts, hinges, and other hardware from wrought iron. Among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . As manufacturing developed late 19thC high quality tools were imported from UK, USA and EuropeThese set squares are typical of the type used by early settlers in Moorabbin Shire c19002x Steel Set Squares a) 15cm (6") with wood handle b) 19cm (7") with a slotted steel handle. a) STANLEY Pat 12-29-96set squares, rulers, builders, trigonometry, mathematics, stanley tools pty ltd., bolts, hinges, hardware, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tool - Tenon Saw 20thC, 20thC
This small fine-toothed saw with a strong back, used especially for cutting tenons on hard and soft woods, usually a Tenon saw will have between 10 and 14 teeth per 2.5cm (inch), this allows more control over the depth and direction of the cut. Among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, carts using various tools . This tenon saw is typical of the type used by early settlers in Moorabbin Shire 20th CA small fine-toothed steel saw with a strong back and wood handle, used esp for cutting tenons - fitted pieces of wood to insert into a cavity.saws, tenon saws, early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tools, Wagon Wheel Spanner c1900, c1900
Among the early settlers in Moorabbin Shire were blacksmiths who made tools for the other settlers who were establishing the homes, market gardens, farms, orchards and various businesses. Early settlers were self reliant and repaired their own equipment for kitchen,dairy, farm, horses, wagons, carts using various tools . These large spanners were used on a horse-drawn wagons, carriages, stagecoaches, and carts. A wheelwright would use this tool to make or repair the wheels. All sizes of buggy spanners, or wagon wrenches, were needed as wagon wheels were of many different sizes. This wagon wheel spanner is typical of the type used by early settlers in Moorabbin Shire c1900 Horse-drawn wagons were used to transport the produce of the market gardeners to the Melbourne markets. Buggies, Traps and Jinkers were popular with farmers, Doctors, and Councillors for trips into town before the advent of the motorized vehicles.A steel wheel wrench, spanner for wagon wheels. c1900 wagons, wheelwrights, spanners, iron rimmed wheels , early settlers, market gardeners, blacksmiths, tools, building equipment, hammers, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,mcewan james pty ltd, melbourne, bunnings pty ltd, -
Blacksmith's Cottage and Forge
Wooden Spoon
Used for stirring a multitude of kitchen produced food, especially jam, scones, cakes, and soup. Also used by the mother as a threat to naughty children. The word spoon derives from an ancient word meaning a chip of wood or horn carved from a larger piece.[1] Wooden spoons were easy to carve and thus inexpensive, making them common throughout history. Wooden spoons have been made in virtually every nation on earth and (compared to silver or pewter or gold spoons) represent the ordinary artisan and reflect the life of ordinary folk: this is their "folk art". Source: www.wikipedia.org An essential item found in the kitchen. One piece wooden spoon. Turned marble-shaped decoration at end of handle.kitchen, food, spoon, wooden, stirring, mixing, jam, cakes, batter -
Kiewa Valley Historical Society
Scales Weighing, early 1900's
Although these scales cannot be identified against a historical period of Australian development they are therefore placed in a time frame when commercial markings from manufacurers were not important enough to have domestic kitchen items labeled. These cast iron scales were made for domestic and possibly rural areas and not for cities where demand for known branded utensils was more an issue. These scales are very "basic" and not to the level of weighing detail that commercial scales had to be at. These scales do not show any visible markers for accurate measurement. The "near enough is good enough" principle can be related to these scales.These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff before the televising of "cooking" shows (1960s onward). The meals for which quantity measurements are required for domestic cooking is not exact however the use of cup measurements for large dishes is tedious and these scales offer the capacity for a larger mixture and an easier method for the "cook". As the need for accurate measurements of ingrediants for rural domestic meals has in the past been not been critical the requirement of accuracy that these scales do not provide is of no consequence. Domestic kitchens in the Kiewa Valley and the type of meals produced would not have required the accuracy of ingrediants that "modern " international cuisines of the later 1900's require. These kitchen scale were used whenrecipes had the terms "pinch, dollop, squidge and smidgen" were about as accurate as most recipes needed to be.Black cast iron, medium weighing scales, with a two arm cradle. On one side of the cradle is a two half circle holding frame for the retention of the metal container scoop. This light weight steel scoop/dish allows for the weighing of loose grain or similar type material to be contained and held in place for establish its saleable contents. On the other side of the weighing cradle is a flat circular platform to hold various metal disc. All the disks used on this platform have their weight stamped on them. When the produced filled in the scoop balances with the metal weight on the opposite end of the balance match (visual horizontal appraisal) the appropriate quantity required is obtained. This scale does not have any visual markings on the arms to identify a true balance. It is therefore reasonable to assume that these scales were for domestic use only and not for commercial transactions. There are two weights that are useable with these scales, one is stamped "1 lB"(pound) and one stamped "1" and both are made as a solid round piece of cast metal.The smaller disc has a "1 lb" moulded and pressed form within a marked inner circle and a mouled ridge outer circle enclosure. The other weight is slightly larger and has a moulded "1" located on the top within a raised circular edge.domestic kitchen scales, weighing scales, metal scales -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1957
