The 1971 flood was the the worst flood on record. At Jarrahmond it was at least 11 metres and up to one and a half kilometres wide on the flats causing enormous damage to the flood plain. Records say that "The brown floodwater stain in Bass Strait could be seen from passing airliners." Considerable damage was done to railway infrastructure, roads and farms. More information from the APRIL, 2008 newsletter by John Phillips. (see orbosthistory.com.au) The railway line was destroyed and was not expected to be opened for a fortnight. Orbost was cut off by 50 square miles of Snowy River floodwater. These photographs are pictorial records of the 1971 floods which was a significant event in the history of Orbost. They are also associated with the East Gippsland Railway.Three black / white photographs of flood debris and flood waters near a railway line. 3102.l has a pile driver 3102.2 shows a gap in the viaduct and 3102.3 shows men with a tractor cleaning up the debris,3102.1 - on back - "1971 FLOOD REPAIRS TO ORBOST RAILWAY VIADUCT - 15th February 1971. Donated by Audrey Van Den Berg VRH 3693" 3102.2 - on back - " DAMAGE TO RAILWAY VIADUCT ACCUMULATED DEBRIS" 3102.3 - on back - "DAMAGE TO RAILWAY VIADUCT AT ORBOST. CLEAN UP BEGINS"orbost-flood-1971 orbost-viaduct-flood-damage orbost-railway

Team photograph, Greensborough Football Club Under 17 Finalists 1964. Caption on photo: Back row: F. West (team manager), M. Tobin (boundary); Third row: G. Ballard, W. Magalas, G. Henderson, D. Cotter, A. O'Neil, G .Lacey, T. Ellis; Second row: B. Moore, A. Burgan (vice capt.), F.Clark (coach), G. Carter (capt.), M. Davies, R. King, L. Browning, R. De Sauty; Front row: C. Montfort, A. Maurer, L. West, D. Dobie, P. Jamieson.This photograph is a record of the team - players and support staff - involved in the Under 17s in the 1964 season.Copy of group photograph of football team, players and support staff. Names in caption. greensborough football club, diamond valley football league

1. Rev Harry George Mackay (30/5/1914 - 9/9/1988) was born in Sheffield, Tasmania. He served part time as a chaplain during WW2 (V517227) After the war he married Thelma Muriel Phillips (10/6/1920 - 13/7/2008) in 1946. They are both buried at the Mornington Cemetery. 2. Mr John Brown Hamlett was born in England. In 1951 he married Audrey Sommerville in in Scottsdale, Tasmania. Their first son, David was born in Tasmania in 1952. In 1954, John was preaching in the Launceston Methodist circuit.Bendigo Advertiser from 02/02/1962 and 05/02/1964. Two articles introducing three new families who have moved to Bendigo. These are the family of H.G. Mackay minister of the Wesley church in Forest Street, Rev, Baldwin of the Arnold Street circuit and Rev. J.B. Hamlett in charge of the Eaglehawk Methodist Circuit.bendigo advertiser, rev. hamlett, minister mackay, rev. baldwin

From the collection of Terry KEENAN. Back row from left - Harold BROWN, Norm ?, Denis MADIGAN, Theo KURLE, Bill ANDERSON, Doc WOOD (Coach), ? , Brian RALPH, Frank BROOKS, Arthur RALPH, Frank TYRELL. Centre row from left - Brain MCBROOM, NIck ? , ? , Keith CLAYTON, Frank LOVELL, Keith BROWNIE, Peter BRIGGS, Perce WHITE, George WILLOUGHEY, - BROWNE. Front row from left - Bill GATES, Jim MAHONEY, Ralph MEDINA, Alby FRANCIS, Bill HARVEY, Terry KEENAN, Keith HARVEY, - BROWNIE. Black and white photograph of Graham United Football Club, 1948 team. Handwritten note attached to back with names of players & officials - incomplete.sport - australian rules football, graham united football club, harold brown, norm -, denis madigan, theo kurle, bill anderson, doc wood, brian ralph, frank brookes, arthur ralph, frank tyrell, brian mcbroom, keith clayton, frank lovell, keith brownie, peter briggs, perce white, george willoughey, - brownie, bill gates, jim mahoney, ralph medina, alby francis, bill harvey, terry keenan, keith harvey, nick ?

