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Bendigo Historical Society Inc.
Document - MINING ACCIDENTS - MAN FALLS DOWN GOLDEN FLEECE SHAFT
Handwritten extract from the Bendigo Advertiser dated 29/5/1873. Mr A. M. McHugh, Surveyor of Admiralty Dep't fell down the Golden Fleece Shaft on 28/5/73. The undergr'd Manager, Mr Thomas Mann, was showing him around. They had been at the 300 ft level and the cage was below them. Mann knocked for the cage wich stopped about four feet above the plat. Mann knocked the cage down, but it stopped about 10' or 12' above the plat. Mann said the cage had not stopped, and before he could remove his hand from the knocker, he saw Mr McHugh fall down the shaft. He died. There was a space between the edge of the plat and innermost edge of the cage.document, gold, mining accidents, mining accidents, man falls down golden fleece shaft, mr a m mchugh, bendigo advertiser 29/5/1873, mr forbes, mr henry cook, mr thomas mann -
Warrnambool and District Historical Society Inc.
Artefact, Magnetic Electric Machine, 1920s
In the early 20th century there were many small machines and instruments developed to use as home cures. These included massage and vibratory instruments and those taking advantage of the growing use of electric currents in the treatment of nervous and mental health issues. This machine was used to produce a electric current to use on the human body to alleviate ailments that included nervous conditions, neuralgia, lumbago, back ache, muscle soreness and even toothache. Developments in allied health treatment saw the waning of the popularity of these kinds of medical aids by the mid 20th century.This machine is of great interest as an example of the items used by people in the late 19th and early 20th century as home cures for all sorts of ailments that afflicted people at the time.This is rectangular wooden box with a lid connected with metal hinges. The inside of the lid has a paper insert with printed material on it. The box has a metal mechanism inside and this includes a metal magnet, a pulley with a rubber belt and two round metal drums covered in dark blue felt. On the outside of the box is a metal handle that is connected to the mechanism inside. There is a metal closing catch on the outside of the box. There are also two wires on the outside of the box with one of these connected to the inside mechanism. The wires have hollow brass cylinders attached to the ends. The box is heavily stained and scuffed.‘Magneto Electric Machine for Nervous & Other Diseases’allied health in early 20th century, warrnambool, history of warrnambool -
Vision Australia
Photograph (item) - Image, Blind and vision impaired people at work
Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions. A woman works at a switchboard, using an assistive device, whilst another woman sits beside her. A young man dressed in a blue coverall and goggles, uses a bandsaw to cut through an object, whilst another uses a circular saw to cut wood. A man in a workshop, with a large toolset on the wall, operates a machine.employment, royal victorian institute for the blind -
Kew Historical Society Inc
Photograph, Unknown, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The photographs include original (mainly) images dating from the 1870s to the present. A number of these photographs derive from the former City of Kew's Civic Collection while others are the work of amateur and professional photographers. Most of the images in the collection depict people, places and objects within the suburbs of Kew and Kew East. Other photographs depict other locations in Melbourne and Victoria. A number of the photographs are of statewide and/or national significance.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-99. Congregational Church Walpole St Kew. Built 1854. Now amalgamated with United Churches 1977."congregational church, walpole street (kew), charles vickers -
Kew Historical Society Inc
Photograph, Unknown, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas. Photograph of an historic church in Kew by noted architects Charles Vickers and Alfred Purchas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School)Inscriptions on reverse: "KH-100. Congregational Church Walpole St Kew. First church built in Kew 1860. Chapel on site 1854. Became a member of the United Churches 1970s". congregational church, walpole street (kew), charles vickers -
Kew Historical Society Inc
Photograph, Congregational Church, Walpole Street, 1977
The Congregational Church was built on the site of the first church in Kew. This church, the second on the site, was designed by the Kew architect Charles Vickers and opened in 1860. The distinctive polychrome brick façade designed by Vickers contrasted with the style that he employed for other churches he designed during this period; they were usually constructed in bluestone. In the 1960s, a new ministry saw the erection of a neon cross at the apex of the church. The illuminated cross could be seen from Church Street, Hawthorn. The church was later to be demolished, and the land sold for the construction of modern villas.Congregational Church, Walpole Street, Kew, 1977 (now demolished). View of the polychrome facade facing Walpole Street. The use of polychrome brick by Alfred Purchas (the second architect) reflects his preference for this architectural style, such as in his design for Tarring (now Ruyton Girls' School) Inscriptions on reverse: "K.H.701. Congregational Church Walpole St Kew. First church in Kew. Now amalgamated with the United Churches."congregational church, walpole street (kew), charles vickers -
