Blousettes were popular for ladies wear under suits and cardigans in the 1930's and 1940's. Part of the Bette Jones collection.Fine voile and net blousette (blouse front and back); cream coloured. Ties at side- elastic at waist and back, satin ribbon at front and back. Front panel of three vertical panels of petit-point coloured flowers, centre panel flanked, each side, by four rows of cotton edging lace. Stand-up net collar of three rows of same edging lace. Back neck opening fastened with metal hooks and eyes.costume, female underwear

Colour prints from a scanned slide image, loaned by donor and two black and white prints copy of part of the same image in a vertical format of No. 42 alongside the Ballarat Town Hall, outbound to Sebastopol. Colour Prints made by commercial machine printer direct from images on Kodak Xtralife Paper. Taken 23/8/1971 - the last Sunday of full operations? For high resolution image from slide see btm3247h. sturt st, town hall, tram 42

A Fortin style mercury barometer from well-known Australian instrument maker, A.L.Franklin. The column of mercury is supported by the pressure of air on the free surface of the mercury in the cistern at the bottom. Its level can be adjusted to a datum using the screw at the bottom and then the height of the column can be accurately read off using a vernier scale at the top. Attached to a backing timber board with a thermometer. Thermometer made by Townson and Mercer. Metal vertical hanging eyelet.A.L.Franklin, established 1919, scientific instrument makers, Brookvale, NSW; A.L Franklin Sydney No. 457; Townson and Mercer Distributors Pty Ltd throughout Aust and NZ.;weather station, soil science, science, student outside activities, measurements, air pressure, atmospheric pressure, air temperature

Illustration - colour printed onto white card, titled "Collins Street - Melbourne" from a painting by Donald Cameron. Shows a tram arriving west bound at corner of Swanston and Collins St, with the Town Hall in the background. Card produced by The Anti-Cancer Council for sale. Produced as a Christmas Card, two fold vertical with details of the artist and the producer on the rear. Also a second copy of just the illustration only. Card used by Clive Mottram for 1992.trams, tramways, collins st, town hall, illustrations, greetings cards

Three VR and MMTB weekly ticket for a male, between Heatherdale and Melbourne and City Section tram. Has space at the top for the date to be stamped or written in. Has been printed on safety card with "State of Victoria" logo printed. Each ticket has two vertical red bars indicating the type of ticket. On the rear is the space for each tram trip (10) to be punched and the conditions and area of travel. Ticket Numbers 303, 320 and 325.trams, tramways, heatherdale, melbourne, tickets, victorian railways, vr, mmtb

Set of two full colour posters titled "Capital City Transport" for a 21 Feb. 2012 stamp issue featuring Australian transport, issued by Australia Post. Adelaide - Obahn bus Sydney - ferry Perth - electric train Melbourne - W7 tram 1015 Sydney - electric train. Has details of the stamp issue and the commemorative books. 788.1 - landscape poster 788.2 - large vertical format poster - two copies held.trams, tramways, stamps, australia post, adelaide, perth, sydney, melbourne, w7 class, tram 1015

Part of the Cooper Collection. See Cat No. 9586.2 for details of service for 'Keith Cooper', (No. 3798359).1. Circular metal lapel pin in gold coloured metal. Pin features 'Australian Defence Force' insignia in gold over navy blue, red and light blue vertical panels. Stamped around the edge of the pin - 'AUSTRALIAN DEFENCE VETERAN'. 2. Pin is mounted on a navy blue velvet pad and housed in a navy blue vinyl covered hinged box. Stamped on lid of display box in gold is a replica of the design on the lapel pin.2. Stamped in gold on lid; 'AUSTRALIAN DEFENCE VETERAN'.cooper collection, keith cooper, lapel pin, australian defence veteran

This decorative brass table-top Missal stand was presented to the Missions to Seamen in Williamstown in memory of Richard Hodgkiss, after his death on December 14th 1938, by Mrs M A Hodgkiss. Decorative book rests like this one were used to support the Bible during services at the Williamstown Missions to Seamen and is now part of the St. Nicholas Seamen's Church Collection. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel.This table-top Missal stand is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England, when a Seamen's Mission was formed in 1837. It is socially important for its connection to the Williamstown St. Nicholas Seamen's church as it was dedicated to a family member.Table-top Missal stand, also called a Bible rest, book rest or table top stand: brass, rectangular surface with clover motifs holes in each corner. The triangular leg frames are screwed beneath the short sides to create a slope. The lower edge has a vertical, decorative shelf. The inscription on the top surface dedicates the book stand to Richard Hodgkiss, 1938. This book stand is part of the St. Nicholas Seamen's Church Collection. "In Loving Memory of Richard Hodgkiss - passed away 14 12 38. Presented by Mrs M A Hodgkiss."flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religious service, missions to seamen victoria, st nicholas seaman’s church williamstown, church furniture, religious worship, bible rest, tabletop lectern, bible reading, preaching accessory, book rest, memorial object, m a hodgkiss, richard hodgkiss, missel table book stand, book stand, bible stand, table-top stand, table-top book rest, table-top missal stand, missal desk

