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Nillumbik Shire Council
Sculpture: Michael WILSON (b.1943 Hastings, Victoria), Cicada, 1997
Michael Wilson learnt the craft of Goldsmithing after seeing well known sculptor and silversmith Matcham Skipper working in his studio at Montsalvat in and around 1970. This work is a gift to the Eltham Community in recognition of his twenty five years of developing his goldsmith skills and operating his business within the Shire. Wilson officially opened his commercial premises in 1985. Michael Wilson is a local jewellery maker. His work is influenced directly by the environment in which he lives. This sculpture is representative of his distinctive style of work as a nationally and an internationally recognised Designer and Goldsmith. Made of steel and powdercoated in aluminium with a concrete base. Decorative elements such as the ring encasing the cicada and the cicada's wings are guilded with 24ct gold leaf. The steel rod is burgundy in colour with the cicada painted a dark olive green to represent the 'Green Grocer' variety common in Eltham. The colours used in this sculpture match the surrounding Elm and Ash trees in the landscape. N/Apublic art, cicada, wilson, gold, green grocer, jewellery -
Tatura Irrigation & Wartime Camps Museum
Certificate, The Australian Military Forces, Japanese Surrender, 1945
Certificate issued after Japanese surrender at Morotai to members of the Allied forces there.In plastic sheeting cover. Single sheet certificate with blue printing and Australian Military Forces Commander in Chief stamp. Addressed as Advanced Headquarters, Morotai, 9 September 1945. Background scene in red, blue and green water colours of palm trees, bills, sea and rising sun. Signed by E. Blamey, General Commander in Chief.To my sister VX60690 Pte. W. Fraser.allied forces, japanese surrender, certificates, private w. fraser, morotai -
Kew Historical Society Inc
Education kit - Educational kit, Cuisenaire Company Australia, Original Cuisenaire (R) Numbers in Colour, 1970-1975
This Mathematics learning aid was made in Australia by the Cuisenaire Company of Australia under licence . These wooden number rods were invented by Belgium school teacher Georges Cuisenaire, who wrote a book about them in 1952 (Les Nombres en couleurs). Cuisenaire rods with booklet and box, wood / metal / paper, made by the Cuisenaire Company, Australia, 1965-1980. This object consists of a sheet metal box, containing 10 compartments, each with a single size of wooden blocks in different colours. The shortest block is 1 cm long, next 2 cm, etc., longest is 10 cm long. ORIGINAL CUISENAIRE (R) NUMBERS IN COLOUR / (R) MADE IN AUSTRALIA UNDER MR CUISENAIRE'S LICENCE BY CUISENAIRE CO OF AUSTRALIA P/Lcuisenaire, educational resources, mathematics learning aids -
Christ Church Anglican Parish of Warrnambool
Memorial Window: Susan FLEETWOOD, "Saint Mary"
The inscription tells of the person, Susan Fleetwood. That Susan Fleetwood was the daughter of William Rutledge, and the wife of Thomas Falkner Fleetwood places her with two men of historical importance in Warrnambool and district.Stained glass lancet window, west wall, north nave, second light from the left in the group of five lights, Depicting the Blessed Virgin Mary facing towards the central light of the Crucifixion, the predominant colours are blues and purple/magenta. Towards the top of the design is an angel holding the Alpha symbol. At the peak of the design is a golden crown. To the Glory of God, and in loving memory of/ Susan, daughter of William and Eliza Rutledge/ of Farnham Park Dennington, and wife of/Thomas Falkner Fleetwood/ born at Port Fairy, July 9th 1848, Entered into rest April 18th 1932./ By her devoted affection to her family and friends, and/ her generous help to all who were in need and distress/ she won the love and gratitude of many./ "Then are they glad because they are at rest, and so/ He bringeth them into the haven where they would be."/ This window is erected by her Son and Daughter.rutledge, fleetwood, st mary -
Bendigo Military Museum
Map - MAP, NEW GUINEA, H.E.C Robinson PTY LTD, Post WW2
Map Robinsons “Territory of New Guinea and Papua” 0ff white colour rectangular shape, shows New Guinea, Papua, New Britain, New Ireland & Bougainville, colours red, orange, yellow, green designating boundaries, when folded one section has in blue a depiction of An Australian Soldier with palm trees & native hut.“Map No 315”maps, new guinea, robinsons -