Lake Bolac Football Club, Premiers 1923. Lake Bolac 6.4 defeated Willaura 5.7 in the Willaura Plains Football League Back L-R: RM Graham, (Splinter) Taggart, Leo O'Rorke, A Graham, J Borthwick (coach) , Bill Green, Bill Murray, Alec McMaster, JT Murray. Centre L-R: Peter Murray, Jack Cameron, Les Gale, Tom Austin, G Veale, Lou Park, Eddie Gale. Front L-R: RJ Walker, Jack Peters, Ernie Brown, Norman Kinnersley, Vic Peters.lake football club, premiers, austin, borthwick, brown, cameron, gale, graham, green, kinnersley, mcmaster, murray, park, peters, o'rorke, taggart, veale, walker, 1923

7149: OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149A OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149B OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149C GROUP OF PEOPLE STANDING NEAR BBQ. 7149D. THREE PEOPLE INSIDE TWO STANDING WITH BACKS TO CAMERA, ONE MALE SITTING HOLING A BROWN BOOK. 7149E . 4 PEOPLE TWO STANDING, TWO SITTING. THREE WOMEN ONE MALE SITTING ON RIGHT. 7149F. SIMILAR TO 7149E, BUT PORTRAIT. 7149G SIX PEOPLE SITTING ON A BENCH OUTSIDE WITH FOUR CARS IN BACKGROUND. Eight Colour photographs.biarri

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

A brown wooden award with a banner engraved 'Ronald George Trophy' at the top of the shield, a large metal plate inscribed 'Victorian Blind Ten Pin Association State Championship' in the middle and 'Donated by Marjorie Goodall' in a banner at the base of the shield. 14 smaller plates, with the year and team winners are located around the middle plate: 1990 Shepparton, 1991 Geelong, 1992 Geelong, 1993 Geelong, 1994 Geelong, 1995 Kooyong, 1996 Geelong, 1997 Kooyong, 1998 Elanora, 1999 Kooyong, 2000 Geelong, 2001 Kooyong, 2002 Elanora, 2003 Kooyong.Wooden shield with 14 mini shields and banners at top and bottomassociation for the blind, ronald george, marjorie goodall, elanora home (brighton), illawarra (geelong), baringa (shepparton)

This backpack was manufactured in the 1960s. It was typical of backpacks used to carry in packages, small boxes and supplies by early residents of Falls Creek before any oversnow transport was available. The pack may have belonged to Julian Newton Brown as it was found outside the old Falls Creek Flats, commonly referred to as Alcatraz, where he lived for some time. The Flats were built in 1961 and quickly earned the name Alcatraz as they were only 2½ squares each so were compared to prison cells in Alcatraz. The name stuck and was later officially adopted.This item is significant because it demonstrates how ski equipment has changed over time.A backpack made from canvas with a wooden frame and canvas strapsski equipment 1960s, falls creek flats, alcatraz falls creek, julian newton brown

This bottling of Wodonga Centenary Port was provided by Morris Wines of Rutherglen to celebrate the Centenary of local government in Wodonga. Wodonga Shire was created in 1876 when the colonial government agreed to ratepayers' petitions to have their northern area severed from the Yackandandah Shire and form a new municipality. In 1976 celebrations were held to mark this milestone. These bottles were donated to the Wodonga & District Historical by Jenny Brown nee Terrill daughter of former Wodonga Shire President, Councillor J. A. Terrill. These bottles of the Wodonga Centenary Port were signed by all of the councillors serving in 1976.This artefact represents the celebrations for the centenary of local government in Wodonga.3 bottles of port produced by Morris Wines of Rutherglen. This bottling celebrated the centenary of local government in Wodonga. The label is on beige paper with a maroon outline and black text. These bottle have been autographed and bear the numbers 238. 248 and 343.On Label: "WODONGA / CENTENARY PORT/BOTTLED 1976/ THIS 1975 PORT WAS SPECIALLY/ SELECTED & BOTTLED TO CELEBRATE / ONE HUNDRED YEARS OF LOCAL GOVERNMENT IN WODONGA/ 10th MARCH 1876 - 1976/ MORRIS WINES / OF RUTHERGLEN/ PRODUCT OF AUSTRALIA NET 738 ml/ NO 343 E2314wodonga shire council, wodonga local government, wodonga local government centenary