Ski Victoria Booklet from 1980 featuring 48 pages containing all information required for the ski resorts of Victoria. Falls Creek is featured on pages six to eleven. This item is important as it documents seasonal activities at Falls Creek Alpine ResortMagazine with white front cover, featuring a large square image of a person in black and white ski clothes skiing down hill surrounded by snow and blue sky. Centred above image is Ski Victoria in green with a ski figure in same green, a blue vertical line illustration of the state of Victoria. 1980 is written in smaller black letters underneath with Victoria Has Mountains of snow below text and above image in black capital letters. 'SKI VICTORIA / 1980 / VICTORIA HAS MOUNTAINS OF SNOW'skiing, snow field, snow victoria, tourism victoria, ski victoria, snow, winter, winter tourism

This ledger was started in 1901 when ledgers and other bookkeeping methods were hand written and with nib or fountain pen application. The various ink spots on the pages of this ledger suggests that when the office worker scribed they used the nib and the owner used the fountain pen. It was not until the mid 1950s that ball point pens were discovered and used in rural areas. The owner of this rural general store was more interested in recording transactions, be it in ink or pencil than the aesthetics of a neat and tidy document. Even though in this era, the principle of neat and tidiness was instilled in workers, this was overlooked and fell away through the economics of employing one staff member to do a variety of tasks for which they may not have had the proper training. It was in the early 1900s that the rural areas such as the Kiewa Valley "had to do" with local employees who had basic training but knew their customers very well and were very respectful of age and the mores of the trading public. The respect by shop owners and staff towards their customers was greater in small rural townships and villages within the Kiewa Valley than in the larger towns and cities. Their was no rushing to get the groceries or to spend the least amount of time within the shop. The social interactions where mixed with commercial activities at a very personalised level of one on one. This closeness gave the customer the confidence that those in the commercial transactions in the shop, where looking after them. This ledger is very significant to the Kiewa Valley as it lists the personal transactions of local businesses, farmers, graziers and miners. Larger accounts and other businesses had one or more pages set aside for their transactions. The words are in large freehand (Capitals 5 mm high) possibly to be read by those with poorer eyesight. The relative long distance to travel for reading glasses or specialised optometrist was overcome by writing in larger fonts. The time taken to register produce or other consumables was not critical during the period when this ledger was in use because the local population was not at the critical level where the demand was not as intense as later on when periods of tourist influx became more demanding. The lay back and relaxed attitude of the local population during this period (early 1900s) was not intense and impersonal as within the larger city shopping and commercial environment. The ability of the shop keepers to interact with their customers not only in the commercial sense but also in a social atmosphere permitted the long hand scribbling of purchases without causing any offence.This item is a cloth and suede leather covered ledger.The spine is suede leather with a red stamped "LEDGER" title. The cover is covered with a dark blue cloth and shows a faded unrecognisable pattern. Each page has light blue lines running horizontal and 90 mm apart. Each page has, from the second line going horizontal two fine 1 mm apart red line. Each page is divided horizontally by single vertical line (except for the two double lines in the centre of the page). The first division separates the month from the day.Next to these lines is an area for the description of the item being purchased. Within the central double lines are vertical lines separating the type of tender paid, i.e., pounds, shillings and pence. The last section of the page has various comments, as required by the scribe.Each page is approximately 160 g/ms. The ledger has 698 pages drawn up on both sides and page numbers of 5 mm in height. 'On spine " LEDGER"commerce, book keeping, shop ledger, local history

Clothing.Woman's cream coloured long sleeved silk bodice. High round neckline with 4 cm stand up collar. Semi-circular yoke front and back (13cm radius). Collar and yoke have embroidered net over silk fabric. Kimono cut long sleeves have cuffs of embroidered net over silk from shoulder to wrist along top of sleeve (33cm X 4 cm). Sleeves and front of bodice have all over vertical pin tucks. The front of the bodice has cotton tape ties stitched across from centre front to side seams at waist level gathering the fabric to form a peplum effect at the front. The tails of the cotton tapes tie across the back from the side seams. Full length front opening fastened with nine press-studs between collar and waist and a metal hook and eye at the waist. The back of the bodice has vertical pin tucks across the shoulders and below the yoke extending 9 cm below the yoke.costume, female, woman's cream coloured silk bodice