The Halls Gap Swimming Pool. ' Caravaners who visit Halls Gap will find facilities for up to 200 caravans, shelter, water laid on, swimming pool, paddling pool for children, with swings &:firewood, kitchen comfort station with showers, lounge and sewered conveniences under the care of a reliable and courteous caretaker. Stores and bowsers are close handy. Milk and bread are delivered at the camp each day and meat four times a week. The fees are 7/0 for first week and 5/0 a week thereafter." article from Argus Mon.15/1/1940 article with photograph aboveThe photo shows a swimming pool (Halls Gap pool) with a building in the background. Women and children are in the pool, seated around the edge and on the surrounding grassy areas. There is sunlight reflecting on the water. Bush can be seen in the background.recreation, swimming pool -
Rutherglen Historical Society
Image, c1990
This photograph shows the workers' amenities at the Gold Battery. The building has a bedroom and kitchen. In front is a Baler Bucket and a cage. This particular cage was for raising and lowering the skips which brought the material to the surface. This is one of a series of photographs of the Rutherglen Gold Battery. The battery's purpose was to crush quartz from nearby quartz reefs and extract gold from within. The battery was erected in 1908 and consists of a five-head battery, Wilfrey table, Bergin pan, portable steam engine and shed. The battery was restored in 2011/12 and can be viewed daily between 9.00am and 5.00pm. See website for details.Colour photograph of a corrugated iron cottage, with several pieces of machinery around it.gold battery, gold processing -
Marysville & District Historical Society
Ephemera (Item) - Circular, Jack Haycraft, Marysville Tourist & Progress Association, 17-11-1964
A circular produced by the Marysville Tourist & Progress Association requesting assistance from members in raising funds to promote tourism in the district. The circular was sent to the following members: Marylands Guest House, Kerami Guest House, The Cumberland, Marylyn Guest House, Mt. Kitchener House, Kooringa Guest House, Barton Bros, Marysville Theatre, Marysville Garage, F. Schulthess and, K. McKenzie Taxi Service. A Sub-committee was then formed with the following members: Mr. F. Fiske, Mr. J. Haycraft, Mr. G. Cuzens, Mr. J. Darmody, and, Mr. M. Hull to administer the funds. A circular produced by the Marysville Tourist & Progress Association requesting assistance from members in raising funds to promote tourism in the district. The Association was formed in November 1907 to promote tourism within the area. This included the physical creation of signage, parklands, roads and walks to various attractions. marysville, victoria, marysville tourist & progress association, marysville and district tourist and progress association, circular -
Melbourne Tram Museum
Photograph - Set of 8 colour prints - Moomba trams, c2000
Set of 8 colour prints of trams in a Moomba Parade taken in St Kilda Road. Not known which year - c2000. For the 2002 Program - see Item 1329. Trams were modified for a series of Moomba Events. The last Parade featuring trams was in 2002 and the trams were subsequently disposed of. 1 - Kitchen Tram - could be SW5 795 2 - Antarctica tram, - W6 984 with a friendly whale. 3 - Silk Road tram - SW5 800 4 - Islander Tram SW6 899 5 - Trailer tram 6 - Nirvana tram 7 & 8 - Pedal tram 1042 Yields information about trams used in a Moomba Parade.Set of 8 Colour prints - printed on Kodak Professional paper.trams, tramways, moomba, tram parade, tram 1042, tram 899, tram 800, tram 984, tram 795, sw5 class tram, w6 class, sw6 class, st kilda road -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Hope, 2013
ENTERTAINMENT AND SOCIAL EVENTS The Ladies of the Harbour Lights Guild played a central role in everyday functions of the Mission to Seafarers. Concerts and social events were held nightly all the year round, as were special events on Cup Day, the King and Queen’s Birthdays, Christmas Day, Boxing Day and New Years Eve. Ladies of the Guild and other friends of the Mission contributed greatly to the organisation of such occasions, which provided great comfort to seafarers so far removed from home and their loved ones. As one seafarer remarked: “Ah miss, it is not so much the concerts and picnics that does us men so good, but that you ladies will come and talk to us”. This window, titled ‘Hope’, was installed in 1933 in memoriam of one of the founders and long- standing members of the Guild, Miss Alice Tracey, who passed away in 1932. She is remembered as a much- loved leader and key member of LHLG.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Alice Sibthorpe Tracy, a photograph of ladies pin the kitchen in the Flinders Street building, and seamen dressed up during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Volunteers preparing meals for a social event, circa 1950s BELOW: Seafarers dressed for the "final heat"of the costume race at the 1926 Christmas Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, alice sibthorpe tracy, social events, kitchen, lhlg, picnic, fancy dress, seamen, sailors, catherine mclay, arthouse -
Kew Historical Society Inc
Photograph, J E & B L Rogers, Stables, 'Roseneath', Pakington Street, c.1959
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.'Roseneath' was constructed in stages in the I850s by John Ambrose Kitchen, a soap-maker. In 1870 the brick house received an N.A.V. of £60 while in 1885 it was purchased by Edward John Dunn, a geologist. A new wing was built at the right side of the house and several rooms as well as the coach house, loft and groom's quarters were added. In 1903, during Dunn's ownership, the property was described as having eight roorns. The garden is recorded as having been designed by Baron von Mueller who was the Government Botanist from 1853. Source: City of Kew Urban Conservation Study, 1988"32"historic houses -- kew (vic.), roseneath -- pakington street -- kew (vic.)