The white-bellied cuckooshrike inhabits regions across Australia, Indonesia, Papua New Guinea, and the Solomon Islands. In Australia, it is distributed widely, occurring in tropical northern areas as well as in the eastern parts of the country, including northern Western Australia, the Northern Territory, Queensland, New South Wales, Victoria, and southeastern South Australia. The species is prevalent throughout Papua New Guinea and the Solomon Islands, but less frequently observed in Indonesia. Within Indonesia, it is most commonly found in the northern Moluccas, with occasional sightings in Eastern Wallacea. This specimen was originally identified as a young Black-Cuckoo-shrike and catalogued as such in the Burke Museum original catalogue. Analysis conducted as part of a conservation treatment in 2024 reclassified the specimen as a white-bellied cuckooshrike. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a young White-bellied cuckooshrike which stands perched on a wooden mount. It has pale grey colouring which is darker on the rear. The wings are tipped with grey-brown feathers and the same colour feathers also appear on the bird's tale. The specimen has dark limbs and bill and this specimen is provided with two glass eyes which are dark in colouring. The bird has a more creamy pale grey on the throat and stomach. It has a black facial mask which is restricted to an eye stripe. 21a / Black Faced Graculus / See catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cuckoo, shrike, common birds, australian birds, australian bird, white-bellied cuckooshrike

Possibly made by the donor.This object is an example of trench art. .1 The lamp base consists of a chrome plated deactivated mortar bomb attached to a turned brown wooden base. A globe and switch socket are attached to the tip of the bomb. An electrical cord with power plug is threaded through the base of the bomb. .2 The lampshade is made of stiffened brown paper laced to a wire frame with dark brown cord. Handpainted coloured flowers decorate the outer surface of the shade. The shade is attached to the globe via a wire clamp.On the base of the mortar bomb: ' ?LB, IM, MF, 1940'ornaments, lighting - electrical, trench art, souvenir

This is part of a crosscut saw raker/jointer/guage set used to bend the tip of each cutter tooth for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. This item was used by the surveyors commissioned by The S.E.C. Victoria Kiewa Hydro Electricity Scheme project mapping the relevant Alpine region. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys work during this period and in these dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back".This cast iron Spring Setting tool has a main body of angle iron contours with one end tappered into a flat circular extension with a slit (3/32" wide) running from the top to nearly the centre(15mm). This slit is to allow the bending of each "cutter tooth" of the cross cut saw. The "bottom of this slit has a semi circular ending. Protruding from one side of the bar body, and close to the "slit" is a tounge like extension (wedge) to fasten the spring set tool into a tree stump. See KVHS 0090 (A) for its Raker/Jointer saw sharpening guage set partner. Also see KVHS 0090 (C) for the associated wrench. On one side of the bar "DISSTON U.S.A."hand tool, saw, sharpening method, tree felling

.1) George Edgar Godlip Yung seated on a swing and two children, possibly grandchildren Alice (b1914) and Grace (b1915) Watson. Note bridge in background so perhaps Peterborough? .2) A family outing to the beach on a cold, windy day. Uncle Ted was Charles Edward Smith, an Anglican minister and the son of George Henry and Emma (b Keys) Smith and a sister of Clara Emma Yung (b Smith). On the left of the photo is George Edgar Yung, his brother-in-law and most likely the lady on the right is his sister Clara. They are rugged up for the day. Note the steel tips on 'Clara's shoes. Two black and white photographs at Warrnambool Beach..1) G E Yung ;( crossed out - Alice and Grace) Watson .2) Uncle Ted and partywarrnambool, warrnambool beach, charles edward smith, clara emma yung, george edgar godlip yung, peterborough