Clothing. Women's cream coloured long sleeved linen nightgown. High round neck with 4.5 cm broderie lace frill. Front has lace bib below neckline (45 cm X 35 cm deep) dipping to a V shape below the bustline. The outer edges of the bib have zig zag ribbon insert lace (4.5 cm) threaded with pink satin ribbon (1.5 cm) tied in bows on either side. The central bib section has vertical lace strips and pin tucks from the neckline. Centre front opening (28 cm) has a placket and is fastened with four press-studs. Long sleeves are trimmed at wrist with pin tucks, 4.5 cm ribbon insert lace threaded with 1.5 cm pink ribbon tied in bows and 4.5 cm broderie lace frill. A shaped nightgown widening to hem. At centre back 20 cm vertical pin tucks run from the neckline.costume, female, women's long sleeved linen nightgown

Allwood at Hurstbridge was named and first settled in 1837 by the Haley family. A house was built of one round of vertical slabs (red gum). Later it was the Hurst family home where Henry Hurst was shot by Burke the Bushranger on 4 October 1886. George Gray took over the property and the original home was eventually demolished. Gray, a fruit grower established an orchard and Allwood Nurseries which became a very successful business growing and exporting. This is probably around the time when this photo was taken where rows of fruit trees can be seen in the foreground. A house and associated buildings, possibly part of the nursery are behind. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, diamond creek, hurstbridge, allwood, orchard

The pair of ornamental white resin owl bookends was likely made around the 1930s when epoxy resin became available. Bookends modelled on owls have been a popular ornament for many years, possibly because of the association between owls, books and wisdom. They are used and displayed in places where books are appreciated and valued, such as homes, libraries, educational buildings, business offices, legal institutions and banks. Bookends hold a row of upright books in place by supporting the beginning and end of the row. The books are more likely to keep their integrity when stored vertically. The first patent for a metal bookend was placed by William Stebbins Barnard in 1877. Bookends became useful and decorative items around the middle of the sixteenth century after printed books became available. At that time books were expensive and treasured possessions, treated with much respect. Even in the early nineteenth century, a Bible was often the only book in the home. It was included among the limited items brought by many immigrants to Australia. Books became more available and affordable to the public by the end of the nineteenth century and households and businesses were able to build their own libraries. Bookends were used then, and are still used now, to keep books organised, cared for, and readily accessible. Bookends, a pair of two (2) small white resin owls with clear bright red eyes standing on a stack of books, their bodies facing towards each other, chests on an upright book, heads turned towards the viewer. The ends are left and right-handed.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ornament, bookend, bookends, pair of bookends, library, book storage, book display, room decoration, resin ornament, white bookends, owl bookends, owl ornament, white owls, resin owls, book support, bookend patent, william stebbins barnard

Ticket dated 21 August 1971, for use on an ARHS / TMSV joint tour to Farewell Ballarat Trams - the first day of the closure of the system. Ticket base is white with three vertical green stripes, which is printed in landscape format. Has been over stamped "Farewell Ballarat Trams" and "Tramway Museum Society of Victoria". From memory, these tickets were bulk printed by the Victorian Railways for the ARHS and the over stamped for use on particular days/events, meals etc. Would have been used as the tram ticket on the day. Ticket used by Graeme Breydon on the day of the tour. See History of the Object for further details.Has a strong association with the tours to mark the closure of the Ballarat Tramway system and Graeme Breydon.Edmondson pasteboard railway ticket, No. 741. Two copies held.trams, tramways, arhs, tmsv, tickets, closure

Bogong Hotel at Tawonga. See KVHS 0965, KVHS 0991 - KVHS 0993 inclusive.Bogong Hotel an important social icon for Kiewa Valley farmers, visitors, and KHES workers. The Bogong Hotel was 125 years old when it was burnt down in December 2011.1. 2 small china cups- white with black and green lines around the top and 'Bogong Hotel' logo 2. 2. glass cups with a handle. Glass is smooth on outside and has vertical 'waves' on inside 3. 1 small glass jug with handle and pouring lip. It has 5 rings of embossed glass around it 4. 1 burnt fire valve handle - T shaped for attaching to a surface 5. burnt bottle topbogong hotel, tawonga, crockery, fire at bogong hotel

This is a black and white group portrait of ten Australian soldiers. They are in tent lines. They are in uniform, casually dressed with only one soldier wearing a hat, that is the neat and tidy young officer in centre rear, A Lewis MMG is on its bipod on the ground in front of this group. In the tent lines, in the background, another officer can be seen talking to someone in a tent. The soldier on the right is holding a set of bagpipes in the " ready" position. The unit of the soldiers has a vertical rectangular colour patch.Faintly on the rear side can be seen the name " Gath".ww1, lewis gun