Shops on the left of the picture are: saddler (probably O'Sullivan at this time), butcher (probably G G Bennett), baker's shop (Nicol?), shop with verandah (originally 'Ellington House' owned by T M Wise), Preston's shop (with verandah, on corner of Sussex & Gillespie Streets), and Wishart's blacksmiths (on the far side of Gillespie Street). On the right, the buildings are E H Nicholls ("cheap grocer and seedsman"), the Surface Hill Hotel, Richard Ching's store and dwelling (grocer & produce merchant), and another shop without verandah (probably shop and dwelling owned by Annie Brown, née Nicholls).Original black and white photograph affixed to white backing paper which has then been mounted on grey card. The photograph shows the view along Sussex Street to the south-west. Two men are standing outside a shop on the rhs, and there appears to be a woman with a perambulator outside a building further along the street on the rhs.On back of original photograph: "g (or e) Bennett" (in blue pencil or chalk) / "LINTON STREET "(in ink) / "Elizabeth long ago" (in ink, with arrow pointing to blue writing).sussex street linton, o'sullivan's saddlery, g g bennett's butcher shop, nicol's bakery, ellington house [t m wise draper], preston's shop, wishart's blacksmiths, e h nicholls' store, surface hill hotel, richard ching's store, annie brown's shop, annie brown (née nicholls)

LINTON CRICKET TEAM 1895: STANDING L-R AJ SMITH, S LEWERS, AC CORK, H ADAMS, DR DONALDSON, I CRAINE, J HOGAN, K DONOVAN, R HISSHION, A NICOL, J GODDEN, J ANGUS, J BROWN; SECOND ROW L-R ED NICHOLLS, P ROBERTS, D CORNISH, R CORNISH, J SEMMENS, R HANSEN, J NICOL; FRONT ROW L-R R HISSHION JNR, S BALL, BEN CORNISH, TED NICHOLLS, JAS WEARNESepia photograph of a group of men wearing sports wear and hats, two with cricket bats, a trophy in front.linton cricket team, sports, a. j. smith, s. lewers, a. c. cork, h. adams, dr donaldson, i. craine, j. hogan, k. donovan, r. hisshion, a. nicol, j. godden, j. angus, j. brown, ed. nicholls, p. roberts, d. cornish, r. cornish, j. semmens, r. hansen, j. nicol, r. hisshion jnr., s. ball, ben cornish, ted nicholls, jas wearne

Grampians Entrance to Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Halls Gap is named after Charles Browning Hall. In his letter to Joseph Latrobe he gives no clue about his early life except that he was a stock herder as early as 1837. He held two runs in the Wimmer district, that of La Rose and Mokebila in the Grampians (1841 to 1842). He then moved to the Clunes area in 1851. He was a member of the Carisbrook Magistrates Bench. stawell

Stawell Urban Fire Brigade BACK ROW L-R : Ted Welsh, ern Dickens, B. Smith. ?.Brown, A.Oliver, ?, ?, C. Prosser. N. Parsons SECOND ROW L-R: J. Grainger, C. Richardson, F. Crouch, H. Chapman, Ray Maddocks, R. Ledger, ?. Dunn, K. Floyd THIRD ROW L-R: ?, ?, ?, G. Hughes, R.K. Chapman, P. Fenwick, ?, Ray Rickard, B. Thompson FRONT ROW L-R: ?, ?, ?, Reg Nicholls, L. Egginton, H. Ridgewell, T. Mills, ?, Black and white photograph of a large group of men in uniform. All have hats except for the front row. Taken in a studio that has a curtain behind the group.nonestawell

Photos of widows, legatees, President Millie and the Transport Minister riding in a tram that was decorated to promote Legacy in 1995. 1995 which was the 50th Anniversary of the end of World War II. Wording on the tram says: "This year - Australia remembers the Heroes of World War II / 50 years on / Legacy never forgets to care for the widows and children of those who fought for our freedom". It appeared in The Answer in June 1995 after the tram had been launched on May 2nd by President David Millie and Public Transport Minister, Mr Alan Brown. The ribbon was cut by Junior Legatees Kim Anderson and Peter Hazelager. "The distinctive white tram will be running on routes around Melbourne for at least six months and our thanks go to the Public Transport Corporation for making it possible." 01810.1 shows President David Mille, Legatee Roger Greene (seated in the centre) and others. 01810.2 shows David Millie with Minister for Transport Alan Brown. 01810.3 is Kim Anderson and her mother Margaret speaking with the Minister Legatee Lucky Luscombe is in 01810.6 and 01810.9 01810.7 shows legatee George Woodward with two widows eating snacks 01810.10 is a photo of 4 widows. Second from the left is Hazel McKean, then Lorraine Dalton, and Irene Noll on the right.A record of a way to promote Legacy during Legacy Week in 1995.Colour photo x 10 of a tram painted to promote to Legacy and widows riding the tram.legacy promotion, tram, answer

