Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape

Wooden plaque in the shape of Victoria with the Victorian Police symbol (5 point star, surrounded by green leaves, topped with a red crown, round circle in the middle of the star containing the words 'Victorian Police' around a blue cross on a red background with 5 stars on the cross, and 'Uphold the Right' under the circle), to the left. The inscription to RVIB is on the right.Wooden plaque in shape of Victoria with police emblem on left sideTo the Staff of RVIB With Thanks Crime Department 1989royal victorian institute for the blind, nameplates

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Designed by C Douglas Richardson, ‘The Peace of 1919’ medalet was issued by the Defence Department to school children throughout Australia to commemorate the signing of the Versailles Peace Treaty in 1919.One side of the medal features a symbolic female figure of Peace, holding a sword and standing on a plinth marked ‘PEACE 1919’. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. The reverse features a central panel surrounded by laurel leaves, surmounted by the King’s Crown with the word ‘VICTORY’ over the rays of the rising sun. A sailor and a digger stand at ease on either side of the panel on which is cast ‘THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE’. Below the leaves is a very small panel with the words ‘THE PEACE OF 1919’, ‘AUSTRALIA’. versailes peace treaty, medal, defence dept., school children

The dress was made by Miss Mary Ryan, a pupil at Lilydale Convent (now Mt Lilydale College) in 1902. It was worn to the Annual Empire Day Celebrations in Lilydale. Accompanying photo shows dress worn by Monica Ryan (no. 5089). The outfit also includes two hand made pockets for handkerchiefs and ties (nos. 735 & 736) Empire Day Dress; Cream silk, cotton lined, embroidered with kangaroos and emu holding shield, with Southern Cross stars above rising sun emblem. Banner below reads 'Advance Australia', embriodered with silk and cotton thread; also gold metalic braiding. Bodice of dress decorated with embroidered Australian and British flags, wattle branches and eucalyptus leaves, cotton, leather leaves(?); centre of dress and sleeve cuffs decorated with red, blue and white ribbons. Thin gold braiding around neckline. back of dress closes with hook and eye fasteners. 'Advance Australia' in gold metalic thread, bottom of dress. costume - childrens, costume - female ceremonial, lilydale

Wedding accessories when Bernice Prior married James Graydon on 11th April 1936 in the Methodist Church, Elsternwick.1. Wedding Photo Black and white. 2. Cream Silk Gloves. 3. Wedding decoration - Cream satin ribbon to which is attached seven silver wishbones and wax orange blossom . 4. Wedding decoration - cream satin ribbon to which is attached cream satin silpper inside which is a small doll and wax orange blossom. 5. Button hole boutonniere - orange blossom and silver leaves. 6. Buttonhole boutonniere-orange blossom with green leaves. 7. Returned to donor as it was acidic. 8. Photocopy of Marriage Certificate.costume, female ceremonial

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant, with details of flowers, leaves and seeds. Study on lower left is of a leaf and stem. Above this is a seed. To the right is a stem with leaves and seven red and orange flowers. On the top right is a study of a flower with yellow petals and red-orange centre. Below this is another flower detail with red-orange petals with yellow edges. Below this is a side view of a flower. Below these are seed studies, and a seed pod study, Mounted in a double matt (tan on olive) in glazed timber frame. Each view is numbered in pencil (partially erased).Front: CEWoolcock (signature, lower left of image) (purple pencil) Back: 76 (upper left) (pen)woolcock collection, collin woolcock, botanical drawings, bontanical, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two pen and ink drawings of two daisy plants. On left is stem with fine hairs, large serrated leaves with dark upper side and pale under side, clustered at base of stem, with single flat topped daisy flower at top of stem. To the right is stem view with hairy stem, rippled leaves with dark upper side and pale under side, and three stems at top with 2 daisy flowers in full bloom and one bud. Mounted in a double matt (white on grey), framed under glass in wooden frame with silver detail.Front: O. grandiflora (Mt. Loty Daisy-bush) S.A. O. tomentosa (Toothed Daisy-bush) S.A. (lower left) (pencil). CE Woolcock (signature, lower right) (pencil). Back: 31 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, bontanical drawing

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of stem, leaf and flower details. At left is stem with small, long dark green leaves with small white flowers. At top centre is detail of a white flower from a top view and to right is flower view from bottom view. Below this (l-r), t-b) are: side flower view, leaf top view, stem detail with leaves and buds, bottom leaf view. At bottom left is detail of two buds. Mounted in double matt (white on sage), frammed under glass in gold detailed wooden frame.Front: Monotoca scoparia (lower left) (pencil). CEW/82 (centre left in image) (brown pencil). Back: 1 (upper left) (pen)collin woolcock, woolcock, woolcock collection, botanical drawings

