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Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, Half Moon Bay (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, black rock jetty, pier, half moon bay -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, From the verandah (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, half moon bay, ship -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, To the Bay (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, half moon bay, roof tops, palm tree -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - charcoal on paper, Craig Gough, The rotunda (from 'Sandringham series'), 1983
charcoal on papersandringham, craig gough, coast, boat, port phillip bay, sailing, half moon bay, palm tree, sandringham band rotunda, fountain, rotunda -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Brighton Artillery Corps, 1865
Gelatin silver photograph of Officers of the Brighton Artillery Corps taken in 1865 on Parade Ground Drill Hall, Middle Crescent, Brighton. A cutout on the mount around a label with the soldiers' names listed. Standing, L to R: George Webb, Woodleigh, Rigg, Moule, Dixon, -, Selwyn, Walstab, Colonel William Mair (side on) Stamp, Gifford. Reclining, L to R: Were, Hallet, Strudwick. This photograph was donated by Mr William Herbert Edgar, grandson of Colonel William Mair.brighton artillery corps, soldier, colonel william mair, j. h. were, j. l. strudwick, drill hall, middle crescent, brighton, george wbb, woodleigh, rigg, moule, dixon, selwyn, g. walstab, stamp, giffod, hallet, strudwick, william herbert edgar -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Certificate - Illuminated certificate, Hamel & Fergsuon, Brighton Municipal Certificate, 1866
bayside city council, borough of brighton, illuminated, certificate, population, rates, public buildings, mayor, town clerk, surveyor, councillors, council, borough, county of bourke, thomas crisp, cr t. crisp, census, parish of moorabbin, hamel & ferguson, coat of arms -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Certificate - Illuminated certificate, Brighton Municipal Certificate, 1861
bayside city council, borough of brighton, illuminated, certificate, population, public buildings, surveyor, council, borough, county of bourke, census, colony of victoria -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, N. Lubeck, Alan Marshall
Alan Marshall (1902-1984) was an Australian writer, story teller, social documenter and author of 'I Can Jump Puddles'. For many years, Marshall lived in Sandringham. A bronze bust dedicated to him stands outside the Sandringham Library in Waltham Street. He died on 24 January 1982 in Brighton East, Victoria.alan marshall, portrait, n. lubeck, writer, i can jump puddles, social documenter, australian literature, australian author -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Map, Department of Crown Lands and Survey, Moorabbin, County of Bourke, c. 1918
The cadastral map of the Parish of Moorabbin in Victoria (L.6104) shows parish boundaries and land ownership c. 1918 when Sandringham was a Borough.moorabbin, county of bourke, map, plan, land subdivision, land titles, foreshores, sndringham, hampton, beaumaris, highett, cheltenham, department of lands and survey, land owners, cartographic material, borough of sandringham, brighton -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Map, Department of Crown Lands and Survey, Melbourne and Suburbs, City of Sandringham, 1917-1926
map, plan, foreshores, sndringham, hampton, beaumaris, cheltenham, department of lands and survey, cartographic material, borough of sandringham, moorabbin, black rock, street map, city of sandringham -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Functional object - suitcase, I. Sher, Holsmor expandable suitcase for City of Brighton, c.1920-1950
Holsmor expanding suitcase was sold throughout the 1920s-1950s. Manufactured by I. Sher in Carlton and sold in leading stores. Brown leather expanding suitcase with circular gold label which has Coat of arms of City of Brighton, 1859. suitcase, city of brighton, i. sher, holsmor -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic - stoneware, David Potter, Venus, c.1980
Acquired by Sandringham Council at the inaugural Sandringham & District Arts Council (SANDAC) Acquisition Award in 1982.venus, stoneware, david potter, ceramic, urn -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceramic, Tony Hutchison, Ikebana pots