A silver plated case to hold, and protect from crushing, cigarettes in a coat pocket. A cigarette is a narrow cylinder containing tobacco, that is rolled into thin paper for smoking. "Tailor-made" in relation to cigarettes means cigarettes that have been mass-produced in a factory and usually have a filter tip inserted at the mouth piece. 'Hand-rolled' cigarettes or 'roll-your-own'. were made by the person themselves by rolling thin paper around a pinch of loose cut tobacco. After World War 2 1914- 1918 tailor made cigarettes were mass produced in large factories and were inexpensive and easy to obtain world wide. Residents of City of Moorabbin used a cigarette case like this to carry their tailor made cigarettes in their coat pocketsc1950 A silver plated cigarette case with spring hinge and metal strip inside case that holds cigarettes in place early settlers, market gardeners, silver smiths, jewellers, cigarettes, tailor made cigarettes, craven a cigarettes, phillip morris pty ltd, post world war 2 estates, moorabbin shire, bentleigh, mckinnon, highett, cheltenham,

The sculptural installation was a gift from the Portuguese government and presented to Warrnambool City Council. The sculptor, Jose Nuncio, completed the work in 1999, and it was inaugurated at Warrnambool in 2001. Prince Henry the Navigator founded a school of navigation in Sagres, Portugal. This led to navigation techniques that made the 15th century voyages of discovery possible. The vision of Prince Henry brought together ship builders, cartographers, instrument makers and mathematicians. Vasco de Gama rounded the southern tip of Africa and sailed across the Indian Ocean to India in 1496. This started a new era of trade and exploration, expanding the boundaries of the known world, and linking the east with west.Six colour photographs of a sculptural installation at Warrnambool. Busts of Vasco De Gama and Prince Henry the Navigator feature in the installation. Images also include two informative plaques containing information on De Gama and the Prince.warrnambool, exploration, navigator, de gama, prince henry the navigator, portugal, portuguese, david atkinson, john pandazopoulos

Framed photograph of Terry O'Donnell upon his retirement from the SEC Ballarat Tramways. Photo of Terry standing in front of a SEC tramcar, holding his cap and a controller handle with a sign on the front of the tram marking his years of service, wishing him good luck and other supportive phrases. The black and white photograph has been glued to a sheet of cardboard with the names of the members of the 'SHB & M" (???????) club along the side and the name of the President and Secretary on the top. A stained (brown) wooden frame with cardboard backing, tape and nails securing it to the frame has been used to secure the backing cardboard and photograph. Date of retirement unknown - c1960's? Images show the front and the rear damage associated with the object. Scan of copy negative added 4-5-2020 as image i3In light blue ink. Along the top are the names "F. Bowden Pres." and "A. Purdue Sec", along either side, the name of the fellow club members along the bottom edge "Presented to T. O'Donnell / as a mark of esteem by his Fellow Workers Ballarat Tramways / SHB & M. Club". In blue felt tip pen on rear "Ballarat Vintage Tramway"trams, tramways, retirements, ballarat

A Storm Glass and Thermometer such as this one would be used in predicting or forecasting the weather. Farmers used predictions they read from their Storm Glass to prepare for stormy weather or for choosing a good time for planting or harvesting their crops. This could mean to them the difference between a good year and a year without income. This design has been in use since the early 1800’s. According to Admiral Fitzroy (who studied the storm glass and wrote instructions on its use) the liquid in the glass changes composition and appearance according to the direction of the air moving around it. He advised the user to disturb the contents once or twice a year by tipping it upside down and shaking it gently. Item is a good example of a barometer/thermometer that would have been in most homes and farms from the late 19th century and early 20th century. This item would have been massed produced at the time therefore easily available and quite cheap to purchase making this particular item not very significant as not associated with a historic person or property or with a known manufacturer or date.Storm Glass and Thermometer, commonly called a 'Cottage Barometer', mounted on a rectangular dark rectangle of wood, top corners rounded. The Storm Glass (or weather glass, or chemical weather glass) is suspended in a long oval shaped hole in the wood on left side, held in place at top and at bottom with 2 metal bands secured by nails. The glass of this gauge is hand blown, sealed at the top with another layer of glass. The watery fluid in the storm glass is opaque brownish colour with dark particles floating in it. (Storm glasses were usually filled with a variation of a mix of camphor, distilled water, ethyl alcohol and silver nitrate.) The alcohol thermometer is mounted on the right side of the wood, bulb resting in a hollow, attached at top and near base by 2 thin metal strips, with clover-leaf shaped ends, nailed into place. Over the bulb is nailed a metal guard with 3 ventilation slits cut into it. On left of thermometer is a scale, stamped into wood, 30 below zero to 130 above zero, in 2 degree intervals. A border of 2 thin parallel lines, with remnants of light coloured paint, is around the block of wood. On the reverse side, a metal plate is nailed to the top with a mounting hole in it. Impressed sideways along edge of barometer is "STORMY" "CHANGE" "FAIR". Across the top of the thermometer is a fleur de leis in the wood, and above this it is stamped "FAHRENHEIT". On right of the thermometer, stamped into the wood, is "BLOOD/HEAT", "SUMR/HEAT", "TEMPE/RATE", "FREEZ/ING". On the back of the wood, at the base, are remnants of a white sticker with "...111.73". Carved into the wood is "HOLLAND / AV". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, barometer, cottage barometer, storm glass, thermometer, chemical weather glass

