Type of coat worn by SEC tram crews in Ballarat from the mid 1930s through to 1971. Demonstrates the SEC Uniform in 1921. It is significant for its good condition, which is rare for an item of its age.Green woolen coat with brown leather detailing on sleeves and pockets, and three brass buttons. Buttons - "State Electricity Commission of Victoria 1921" Tag - "David Klein PTY LTD" "22 Patrick Street, Melb. 32 3771" "Name J. Mason SEC Ballarat" "Date D.I 258716" "Pure Wool" btm, uniforms, conductors, ballarat tramway museum, coat, jacket

The City of Brighton Mayoral robe features embroidered Coat of Arms on the sleeves, which were granted in 1970 by the British College of Heraldry. It includes two figures, the market gardener heralding back to Brighton’s early history in farming, and an aboriginal man, symbolising the original inhabitants of the area, the Bunurong people of the Kulin Nation. This robe was worn by the City of Brighton Mayor until Brighton’s amalgamation into City of Bayside in 1993.Full length mayoral robe with centre opening. Red wool with light brown fur edging on centre front opening and cuffs. The cuffs are also trimmed with wide bands of black velvet and each shoulder has an embroidered polychromatic roundel featuring the Brighton Coat of Arms. The bottom edge of the robe also has black velvet trim. city of brighton, mayoral robe, robe, ceremonial wear, coat of arms, r.w. bredin & son, ede and ravenscroft, bayside, mayoral regalia

When Brighton was first incorporated as a borough in 1859, the first seal and coat of arms of the municipality depicted a market gardener. Spade in one hand and fruit in the other, the gardener is surrounded by a cornucopia of produce, a ploughman toiling the field behind him, and a mill in the distance. It is underscored by the motto ‘By their fruits ye shall know them’.Oil paint on metal on shaped wood shield, depicting a figure of a standing male pioneer holding a spade in one hand and fruit in the other. A fruit tree directly behind him, two pineapples to the right and a cornucopia bearing fruit to the left. Behind the pioneer are depictions of the sea with a ship, a farmer with a horse ploughing a field, a steam train, and a windmill. A black banner at the top of the shield has inscription BRIGHTON which sits above the Royal Coat of Arms. A red banner at the bottom has Brighton's motto 'FRUCTU NOSCITUR' which translates to ‘By their fruits ye shall know them’. Another black banner underneath: 1858.escutcheon, coat of arms, brighton, fructu noscitur, bayside, shield, heraldry, borough of brighton, market gardener, windmill, train, farmer

This pair of embroidered badges were worn on the sleeves of the red City of Brighton Mayoral robes until Coat of Arms were granted in 1970 by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Two oval shaped City of Brighton mayoral robe badges, embroidered and mounted on red felt. The badges have a black border with CITY OF BRIGHTON embroidered on the top and the British Coat of Arms on the bottom. The centre image depicts the City of Brighton seal of the Brighton coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, and buildings on the left and right sides. coat of arms, mayoral robe badges, badge, mayoral robe, city of brighton, ceremonial wear, mayoral regalia, bayside, crest, british coat of arms, brighton, seal

The Coat of Arms, represents Brighton City Council's "growing awareness of the importance of formality and correct symbolism in local government". It replaced the council's crest of a pier and yachting scene and was used as council's seal, emblem on its flag and letterhead. The new Coat of Arms, drawn up by the College of Arms in England, depicts the progression from a seaside gardening community to a modern residential city. The prominent forms are on the shield-like coat of arms include waves and a Lymphad (a ship, symbolic of the sea); a market gardener; an aboriginal man; two horns plenty with abundant fruit and vegetables (the wealth and plenty) and Elster Creek (now Elster Canal). It is underscored by the motto "By their fruits, ye shall know them". Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Ink and gouache on parchment with wax seals. Allocates a Coat of Arms to the City of Brighton, by the College of Arms in London on 08/09/1970. The Coat of Arms is located on the upper left quadrant and has the following parts: the crest, the wreath, the helmet and mantle, the shield, the supporters, the compartment and the motto. The crest is two cornucopias with fruits and vegetables, above which sits a seagull. The mantle above the helmet is in green and gold. The shield is also green and gold with a lymphad (ship), and blue and white waves, representing the sea. The market gardener, holding a hoe, and Aboriginal figure, bearing a boomerang, support the shield and stand upon the compartment which is soil with a representation of Elster Creek. A ribbon below contains the motto in 'FRUCTU NOSCITUR'. The certificate text explains the origins of Brighton and the parts of the coat of arms. At the bottom of the folded parchment are three signatures and titles, below which three red wax seals in gold tin containers hang from blue ribbons.coat of arms, certificate, city of brighton, college of arms, market gardener, aboriginal, wax seal, elster creek, lymphad, fructu noscitur, letters patent, armorial bearings, heraldry, seal