Bendigo Military Museum
Book - PERSONAL CORRESPONDENCE, LATCHFORD Mark, "LETTERS TO LILY VALE, ERNEST LATCHFORD MBE MC, in France, Persia, and Russia, 1916-1919", 2020
Collection of transcribed correspondence written by Ern Latchford from 1916-1919, nearly all addressed to his fiancee and later wife, Linda Dehnert of 'Lily Vale' Ballan.Correspondence written to fiancee and later wife. Soft cover book. Soft cover - cardboard, black and white print on front, spine and book cover illustrated with montage of photographs in yellow sepia colours. Portrait, House, landscape with buildings in background. 328 pages, semi gloss white, illustrated black and white photographs and colour maps.book, letters, ww1, biography -
Healesville Sanctuary Heritage Centre
framed car sticker, Lynette Kennedy
A promotional car sticker of Healesville Sanctuary specialising in Australian Fauna and Flora. This item was displayed at the front entrance to encourage visitors to purchase and promote the Sanctuary. This car sticker was a very popular and sought after souvenir selling for 25 cents contributing to the Sanctuary's income. Healesville Sanctuary was the first institution to breed platypus in a total captive situation.and is also the only institution in the world to breed LyrebirdsA promotional circular car sticker depicting a lyrebird tail in full display above a platypus side on. Has dark green border at ouside edge of sticker; colours are black, gold and green. Sticker is in a wooden glass frame and has a dynamo label glued to upper edge of glass. There are 2 eye hooks screwed into the upper edge of frame. Inscription on car sticker is "Sir Colin MacKenzie Sanctuary" on the bottom half of the perimeter circle. With "Healesville" at top of perimeter of circle. At the top of the inner circle the word "Victoria" is placed above a green horizontal band which reads "The Wild-life Sanctuary".healesville-sanctuary, first-institution, breeding, platypus, lyrebird -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Ballarat tram bids for City", 6/12/1995 12:00:00 AM
Article from page 9 of The News, Ballarat, Wednesday December 6, 1995 featuring the launch of the BTM's W4 671 in the City of Ballarat's colours. Features a black and white photo of 671 on the depot fan Notes comments by Peter Hiscock for the reinstatement of trams in Ballarat and comments by the Chief Commissioner, Vern Robson and the launch of the tram itself.trams, tramways, city of ballarat, 671, ballarat city tramway, ceremonies -
Beechworth RSL Sub-Branch
Banner - Banner Australia Remembers 1945 - 1995, 1995
This banner was flown in Melbourne during the 50 anniversary of the ending of World War II This banner is believed to have been flown in Melbourne outside the town hall Banner Street celebrating the end of World War II, light green top and bottom, scroll in dark green with gold border and the years 1945 - 1995 at the bottom, and in a dark green arc across the top with gold borders - AUSTRALIA REMEMBERS. the middle section of the banner is a silhouette of a man kissing a women the colours of the silhouette is tan and white AUSTRALIA REMEMBERSthe theme of the banner is man returning from war and meeting his partner -
Whitehorse Historical Society Inc.
Document - Invitation and piece of origami, Phil, c2016
Invitation to a lunch on the 45th anniversary of Sister City of Matsudo with the City of Whitehorse.1 An invitation to 'Lunch on the Lawn' addressed to the donor from the Mayor Philip Daw which was held on Friday13 May 2010. The occasion was the 45th anniversary of the Matsudo sister city relationship with Whitehorse. . 2 A small square piece of origami included with the invitation, colours of green brown and yellow are used with a centre piece in brown with white spots.documents, invitations, philately, artwork -
South Gippsland Shire Council
Painting, Watercolour, Late Afternoon
Framed watercolour titled "Late Afternoon" painted by Julie Lundgren Coulter. Features a country scene of trees, low hills, and a waterhole or dam. Painted in colours of browns, creams and yellows. Gold frame with triple cream card mount. On reverse is a name and address label of the artist & the text: "PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK""PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK" -
Bendigo Military Museum