Queenscliffe Maritime Museum
Functional object - Fishermans Cottage, Built in 1870/1880 for Thomas and Anna Ikin
This low-lying northern-most tip of Queenscliff saw its physical origins in 1863 with allotments let to a burgeoning fishing community previously accommodated on the site of the current railway station and whose construction in 1879 necessitated eviction. Among this community, Chinese fishermen are thought to be of the first international settlers. The success of the fishermen’s settlement was due in part to commercial trading prospects the railway afforded and the size of catch available to those fishing in Bass Strait. Salmon, snapper and particularly barracouta led to the success of the local industry.Original Fishermans Cottage previously located at Swan Bay end of Bridge Street Queenscliff. Timber - Weatherboardfishermen's cottage, fishermen's flat, queenscliff -
Stratford and District Historical Society
Signature Cloth
Donor located cloth in the house of his cousin, Olive Perkins, os Seaspray, possibly in 1999. Olive Perkins had no known association with Stratford, apart from being friends with some members of the Stratford Methodist church, but the M. Perkins who appears thereon may have been her mother, and Olive Perkins also appears. It appears, as Methodists were opposed to raffles, which they saw as gambling, that a fee may have been paid to have a name included on a block. It is assumed the quilt was then sold.A degraded signature cloth from the Stratford Methodist Church Harvest Festival 1918. It contains a central block with 20 surrounding blocks. Each normal block contains twelve signatures.It utilises red cotton and red binding on white calico.churches -
Moorabbin Air Museum
Machine - DAP (Bristol) Beaufighter Mark 21 A8-328 (Marked As "A8-39"), 1945
Historical Details: DAP Beaufighter A8-328 was delivered from DAP to the RAAF at Laverton 1AD on 9 September 1945, and consequently did not see any wartime service. Placed into storage at Tocumwal it returned to Laverton 1AD in 1953 for overhaul and preparation as a Target. Description: The Bristol Beaufighter was designed and built in England as a long range fighter but initially saw service as a night fighter. Carrying the newly invented airborne interception radar, it played a major role in ending the Blitz. British-built general purp. Level of Importance: Nationalbeaufighter -
Bacchus Marsh & District Historical Society
Certificate, Australasian Federal Referendum July 1899
William Grant Junior was President of the Shire of Bacchus Marsh in 1901 when the Australian Colonies federated to become a federal nation state. Grant was a member of a prominent local family and was active in public affairs throughout his life. The federation of the Australian Colonies was a turning point in Australian history and as such its achievement was celebrated in a range of ways. A major step towards achieving Federation was the referendum of July 1899 which saw five of the six Australian colonies vote in favor of Federation, with Western Australia later voting in favor in 1900.Printed poster sized document certifying that William Grant of Bacchus Marsh voted in a referendum of Victorian electors on 27th the July 1899 on the question of an Australian Federal Constitution. The body of the certificate text is surrounded on three sides by captioned photographic portraits of the Premiers of the six Australian Colonies. A British coat of arms is at the top of the certificate and at the bottom is an image of Parliament House in Melbourne, which includes a Dome, which was a projected feature of the building which was never actually added to the Victorian Parliament building.Across the top of the certificate: 'Australasian Federal Referendum July 1899'. In the centre: 'This is to certify that the question of an Australian Federal Constitution was submitted to the Electors of Victoria on the 27th day of July 1899 and that out of a Poll of 103,783 votes 152,653 were cast in favor of such Australasian Federal Constitution and further that William Grant, voted at the said election'. Signed, [George Turner], Premier. At bottom: 'Robt. S. Brian, Government Printer, Melbourne'.william grant 1850-1924, federation (1901), referendums, illuminated certificates -
Dandenong/Cranbourne RSL Sub Branch
Plaque, H.M.S Hydra
Historical significance. HMS Hydra (A144) was a deep ocean hydrographic survey vessel. She was the third of 3 Hecla Class vessel's , laid down on 14th May 1964 at Yarrow Shipbuilders at Scotstoun on the River Clyde and commissioned 4th May 1966. Displacement of 2000 tons (2945 fully loaded).Length 79 Mtrs. Beam 15.4 Mtrs. Draught 4.9 mtrs. Compliment of 12 Officers and 116 crewmen. Saw operations during Falklands War. Decommissioned in 1986 and and sold to the Indonesian Navy still active as of 2019. Wooden plaque with metal plate.White sails surrounding shield over 9 headed dragon over pennant with wording H.M.S. Hydra below. -