These items were in the Ballarat School of Mines Museum, and when the museum was closed they were saved from the tip, and returned decades later. The Alafolo or afui are anthropomorphic clubs found across the island of Malaita. As war clubs, blows were struck with the edges of the club, which varied in length from under three to four feet. At least some of these clubs served a largely ceremonial function, particularly those rare examples with shell inlay. Malaitans war clubs are usually made of tooa, a reddish hardwood. Most finished clubs are submerged in mud (saltwater or fresh) for about a month, during which time they acquire a glossy black finish.Two native weapons, probably South Pacific in origin. .1) light coloured timber paddle with carving. Possibly Solomon Islands. .2) A dark coloured Alafolo made with heavy ironwood, with geometric designs from the Solomon Islands with stylized face, carved geometric design at top end; two carved rings with geometric design between them toward bottom end.ballarat school of mines, ballarat school of mines museum, ethnographic, paddle, club, ethnographic material, new number, solomon island, alafolo, malaita, weapons, new guinea

As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats

This folder is contained in a plastic slip-cover and labelled 'Harold Hugh Jeffrey'. The folder itself is padded and covered with a grey suede-like material, featuring a velcro tab to keep it closed, with gold-tipped corners and the emblem of the Official Secretary to the Governor-General embossed in gold on the front. It opens to reveal on the right a laminated certificate appointing Hugh Jeffrey as a member of the Order of Australia, signed by Bill Hayden. On the left side is a slip pocket containing four items, A booklet entitled A Guide to the Wearing of Insignia, a booklet entitled Order of Australia, a pamphlet entitled Order of Australia and a booklet entitled Commonwealth of Australia Gazette Special: The Order of Australia Insignia Ordinance. 1 plastic folder with 3 booklets and 1 investiture letterHarold Hugh Jeffreyhugh jeffrey, awards

The Nankeen Kestrel, also known as the Australian Kestrel, is a common native to the open country's grasslands and farmlands, preferring agricultural areas. They are drawn to animal pests like mice, insects, small animals, reptiles, and birds. Due to the shape and ability of their tail feathers, which allows them to hoover over their prey, they do not rely on speed to catch their meal like most falcons in their family group. These birds are among the smallest raptors in the Falcon family, having well-known face characteristics and body shapes. The females of the species are distinguished by their darker patterns and red-brown (rufous) tones, as well as their larger size, whilst the males are more greyish. The yellow markings around the eyes and top of the beak, as well as the noticeable black dipped wings, distinguish each species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Kestrel is a small raptor in the Falcon family. It has a stockier appearance, with the upper parts of its body, such as the head and the tops of its wings, being a light red-brown (rufous) colour and the tips of its wings appearing dipped in black. The top of the beak and the eye rings are both yellow, and this bird's falcon appearance shows its inherent dark streak markings visible near the eyes and on the chest. The underparts are pale, with a tail feather that spreads out to help it hover and is ornamented with fine black decorations.20. / Unnamed / Catalogue page 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen kestrel