Award - BADGE, LIFE MEMBER BDSC 1986, Bendigo & District RSL Club, C.1986
The Bendigo & District Servicemen's Club was a Co Operative of the 3 Bendigo RSL Sub Branches. Roy Leslie Thurlow was a tireless worker for the Servicemen's Club, he was President 1984 - 85, 1988 - 89, he was made a life Member of in 1986. With the Bendigo RSL Sub Branch he served on the Committee from 1980 - 93, he was Jnr Vice President 3 years and 4 years as Snr Vice President. Refer Cat No 4688PBadge metal, colours are red, blue and gold. The top section is rectangular shape with the wording "Bendigo and District Servicemen's Club, centre of has 3 figures as per the RSL Logo, a membership pin for the year "1987" is attached. Rear has details and maker. Attached to the badge section via rings has the wording "LIFE MEMBER".On rear, "R.L. Thurlow" - 0004 - 1986"brsl, smirsl, bdsc, life member -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1984
Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations. -
Ballarat Tramway Museum
Document - List, Wal Jack, "Tail Lights Fitted - August 51, Saloon Seating", 1950's
Yields information about the SEC tram fleet when tail lights fitted and saloon seat types.Handwritten list, over two sheets, of SEC Tramcars through to No. 40, of the fitting date of tail lights, and notes regarding the lights and a list of the saloon seating types in the single truckers and ceiling colours in the bogie trams. Contained within Reg Item 5507 - Foolscap binder with green covers, black binding edge and metal clips. sec, tramcars, lights, seats, ceilings -
Ballarat Tramway Museum
Drawing, Electric Supply Co. of Vic (ESCo), Tramway Power supply arrangements 1914, Jan. 2014
Yields information about the electrical power supply and overhead switching for Ballarat in 1914.Rolled drawing showing Tramway Power supply arrangements 1914, track map, power station, feeder cable, switches, section insulators, box locations, lightning arrestors and feeder cables for the various routes in Ballarat. Dated 2/1/1914, with initials GL. The various cables and trolley wire has been drawing in differing colours.ballarat, power station, overhead, section insulators -
Bendigo Military Museum
Book - BOOK, AUSTRALIAN FLAGS, Commonwealth of Australia, AUSTRALIAN FLAGS, 1998
Soft cover book. Cover - cardboard, white background with red and black print on front, spine and back. Illustrated on front in colour, collection of seven flags. 64 pages, cut , plain, white gloss paper. Illustrated in colour photographs and flag illustrations. End paper - have printed information, green, black and gold colours.books, australian flags -
Melbourne Tram Museum
Sign, JBC, power closing doors, 1970's?
Sign regarding the operation of a Melbourne suburban train door that has been fitted with power closing doors, three colours, adhesive back with the name of the manufacturer "JBC" on the rear. Has two sheets of paper split in the middle that protected the sign until use. Possibly dates from the time of the introduction of power doors on Harris Trains.trams, tramways, victorian railways, melbourne -
Melbourne Tram Museum
Poster, Yarra Trams, "Stay on Track", early 2000?
Poster - A3 - two colours printed on white paper titled "Stay on Track" with pictograms for behaviour on trams - eg no food, keeping feet off seats, validating tickets, keeping door closed. Has the good behaviour in green and the poor or not allowed behaviour in light blue - not easy to read. Published by Yarra Trams - actual use?trams, tramways, posters, yarra trams, behaviour, by laws -
Melbourne Tram Museum
Sign, "Free Tram Zone", Late 2014
Sign - Free Tram Zone logo and background colours printed on a sheet of 5mm clear Perspex. Adam Chandler advised 15/11/2019 - These were prototypes in the office - from memory this was to evaluate the effectiveness of the treatment to tram stop shelter glass (at a much reduced scale)." Unknown sign manufacture - produced for the PTV late 2014.trams, tramways, free tram, signs, shelters, public transport -
Bendigo Historical Society Inc.
Textile - Silk food covers
Three square light silk table/food covers with floral flower motifs embroidered in each corner. Main colours are pink, yellow, aqua, purple. Each piece has a slightly different colour combination: the flower pattern is constant in the three cloths. A 5cm border is hemmed along the edges of each cloth. Favaloro collection.silk food covers, favaloro -
Bendigo Historical Society Inc.