Kiewa Valley Historical Society
Coloured photographs on paper - Back to Tawonga 2010
These photos were collected and copied by Di Edmondson for the 'Back To Tawonga' Event in 2010 when she launched her book "Tawonga Remembers".An historical photographic collection of Tawonga and its surrounds, places and people up to 20101. Saw Mill - Mill house 2. The Rock Pool 3. People at the Rock Pool x 2 4.Old Saw mill 5. Back to Tawonga Celebrations x6 6. Tennis Curts opposite the Tawonga Store, Bakery in the background 7. Bowling Club 8. Old Guide Hall 9. The Old Boarding House 10. Old Fire Brigade Shed 11. Building the New Tawonga Memorial Hall 12. Tawonga Go Kart Track - 1960s 13. Tawonga Pony Club 1969 State Championships 14. Tawonga Recreation Reserve Newspaper article 15. The Damm Children 19. 1980s Brian Edmondson, Geoff Edmondson, Mick Harvey, David Piera. Geoff Edmondson's car 20. Tawonga Speedway Track - 1970s Mick Harvey and Paul Harkin's car 21. 2000 22. Tawonga Sports Vera Ryder and Allie Briggs 23. Tawonga School Photos x8 24. Harry Cooper's Farm Looking South 25.View from Edmondson's Farm - looking north 26. Mount Emu 27. St Aiden's Debutante Ball 27. Grand Opening Ball 1961 Tawonga Hall 28. The Kiewa Valley Road at Tawonga. Vic. 29. Tennis Courts opposite the Bogong Hotel 30.Opening of the new Toilet Block in Pioneer park 31. Old Tawonga Store x 3 32. Tawonga Memorial Hall 33. Anglican Church, St Aiden's x 2 34. Motor Khana held at Recreation reserve 35. 1970 State Champioships Team 36. Kiewa Valley School Sports at Dederang 37. Miscellaneous photos x27 Some photos have headings and some headings have been writtentawonga remembers, back to tawonga 2010, di edmondson -
Flagstaff Hill Maritime Museum and Village
Tool - Draw knife, C Johnson (Christopher Johnson), 1855-1879
A draw knife is a hand tool that has a long straight blade between two handles. As implied by its name. it is drawn like a knife across the wood. It is used to prepare the timber for the next step of the process, removing loose wood and bark and giving a start to making the wood into a round or cylindrical shape. Then a finer smoother finish is given with a spokeshave, which has a shorter, curved blade. A draw knife could be used for the wooden spokes for cart, wagon and carriage wheels as well as for ladder staves and ship wheels. Features of a good draw knife include tight handles, a blade with plenty of metal to it and a blade length of 20 to 24 centimetres. This draw knife was likely made at least 150 years ago by C Johnson of Sheffield, who used the Trade Mark “C.J.” within a flag. Christopher Johnson began work as a cutler, making knives, pocket knives and tableware in his works at Howard Street in Sheffield. In the book ‘Hand-Saw Makers of Britain by Schaeffer and McConnel, Johnson is listed in 1855 as a saw maker. A later reference has the business name of Johnson & Company, Sheffield in 1879-1882. Australia was one of the company’s markets. The company continued until its closure in 1955.This draw knife is significant for being made in Sheffield, a location famous for steel and silver manufacturers. It is significant because of its age, being made no later than 1879, which is the time period of our maritime Village. It is a tool most suitable for the blacksmith's or a ship' smith's workshop for making spokes for the wheels of wagons and carts, and for making ship's wheels.. It is also significant for being made by C Johnson, who was well known for his good workmanship. Draw knife; flat cast steel fixed blade with rotating wooden handles each end. Round bulbous handles have two parallel scored lines around the end furthest from the blade and a brass collar between the handle and blade. A logo and inscription are cast into the centre front of the blade. Made by C Johnson. of Sheffield.Cast into steel blade: Sideways Image “C.J.” within {flag}, “JOHNSON / CAST STEEL”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, spokes, wagon maker, blacksmith, cart maker, cart wheel maker, blacksmith tool, wagon wheel, c johnson, sheffield, wheelright, craftsman, woodwork, carriage wheel, ship wheels, shipwright, wooden spokes, ladder staves, draw knife -
Kiewa Valley Historical Society
Sigmoidoscope Rigid, Mid to late 1900s
This item was used before the flexible sigmoidoscope (1996) and before the introduction of fibre optics late 1900s. The 1900s saw an incredible leap forward in the field of medical procedures. The ability to visually see what was happening within the human body (in real time) provided greater analysis about certain biological abnormalities during a greater time elapse than before. This procedure involved less trauma to the patient and greater flexibility to the Physician in treatment schemes. The rigid signoidscope, however provided the first visual of the colon in situ, but was highly invasive to the patient.This item was used in the Mount Beauty Hospital for qualified Physicians to use in their diagnostic evaluation of patients. This would not be an instrument used by a General Physician. This item is still a internal