The design of this crest was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859. It became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. Four circular cast bronze plaques with City of Brighton crest. The outer border surrounding the central crest includes CITY OF BRIGHTON lettering around the top half, two diamonds on the bottom left and right sides with the British Coat of arms at the bottom centre. The central crest depicts the Brighton coastline in relief, with a pier extending to the water, sail boats and a ship in the distance, a train on the right of the pier, a bathing box and trees on the left.plaque, city of brighton, brighton, crest, coat of arms, municipality, bayside

This plaque, along with the Commonwealth Coat of Arms 0000-732, were previously on display in the Brighton City Council's municipal chambers. Oil paint on plywood. Royal coat of arms on black ground showing the central shield divided into four quarters flanked by the English Lion and Scottish Unicorn, surmounted by the Royal Crown. Below the shield appears the motto of the English monarchs ‘Dieu et mon droit’ (God and my right). There are four holes at each corner of the board.royal coat of arms, coat of arms, plaque, united kingdom, brighton city council, brighton

This plaque, along with the Royal Coat of Arms 0000-731, were previously on display in the Brighton City Council's municipal chambers. Oil paint on plywood. The Commonwealth Coat of Arms is painted on black ground showing the central shield, depicting symbols of Australia's six states, which is flanked by the native Australian animals, the kangaroo and the emu. The seven-pointed Commonwealth Star surmounting the crest also represents the states and territories, a wreath of golden wattle appears below the shield. Below the shield is a scroll containing the word 'AUSTRALIA'. There are four holes at each corner of the board.coat of arms, plaque, brighton city council, brighton, commonwealth coat of arms, australian coat of arms

The Sandringham seal, which was designed by Sans and McDougall, had been selected in 1917 by a special committee and depicted as its main feature the Sandringham pier and breakwater, with a yacht in full sail, as an inset, and supported by two dolphins. The motto selected was Omni Opere ("With all earnestness.")Carved wood, with metal cast lettering. Carved relief City of Sandringham seal in the centre of the plaque with lettering 'CITY OF SANDRINGAM 1917' cast in metal around the border. On the central shield is the depiction of a large sailboat in the water at the top, below it an L-shaped pier protruding from the right and below that another pier protruding from the left with two small boats at the bottom. The shield is flanked by two dolphins, with St Edward's crown above, and a banner containing the motto 'OMNI OPERE' beneath. The area around the seal is decorated with a carved circular pattern.plaque, city of sandringham, sandringham coat of arms, seal, omni opere, bayside, coat of arms, crown, crest

A dark wooden plaque with the Victorian coat of arms in metal relief of two female figures standing on a mound of grass on either side of the Southern Cross shield. The figure on the left represents Peace and holds an olive branch, while the figure on the right personifies Prosperity and holds a cornucopia. Above the shield is a knight's helmet and a kangaroo holding an Imperial crown. The motto 'PEACE AND PROSPERITY' is on a banner below the shield and under that a banner read's 'VICTORIA'S 150th YEAR' and the dates 1834 and 1984. The plaque is numbered 59 of 1,000 on the reverse.victorian coat of arms, plaque, shield, coat of arms, peace and prosperity, victoria's 150th year, heraldry

This flag features the City of Brighton crest which was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Navy blue flag with circular crest in the centre with the words CITY OF BRIGHTON 1859 in black ink in a white border around the outside. A polychrome scene of the Brighton crest is in the centre showing the coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, buildings on the left and the sandy beach at the base. The flag has rope woven through left side.flag, brighton, city of brighton, crest, bayside