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird

Information on the history of this knife and sheaf is not known. They were popular items for boys and young men to carry, especially when working in the bush or fishing. They are still in use today. These items have no known provenance and are useful for display only This is a belt knife, much rusted with a curved blade and a brown metal handle, silver-coloured at the top and end and brown-coloured with red and black bands near the end. The handle has a metal screw at the tip. The knife is in a leather sheaf or holder which is curved to suit the shape of the knife. It has stitching on the curved section with metal studs, two slots to enable the sheaf to be attached to a belt and a circular leather strop with a metal stud to hold the knife in place. The leather is rubbed. The belt may not originally have been for this knife.belt knife and sheaf, warrnambool

This container of 11 boxes of safety matches would have been a common item in a household during the first half of the 20th century and would have been used for the safe lighting of lamps, candles, room heating (fires), bath heaters, cigarettes, pipes etc. Safety matches came into use in the first half of the 19th century and the safety aspects have been improved after that time. Safety matches are still used today - for instance, when camping or in times of power failure. These matches are of interest as an example of household items in common use in the past. These are eleven boxes of safety matches (one box missing) wrapped in a buff-coloured paper cover with a label in red, blue and white colours with printing and an image of a dark-haired woman set against a white flame. Each box contains about 60 matches with a label similar to the one on the outside packaging. The matches are wooden with pink tips. The boxes have a rough surface on the side acting as a striking mechanism. The back of each box has a message containing some thoughts from thinkers and philosophers from the past.Ever-Brite Safety Matchesvintage lighting, safety matches, everbrite matches

38 Bn was raised in Bendigo in 1916. Post War it was the CMF Unit until 1967. The Mollison St Drill Hall was built by Contractor Mr. Midgley. First used Jan 1916. Shut down Circa 2002. The 38 Bn Colours are held within the RSL Military Museum, Bendigo.1. Photo of 4 Senior NCO's in battle dress in front of the Mollison Street Drill Hall. 38 Bn Northern Victorian Regiment. The four soldiers have .303 rifles. WO Burrell has the red sash of a Colour Sgt. His MM can be seen. 2. Photo of Regiment Colours 38 Northern Vic Regiment in front of Mollison St Drill Hall. Two Officers, Capt. Emonde holding Queens Colours - 4 Snr NCO's have rifles at the slope with ceremonial tips on their bayonets.1. On rear is written - Cenotaph party/ Warrant Officer 3 sets Guards. 2. On rear is written - '" ANZAC DAY" .38 bn, mollison st, drill hall, photographs

Two red covered auction catalogues with black printing for a sale on the 6th, 7th & 8th March 1984 at the Australian National Animal Health Laboratory, Geelong, Vic. For sale were Transportable Site Buildings, Main Office, Main Store, Fitters, Carpenters & Test Workshops, Construction Materials, General and Electrical Equipment, Fork Lifts, Motor Vehicles, Tip Trucks, Bobcat, Scaffolding and Large Quantities Brass, Copper & Black Pipe Fittings. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - australian national animal health laboratory, john holland, j h curnow & son pty ltd, f c dyett, i m dyett, n f dyett, bolton bros pty ltd print

a: to Mr & Mrs Bush from R? Andrews, Nicholson St; Ist Oct. 1891 b: to 'my dear Nina' from Nellie Bath, Methodist Ladies' College; Feb 22nd, 1889 c; to 'My very dear Nina' from ?? Nellie Bush (by handwriting?), Wesleyan Parsonage; July 14th, 1888 d: to 'My dear Nina' from Jane? Bush, 'Lansdowne'; Jan 14th, 1891 e: to Mrs S. A. Bush from J. Tipping, St. John's Church, Bairnsdale. 7th June, 1899.person, individual, bush collection - personal

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Nineteen typed pages dated 9 May 1951 at top of front page. In the format he used for his talks on 3BO 'The Mayor Speaks'. Topics include : complaints regarding the Quarry Hill tip, traffic problems, Bendigo and District Ambulance Service, Public transport, the Beating of the Bounds, Jubilee of the Federal Parliament, the Library, purchase of new plant, land reclamation, and the Mayoress' Appeal.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. 3bo 'the mayor speaks'. mayor.