Ephemera - SHOWBAGS COLLECTION: ROWNTREE SHOWBAG
Rowntree showbag. The bag design is in yellow, red, blue, orange, black and white colours. On one side the words: Good show! there's nothing as nice as Crispin Rowntree, underneath a picture of the Rowntree's Crispin bar. On the other side the words: have a break, have a Kit Kat Rowntree, underneath a picture of the Kit Kat bar.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities. -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: SUMMER CAR TRAM - ORIGINAL, 1935
Sepia tone photo of 'Brush Summer Car' No 8(?) Electric Supply Company livery. On back handwritten, 'Bendigo Electric Tramway 1935 ''Brush''' Summer Car - Electric Supply Company Colours', stamped in purple ink on back, 'Printed by Olivers Bendigo' Handwriten on back in black ink ' P.8 T.R 3/Colperson, individual, basil miller -
National Wool Museum
Rug, Tascot Templeton Carpet (TTC), c.1990
This rug was woven in the mid-1990s at the Tascot Templeton Carpet (TTC) mills in Devonport, Tasmania. It was an in-house design. The rug was woven as a one-off design exercise and was given a Golden Thread Award by the Australian Wool Corporation. The design never went into standard stock production and was never released for public sale. This rug has been woven with 100% wool on a 1 metre wide loom. The loom was purchased by TTC from United Carpet Mills of Preston and the rug was woven to demonstrate the capabilities of these looms. This rug is an example of Wilton weaving. Wilton differs from Axminster in that it is usually Loop Pile and 100% wool whereas Axminster is Plush (cut) pile and normally 80/20 wool nylon blend. TTC manufactured primarily high-quality narrow and broad loom, Axminster and Wilton carpets for the domestic and commercial market. They operated from the early 1960s until their closure in 2011. This rug was also on display in the Tascot Templeton head offices before being donated to the National Wool Museum in 2021 by Roger Warn. 3 x 3-meter carpet rug woven in 1-meter wide sections. The pattern repeats 3 times both in the width and the length. Starting from the bottom left corner, a square can be seen within a larger circular shape. These circular shapes connect end on end across the width and length of the rug. 5 Circles make up the length of the rug while 6 circles make up the width. Numerous small shapes encompass the entirety of the rug. These small shapes work together to form many interconnected repeating forms that draw your eye in a new direction every time you look at the rug. The predominant colour of the rug is a purple background with blue, cream and orange colours making up the foreground colours.carpet rugs, woollen rugs, tascot templeton carpets, axminster carpet loom -
Ballarat Tramway Museum
Ephemera - Ticket/s, J.J. Miller, ESCo Morning and Evening Weekly Ticket, 1/6, early to mid 1920's to 1930's
Ticket contained within Reg. Item 2488, page 31, ESCo, Ballarat Tramways, Morning and Evening Weekly Ticket, price 1/6, printed for Week 2, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, off white and teal, numbered 7743 available only between the City and Macarthur St. Notes the conditions of use, the time available for which the ticket may be used and where. Ticket has been punched or nipped a number of times. Printed by J.J. Miller, Melbourne. Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.Some inscriptions about the ticket in pencil.trams, tramways, tickets, weekly tickets, esco -
Bendigo Historical Society Inc.
Book - BOOK - 38TH BATTALION AIF PRESENTATION OF COLORS & LETTER, 11/06/1916
Small book for Ceremonial Presentation of Colors of 38th Battalion Australian Imperial Force by His Excellency the Right Hon. Sir Ronald Munro Ferguson, P > C. G. C M. G. On behalf of The Citizens of Bendigo on Sunday, 11th June, 1916 at 3 p. M. Printed by Bolton Bros, Bendigo. The program outlines Presentation of Colours Ceremonial, names of Regimental Staff, Duties, Companies and the names of Officers and the Consecration of Colours. On the front is the Rising Sun Badge with Australian Commonwealth Military Forces and two crossed flags. On the right is the Union Jack and on the left is the green 38th Battalion flag. The letter is from Allan Wilkie who has sent $10 to cover his subscription to the Historical Society and he enclosed the 38th Battalion AIF booklet on the Presentation of Colors. Two copies of this booklet.book, bendigo, 38th battalion aif, book, 38th battalion aif presentation of colors, allan wilkie, bendigo historical society, william henry wilkie, sir ronald munro ferguson, lady helen munro ferguson, c h davis, r o henderson, a fraser, j m mccusker, r m marks, w n gunson, p s spark, p j telfer, h w joseph, j j code, a runting, f e fairweather, j h moore, g v lansell, r e trebilcock, l lipshut, w j collins, c h peters, l l smith, e f moore, h dench, e w latchford, f c morrison, f r b martin, g hurry, j akeroyd, r d tyers, j l whitehead, w maxwell, h mccoll, a j a maudsley, h f selleck, w l bogle, w williams, a l reid, w h orchard, j b o'donnell, t e green -
Australian Army Museum of Western Australia
Queen's Colour - 1st Infantry Regiment (WA Volunteer Forces), 1895-96