The coat of arms on this flag were granted by the British College of Arms in 1970 and represented Brighton City Council's "growing awareness of the importance of formality and correct symbolism in local government". It replaced the council's crest of a pier and yachting scene and was used as council's seal, emblem on its flag and letterhead. The new Coat of Arms, drawn up by the College of Arms in England, depicts the progression from a seaside gardening community to a modern residential city. The prominent forms are on the shield-like coat of arms include waves and a Lymphad (a ship, symbolic of the sea); a market gardener; an aboriginal man; two horns of plenty with abundant fruit and vegetables (the wealth and plenty) and Elster Creek (now Elster Canal). It is underscored by the motto "By their fruits, ye shall know them". Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Green flag with circular City of Brighton Coat of Arms in the centre. The central circle is white with a yellow edge, with a polychrome coat of arms featuring: the crest which is two cornucopia with fruits and vegetables, above sits a seagull. The mantle above the helmet is in green and gold. The shield is also green and gold with a lymphad (ship) and blue and white waves. The market gardener, holding a hoe, and Aboriginal figure, bearing a boomerang, support the shield and stand upon the compartment which is soil with a representation of Elster creek. A ribbon below contains the motto in blue 'FRUCTU NOSCITUR'.flag, brighton, city of brighton, coat of arms, college of arms, market gardener, aboriginal, elster creek, lymphad, fructu noscitur, armorial bearings, heraldry, cornucopia, by their fruits ye shall know them, motto

Dark wood honour board with gold lettering attached to the wall in the foyer at the Brighton Town Hall. A roundel in timber relief at the top containing the City of Brighton crest and British Coat of Arms. Below that is a raised timber relief panel inscribed in gold lettering 'MAYORS OF THE MUNICIPALITY'. The list of names and dates of the mayors from 1859 to 1965 is split over 2 raised timber panels, in four columns and divided by the headings BOROUGH, TOWN and CITY. mayor, municpality, brighton, city of brighton, borough of brighton, town of brighton, honour board, crest, coat of arms, brighton town hall

powder coated steelsculpture, lenton parr, darien

powder coated steelsculpture, lenton parr, lesath

bayside city council, borough of brighton, illuminated, certificate, population, rates, public buildings, mayor, town clerk, surveyor, councillors, council, borough, county of bourke, thomas crisp, cr t. crisp, census, parish of moorabbin, hamel & ferguson, coat of arms

Holsmor expanding suitcase was sold throughout the 1920s-1950s. Manufactured by I. Sher in Carlton and sold in leading stores. Brown leather expanding suitcase with circular gold label which has Coat of arms of City of Brighton, 1859. suitcase, city of brighton, i. sher, holsmor

Ore bearing rock brought out of the mine was crushed at the battery by heavy metal stampers and the fine material passed over copper pates coated with mercury. Gold particles would combine with the mercury forming an amalgam which was then scrapped off the copper plates and put into the amalgam bucket ready for retorting too extract the gold. The amalgam of mercury and gold was placed into the retort which was heated to evaporate the mercury. The mercury cooled as it ran down the pipe which was recovered to be reused leaving the gold behind. The gold would later be put into a crucible and heated to burn of impurities and the molten pure gold poured into an ingot.A heavy cast iron bucket 20 centimetres high, 16 centimetres in diameter at its base and 22 centimetres diameter at the top. It has a spout five centimetres wide protruding two centimetres. There is a handle which is a semi- circular shape 19 centimetre wide extending 14 centimetres above the bucket The inside of the bucket has an enamel coating. amalgam bucket, bendigo gold, gold retort

This plate was made by Henry Greener and Company of Sunderland England in 1887 or 1888. The company specialised in the manufacture of commemorative pressed glass. They received commissions from British and colonial clients, and individuals and organisations outside the Empire. The glassware typically commemorated prominent individuals or events. https://collection.powerhouse.com.au/object/8811 Amber Glass Bowl with frilled top commemorating Australia's Centenary 1788-1888. Showing Australian coat of arms with Emu and Kangaroo encircled with wording advance Australia. Australia's centenary and 1788 1888 in shieldcentenary 1788 - 1888, coat of arms, amber glass

Honi soit qui mal y pense is a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it". Wikipedia. Dieu et mon droit, which means 'God and my right', is the motto of the monarch of the United Kingdom. It appears on a scroll beneath the shield of the version of the coat of arms of the United Kingdom. WikipediaCoffee Mug with portrait of Queen Elizabeth II in center framed in blue with Honi- Soit- Qui -Mal -Y -Pense in border and crown on top. Thistle, clover and red flower either side. Dieu - Et - Mon -Droit in garland along bottom. On Back E II R with Crown in Centre- The Coronation of Queen Elizabeth II - June 2nd 1953. Gold gilding on rim of mug Empire England 1 53 coronation queen elizabeth ii, june 2nd 1953, queen elizabeth ii

Caskets were presented to Robert Baden-Powell from groups around the world in recognition of his services to the Empire following his successful holding of the besieged town of Mafeking during the South African Boer War. The origin of this Casket is unknown.Photograph of a Baden Powell Casket. The photograph is mounted on mounting board with two cream colpured borders. The casket has the Australian Coat of Arms on the top and is supported by four turtles."Baden Powell casket" written on the edge of the mounting board,robert baden powell, boer war, casket