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Typed pages of undated notes for a speech numbered, p. 2-18. In the format he used for his talks on 3BO 'The Mayor Speaks'. First page is missing. Topics are : Parking issues, the Aerodrome, Tipping rubbish, Town Hall renovations, Government grants, The sale yards, Crown reservations, Social notes, Kerang Library. Undated, however there is a reference to the coming? Year 1951 on p. 17 of the notes.bendigo, council, speech notes, norman joseph oliver , norman oliver. mayor of bendigo. 3bo

This item belonged to Dr Geoff Bishop. Similar in appearance to Heath's glass aural syringe.Glass aural syringe with glass plunger, rod with compressed cotton plunger, and (loose) rubber cap [237.2]. The tip of the syringe is elongated and has no attachment for needles. Distal end of plunger has a widened area shaped like a small glass cork. Cottom thread is wound around a small depression. Distal end of plunger has been inserted through a small cork. Above the cork is a wooden cap with a central hole. The head of the plunger has a 'cotton reel' depression and fits into the outside of the wooden cap.irrigation

Listing approximately 350 trusts and foundations, The Australian Directory of Philanthropy 2008/?09 is an essential resource for not-for-profit organisations, charities and community groups. It features tips on how to apply for grants, write submissions and research potential funders, and also contains important tax information to help those seeking grants understand what needs to be supplied to foundations in any application for funding. Includes: charitable trusts and foundations; how to apply for donations from a charitable trust or foundation; the taxation of charitable institutions and trusts; recent developments; directory.document reproductionsphilanthropists, endowments, fund raising, directories

Colour photocopy of photograph, two images on page. Top image, on bottom 'View of tray in Portal' shows mining equipment with tray fully extended in portal entry. Sign fixed to RH side of portal: ' Stop if red light is on'. Bottom image, across image on bottom ' View looking out of portal' shows mining machine tipped on side, obstructing portal. Machine has name 'Bell' on front. Presumably, the tray has been up when the machine has attempted to enter the portal and 'flipped' the machine over. kangaroo flat gold mine, swan decline, portal, mining equipment, accident

Pamphlet - 3 fold DL, full colour titled "Tram Safety Coaching Manual", giving safety tips while travelling on trams - sitting, gripping handles and standing. Has stickers on the rear that could be placed on the tram in the pamphlet. Issued Nov. 2017 jointly by PTV and Yarra Trams. Has contact and other language details on the rear. Has various logos. Three copies held. i3 - photo of a large poster in a tram stop - Victoria St North Melbourne - 26/11/2017 - photo by Warren Doubleday.trams, tramways, safety, passengers, accidents, yarra trams, ptv, tramcars

This unique aircraft was conceived in 1943 as a two seat trainer. A very large part of the design work can be attributed to Jock Barratt and Harold Bradley. The general layout adopted is similar to the Kite I and Kite II single seat sailplanes of Martin Warner and Allan Campbell. Having regard to this heritage, the glider was originally named Kite III but renamed Pelican 2, perhaps because it was the second two seat training glider built by the Waikerie Gliding Club – the first being the Pelican, a reconfigured Pratt Utility glider. Pelican 2 was first flown in 1952 and regularly since then, at least until about 1992. The Pelican 2’s performance was found to be very good for sailplanes of its era and was often used for more advanced flying in addition to training new pilots. Very few changes have been made to the Pelican 2 over the years. The undercarriage was modified after its initial testing to improve the placement of the wheels. The trailing edge of the rudder (originally straight) was rounded adding to the surface area. The twin shoulder tow line bridles were replaced with a belly hook when aviation design rules declared shoulder bridles dangerous and a nose hook has since been added to allow for aero-towing. A unique home grown sailplane design associated with Australian gliding pioneers Wooden 2 seat glider sailplane with fabric covering. Distinctive features include the pod and boom fuselage with side by side seating for pilot and a second person. The canopy of perspex supported by aluminum framing opens with port and starboard segments separately folding upwards and forward. The instrument panel includes altimeter, airspeed indicator, slip indicator and variometers. In addition to the usual controls, there is a trim operated by a small wheel mounted centrally, at head height, on the bulkhead at the rear of the cockpit. Incorporated in the skid under the fuselage pod are two wheels (one approximately midships and the other at the rear end). It has a three piece cantilever wing of approximately nearly 17 metres. The ailerons run almost full length of the outer wing segments. A Gottingen 426 section has been used changing to M6 at the tips. Outer wing segments are joined to the centre section to give about 300 mm of dihedral at the tips. The glider is equipped with airbrakes. The colour scheme consists of orange fuselage with black nose and skid. The tailplane / elevator and rudder are painted white. The wing is predominantly white with an orange leading edge. Registration VH-GFY On each side of rudder – “Pelican II” in black lettering on a rectangle of silver On each side of fuselage pod the letters ‘FY’ On each side of the fuselage, below the edge of the cockpit opening – “WAIKERIE” in black paint. australian gliding, glider, sailplane, kite, pelican, waikerie gliding club, jock barratt, harold bradley, martin warner, allan campbell