June Meeting (Newsletter No. 228, Jun. 2016) Shortly after the First World War Ivan Thompson, a pharmacist in Fairfield, expanded into the Diamond Valley by opening pharmacies at Eltham, Greensborough and Watsonia. A small item in the Hurstbridge Advertiser on 20th July 1928 states that ‘Mr. Ivan J Thompson, well known chemist, has opened a branch at Eltham where all prescriptions will be dispensed.’ In the early 1950’s Norm Williams considered he was fortunate to be able to serve an apprenticeship with Ivan Thompson at his Eltham pharmacy. He was with the business when it moved in 1952 to the present site at 964 Main Road, Eltham, which was the first brick shop built in the Eltham Town Centre. In 1958 Ivan Thompson decided to sell his pharmacies. Harry Brown and Norm Williams were able to purchase the Eltham business and they continued in partnership until Mr. Brown’s death in 1971. By that time they had expanded with pharmacies in Fairfield and Lower Plenty. At our June meeting Norm Williams will speak about how Thompsons Pharmacy developed, while continuing to supply a range of services for generations of Eltham families. His stories, supported by a collection of personal photographs, will entertain as well as give an insight into how the Eltham shopping centre has changed over the years.0:46:09 duration Digital MP3 File 65 MB audio recording, eltham district historical society, ivan thompson, norm williams, society meeting, thompson's pharmacy

This blood pressure monitor (sphygmomanometer) belonged to Dr William Roy Angus, surgeon and oculist. It was donated to Flagstaff Hill Maritime Village by his daughter, Berry McDade in January 2015. . It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. The approximate manufacture date of the blood pressure monitor coincides with the time when Doctor William Roy Angus had his practice in Warrnambool. The company Short & Mason Ltd. London used the brand name TYCOS between 1907-1969 and Rudolf Riester (the brand on the cuff) formed the company ‘Riester” in Germany in 1948, where he developed and produced the first mercury blood pressure monitors. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station.). Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne. In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community. He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool.. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Sphygmomanometer (blood pressure meter), from the collection of W.R. Angus. Brand TYCOS by Short & Mason Ltd, London. The case is of black leather with press-stud closure, lined in brown leather with gilded maker's embossing inside lid. The meter has a grey fabric cuff attached to two black rubber tubes, one tube has a pump bulb on a short brown extension tube on the end, the other has a round meter with glass covered dial on the end. Dial registers 20 – 300. There are maker's details on both meter and box."Patent 9535. No. 39370". Gold maker's stamp " "TYCOS" "SPHYGMOMANOMETER / SHORT & MASON LTD. LONDON / company’s logo”. Cloth label sewn on cuff "GERMANY / RIESTER"flagstaff hill, flagstaff hill warrnambool, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sphygmomanometer, chemist equipment, dr w.r. angus, medical instrument, warrnambool base hospital, medical treatment, medical history

The photographic developers were used to develop plates, films and lantern slides. They had to be mixed as per instructions on the bottles and boxes. These may have been used by an individual or by a local school or organisation.Wilma Davies a long term resident of the Kiewa Valley donated this photographic equipment.5 yellow with black print cardboard boxes with 2 bottles (pairs) in each. Box: 1 larger clear glass rectangular shaped bottle has white 'tablets' and a white-gold sealed screw lid. Smaller bottle: brown glass, oval shaped with push in cork lid and holding small brown tablets. There are: 3 Hydroquinone Developer boxes each with '40 pairs' and the 2 separate bottles (described above) without a box. 1 Metol-Quinol Developer with '22 pairs' and 1 Amidol Developer with '22 pairs'.Yellow box with black print on all 6 sides including Directions. Large bottle - Includes - Hydroqinone (Quinol) Accelarator (black print on yellow label) around 3 sides of bottle and a white label with Caution in red on the 4th side. Small bottle - Includes - Tabloid Hydroquinone (Quinol) (black print on yellow label) around 3 quarters of bottle. photographic equipment, chemicals, processing equipment, burroughs wellcome & co., wilma davies, photographic developer, tabloid brand

Vietnam eraVietnam eraFibre helmet liner used with the US M1 steel helmet. The outside of the liner is a dark green colour and the inside brown. The liner contains a webbing suspension system that can be adjusted to fit the wearer's head. The suspension webbing has a three-strap olive green nylon webbing in an asterisk pattern stretching across the inside of the liner. A brown leather and nylon webbing sweatband is mounted around the inside of the liner with metal clips. The suspension system is mounted at six points with metal rivets and clips. Metal clips are riveted to either side of the liner and at the rear.Cat. No. 8415-50-753-5792. Written in black texta is MORCOM, 37019 an 1966-67.helmet, headgear

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll your own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine, but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(2) for insert pouchThe markings are crocodile in shape.loose tobacco, pipe smoking, rural smoking, red neck workers.