Image is taken from the National Mutual building on the corner of Sturt and Lydiard Streets, looking east towards Grenville St. Has an ESCo tram with blinds drawn nearing the intersection. The tramcar number could be 12, 13 or 18. There are a number of horse drawn cabs in the photograph. The Burns statue is on the left side. There are telegraph/telephone poles in the photograph along with the buildings on either side of the streetYields information about Sturt Street east of Lydiard St.Black and white postcard with a green (18mm wide) border acting as a frame to the postcard picture. The picture measures 50mm High x 98mm wide. Has a Victorian Two Pence stamp with a "168" cancellation stamp. The card has been published by the Commonwealth of Australia with a coat of Arms. In the bottom left hand corner is a symbol "HB" within an artists paint palette.On rear is a note to a Miss Audersau of Launceston.sturt st, grenville st, esco, horse cabs, trams, tramways, ballarat

Loosely bound pages, some with maroon and grey hard cover, from various yearsVictorian Government Gazette, crown coat of arms, dates: 1886, 1889, 1891, 1894, 1895, 1896, 1897, 1901, 1902, 1906, 1907, 1912, 1913, 1914, 1915, 1928, 1929, 1933, 1935, 1938, 1939, 1941, 1942, 1943, 1944, 1945, 1952.

The correspondent of The Argus recorded that: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. ... To-day the Heir to the Throne will review some 15,000 Australian troops at Flemington. ... It is a function which, on a lesser scale, might have been arranged at any time for many years past; but it could never previously have conveyed the meaning it does now. Soldiering was popularly regarded as a pastime here until South Africa tried the mettle of our men. It is serious business from henceforth. Those who followed the nascent aspirations of the volunteer soldiery in Australia must be impressed at the rapidity of their fulfillment. ... The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew. An invitation, mounted on card to the Royal Review held at Flemington racecourse on Friday 10 May 1901, as part of the Government of Victoria's Australian Commonwealth Celebrations. The border is vividly decorated with flags, shields and a large coat of arms. The photographic images depict various scenes of Flemington in Melbourne, in addition to two separate portraits of the Duke and Duchess of Cornwall and York. Illustrations of military servicemen on foot and horseback flank the central block of text. The invitation was addressed to Mr & Mrs J. M. Campbell. James Maitland Campbell had been Mayor of Kew in the years 1889-90, 1890-91 and 1892-93.Printed: AUSTRALIAN COMMONWEALTH CELEBRATIONS/ The Government of Victoria/ requests the honour of the presence of/ .../ AT THE/ ROYAL REVIEW/ at Flemington on Friday/ the 10th of May 1901. Handwritten on the dotted line: Mr. & Mrs. J. M. Campbellfederation events, royal review - 1901, james maitland campbell, federation -- invitations

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated portrait photograph of Alma Figuerola."KO91/7 / Alma Figuerola / coat sea green, hat *** cerise with pink feathers"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Charlemont & Co., operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Silver albumen cabinet card by Charlemont & Co., who operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. In this portrait of Mrs Merritt, she is posed gazing directly at the lens, thus achieving a potentially more intimate relationship with the viewer. All that is revealed however in this supposedly more direct pose is her face. As with an earlier generation, her hair is centrally parted and flattened to accommodate her bonnet, which is surmounted by feathers. The detail in her coat-dress is sharply revealed by new photographic processes that allowed firms like Charlemont & Co., to capture greater light and shade, as well as the detail of fabrics. The entire garment is beaded with what is probably Parisian jet. The beading is arranged in a ‘paisley’ design. The paisley pattern was to become ubiquitous in the 19th century as a design on everything from carpets, to shawls, to clothing.Mrs Merrittcharlemont & co., mrs merritt

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Harp of Erin (c.1864-1956). Strategically situated on Bulleen Road (High Street) in East Kew, the ‘Harp of Erin’ was built on the corner of Harp Road and High Street. The present hotel is the third to be built on the site. A second, two storey brick and stucco hotel built c.1864 replaced an earlier wooden structure built in 1854 by Edward Glynn. The ‘Harp’ was a local landmark, used by the Melbourne Hunt Club for their meetings. The Club had their kennels behind the hotel, and at meets, red-coated riders might be seen assembling from all directions. The later building was constructed in 1956."Harp of Erin Hotel. Has been altered several times. First built by Edw. Glynn 1851. Not the first which was built in 1854."harp of erin hotel, dorothy rogers