observatory method which may, in some instances, cause some minor complications. This item does point to the level of medical diagnostics, equivalent to those available in larger towns and cities, which brings this rural area (once considered to be an isolated region) to a higher level of medical care.This rigid 35 cm long sigmoidoscope (internal probe) is made of stainless steel outer hollowed rounded rod, which permits the use of both a fixed (very thin) lighting rod and two flexible cord lights access. Both the lighting rod and the flexible lights can be lowered within the main rod to allow the physician to see the colon at the bottom of the rod.These items are all contained within a specifically inlaid wooden box. The box has separate open compartments for the main instruments and a small lidded compartment containing replacement light bulbs. The hollowed tube permits the physician to visually observe the signoid (an S shaped part) of the colon.On the stainless steel main rod body are engraved the lengths of the body,in centimetres ,with numbers starting at the five centimeter mark and then every five centimetres up to the thirty centimetre mark. On the front inside rim of the box are two inlaid white plastic strips with black print, "ALLEN & HANBURYS Ltd" and the other "LONDON"medical diagnostics, sigmoidoscope examinations, medical examinations, hospital equipment -
Kiewa Valley Historical Society
Ski Boots - Cross Country, mid 1900's
These cross country ski boots are part of the pioneer ski recreational sport in the Victoria Alps. The mid 1900's saw the Victorian Alps begin to be used for recreational skiing, especially cross country. The majority of skiers at this point in time were either from the SEC Vic. Kiewa Hydro Scheme or from Melbourne. International skiers had better ski fields (ski lodges etc.) in Europe, the U.S.A. and Canada. With greater and better coverage of the Winter Olympics and some medal wins, skiing became more interesting and rewarding for city dwellers in Melbourne and Sydney.These ski boots are of great significance to the Kiewa Valley as it demonstrates that winter sports in the region have and still do attract not only skiers but also provide an employment (even though seasonal) avenue which "livens up" a small rural community and provides for a diversity of land usage which did not exist in the 1800's. These brown cross country ski boots, "Grief" brand have "cherry" inserts with cream laces, within the main boot. The boots have red and black laces and crossover tie flaps (to allow for maximum front foot entry. These boots do not have any ski clips to hold firm those restraints (quick release) on the skis (like "modern boots and skis). The heel section has the red Greif "W" pattern.At the underside of the rubber sole in freehand script "Cresta"snow skiing, ski boots, winter recreational sports. -
Kiewa Valley Historical Society
Photograph – black and white photograph of children playing in the school yard at Bogong Village Primary School, Circa late 1960s to early 1970’s
The early forties saw rapid growth of Bogong Village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Bogong Primary School opened in 1941 to provide an education for the families of employees of the State Electricity Commission of Victoria. The school had up to date equipment and received glowing reports from school inspectors. It closed circa 1970.The Bogong State School was opened for the children of S.E.C.V. workers who lived in Bogong in a remote part of north east Victoria. The nearest school would have been 14 miles away and over mountain roads subject to heavy construction traffic and extremes of climatic conditionsBlack and white photograph of a group of 6 children playing on play equipment in the schoolyard at Bogong Primary School. The area is enclosed by tall trees in a bush-like settingbogong state school; secv; kiewa hydro electric scheme; -
Orbost & District Historical Society
bottle, JGB Siebert & Sons, 1930's
Johann Gottlieb Benjamin Siegert (1796 - 1870) was born at GroB-Walditz in Silesia, Germany. He studied medicine at the University of Berlin, then the capital of Prussia. The young doctor joined the 2nd Regiment of the Prussian army, one among the allies who fought against the French Emperor Napoleon Bonaparte. He saw active service as army surgeon under the command of General von Blücher. . Dr. Siegert relied on the herbs and plants of the region for his cures. In 1824, he began to produce the bitters product which was originally used for medicinal purposes.A dark green bottle with a long neck which possibly had a waxed cork stopper.Around shoulder and on base - JGB Siegert & Sons. DRangostura siegert-jgb bottle bitters -
Mission to Seafarers Victoria
Letter - Correspondence, 14/02/1952