These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male was evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll you own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine , but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(01) for main pouchCrocodile markings (not hand made)loose tobacco, pipe smoking, rural smoking, rural red neck workers., tobacco

This bottle was bought at a chemist either locally or in a large city on a shopping expedition. The embossing pattern indicates that the contents are poisonous. Bottles changed - shape, size, seal, use and embossingHistorical: Change in bottles - colour of glass, embossing, shape, size and use Aesthetic: Display showing embossing, shape, size, sealOpaque brown glass bottle with 6 sides. The front is wide, the 2 end sides and back side are short with the 2 adjoining longer sides coming out at 45 degrees. The sides at 45 degrees have heavy embossing of rows of crosses and the back side has heavily embossed print in capital letters read sideways from the top of the bottle to the bottom. The sides taper quickly to a short neck and then opening. The bottle has a brown screw top lid with embossed sides. The bottle is empty. A label has been sticky taped onto the front.Back: "Not to be Taken" Base: 'F 1158' and '856' along the edge Label: "Caution / Not to be Taken / Gentian Violet Solution / 2 % / For external Use - Onlyopaque brown glass bottle, chemist, poison, medicine, irregular hexagonal bottle

Cuisenaire Rods are pieces of wood/plastic, 1 square cm in cross-section, made in 10 different lengths, each having a charactersitic colour. Invented by a Belgian teacher, Georges Cuisenaire, as a tool to assist in the teaching of mathematics.A plastic box with a clear lid containing 10 different coloured plastic Cuisenaire Rods: Orange, blue, brown, black, dark green, yellow, pink, light green, red, white. Taped to the box is a leaflet titles 'Cuisenaire Rods: A Brief History'. The following rods are: 6 x orange 6 x blue 6 x brown 6 x black 8 x dark green 16 x yellow 12 x pink 18 x light green 24 x red 24 x red 42 whiteeducation, maths, cuisenaire, rods, teaching tool, mathematics education

This Sharpe Bros. one gallon stoneware Demijohn is in excellent condition and includes its original stopper. It was made between 1904 and 1930, the date from the patent of the handle until the time that the factory no long produced returnable items. The bottle was once part of Dr W.R. Angus' household and is part of the W.R. Angus Collection and could have been purchased from Warrnambool's Sharpe Bros. factory. SHARPE BROS. 1903-1972- The first Sharpe Bros. cordial factory was opened in Dunedin, New Zealand, in 1903 by English prohibition brothers John and Percy Sharpe. Sharpe Bros. made ‘health’ beverages that were non-alcoholic drinks such as ginger beer, ginger ale, lime juice, soda and cordials. The containers of these drinks were not sold with the drinks but were marked as returnable items, to be cleaned and re-used, until this practice ceased in the 1930s. Sharpe Bros. made a niche in the soft drink market by delivering drinks by horse and cart to its customers’ homes. John Sharpe patented the unique wire spiral handle in 1904. By 1905 the New Zealand company also had factories in Australia. By 1910 the company had over 20 factories including Wanganui, New Zealand; Adelaide, Albury, Ballarat, Bathurst, Forbes, Geelong, Goulburn, Lithgow, Melbourne, Newcastle, Orange, Sydney, Tamworth, Warrnambool and Wollongong. The Warrnambool factory was established in 1919 and existed until 1951. The company won awards at Australian exhibitions for its carbonated drinks, including First Prize for its ginger beer made in the Brisbane factory. The company was taken over in 1962 by Tarax Drinks Holdings Ltd, which was in turn taken over by Cadbury Schweppes in 1972. W.R. Angus Collection- The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This stoneware Demijohn is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys. It is part of the W.R. Angus Collection, which is notable for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. It is also connected through its manufacturer Sharpe Bros. which had a branch in Warrnambool from 1919 to 1951, overlapping the time when the Angus family resided there from 1939 to the 1970s. The bottle is also significant as an example of the early-20th-century beverages found in local households and could have been purchased from the local Sharpe Bros. factory.This stoneware Demijohn is glazed, with a brown neck with internal thread and shoulders and a cylindrical cream base. The one gallon bottle has a flat, black stopper with a cork stem and a rubber, threaded tip. The ‘U’ shaped wire carry handle has a spiral of wire around the handpiece. An overhanging lip is on top of the bottle’s short neck above its rounded shoulder. The clay has been joined at the base of the neck, shoulder and body. The underneath is unglazed. The brown glazing on the shoulder has a run mark. Inscriptions are on the stopper and bottle. This container is part of the W.R. Angus Collection.Stamped in black on the shoulder: “KEEP THE / STOPPER TIGHT” Stamped in black on the body: “THIS JAR IS THE ABSOLUTE PROPERTY OF AND MUST BE RETURNED TO SHARPE BROS. AUSTRALIA / & NEW ZEALAND. ORIGINAL & LARGEST HYGIENIC BREWERY. CAUTION Persons Damaging, Willfully Retaining, Trading with or Misappropriating the Use of this Jar WILL BE PROSECUTED “ Stamped in script writing: “Sharpe Bros. TRADE - - - ED “ Embossed on the stopper: “AUSTRALIA AND NEW ZEALAND, SHARPE BROS.”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, sharpe bros., bendigo pottery, bottle, stoneware bottle, demihohn, one gallone bottle, soft drink, non-alcoholic drink, drink container, jar, jug, warrnambool soft drink, hygienic brewery, cordial factory, new zealand, australia, john sharpe, percy sharpe, non-alcoholic, spiral wire handle, ginger beer, w.r. angus collection, demijohn