White cotton child's lace dress. Unlined. Dropped waistline. Bodice made up of vertical strips of two different laces. U shaped neckline with flat gathered lace collar (7cms) with one cm fine lace trim around neckline. Cap sleeves (7cms). Skirt (16cms) of gathered lace in one piece. Back opening full length of bodice (22cms) with three buttons two X .6cm and one X .9cm.costume, children's, white cotton child's lace dress

White cotton girl's nightdress with kimono cut short sleeves. Sleeves have 1.2cm casing at hemline with 2.5cm lace trim on edge. U shaped neckline with 2.4cm casing with 2.5cm stand up gathered lace frills. Back section of nightie gathered at centre back where attached to casing on front of night dress is a centre tab of lace (6cm X 10cm) with six vertical pintucks on either side. No openings. Heavyweight cotton fabric.costume, female, white cotton girl's nightdress

Ladies yellow long sleeved blouse. See through nylon fabric with all over spot pattern. Fold over collar. Front opening with tree X 1 cm white plastic buttons. Horizontal darts at bustline on front. Vertical darts from lower hem- two at front and two at back to form shaping. Set in long sleeves with 4 cm cuffs, fastened with one X 1 cm white plastic button.costume, female, ladies yellow long sleeved blouse

A printed leather Wright & Ditson (USA) advertising banner, with wooden support pole inserted through a tunnel loop sewn into upper edge. Banner depicts a graphical composition with the word 'TENNIS' intersected by a vertical tennis racquet which is branded 'WRIGHT & DITSON' on the throat. On the net of the racquet a male figure is depicted, wearing a striped blazer and cap, and holding a tennis racquet. A rectangular pink decorative border surrounds this composition. Materials: Wood, Leather, Ink, Metaltennis

The Keio University Hawks were one of the first two Aussie rules teams in Japan, along with the Waseda University Bombers. Those teams were formed to play a warm-up game at Yokohama baseball stadium before an exhibition match between VFL teams Essendon and Hawthorn. The first visit by the Keio Hawks to Australia was in September 1988, About 20 students from Keio and two or three from other universities made the trip. Their visit included training sessions at the Hawthorn and North Melbourne clubs. They then played Japan's first international match against the Sunbury Football Club's under-19 team.The following year they returned to Australia and during this visit played a match in Bacchus Marsh in September 1989. The Keio Hawks returned to Australia over subsequent years in the 1990s included some visits to Bacchus Marsh. During one of these visit a Keio Hawks pennant was presented to the Shire of Bacchus Marsh.Football club banner. Three vertical felt stripes in red and blue with the team name KEIO written in white felt block letters across the width of the banner. Along the top of the banner, a narrow strip of white felt with two metal eyelets to allow for display. Gold coloured textile fringe along the V-shaped bottom of the banner. In a whimsical reference to the university origin of the club, there are two gold felt crossed pen-nibs on the central red section. KEIOkeio university australian rules football club, australian rules football teams japan, australian rules football bacchus marsh

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. Handmade featuring lace on the layered short sleeves, as well as at the neckline. The gown has a tie above the waist. The bodice is designed to form a number of horizontal and vertical panels, most prominently including tapered pleating at the front. The fabric comprising the skirt is gathered at the waist, allowing the full skirt to flare towards the hem. The lower part of the dress features a scalloped double hemline above which are four bands of folded fabric.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907

With the completion of the Kiewa Hydroelectric Scheme in 1959, Falls Creek began to change from being a construction site into an alpine tourism resort. In 1964 the Frying Pan Inn group consisting of Bill Bridgford, Geof Henke and L G Morrison acquired a license to construct a restaurant. It opened in time for the 1965 season, but the Frying Pan venue was damaged by fire in 1967. Renovations took until 1973 when the Frying Pan Inn reopened. It is now a popular Apres Ski location in the heart of Falls Creek Village.This postcard depicts a popular venue at Falls Creek.A postcard featuring a coloured photograph of the Frying Pan Inn. It has a title and publisher details on the reverse.In image: Sign - Frying Pan Inn Licensed Restaurant On reverse: Top Left: FALLS CREEK, Victoria, Australia /Frying Pan Inn and Summit beyond. Centre: Nu-Color- Vue of AUSTRALIA In stamp square: FC 12 NCV 2562 Publisher information vertically down centre: NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT PRINTED IN AUSTRALIAfalls creek village, frying pan inn, falls creek tourism