This certificate recognizes the contribution of Corporal H E Swan to the effort of World War 2 by the President, councillors and ratepayers of the Warrnambool Shire.A link to a local person and is representative on many given to soldiers of the district.Coloured certificate mounted on a metal backing and covered with a plastic type material. It has a photo of the king flanked either side by flags at the top with the flags of the Australian states and other countries of the Commonwealth placed in a border of green gum leaves on brown. Shire of Warrnambool, Signed by Albert Henderson, L* Crawleyworld war 2 certificate, warrnambool shire, corporal h e swan

This album came from the estate of Dorothy Ardlie of Warrnambool. It contains photographs of her childhood with her sister Agnes and other family members and later photographs in their adulthood. Dorothy Ardlie (1910-1993) was the daughter of Ethel and Arthur Ardlie, the granddaughter of the well-known Warrnambool lawyer, William Ardlie and his wife, Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Dorothy lived for some time at Aroona, 19 Princess Street in Warrnambool. This album is of interest, firstly as a memento of Dorothy Ardlie, a member of a prominent 20th century Warrnambool family, and secondly as a good example of a photograph album showing the typical social history of an upper middle class family in the mid 20th century. The keeping of a photograph album was a hobby of many women in the 20th century.This is a hard cover photograph album of 39 pages. The cover is brown with coloured images of a bird, tree and leaves on the front cover. The album is bound with string. There are 133 black and white photographs pasted in. The album is slightly stained and some photographs are missing. Album Made in Japan This album belongs to Dorothy Alys Ardlie ardlie family,, history of warrnambool

The fire screen was gifted to Mr J J Watson at his retirement in 1952. The assembly hall at the Mair Street property was named in his honour. Mr J J watson was a member of the school council from its inception in 1919 when he was elected as a representative of Scots' Church. He succeeded Rev J T Riddle as secretary to council in 1920. In 1954 the assembly hall at the Mair Street property was officially named Watson Hall in his honour. In 1957 the constitution of the Council was amended to enable Mr Watson to be elected its first life member. The fire screen was returned to the school by the family after his death. In a tribute in 1952 at the time of Mr watson's retirement from secretarial position on council, Principal Kerr said, 'Mr watson's family was friendly with the Kennedy(founder) family in Ireland, so that his interest in Clarendon was almost hereditary. His breadth of vision, generosity, devotion to the advancement of the school in every way, and meticulous care of the property and ikts interests, have given him a unique place in the hostory of the school. Wood fire screen with school crest at top of front. Carved details at top corners and base of front feature scottish thistle and leaves. Solid wood frame and stand; veneer insert. Small bronze plaque fixed to top of back. Plaque: Presented to / Mr J J WATSON / in appreciation of his devoted service / as secretary of the council of / CLARENDON PRESBYTERIAN LADIES / COLLEGE / FROM 1920 - 1952.j-j-watson, clarendon-presbyterian-ladies-college, mair-street-campus, school-council, watson-hall, life-member, fire-screen, furniture,

Pte L FORBES sent fabric home to his sister. There are four L Forbes on the nominal roll, unknown which one.Orange silk, rectangular scarf/cloth. Embroidered in 2 diagonally opposite corners with motif incorporating crescent moon, star, globe and part wreath of leaves in blue, purple & white. Fringed in lattice and tassel design 12 cm deep.manchester, nappery, costume, female, handcraft - embroidery

The photo shows a close-up of a specimen of native pea. The plant has many small flowers and leaves. The flowers are gold in colour with orange/brown (redish) centres. A large gum trunk or branch of a very pale colour forms the background.natural history, flora

Photo album organised by and dedication note signed by Montmorency-affiliated members Blanche and Jack Shallard, Opal Smith, Marjorie North and Sue Law. The album contains a number of images recorded under accession numbers 01819, 01820, 01828, 01829. Album consists of 30 photos mainly of Montmorency environs with an explanatory card, title cards and pressed flowers. Plastic construction with 16 leaves capable of holding three 10 x 15 cm photos per side in plastic pockets. 02076, montmorency (france) photo album

Bendigo Gas Company Embosser for Stamping , Paper, envelopes, stamps. Heavy metal construction in the form of swirling leaves, mounted on metal base approx 20cm by 8cms. With long handle. Painted black with gold trim. Temp Rec#C1.16bendigo, business, bendigo gas company