ikebana, vase, urn, vessel, tony hutchison -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, H. Singer, Opening of The Municipal Golf Links, 1936
golf, brighton municipal golf links, brighton public golf course, brighton east, mayor, councillor, opening, ceremony, speech, cr. j.a. grant, cr. e.m. young, cr. j.a. kennedy, cr. j. redapple, c.e. tuxen, city engineer, j.h. taylor, town clerk, kiosk -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Elizabeth Prior, The anchorage, 1979
elizabeth prior, anchorage, boats, sailing, bay, water -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Otto Boron, Merimbula, c.1980
otto boron, merimbula, painting, coastal town, new south wales -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, Cliff Judge, Autumn, c. 1980
This painting was entered into the 10th Annual Brighton Art Exhibition in 1980 and was the winner of Brighton City Council Acquisitive Award category.autumn, leaves, tree, seasons, dr cliff judge, cliff judge, brighton art exhibition, brighton city council acquisitive award -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - type C photograph, Newmark Aerial Photography, Kamesburgh, North Road, Brighton, 1996
kamesburgh, north road, brighton, historic house, aerial, photograph, newmark aerial photography, anzac hostel, william kerr thomson, lloyd tayler, italianate, streets -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - type C photograph, Newmark Aerial Photography, Billilla, Halifax Street, Brighton, 1996
brighton, historic house, aerial, photograph, newmark aerial photography, streets, billilla, weatherly, william weatherly, smith and johnson, walter richmond butler, halifax street -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - type C photograph, Newmark Aerial Photography, Brighton Town Hall, Wilson Street, Brighton, 1996
brighton, aerial, photograph, newmark aerial photography, streets, brighton town hall, brighton library, brighton court house, court house, library, gardens, wilson street, carpenter street, boxshall street, khyatt's hotel, council chambers, brighton police station -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Kathleen Mitchell, Hillside, 1985
Acquired by Sandringham City Council in 1985 as winner of the acquisitive Inez Hutchison Award, established by the Beaumaris Art Group in 1966.Kathleen Mitchell, Hillside 1985, oil on canvas, 89.7 x 120 cm. Bayside City Council Art and Heritage Collection. Winner of the acquisitive Inez Hutchison Award, 1985.tree, kathleen mitchell, hillside, hill, landscape, painting, inez hutchison award, beaumaris art group -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - pastel, Allyson Dearing, Mum's watching the family, c.1987
beach, family, allyson dearing, beaumaris art group, dog, coast -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, Herman Pekel, Winter's day, 1990
Awarded Brighton City Council's 'Best Painting in Show' at the Brighton Rotary Art Show in 1990Herman Pekel, Winter's day 1990, watercolour, 62 x 96 cm. Bayside City Council Art and Heritage Collection. Purchased 1990winter, maritime, ship, dock, warehouse, williamstown, spotswood, mist, smoke, brighton rotary art show -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas, Margery Boyle, Bathing Boxes, Brighton, c. 1978
bathing box, bathing shed, bathing boxes, brighton, brighton beach, beach, coast, port phillip bay, margery boyle -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Ramon Horsfield, Hill country
ramon horsfield, hill, country, rural, landscape -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, Ramon Horsfield, Murray River bushland
ramon horsfield, country, rural, landscape, bush, gum, tree, murray river -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Ramon Horsfield, Eildon landscape
ramon horsfield, rural, landscape, bush, gum, tree, eildon, lake, lake eildon, hill -
Brighton Historical Society
Headwear - Hat, c.1960s
This hat belonged to Mrs Moyra Rasmussen, who lived at 389 St Kilda Street, Brighton for over 50 years with her husband Rae Rasmussen, a bank manager with the State Bank of Victoria. The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s. Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.Label, woven black on white: MISSES MOONEY / OF MELBOURNEhat, turban, rae rasmussen, brighton, misses mooney, millinery, melbourne designers, moyra rasmussen -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
Brighton Historical Society
Clothing - Dress, Evening dress, circa 1860s
A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole