1. & 2. DPCU (Disruptive Pattern Camouflage Uniform) Sewing kit plus an extra cover. Colours - light to dark green through to mid to dark brown. Cotton/Polyester fabric with metal press stud flap closer and black colour woven tape. Rectangular shape with two pockets - rolls up to store. 1. Contents of sewing kit, four reels of cotton/polyester thread, colours white, khaki, dark and lighter green, nine plastic buttons, four dark green, two light brown, three white. Two safety pins and one metal thimble. Eight silver metal sewing needles. 1. & 2. Manufacturers stamp inside top flap.Manufacturers information - black ink stamp. 1. "CLAYTONS/ NSW ^ 2007/ NSN 8315 66 134 9185/ Name/ Service No." 2. "SIRWAY 2011/ NSN 8315-66-184-9185/ NAME/ PM KEYS NO".accessory, army, sewing kit

Items souvenired by Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P..1) Medal, brass, Japanese, ribbon and clasp. Medal is detached from ribbon mount. Medal one side , bird with flags, other mountains and writing. Ribbon colours, 2 blue, yellow, 2 reds .2) Medal, brass, Japanese, Ribbon and clasp. Medal one side, 2 with helmets over scroll and writing. other bird with spread wings. Ribbon colours 4 shades red and yellow. .3) Medal , metal, Japan's, ribbon. Medal one side is tree and flower arrangement, on rear, writing. Ribbon is red and white, .4) Ribbons x2, Japanese fitted with metal clip. 1, Red and white 2, , 2 blues, 2 reds ,yellow.metalcraft, medals japanese

Demonstrates how ESCo managed Weekly tickets during the late 1920's and yields information about the way the system was arranged. The source of the ticket, NSW tramways is significant in that it was obtained by them as a sample.Lunch hour Weekly Ticket, price 1/6, printed for Week 1, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, orange and brown, printed on off white card, numbered 1387 available only between Mt Pleasant and Doveton St. between the hours of 11.50am and 2.30pm. Notes the conditions of use, the time available for which the ticket may be used and where. Printed by J.J. Miller, Melbourne. Ticket has been removed from a block - has staple hole at the top. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.trams, tramways, tickets, weekly tickets, esco

This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. This plaque would have accompanied a larger plaque with the winning jockey's colours. These items relate to a significant part of Warrnambool's sporting and social history.Small metal plaque with black text. Mrs O M Kirby. YES SIR Winner of the Grand Annual Steeplechase 1967warrnambool, grand annual steeplechase, horse yes sir

Items relating to H.V.Rooke VX47141, refer Cat No 4906.2.1) Silk handkerchief square with round corners edged in differant colours. One half has coloured red flowers, green leaves. .2) Silk handkerchief square with pink edges, blue internal shape like a vine all round with blue flowers, each corner has a pink scroll.On .1) “BR”accessory, silk, handkerchiefs

This item was produced by a Melbourne Tea, Coffee and Cocoa Merchant importers(1898-1960). It was a time when local production of, coffee had yet not begun. Imports from India and the Asian region had dominance in the market place. The blending of coffee with chicory was a cheaper method of providing a flavour enriched drink which was marketed as "containing not less than 55 parts per cent by weight of coffee" The coffee weighed heavier than the chicory. This was a time before strict accurate consumer information/content became mandatory and legally enforceable.This empty container of "Sunbeam" Coffee and Chicory finely ground "instant - just add boiling water" beverage was the start of the "fast" breakfast drink. The use of grinding the coffee beans and percolation to obtain the final drink was at the start of the rural sector's decreasing the time for casual drinking. The once casual countryside psyche was now (mid to late 1900's) becoming more "on the go".This cylindrical container (coffee and chicory) is constructed from pressed cardboard with both ends enclosed by tin(pressed) lid and bottom. The outside wrapping is promotional and descriptive in the colours of purple background and information label areas with purple lettering on a white and silver background. The cylinder is made from 2 mm pressed cardboard.Main label " No.1" underneath "Sunbeam" underneath "COFFEE and CHICORY" UNDERNEATH "Containing Not Less than %% Parts Per Cent By Weight of Coffee" underneath in Hand Writing" Griffiths Bros Limited", below this "TEA ,COFFEE & COCOA MERCHANTS" Below this" Mellbourne, Sydney, Adelaide" and lastly "net 1lb weight". Alternate side "The Following Well Known Economical & Flavoury Teas" underneath this "Packed Specially For The Trade" underneath "SUNBEAM & VICTORY SIGNAL COCOA" and in smaller print "Absolutely Pure, Made in Australia" underneath Equal To The Best Imported"breakfast containers, food storage, instant coffee, speed breakfasts, domestic

Oil painting by J.B.Perry of Golden Mile Eaglehawk. Poppett Heads. Mining sheds. Duchess Tribute. G.M.Co. Painted in grey and brown oil colours. Markings on back: Golden Mile Eaglehawk. An original in oils from an early black & white photo by John. B. Perry. DR 277. Num 21.J.B. Perryplace, building, gold mining site

Pamphlet - folded photocopied A4 sheet folded to A5, titled "Invitation - Join us at the Ballarat Tramway Museum to reinvent a "Floral Tram" for the 2019 Begonia Festival", providing project information, materials, criteria, colours, inspirations and workshop dates along with contact details. Use to start the project - June 2018.trams, tramways, btm, floral tram, flowers

Table lamp with tubular wick, paraffin. Cast brass decorative base with four feet, cast brass interior and burner, with glass exterior and covering. Pink and white base colours on glass, with floral pattern printed on both sides of lamp. Cover a semi-circular shape with round neck opening on top.… Success…' (some words unreadable) embossed on burner platelighting, kerosene & oil, table lamp, brass, glass, paraffin, floral

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Image of a king with falling coronet and cockerel on head all set against a background of eastern walled city with sun overhead and caption cloud with words 'EX LIBRIS ALEXANDER MIHAYLOV'. Pencilled beneath image 'The Golden Cockerel' 9/10 L Kotelnikova 2020. Printed in colours of red, black and gold.'The Golden Cockerel' 9/20 L Kotelnikova 2020 pencilled beneath image.keith wingrove memorial trust, 2021 australian bookplate design awards, liudmila kotelnikova, lithography

Colour print of BTM W4 class tram 671 in the City of Ballarat colours on an BTM organised tour in conjunction with the Rail Tourist Association. Photographed by David Frost at the South Melbourne Beach, route 1 terminus with the Bleak House hotel in the background. Date 13-4-1996. Z3 149 is at the terminus as well.Demonstrates the work of BTM and the City of Ballarat tram.Colour photograph print on Kodak paper.btm, tram 671, w4 class, tramways, trams, tours, south melbourne beach

Part of the equipment issued to service personnel for carrying equipment.Two compass pouches in army camouflage colours. Fold over lid with black button to seal. On back is canvas reinforcement with steel clips. When closing two separate studs on inside to allow for variation in size. Stamped on inside of cover part serial No. and other data. Small stud air hole at bottom.1. Written on inside lid "GRI 480" (possibly "O" is "6".) Stamped inside is serial No. "8465 - 66 - 125 - 3167" also "Trade partners ..Nov 2001". 2. On inside lid stamped Serial No. "8465-66-125-3167" and page 03-96.compass, camouflage, equipment

The formation of the Bendigo Sub Branch goes as far back as 1915 - 16. Sub Branch Charters began in 1920Charter, timber frame with gold edge, the charter is ornate re the R.S.S.I.L.A Bendigo Sub Branch established and constituted. Has the "State of Victoria" at the top with 3 flags and RSL Badge central followed by various text styles and colours regarding the establishment of a Sub Branch. A red seal in the bottom left hand corner.Main points, "Doth hereby establish and constitute the Bendigo Sub Branch" "Dated this first day of July 1920" "Jas Martin President" "AM David Secretary"brsl, smirsl, charter

Ribbon set from WW2- ribbon represent area of service and awards received. Alfred Charles JURY VX66822 2nd AIF Ribbon set from soldier WW2. Brass pin on back on 2 metal plates, Material ribbons encased in plastic (clear) for protection. Ribbon have 10 colours (dark blue, dark red, light blue, light red, dark blue, green, yellow, green, light blue, light red)Noneww2, war ribbons

Peter Ball collection, refer Cat No 4704Rain coat camouflaged colours green & black, buttons on front, around base has a cord pull string, large green sewn in label with makers instructions & space for name, rank, has internal pocket to fold the raincoat into for easy carrying as per photo, two green nylon straps for attaching to equipment.On the label, “M Class 8416 - 66 - 021 - 5442” On label in texta, “3796117 BALL PC”camouflage, rain coats, clothing

Item received by John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details and Miss McLURE.Christmas stocking made from a Hessian bag. The bag is edged with red, white and blue wool threads. "AIF" is stitched in large large letters same colours. A large red, white and blue possibly silk letter "V" is also stitched in. A piece of white cloth is stitched on with address details hand written. "VX3857 L/Cpl J Edwards Gaurd Coy 2nd Aus Gen Hospital AIF Abroad". "from A McLure 40 York St Prahran Vic".handcrafts- sewing, manchester, fabric/trimming, xmas

This plate was painted by J.J. Forrester in 1922. John James Forrester, the son of John Lamb Forrester and Maria Hexter, was an architect in Warrnambool in the early 20th century. He had an office in Kepler Street (1910) and in Koroit Street (1916). He lived in the house in Liebig Street that was formerly the first Savings Bank and was erected in 1860 (7A Liebig Street today). Forrester was a staunch member of the Presbyterian Church and was the co-architect for the re-building of the interior of St. John’s Presbyterian Church in Warrnambool after it was destroyed by fire in 1920. John Forrester was also a noted artist of his time and several of his works of art have survived. A landscape by him is in the possession of the Warrnambool and District Historical Society. This plate is one of two painted by Forrester that survive today.This plate, although damaged, is of interest because it was painted by John James Forrester, a Warrnambool artist from the early 20th century. This is a china plate showing a seascape painted by John James Forrester in 1922. It depicts a coastal scene of rocks, birds and sailing boats. The colours are in mauve/brown/ white tonings and are slightly opalescent. The plate has brown/grey handles with one broken and repaired. The plate is oval-shaped with a slight dip and a stand at the base. Front of plate: ‘J.J.F.’ On base: ‘J.J. Forrester 1922’ john james forrester, history of art in warrnamool, history of architecture in warrnambool, history of warrnambool, china painting

Dereel is in western Victoria.Geological map of Dereel in the County of Grenville featuing six colours (predominantly grey and yellow). WGS 84 Centroid Lat: 37 degrees 48 feet 50 inches S Long:143 degrees 42 feet 10 inches S N-S: 6.4 km E-W: 15.2 km dereel, ferdinand krause, crown lands department, plan

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

Reproduced for Centenary of Federation 1901-2001Tea Towel. Reproduction of a World War I poster titled 'A Call from the Dardanelles' featuring a uniformed soldier with the words 'Coo-ee-Won't YOU Come?' Across the landscape behind his legs 'Gulf of Saro Sea of Marmara'. Across the bottom 'ENLIST NOW'. Colours are predominantly blue, green and khaki.(C) Australian War Memorial 2001manchester, work cloths, domestic items, cleaning

A commercial publication issued by the local Sunbury community, featuring stories of people and events in Sunbury as well as advertising local businesses. It has been printed on glossy paper with a colourful cover with 8 small photos and the title written in different colours on the front and the rest of the cover contains advertisements. The inside pagesw are in black and white.non-fictionA local community magazine.community magazines, sunbury times

‘By Wagga Design’ is the winner of the Art Quilt Australia 2019 Expressions: Wool Quilt Prize. Barbara Mellor, of St Helens in Tasmania, made this quilt after researching the history of waggas and was fascinated by this early form of recycling. ‘By Wagga Design’ is her contemporary take on the traditional wagga that was born out of hard times and limited resources. Barbara wrote the poem below while thinking of the workers who used waggas while travelling: Black night campfire night sheep in the shadows dreams on the track a comforting wagga stitched with love for a homesick heart. The wagga was made in 2017 and was first submitted into the Bay of Fires Art Prize. In 2018 the wagga was submitted into the Break O’Day Stitchers Quilting and Embroidery Exhibition, where it won the Hanger’s Prize. Barbara sourced the fabrics used from a variety of places. Some are from her personal collection while others were given to her. She purchased a woollen three-piece suit from a local op shop and decided to incorporate it into the design, making some unique and distinctive shapes. Another distinctive feature of the quilt is the patch labelled ‘Parkside’. Barbara noted that it was cut from a blanket she purchased from a garage sale from a property that had once been a caravan park titled ‘Parkside’ in the 1960s. The filling of the wagga contains the rest of the Parkside blanket.Quilt made from various woollen garments and bedding in cool tone colours. Patches mostly cut into square and rectangle shapes. Three patches made from a second-hand woollen suit, showcasing the arm with cuff buttons, pocket flap on a hip pocket containing a pocket square and front of vest with buttons. wagga, art quilt australia, expressions: wool quilt prize

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8133.1 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. 8133.2 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. The bottom hem of the shirt is asymmetrical with the back of the shirt longer than the front. 8133.3 - Red fabric sample. 8133.4 - Red fabric sample. 8133.5 - White fabric sample with permanent marker writing "F22630." This sample also has the tag attached. 8133.6 - White fabric sample. 8133.7 - White fabric sample. 8133.8 - Green fabric sample.8133.5 - On tag - "Allan Robison Textiles Design F22853 82m 30 Wangaratta St Richmond Victoria, 3121, Australia Tel 429 - 9600 Fax 427 - 0594"1992 barcelona olympics, sport, athletes, fashion, design, uniform

The Advocate (Melbourne, Vic. : 1868 - 1954) Thursday 12 January 1939 p 31 Advertising ANGUS & CO PTY LTD MANUFACTURERS OF CLAG THE BEST HOME AND OFFICE PASTE AND WRITING INKS SHOWCARD COLOURS INDIAN INKS RUBBER STAMP PAD INKS MUCILAGE, GUMS, ETC. ANGUS & CO. PTY. LTD. MELBOURNE AND SYDNEY. Round thick clear glass ink bottle with text and monogram embossed on base.'154', 'ANGUS & CO PTY LTD', '3M'. Monogram 'A' with flat top enclosing 'G' over 'M'.ink bottle

Located in opportunity shop in Melbourne, where it was purchased for $2. The donor has considerable knowledge of chicken scratch embroidery (surface weaving on cross-stitch on gingham to emphasise colours). She considers this the best example of the art she has seen, with several very rare stitch combinations. It has been posted to experts overseas and in Australia for examination.Half apron in red and white gingham with chicken scratch embroidery and white rick-rack braid. Backed with white lawn.embroidery, handcraft, craft

Photograph of Bendigo Tram 24 in 1947 painted in the SEC colours with a cream rocker panel, the prewar SEC scheme. The tram is ex Hawthorn Tramways Trust No 32, which became MMTB No. 138 before being sold to the SEC arriving in Bendigo late 1945. Photographer unknown. See item 326, Bendigo Tramways by Keith Kings.Yields information about Bendigo tram 24 appearance in 1947Photograph, black and white, with notes on rear.In ink "No. 24 car Bendigo 1947" and the Ken Magor stamp.tramways, trams, bendigo, bogie trams, tram 24

Constable Alexander Fitzpatrick had a questionable character even before being posted to Greta Police Station in 1878. He made an attempt to arrest Dan Kelly but did not follow correct procedure. He went by himself and had also been drinking beforehand. While Fitzpatrick stated that he was assaulted and suffered a minor gun show wound at the hands of "Ned" Kelly and other family members, his claims were disputed by them. The Kellys "went bush" after this incident and two police parties - one led by Michael Kennedy - were sent in pursuit of them.Sepia toned photograph on cardboard showing Constable Alexander Fitzpatrick holding a riding crop with left elbow resting on a pillar."J.E. Bray, Photo Beecworth" (underneath photograph). "Portrait & Landscape Photographer J.E. Bray Beecworth, Victoria. Negatives kept, copies 1/. each, may be had by forwarding name and address accompanied with remittance to the amount of the order. Photographs coloured in water colours" (on reverse of carte de visite)alexander fitzpatrick, edward kelly, ned kelly, kelly gang, arrest, greta police station, 1878, bushrangers, carte de visite, bray, beechworth

These items are typical of souvenir items which would have been commonly purchased by visitors and locals alike.The Warrnambool war memorial is one of the city's most recognisable monuments. The granite column is is 38 feet tall, and topped by the Angel of Peace.At the base is an Australian Soldier with head bowed which is carved in Italian marble. The monument is backed by a wall which has the names of 1100 soldiers from the First World War from Warrnambool and district. of whom 240 were killed. The names of WW 2 soldiers who lost their lives were added on the western section after that conflict. A common object which relates to one of Warrnambool's important landmarks..1 Spoon. .2 Fork. A silver spoon and fork both with a patterned handle with a medallion with an oval image of the Warrnambool War Memorial.It is in enamelled in colours of blue white green with outline in metal. The enamelled ovals are both surrounded by a silver scalloped rim. Both are in a red box with white text and have a clear cellulose cover. Peninsula plate EPNS A1. Soldier's memorial Warrnambool. Swann and Hudson Peninsula Plate is printed on the box.warrnambool, souvenir spoon, souvenir fork, warrnambool war memorial

Railways Collection - colour photo (part of a series) of an Unspecified number of Multi wheel Super Heavy Transport Vehicles-all of which appear to be transporting Railway related items. The front vehicle appears to be carrying a partly scrapped Locomotive Diesel engine in VR gold and blue colours and a boy is standing on the road beneath the Locomotive.photograph, train, diesel