A granular metamorphic rock, marble is derived from limestone or dolomite and composed of calcite or dolomite interlocking grains. Heat and pressure from overlying sediments form it from limestone buried deep in Earth's crust. Graphite, pyrite, quartz, mica, and iron oxides can affect rock texture and colour. This specimen was found in Carrara, Italy. Carrara marble is the most common marble found in Italy, and it gets its name from the region where it is located. The marble was also called Luna marble and was used as a decorative element in buildings and sculptures. It has been quarried since Roman times in the Lunigiana, the northernmost tip of Tuscany, just outside the city of Carrara in the province of Massa and Carrara.Marble is one of the most popular and expensive rocks used in sculpture, architecture, interior decorations, statues, table tops, and novelties. It is available in various colors and textures depending on the chemical composition. The strength of the rock and its ability to hold finer details have made it a favorite among designers. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand sized Marble (metamorphic rock) predominantly white with specks light grey and ochre geological specimen, geology, geology collection, burke museum, beechworth, marble, carrara marble, italian marble, marble specimen, tuscany

Spirits came in bottles and were sold at licensed premises.The shape, colour and production methods of the bottles have changed over time. Mitchel & Co. Belfast were established in 1860 in Belfast Ireland.This bottle was received from the ocean floor of the Portland Harbour.Clear heavy glass bottle with green tinge and heavy embossing, manufactured for Old Irish Whisky. The bottle is an oblong shape with long straight sides, three quarters of the way up the sides taper to the neck which has a lip and then the opening. The base of the bottle is curved inwards. Front top: OLD IRISH WHISKY TRADE (INSERT LOGO) MARK Logo: is a likeness of a imperial crown inside a square based shape that comes to a point at the bottom similar to a heat tip and steps in both sides up the top to form a small box top. The letters CL are visible in the centre of the crown. Bottom: MITCHELL & CO OF BELFAST LTD Rear Top: IMPERIAL QUART in a banner old irish whisky, mitchell & co. belfast ltd, bottle, port of portland

This object is Magill's adaptation of the battery handle in the form of an "inserting tracheoscope". Introduced in 1935 for one-lung anaesthesia, it is combined with an endotracheal tube, the central part of which is a latex-covered wire spiral, and a bronchus blocker. In use, the tube was fixed to the holder and the whole apparatus inserted as a ttracheoscope. At the carina, the blocker was inserted into the bronchus and the balloon (now perished in this example) inflated. The holder was then removed leaving the endotracheal tube and blocker in place. The bronchus blocker consists of gum elastic on woven silver wire and has a suction channel opening at the tip. in other stages of development of Magill's laryngoscope, the original pattern blade was adapted to the battery handle, at first in a fixed arrangement and then with interchangeable blades of different sizes. Later still, the folding handle was introduced.This U-shaped chrome plated laryngoscope comprises an endotracheal tube used to facilitate access to the patient's airway, wire spring attachments and a cylindrical handle with provisions for battery to illuminate inside the body during use.Embossed on the central shaft of the item is 'A Charles King, Ltd', the maker's details.laryngoscope, anaesthesia, macgills, chrome, battery, a charles kind ltd