A brown paper folder titled "Books and Assignments 9". From the files of Mr. L.J. Pryor. Former Principal of Bendigo Teachers' College. Donated to Education Resource Centre for archival use in 1992. A separate brown envelope sent to Mr. L.J. Pryor in 1945 contains a "Sample set of Assignments for a History Topic for Grades V-VI in the Rural School". The envelope also contains some hand made teaching cards containing lesson plans titled 'The New Learning. A separate envelope contains photos of historical figures to be used as teaching aids.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, education, history - study and teaching, history, mr. l.j. pryor, person, male, individual, teaching, curriculum, education resource centre

The South Coast New South Wales Photographic Booklet has a light brown rippled cover with dark brown printing and frame with two kookaburras in the bottom left corner. 1940 written in the bottom right corner. On the back it has From and Published by the Valentine Publishing Co. Pty. Ltd., Sydney and Melbourne. The inside has a panorama view from Sublime Point and smaller views of the South Coast, Mt Kiera Raod, Wollongong, Bulli Pass, the Harbour Wollongong, Austinmer, The Blowhole Kiama, near Sublime Point, The Bridge Shoalhaven river Nowra,person, receipts, j w swatton, j w swatton collection, the south coast nsw, the valentine publishing co pty td, sublime point, stanwell park, wollongong, bulli pass, thirroul, austinmer, the blowhole kiama, nowra

Textiles. Brown suede ladies handbag with silver fittings and clasp. Trapezium shape. Inside coin purse is lined with leather. The handbag is lined with dark brown taffeta. There are two inner pockets of pleated fabric. Single suede strap attached to metal loops. Contents:- 1. Two sided bevelled edge mirror (8.9 cms X 6.4 cms).2. Pocket diary and calendar (1938). 3. Yellow painted grey lead pencil with removable silver cap. Printed in silver on side of pencil ''R430 Silver Fern, Made in Germany''.Label inside frame, ''Guarenteed First Quality''. ''A CB Bag''.textiles, domestic, ladies brown suede handbag

This linoleum is in-situ in one of the rooms of the house at Days Mill. Newspaper laid underneath indicates the linoleum was laid after September 1910.PATTERNED LINOLEUM : A floor covering made from materials such as solidified linseed oil (linoxyn), pine rosin, ground cork dust, wood flour, and mineral fillers such as calcium carbonate, most commonly on a burlap or canvas backing. This piece has a cream & light grey mosaic type background with circular brown leaf repeating patterns interlaced into four square blue shapes. Central star pattern within circular leaf pattern in light & dark blues & browns. Stylised floral motif in between each circular & square shaped pattern repeats.