Allan describes London following the death of King George VI. He witnessed the Proclamation of the Queen at the Royal Exchange. He writes "The Proclamation was read in four different parts of the city and about a hundred Lifeguards escorted the Royal carriages through the city." And ....."I also saw the procession from Kings Cross station to Westminister Hall when they brought the King back to London." He would have liked to walk past the coffin lying in state at Westminister Hall but the queue was three miles long and it took seven hours to get into the hall.Quinn CollectionA pale blue self-folding letter (0894.a1) headed 37 Elsham Road, London W 14 and dated 14/02/52. Letter is typed using a very small font. The print is faint and difficult to read. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. There is no postmark. The return address is Allan Quinn, 37 Elsham Road, London W14.letters-from-abroad, allan quinn, alette andersen, death of king george vi, proclamation of queen elizabeth ii, london 1952 -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Phytoplankton, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Elephant Seal, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Penguin, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Weddell Seals, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Squid (1982), 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Tern, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Whale, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Merri-bek City Council
Work on paper - Screen print, Wendy Black, Declare Antarctica a World Park - Adelie, 1982
The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total -
Hymettus Cottage & Garden
Work on paper - Memoir, Nathan Spielvogel Memoir
A typescript with some pages handwritten of the life of Nathan Spielvogel founder of the Ballarat Historical Society, teacher and community leader. Tied at top corner with ribbon.non-fictionA typescript with some pages handwritten of the life of Nathan Spielvogel founder of the Ballarat Historical Society, teacher and community leader. Tied at top corner with ribbon.memoir, spielvogel, ballarat, dimboola, jewish -
Queenscliffe Maritime Museum
Painting - Framed Watercolour, Fishermen's Pier Queenscliff
Queenscliff’s first pier, then known as the Fishermen’s Pier, was completed in 1857. It was not until some thirty years later that the second Steamer Pier was constructed adjacent to the former and periodically extended from the mid to late 1880s to cope with the demand in pleasure bay steamer services. The last of these extensions was to provide a dog-leg construction and the extant shelter shed. 1960 witnessed the demolition of the original Fishermen’s Pier - by this time having been extended in the late nineteenth and early twentieth centuries to the equivalent length of the Steamer Pier - and saw the relocation of its 1926-29 lifeboat house to the Steamer Pier, now Queenscliff Pier. The mid to late 2000s saw Queenscliff Harbour undergo large-scale redevelopment in order to deepen its waters for pleasure craft and increase its berths to over 300. This was met with strong community opposition, largely with concerns for neighbourhood character and perceived cause for gentrification its stakeholders would impart. With early construction estimates of $20 million dollars, this figure had almost doubled upon realisation. (Lovell Chen Architects. ‘Individual Property Citation’, Queenscliffe Heritage Study, 2009.) (Freya Mitchell, ‘Queenscliff residents fight a tide of development sweeping the historic town’ ABC radio, 15 April 2005).Fishermen's Pier Watercolour painting of Fishermen's Pier in Queenscliffwatercolour, fishermen's pier, queenscliff -
Vision Australia
Photograph - Image, Camel
This sculpture could have be constructed and gifted to the Royal Blind Society of New South Wales by a Canberra based artist. It has resided at several Vision Australia sites, including St Kilda Road, Macaulay Road and Glenferrie Road, and brought much joy to those who saw it as part of their daily work routine and adorned her with a string of beads. Christened 'Amelia' by staff in 2012, her paper coating was beginning to deteriorate over the years with the woollen fur covering coming apart from her hump. Her beaming smile continued to cheer staff, particularly in the Children's Services division.1 papier mache constructed camel with fursculpture, animals -
Kew Historical Society Inc
Photograph, Alexandra Gardens, c.1960
Rotunda, Alexandra Gardens (1910-c.1960). The Alexandra Gardens’ rotunda was located within three acres of ‘gem like’ gardens ‘bright with verdant lawns and choice blooms’ in the centre of Kew. Designed by architects Grainger and Little, the ornate two-storey wooden kiosk functioned as a children’s shelter on the ground level and a bandstand and oratory dais on the upper. Funded by council and community subscription, it was a ‘symbol of the public spirit of Victoria’ and a Kew Jubilee commemoration memorial. Opened in 1910, the Kew Brass Band christened it the ‘finest band rotunda in Melbourne’. Deterioration saw its demise 50 years later. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Lawn and original rotunda in the Alexandra Gardens, Cotham Road, Kew. The Alexandra Gardens were opened in 1908. The land on which the gardens were formed originally formed part of the Madford Estate. A feature of the gardens was a large brick, wood and tiled rotunda. "Alexandra Gardens. Formerly part of S. King. (Rest of Estate mainly belongs to St Anthonys home). Opened 1908. Alexandra Gardens. (Rotunda now demolished)"alexandra gardens, kew, dorothy rogers