The Mistle Thrush is native to Ireland and Scotland, North Africa and parts of Asia. It is known as a large, aggressive and powerful bird. They have several different calls: the main call, given by both sexes, is a dry chattering 'krrrr', louder when the birds are alarmed or excited. There is also a squeaky 'tuk' contact call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Mistle Thrush has a pale grey-brown upperpart and a greyish-white chin. The yellow/buff breast and off-white belly are marked with round black spots. The long tail has white tips on the outer feathers, and the underwing coverts are white. The glass eyes are dark brown and the bill is blackish with a yellow base to the lower mandible. The legs and feet are yellow/brown. There is no plumage differences between the male and the female Mistle Thrush. This particular specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 111a. / Mistle Thrush / Catalogue, Page 28. / Other Label: 57. / Turdus viscivorus /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, mistle thrush

This sheath knife belonging originally to German seaman Julius Gebauhr and an artifact associated with the story of the survivors of the wreck of Fiji. A three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a varied cargo consisting of cases of dynamite, pig iron, steel goods, various spirits, sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos and other musical instruments. On September 5th, one hundred days out from Hamburg in a squally and boisterous south-west wind, the Cape Otway light was sighted on a bearing differing from Captain Vickers' calculation of his position. At about 2:30 am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed Fiji struck rock only 274 meters from shore. The place is known as Wreck Bay, Moonlight Head. Efforts were made to lower boats but all capsized or became swamped two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after the line broke. The other, 17-year-old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt without a line, which he had cut loose with his sheath-knife when it becomes tangled in kelp. He rested on the beach a while then climbed the cliffs in search of help. At about 10 am on Sunday a party of land selectors including F. J. Stanmore, Leslie Dickson found Gebauer. They were on their travels back from Princetown towards Moonlight Head. Gebauer was lying in the scrub in a poor state, bleeding and dressed only in a singlet, socks, belt and his sheath-knife. His rescues gave him food and brandy and some clothing and gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stanmore and Dickson rode off to try and summon help. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and was set up on the beach below the cliffs. By this time the crew of Fiji had been clinging to the jib-boom for almost 15 hours. Mr Tregear from the Rocket Crew fired the line the light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, as many as five at a time, however, some were washed off. Only 14 of the 24 men who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. The wreck of Fiji has smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6 m of water. Of the 26 men on Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach. They were buried on the clifftop above the wreck. Captain Vickers was severely reprimanded for his mishandling of the ship and his Masters Certificate was suspended for 12 months. At the time there was a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Captain Vickers presented Bill Robe who had dragged the captain out of the surf with his silver cased pocket watch, the only possession that he had left, as a token for having saved his life and the lives of some of the crew. Years later Bill passed the watch to his brother in law Gilbert Hulands as payment of a debt. Since that time it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stanmore for caring for him when he came ashore. The knife handle has a personal inscription on it. A marble headstone on the 200 m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with this sheath knife and Captain Vickers’ pocket watch. Flagstaff Hill’s collection from the wreck of the Fiji and Julius Gebauhr knife is of historical significance at a State level because of its association with the vessel, which is on the Victorian Heritage Register (VHR S 259). The Fiji is archaeologically significant as the wreck of a typical 19th-century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo still evident. Also the story of the heroic attempt by many to save the crew of the Fiji. The knife also represents an aspect of shipping history and fits in well with Victoria's framework of historical themes of living with natural processes as items such as these contribute to a better understanding of Victoria’s cultural history.Knife, metal with black wooden handle. Handle is riveted to knife in 3 places, with shaft of knife between the 2 parts of the handle. The handle also has a carved ring around the end, possibly for attaching a wrist strap. Knife blade is pointed in the centre of the tip and is rusty. The knife has a rectangular metal plaque on handle with inscription. The hand crafted dark brown, soft leather sheath is shaped to fit the knife and joined at the back with cross stitching. The sheath also has a leather belt strap that has come away from the sheath at one end.Metal plaque “FROM JULIUS GEBAUHR/”FIJI” /TO F.J.S.” (F J Standmore recipient)1891, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, knife, fiji, pocket watch, moonlight head, gebauhr, stansmore, wreck bay, sheath knife