Presented to 1st Infantry Regiment (WA Volunteer Forces) by HE the Governor of WA, Lt-Colonel Sir Gerard Smith, KCMG at a Queen's Birthday parade held on the Recreation Ground, Bazaar Terrace, Perth (now where the Esplanade is situated), on 28 May 1896. Consecrated by Senior Chaplain of the Forces, the Very Reverend Dean Goldsmith. Purchased by the WA Government, with the sanction of the Home Authorities, the colour was manufactured at the Pimlico Army Clothing Depot, London. It was the first Queen's Colour to be presented to a Western Australian Army unit. (A detailed description of this colour appeared in "The West Australian" of 23 May 1896) This colour was subsequently inherited by successor Militia units to the 1st Infantry Regiment, including 11th Australian Infantry Regiment (Perth Regiment), 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The colour was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 7 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time, this colour later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these Colours to the Museum in November 1993. Purchased by the WA Government, with the sanction of the Home Authorities, this was the first Queen's Colour to be presented to a Western Australian Army unit. (A detailed description of this colour appeared in "The West Australian" of 23 May 1896)Union flag with red and gold fringe. In the centre a circle inscribed "Western Australia", surmounted by a crown. Within the circle a black swan on gold background.military heraldry -
Bendigo Military Museum
Photograph - Photographic Technicians performing tasks at the Army Survey Regiment, c1960s, c1970s
These five photographs were most likely taken in the 1970s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Photos .1P to .3P are annotated with the name of the technicians written on the back. Although Photo .4P is not annotated the technician is positively identified. In these five photos the technician is applying a UV-sensitive pigmented dye emulating one of the print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. The coated sheet was dried before placement in a vacuum light frame beneath a stud registered map negative. They were then exposed to a carbon arc lamp. If there was more than one negative – typical for a type impression or 1st proof, the process was repeated for the other negatives of that print colour. There was a single exposure for composite negatives which was typical for the 2nd and final proof - the pre-press proof. The sheet was removed and washed with water and dried leaving the exposed colour impression. The technician repeated this process using process or spot dyes for remaining publication colours. Type impressions were a combination of the map grid and the topographic features in their correct print colours, forming a base for the cartographer to accurately position map names and symbols on a clear film overlay. The pre-press proof was a cost-effective way of producing a one-off visual copy of the map or chart product. It enabled cartographers to perform a quality inspection and correct any faults before publication. The pre-press proof was deemed authoritative before its release to Print Troop for bulk printing and distribution.This is a set of photographs of lithographic technicians preparing map proofs at the Army Survey Regiment, Bendigo c1960s c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, SGT Graham Jeffers, Lithographic Squadron .2) - Photo, black & white, c1970s, SGT Ken Slater Lithographic Squadron .3) - Photo, black & white, c1970s, Ian ‘Loft’ Turner, Lithographic Squadron .4) - Photo, black & white, c1970s, Gary Kerr, Lithographic Squadron .5) - Photo, black & white, c1960s, unidentified, Lithographic Squadron.1 to .3 – personnel names (less rank) annotated on back. .4 to .5P – no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, Lady's black nylon gloves c1960, c1960
3 pair of lady's black nylon gloves of varying length worn c1960 for outdoor and evening occasions. c1960 Gloves were still worn by women for shopping visiting, and evening functions and the length of the glove indicated its time of use. Gloves were colour matched to shoes and handbags and certain occasions required specific colours eg black for funeral, evening wear or business appointment. Gloves were an essential part of a woman's outfit until c1970 when fashion dispensed with this accessory . Gloves are now worn for warmth of to prevent cross infection of disease. Lady's black nylon gloves a) short length with frill on the cuff; b) medium length with diamante decoration ; c) elbow length with rouching clothing, gloves, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire blackburn nance, dairy farms, fruit orchards -
Warrnambool and District Historical Society Inc.
Plaque, Barongarook, C1970's
This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Barongarook was the winner in 1964. This series of plaques were painted by local artist Leslie Lamey and depict the colours of the winning jockey.They originally were in the Members' enclosure at the Warrnambool Race course.These plaques have local sporting ,historical and social significance..1 White painted metal plaque with painting of jockey silks , White jacket front with red Maltese cross and blue sleeves and cap. dabs of black paint .2 Silver metal plaque with engraved black text. .1 " Barongarook" in red texta on back of plaque. .2 Mr R C Williams Barongarook Winner of the Grand Annual Steeplechase 1964," engraved in black text.barongarook, warrnambool, grand annual steeplechase -
Uniting Church Archives - Synod of Victoria
Equipment - Printing block, 1935 - 1966
In 1918 the Rev Harold Wheen presided at a meeting at Bondi and outlined the Constitution and the Ritual of the Methodist Girls' Comradeship. He suggested that members submit designs for a badge, incorporating the chosen colours (blue, white and gold) and the new name, Methodist Girls' Comradeship. The badge designed by Miss Bessie Sanger of Bondi, an ivy leaf signifying friendship, was chosen and subsequently became the badge of the Comrades Section of the Order. Wooden cube shaped block with a metal printer's die attached. The die is a replica of the Methodist Girls' Comradeship ivy-shaped badge emblem with the initials of the Comradeship inside and the motto at the bottom."MGC" "THE UTMOST FOR THE HIGHEST"methodist church of australasia, printing, methodist girls' comradeship, rev harold wheeen, bessie sanger