Buff coloured card with a verse by T. Davis printed in brown at the top and coloured picture of two small brown birds sitting of a thorny vine with green leaves. Light green shading behind the birds. On the back: To Bessie from Vera.person, greeting cards, malone collection, malone collection, greeting cards

Textiles. Cream coloured linen doyley. Embroidered edge with blue triple blanket stitch. Embroidered blue border 4cm inside edge. Clusters of cross stitched flowers and leaves along inside edges of border. Old box 573.textiles, domestic, linen doyley

A wooden shield. In the midle there is an insignia with the following details. "AFD BTY SINCE 1871" ""A" FD BTY ASSN" On a blue and red background there is leaves in a bowl and under this reads "Semper Paratus" At the bottom of the insigna reads Royal Regiment Of Australian Artilleryshield, royal regiment of australian artillery

This fan belonged to Julia Charlotte Sargood (Charlie), youngest daughter of Sir Frederick Sargood and only child of Lady Julia Sargood.Black carved wood fan with black net. Three flowers with leaves are embroidered in black thread and small black sequins. Carving on black wooden frame is a floral design. One black metal ring joins the fan at its base.rippon lea, sargood family, sargood, charlotte

A posy holder of indian silver formed into shape of vine leaves and flowers which form a bell shape. It has a shaped handle with a small loop at base of bell shape. This would originally had a chain and pin attached to secure posy.costume accessories, female, metalcraft, silverware

Yields information about Ballarat's trams in Lydiard St North during the autumn of 1965.Set of 3 Agfa blue/white mount, colour slides: .1 - tram 37 northbound in Lydiard St North, with autumn leaves on the adjacent trees. .2 - tram 40 ditto. .3 - tram 35, but nearer to the Railway Station."27-4-65" in ink.tramways, trams, lydiard st north, tram 37, tram 40, tram 35

These gloves belonged to Maria Frisch who had survived a number of concentration camps during the war and emigrated with her daughter Anne to Australia in 1948. Maria and her daughter Anne were Polish Jews. As a small child Anne had been smuggled out of the Krakow ghetto in 1942 and was taken in by a Polish woman. At the end of the war Anne was reunited with her mother in Krakow. In 1945 they travelled to Italy to be with Maria's sister Ida who had lived in Florence since the 1930s. When Maria and Anne emigrated to Melbourne, they lived in Martin Street, Brighton. Maria's husband, and Anne's father, perished in Mauthausen concentration camp. Maria Entenberg married Jack Frisch in Melbourne in 1952.Pair of black suede gloves with original paper bag from Florence. The gloves are embroidered with small pink rosebuds and green leaves. They are unused and are still tacked together. T0098.1 - left glove T0098.2 - right glove T0098.3 - paper bagPaper bag, printed in blue and red: "Vasto assortimento GUANTI in pelle / A LARGE STOCK OF KID GLOVES / BEFORE YOU BUY, VISIT US / ELEGANCE AT LOW PRICES / MARIA PIA NICCOLINI / P.za S. Lorenzo Stand N. 21 / FIRENZEgloves, florence, emigration, holocaust, maria frisch, anne gouttman

A rectangular dark green velvet handkerchief bag with embroidered pink and yellow flowers with green leaves on the front. The top right-hand corner of the bag is turned down and stitched and it has a quilted, pink lining and beige-coloured braid edging.bags, personal effects

From the home of the late Mr and Mrs Edmund Burgi - C1900Hanging copper hot water kettle with spirit burner underneath to keep water hot. Placed on a brass stand with decorative coiled supports. Top of kettle has embossed grapes and leaves pattern with a bakelite and brass handle - knob on lid.grape and leaf embossed pattern on lid of kettlekettles, stands

Until Linton was connected to the statewide electricity grid in 1939, this gas light was used to light the altar at the Presbyterian Church in Linton.Curved gas light wall bracket, ornamented with leaves. One end designed to be attached to a wall, the other end has a valve, presumably to control the flow of gas. Beyond this valve, the end of the fitting is threaded, to facilitate attachment of a glass cover.gas lighting, presbyterian church linton

Circular cloth of beige colour with fringe all around. Embroidered with orange and blue flowers with green leaves, a Royal Crown in orange and blue, Blue 'Australian Commonwealth Military Forces' encased in blue and yellow and 'Palestine 1940' embroidered in yellow.AUSTRALIAN COMMONWEALTH MILITARY FORCES Palestine 1940